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Crying Lightning

"Crying Lightning" is a by the English band , released as the from their third studio , Humbug, on 6 July 2009 (digital EP) and 17 August 2009 (physical formats) by . Written by the band members , Jamie Cook, Nick O'Malley, and , the track marks a shift toward a darker, more atmospheric sound in the band's . Produced by of Queens of the Stone Age and , it was recorded at in . The song features driving guitar riffs reminiscent of movie soundtracks and depicting a tumultuous with vivid, poetic , such as "the mirror's image tells me it's home time" and references to a "sneaking breezer." Released in multiple formats including digital download, CD, and limited-edition vinyl exclusive to shops, "Crying Lightning" received positive reviews for its matured production and energetic delivery. The official , directed by , showcases the band performing in a stylized, narrative-driven setting inspired by 1970s aesthetics. Upon its release, "Crying Lightning" debuted at number 12 on the , spending 10 weeks in the top 75, and topped the UK Independent Singles Chart. It also charted in several other countries, including number 44 in and number 13 on the chart. The single's B-sides included a cover of Cave's "" and the original track "I Haven't Got My Strange," contributing to its collectible appeal. Over the years, the song has become a staple in ' live performances, played over 620 times as of November 2025, and remains one of their most streamed tracks with over 261 million plays.

Background and recording

Development and writing

"Crying Lightning" was written primarily by frontman during the creative sessions leading up to the band's third album, , as part of their deliberate evolution from the sound of their earlier work toward a darker, more aesthetic. Following the rapid production of their second album (2007), the band sought a significant stylistic shake-up to avoid complacency, with Turner noting that previous efforts had felt like "" while embraced a rawer "rock'n'roll" edge. The song's composition drew heavily from influences in 1970s , including bands like , , and , which informed the album's heavier, more atmospheric tone, as well as emerging elements facilitated by the recording environment. This shift marked the band's transition after Favourite Worst Nightmare, where they actively pursued collaboration with external producers like to refine and expand their sound. Turner infused the lyrics of "Crying Lightning" with imagery of emotional manipulation and distress, focusing on disdain for those who use manipulatively, to create a more and first-person perspective than in prior works. Initial demos for the track were developed in , UK, in early 2008, where the song took shape amid the band's experimentation with new material before heading to the for full production. The title "Crying Lightning" emerged as a for streaking down a face amid , evoking the visual of emotional after a tearful confrontation.

Production process

"Crying Lightning" was recorded during the sessions for ' third album, , which took place from November 2008 to April 2009 at Pink Duck Studios in , and in , among other locations. The track itself was captured at Pink Duck Studios and . The song was co-produced by of Queens of the Stone Age and , who collaborated with the band starting in November 2008 after an initial meeting in September 2007. Homme emphasized a raw, echoing aesthetic to capture the isolation of the setting, drawing from influences like , , and to create a heavier, slower sound. He guided the band in experimenting with live basic tracks followed by targeted overdubs, using vintage equipment such as Optigans and keyboards for texture. Key production elements included layered guitars treated with reverb and distortion, dynamic drum patterns from , and O'Malley's bass lines—achieved via a Webcor reel-to-reel machine used as an amp—supporting a brooding of 107 . John Ashton contributed keyboards for atmospheric depth and backing vocals on the track. Homme also advised to adopt a more restrained, vocal style, shifting toward a crooning delivery distinct from the band's earlier work.

Composition and lyrics

Musical structure

"Crying Lightning" blends with elements, running for a duration of 3:43 and following a verse-chorus form augmented by an extended bridge. The song is composed in the key of , featuring a mid-tempo groove at 107 propelled by Matt ' syncopated rhythms and bassist Nick O'Malley's driving bassline, while guitarist Jamie Cook's riff-heavy guitars deliver the primary hook. It opens with a twangy guitar that transitions into verses characterized by sparse , gradually building tension toward the at approximately 1:56, where multi-tracked vocals and emphatic crashes create an explosive dynamic shift. The bridge, commencing around 2:45, introