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Train to Busan

Train to Busan is a South Korean action directed by from a screenplay by Park Joo-suk and , starring as a divorced fund manager escorting his young daughter, played by , on a train journey from to amid a sudden outbreak. The film, produced by with a budget of approximately ₩8.5 billion (around $8.5 million USD), runs for 118 minutes and blends intense survival thriller elements with on class divides and human selfishness during crisis. Filmed primarily on sets replicating Korea's KTX high-speed train cars, Train to Busan marked Yeon Sang-ho's live-action directorial debut following his animated works like The King of Pigs, and it premiered at the Cannes Film Festival's Midnight Screening on May 13, 2016, before its wide South Korean release on July 20, 2016. The ensemble cast includes Jung Yu-mi as a pregnant passenger, Ma Dong-seok as a tough baseball coach, and supporting roles by Choi Woo-shik, whose performances contributed to the film's emotional depth amid the confined, high-stakes setting. Production emphasized practical effects for the zombie hordes, with visual effects by Dexter Studios enhancing the outbreak sequences. Upon release, Train to Busan achieved massive commercial success, grossing over $98.5 million worldwide against its modest budget, including $81.2 million in alone, making it the highest-grossing Korean film domestically at the time and setting records in markets like , , and . Critically acclaimed for its gripping pacing, character-driven narrative, and genre innovation, the film holds a 95% approval rating on based on 128 reviews, with consensus praising its thrilling take on infused with heartfelt family drama. It received 36 awards and 42 nominations internationally, including wins for Best Director at the and Best Feature at , as well as technical honors at the . The film's influence extends to inspiring a franchise, with the 2020 standalone sequel and animated prequel , solidifying Train to Busan as a landmark in South Korean cinema and a global zombie genre staple that revitalized interest in Asian horror exports. Its themes of and societal critique continue to resonate, earning praise for elevating beyond typical tropes through relatable human stories.

Story and Characters

Plot

Seok-woo, a busy fund manager estranged from his young daughter Su-an, agrees to escort her on a high-speed train from to so she can visit her mother for her birthday. As they board amid subtle signs of national unrest—such as military vehicles rushing toward the city and vague news reports of civil disturbances—the train departs without incident. Shortly after leaving the station, a severely ill woman staggers aboard from a and collapses in a passenger car. She soon convulses and transforms into a , aggressively biting a who then infects others in a rapid . The s exhibit rage-virus characteristics: they move with ferocious speed, spread almost instantly through bites or contact, respond aggressively to and movement while having limited vision, and are unable to manipulate complex objects like door handles. Panic erupts as the infection overruns several train cars, forcing survivors to barricade themselves in isolated compartments. Seok-woo and Su-an seal themselves in one car, where they encounter other passengers including the burly Sang-hwa and his pregnant wife Seong-kyeong, a boisterous high school baseball team led by Yong-guk and accompanied by his cheerleader girlfriend Jin-hee, two elderly sisters named In-gil and Jong-gil, a homeless man, and the self-serving businessman Yon-suk with his wife and daughter. Initial attempts to contain the outbreak fail as infected passengers break through barriers. The train makes an emergency stop at the deserted Daejeon station, militarized but overrun by zombies on the platforms. A small group ventures out to restart the train but inadvertently allows zombies to board during re-entry, leading to brutal fights where survivors use improvised weapons and exploit the zombies' weaknesses, such as their inability to navigate stairs or tight spaces effectively. Sang-hwa emerges as a heroic figure, using his strength to hold back hordes and protect the group. Tensions rise due to Yon-suk's selfish actions, such as shoving others aside to secure safety for himself and his family, exacerbating divisions among the passengers. The train halts again at East station amid further chaos, where Yon-suk locks a on fleeing survivors, dooming Jin-hee and others to infection; Jin-hee turns and nearly kills Yon-suk before he escapes. In-gil sacrifices herself by luring away to save the group, while Jong-gil later opens a in , allowing more inside and leading to her own death. The homeless man aids the survivors by distracting but is overwhelmed and killed. As the train nears , the remaining group—Yong-guk, Sang-hwa, Seong-kyeong, Seok-woo, and Su-an—must traverse the length of the train to reach the front car. Sang-hwa, bitten during a desperate defense, urges his wife to flee and throws himself from the train to prevent infecting her. In the climax, the train arrives at Busan station, declared a safe zone, but finds the tracks blocked and the platform swarming with . The survivors fight their way to the exit, with Yong-guk sacrificing himself to hold off the . Seok-woo, bitten while shielding Su-an from an attack by the zombified Yon-suk, confronts his earlier detachment and entrusts his daughter to Seong-kyeong's care. He hurls Yon-suk from the train and then leaps to his death to avoid becoming a threat. Seong-kyeong and Su-an, the last uninfected, stagger toward a blockade at the station's edge. Mistaken for zombies by tense soldiers, they are nearly shot until Su-an begins singing a her father had taught her, proving their humanity. The soldiers lower their weapons and rescue the pair, marking their survival amid the .

Cast

The cast of Train to Busan comprises a talented ensemble of South Korean whose performances emphasize the film's themes of , sacrifice, and human connection during crisis, with standout portrayals driving the emotional intensity.
ActorCharacterRole Description
Seok-wooA high-powered fund manager and distant father whose protective instincts evolve under pressure.
Su-anSeok-woo's young daughter, embodying innocence and resilience central to the story's heart.
Jung Yu-miSeong-kyeongThe pregnant wife of Sang-hwa, providing quiet strength and maternal warmth.
Sang-hwaA burly, passenger who emerges as a selfless ally and source of .
Choi Woo-sikYong-gukA cheerful high school player traveling with his , adding youthful energy.
Yon-sukA self-serving whose actions highlight themes of selfishness.
Supporting roles include as the homeless man, a limping figure who aids the protagonists with unexpected kindness; Woo Do-im as Cabin Attendant Min-ji, a train staff member caught in the initial outbreak; and as In-gil, a brief but poignant maternal figure.

Production

Development

Director , known for his animated films such as (2011) and The Fake (2013), transitioned to live-action directing with Train to Busan, marking his first feature in that medium. His background in , including the zombie-themed (2016), influenced the film's conceptual origins, as Train to Busan was conceived as a live-action psychological thriller unfolding the day after the events of . Yeon drew inspiration from the confined environment of South Korea's real high-speed trains, blending tropes with heightened tension in limited spaces like train cars and stations. The script was co-written by and Park Joo-suk, prioritizing emotional family dynamics and realistic human responses to crisis over supernatural horror elements. It emphasized ordinary passengers' behaviors in a zombie outbreak, drawing from influences like United 93 (2006) and The Mist (2007) to ground the narrative in plausible reactions within the train's restricted setting. The was portrayed as a non-supernatural originating from a leak at a biological factory in the South Korean countryside, with subtle hints of government involvement in its spread. provided financing, securing a of $8.5 million to support the shift from animation to live-action. Pre-production involved detailed planning to capture the train's layout accurately, including car configurations and movement restrictions, to enhance the film's spatial realism. Yeon's expertise informed extensive work, focusing on dynamic action sequences in confined areas and innovative emphasizing rapid, bone-snapping movements for a stylized yet realistic effect. The project was initiated in 2014, with casting beginning that year, and received official greenlight approval in 2015 ahead of . Actor was attached early as the lead, suggested by a and accepted by Yeon for his suitability to the role of a flawed .

Filming

Principal photography for Train to Busan took place over four months, from April 26 to August 18, 2015. The primarily utilized studio-constructed railcar sets for interior train scenes, equipped with LED rear screens to simulate passing scenery, while exterior shots were captured on real high-speed train tracks and at actual railway stations including , Cheonan-Asan Station, Station, and Dongdaegu Station in . These locations provided authenticity to the film's depiction of a outbreak spreading along the Seoul-Busan route, with Station serving as the key site for the chaotic first major infestation sequence. The film's technical execution blended practical effects and digital enhancements to depict the confined, high-stakes action aboard the train. Practical makeup and prosthetics, crafted by artist Hwang Hyo-kyun, created the zombies' grotesque, vein-bulging appearances and elements, emphasizing their rapid, convulsing movements inspired by the director's background. was employed by Digital Idea for crowd simulations of zombie hordes overwhelming platforms and for high-speed crash sequences, such as the train's , to amplify the scale within limited physical spaces. Filming in the narrow train cars presented challenges, requiring improvised choreography for fight scenes; actors like noted the difficulty in timing strikes against zombies' erratic, twisting motions, often necessitating over 20 takes per setup to align with post-shot integration. Post-production focused on intensifying the film's tension through meticulous editing and audio work, conducted within the overall of approximately $8.5 million. Editor crafted rapid cuts to build during chase and barricade sequences, ensuring the pacing mirrored the train's relentless momentum. incorporated layered zombie growls—blending human vocalizations with distorted effects—and immersive train ambiance, including screeching brakes and rumbling tracks, to heighten and urgency; a significant portion of the budget was allocated to . Actor safety was prioritized during intense stunt work, particularly in Ma Dong-seok's fight sequences as the protective Sang-hwa, with coordinated stunt teams managing the risks of and simulated impacts.

Release

Marketing and Premiere

The world premiere of Train to Busan took place at the in the Midnight Screenings section on , where it screened out of competition and garnered early international attention for its high-stakes zombie thriller premise set aboard a high-speed train. The film's debut at , featuring red carpet appearances by lead actor and director , helped build anticipation through festival coverage that highlighted its blend of and emotional depth. In , the film was released theatrically on July 20, 2016, by distributor , following the buzz that positioned it as a major summer . Internationally, Well Go USA acquired North American distribution rights ahead of a limited U.S. theatrical rollout on July 22, 2016, focusing initially on major cities before expanding to wider screens. This phased approach began with Asian markets, leveraging regional interest in zombie genres, before shifting to through targeted arthouse and multiplex placements. The marketing campaign emphasized the film's emotional core, particularly the father-daughter relationship amid the chaos, rather than solely its elements, as seen in official trailers that opened with family dynamics before escalating to threats on the . Posters prominently featured the iconic barreling through apocalyptic landscapes, with silhouettes of passengers and figures to evoke tension and confinement, distributed across print, digital billboards, and online platforms. Viral efforts included clips of pivotal scenes shared by the official accounts, which capitalized on the premiere's momentum to amplify word-of-mouth in the weeks leading to the domestic release. These strategies tied into the growing hype around Korean narratives, positioning Train to Busan as a genre-defining entry that blended with heartfelt storytelling.

Box Office

Train to Busan was produced on a budget of $8.5 million and achieved a worldwide gross of $98.5 million, representing a significant of over 11 times its production cost. In its home market of , the film earned $81 million from 11.57 million admissions, marking it as the highest-grossing release of 2016 and establishing it as a benchmark for at the time. This performance was bolstered by its summer release on July 20, 2016, which aligned with peak audience turnout, and robust word-of-mouth that propelled sustained attendance. The film's domestic run set multiple records, including the fastest to reach 5 million admissions in just five days and the first film of 2016 to surpass 10 million admissions, accomplished in 19 days. Its opening five-day period generated $34.3 million from 4.75 million admissions, capturing 75% of the overall box office that weekend and underscoring its immediate appeal as a entry. Internationally, Train to Busan contributed the bulk of its earnings outside , with strong showings in various markets driven in part by its high-profile midnight premiere at the , which heightened global awareness.
MarketGross EarningsNotes
$81 millionHighest-grossing film of ; 11.57 million admissions
& Canada$2.2 millionLimited release performance
$1.95 millionKey European market
$1.5 millionStrong Latin American entry
$8.5 millionHighest-grossing Asian film at the time; surpassed local records
Other Territories$3.85 million (combined)Included records in and as top Korean films
Long-term, Train to Busan held the distinction of being the highest-grossing film globally until it was surpassed by Exhuma in , while also maintaining records as the top title in several Asian markets for years following its release. Its financial success highlighted the growing international viability of genre films, particularly in the category.

Home Media

The home video release of Train to Busan began in with the DVD edition on December 28, 2016, distributed by FNC Add Culture, followed by the Blu-ray version on February 22, 2017. These initial releases included special features such as behind-the-scenes footage detailing the production of key action sequences on the train sets. Internationally, the film saw a UHD Blu-ray edition released by Well Go USA on November 29, 2022, featuring enhanced video resolution from a digital intermediate master and supporting audio. Region-specific physical editions include limited SteelBook packaging, such as the Walmart exclusive UHD version launched in the United States on February 20, 2024. Digital distribution expanded the film's accessibility, with streaming availability on in select international markets beginning in 2017 and continuing in regions like the as of November 2025. It is also offered on , where viewers can access both subtitled and English-dubbed versions. Special editions cater to collectors, including limited packaging with artwork posters inspired by the film's imagery, though dedicated sets with replica zombie props remain scarce. In , the initial limited-edition DVD sold out rapidly upon release, reflecting strong post-theatrical demand. As of 2025, standard high-definition formats continue to dominate home media options, with no confirmed remastered versions announced for the film's 10th anniversary in 2026.

Reception

Critical Response

Train to Busan received widespread critical acclaim upon its release, praised for its blend of intense action and emotional resonance within the zombie genre. On , the film holds a 95% approval rating based on 128 critic reviews, with a critics' consensus describing it as a "thrillingly unique -- and purely entertaining -- take on the zombie genre, with fully realized characters and plenty of to underscore the bursts of skillfully staged action." The audience score stands at 89%. On , it earned a score of 73 out of 100 from 17 critics, indicating generally favorable reviews. Critics frequently highlighted the film's emotional and focus on themes, which elevate it beyond typical fare. Variety commended its "relentless locomotive momentum" and humane elements that offset the zombies' aggression, noting how the protagonist's "gradual reform" adds depth to the narrative. Similarly, Brian Tallerico of awarded it 3.5 out of 4 stars, calling it a "wildly fun movie, beautifully paced and constructed, with just the right amount of character and ," and praising the father-daughter dynamic as a for mending relationships amid crisis. The innovative use of a confined setting amplified the zombie action's tension, creating claustrophobic sequences that reviewers found exhilarating. Korean critics acclaimed the film for its social undertones, particularly its commentary on and in society. Local reviewers praised the "brilliant" choice of a setting to explore these themes, which resonated deeply in the South Korean context. While predominantly positive, some reviews pointed to minor flaws, such as reliance on melodramatic tropes and lengthy character monologues accompanying deaths, which occasionally disrupted the pacing. Over time, the film's has evolved into status, with its impact enduring as an innovative and subversive entry in global horror cinema.

Accolades

Train to Busan received widespread recognition from both Korean and international film awards bodies, particularly during the awards season from late 2016 to early 2017. The film garnered 42 nominations and 36 wins across various festivals and organizations, highlighting its critical and commercial success as a . In , the film achieved notable success at major industry awards. At the 37th in 2016, Train to Busan won for Best Technical Achievement (Special Effects) (Kwak Tae-yong and Hwang Hyo-gyoon) and Most Viewed Picture. It received 11 nominations at the event, including for Best Film, Best Supporting Actor ( and ), Best Supporting Actress (Jung Yu-mi), and Best New Actress (). At the 53rd in 2016, the film was nominated for Best Director () and Best Special Effects (Jung Hwang-su), though it did not secure wins in those categories. won Best Supporting Actress at the . Internationally, Train to Busan earned acclaim at genre festivals and beyond. It won the Audience Award for Best Asian Feature and the Cheval Noir Award for Best Feature at the 2016 Fantasia International Film Festival. The film was nominated for Best Supporting Actor (Ma Dong-seok) at the 2016 Fright Meter Awards and Best International Film at the 43rd Saturn Awards in 2017. At the 2016 Cannes Film Festival, where it premiered in the Midnight Screenings section, the film received a standing ovation from audiences. It also secured five nominations at the 11th Asian Film Awards in 2017, including for Best Screenplay.
Award BodyYearCategoryResultRecipient
2016Best Technical Achievement (Special Effects)WonKwak Tae-yong, Hwang Hyo-gyoon
2016Most Viewed PictureWonN/A
2016Best DirectorNominated
2016Best Special EffectsNominatedJung Hwang-su
Fright Meter Awards2016Best Supporting ActorNominated
2017Best International FilmNominatedN/A
2017Best ScreenplayNominatedPark Joo-suk
2016Audience Award (Best Asian Feature)WonN/A
2016Cheval Noir Award (Best Feature)WonN/A

Themes and Analysis

Social Commentary

Train to Busan offers a pointed of inequality in South Korean society through the stark contrast between and working-class characters during the zombie outbreak. The wealthy businessman Yon-suk exemplifies selfish by blocking train doors to protect first-class passengers, effectively sacrificing working-class survivors, which underscores the disposability of the underprivileged under . In opposition, characters like Sang-hwa, a blue-collar , embody communal through acts of sacrifice, such as holding back s to allow others to escape, highlighting how fosters division while offers redemption. This portrayal reflects broader anxieties about South Korea's stratified structure, where neoliberal policies exacerbate social hierarchies and necropolitical decisions prioritize survival. The film also explores themes of family and personal redemption, particularly through protagonist Seok-woo's arc as a neglectful father. As a high-powered fund manager, Seok-woo initially prioritizes his career over his daughter Su-an, symbolizing the work-life imbalance prevalent in modern South Korean society, where long hours and corporate demands erode familial bonds. His transformation during the crisis—from self-absorbed professional to sacrificial protector—represents a redemptive journey, culminating in his ultimate act of love to ensure Su-an's survival, critiquing how capitalism alienates individuals from meaningful relationships. This narrative arc reinforces paternal masculinity as a vehicle for familial restoration amid societal collapse. Broader societal critiques emerge in the film's depiction of government incompetence and gender dynamics. The chaotic outbreak response, with ineffective quarantines and misinformation, serves as a for real-world disasters like the 2014 Sewol ferry sinking, where delayed government action and false reassurances led to widespread loss of life, mirroring the isolation of train cars and abandonment of vulnerable passengers. On gender roles, women are often positioned as carriers of infection or symbols of vulnerability, yet survivors like the pregnant Seong-kyeong challenge traditional expectations by demonstrating resilience and maternal strength in a patriarchal context. Scholarly analyses post-2016 further link these elements to neoliberalism's promotion of , portraying the as a man-made crisis born from economic deregulation and eroded communal ties. Following the (2020–2023), the film's emphasis on versus selfishness and the need for gained renewed relevance, with critics noting parallels to global crisis responses and measures.

Genre Elements

Train to Busan revitalizes the zombie horror genre through its depiction of fast-moving, sight-dependent that depart from the slow, shambling popularized by George A. Romero's films. The are agile and relentless, infected by a rapidly spreading akin to a MERS-like originating from a or corporate leak, with occurring via bites that turn victims within seconds. These creatures exhibit poor , making them vulnerable in low-light conditions, and are primarily triggered by visual cues and movement, heightening the film's tension in enclosed spaces. The film's action-horror fusion is amplified by its confined setting aboard a high-speed train traveling from to , where narrow carriages and connecting doors create claustrophobic battlegrounds for outbreaks. Passengers engage in intense fight scenes using improvised weapons like baseball bats, emergency hammers, and train fixtures, blending visceral gore with high-stakes chases reminiscent of 's swarm dynamics but grounded in character-driven drama. This setup escalates the horror through escalating outbreaks that spread car-to-car, forcing survivors into desperate, emotionally charged decisions amid the chaos. In terms of genre innovation, subverts traditional tropes by centering a flawed, self-preserving whose involves protecting his young daughter, infusing the with that contrasts the 's typical cynicism. The mix of and heartfelt family drama emphasizes emotional stakes over mere survival mechanics. Pacing builds relentlessly from isolated incidents to full-scale infestations, while —featuring jolting effects and suspenseful scoring—enhances the dread of unseen threats in the train's metallic confines.

Legacy and Follow-ups

Cultural Impact

Train to Busan significantly contributed to the global expansion of the , or Hallyu, within the horror genre by introducing emotionally resonant narratives to international audiences. The film's success popularized Korean media, inspiring a wave of domestic and global productions that blended high-stakes action with social allegory, as seen in subsequent works like the film #Alive (2020), which echoed its confined-space survival themes. This influence extended to fan culture, with widespread creation of memes featuring lead actor , alongside extensive fan art on platforms like and , and at events such as Cosplay Mania in 2016. In , the film boosted the visibility of director , transitioning him from animated works to live-action blockbusters and earning him international acclaim, as highlighted in subsequent interviews and projects. It played a key role in the surge of local cinema popularity, reinforcing the appeal of Korean genre films amid a record year for domestic productions. Scholars in media studies have analyzed Train to Busan for its innovative emotional depth in zombie storytelling, adapting Western genre conventions to reflect Korean national trauma, such as the 2014 Sewol Ferry disaster, through melodrama and critiques of societal selfishness. This approach marked an evolution in the zombie genre, localizing global tropes to emphasize human relationships and collective responsibility over mere horror. The film's enduring legacy includes merchandise such as action figures of characters like the "Tough Guy" and apparel, available through retailers like and . Retrospective screenings in 2025 at various international events underscore its lasting appeal ahead of the 10th anniversary in 2026. It attracted 11.6 million theatergoers in , contributing to its global success with a worldwide gross of $98.5 million.

Prequel

Seoul Station is a 2016 South Korean animated zombie horror film written and directed by Yeon Sang-ho, serving as a prequel to Train to Busan. Released on August 18, 2016, the film explores the initial outbreak of the zombie virus in Seoul, centering on interconnected stories involving a runaway teenage girl named Hye-sun, her estranged father Suk-gyu, and other civilians caught in the chaos as the infection spreads rapidly through the city. The establishes key connections to Train to Busan by depicting events set just hours before the main film's timeline, illustrating the virus's emergence from a leak at a biological factory involving , which leads to the nationwide . It shares the same , including consistent zombie mechanics such as rapid infection via bites or blood, sound-attracted aggression, and the undead's inability to navigate stairs effectively. These elements provide backstory to the outbreak's origins in , explaining how the contagion escalates to threaten the high-speed train journey in the successor film. Produced on a modest budget of approximately $575,000, marked Yeon Sang-ho's return to feature-length animation following earlier works like (2011), allowing for experimental storytelling unbound by live-action constraints. The film's voice cast includes as Hye-sun, as Suk-gyu, and as Ki-woong, contributing to its intimate character-driven narrative amid the horror. Critically, it holds a 100% approval rating from 24 reviews on , praised for its , though audience reception was more mixed at 39%, and it achieved lower commercial success with a worldwide of $2.03 million compared to its live-action counterpart. Distinct from Train to Busan's more hopeful tone, adopts a darker, gorier aesthetic enabled by , emphasizing , societal neglect, and despair during the outbreak's early hours. This approach expands the franchise's universe by delving into the human cost at ground zero, with themes of marginalization highlighted through characters like the homeless and sex workers. The film is available for streaming on platforms such as , broadening access to its prequel narrative.

Sequel

Peninsula (Korean: Bando; lit. "Half Island") is a 2020 South Korean action horror film serving as a standalone sequel to Train to Busan. Set four years after the zombie outbreak that devastated South Korea, the story follows Jung-seok (played by Gang Dong-won), a former Republic of Korea Marine Corps officer living in exile in Hong Kong. Recruited for a high-stakes mission, Jung-seok and his team infiltrate the quarantined Korean Peninsula to retrieve a truck containing $20 million in cash from an abandoned armored vehicle in Incheon. Along the way, they encounter feral zombies, hostile human survivors led by a ruthless family, and Jung-seok's own estranged family members who have adapted to life in the wasteland. The narrative emphasizes high-octane action sequences, including vehicular chases through zombie-overrun streets and shootouts, while exploring themes of redemption and survival in a post-apocalyptic society, though it features less emotional intimacy compared to the original film's focus on familial bonds. Directed and co-written by , who also helmed Train to Busan, was produced by Lee Dong-ha with a budget of approximately $16 million. The cast includes as the protagonist, alongside as his sister Min-jung, Kim Do-yoon as his nephew Chul-min, and in a supporting role. Principal photography took place primarily in , with key locations in , , and surrounding industrial areas to depict the ruined landscape, supplemented by scenes in . Production faced challenges from the , leading to delays in international releases, though filming wrapped before widespread lockdowns. The film premiered in on July 15, 2020, and received a limited U.S. theatrical release on August 7, 2020, via Well Go USA Entertainment. At the box office, Peninsula grossed over $42 million worldwide, with South Korea accounting for the majority of earnings, though its performance was hampered by theater closures and restrictions during the ongoing pandemic. In the U.S., it earned about $1.2 million from a limited release. Critically, the film holds a 55% approval rating on Rotten Tomatoes based on 132 reviews, with the consensus noting its ambitious action but uneven execution. Reviewers praised the film's spectacular set pieces and zombie horde sequences for their visceral energy, but criticized its reliance on CGI-heavy action over character development, often describing it as lacking the heartfelt emotional core that defined the original. Audience scores were more favorable at 76% on the same platform, appreciating the adrenaline-fueled thrills despite narrative inconsistencies. While set in the same universe as Train to Busan, Peninsula maintains loose connections through surviving evacuees from the initial outbreak and adheres to the established zombie lore, where the infected are fast-moving, sound-sensitive creatures that spread via bites or blood contact. The sequel introduces new characters with minimal direct ties to the first film's protagonists, positioning it as a semi-standalone entry intended to expand the zombie apocalypse beyond the train setting into broader societal collapse. This divergence allows for a more expansive, action-oriented exploration of the quarantined peninsula's horrors.

Spin-off

The Last Train to New York is an American spin-off film in development, expanding the Train to Busan universe by depicting a parallel zombie outbreak occurring simultaneously in City's subway and train systems. Produced by through his banner, the project draws inspiration from the original film's confined-space tension while incorporating American cultural elements, such as diverse urban dynamics during the global crisis. It shares the same timeline and zombie virus origin as the 2016 Korean film but features an entirely new ensemble cast, with no involvement from the original actors. The project was initially announced in September 2018 as an English-language of Train to Busan, with attached for distribution. Development progressed slowly, with updates in 2021 confirming 's involvement as producer, but it faced delays due to script revisions and scheduling conflicts. In June 2025, clarified in an interview that the film had evolved into a rather than a direct , emphasizing its placement in the to allow for creative freedom in storytelling. The screenplay was penned by , known for his work on horror films like It, who completed the script by April 2025 while retaining core themes of family survival amid chaos. As of November 2025, the film remains in pre-production under director , with describing it as a "passion project" despite ongoing delays. No official release date has been set, and the project remains delayed indefinitely. Casting remains unconfirmed, but rumors suggest a diverse ensemble to reflect City's multicultural backdrop, aligning with the story's focus on a father-daughter duo navigating the outbreak.

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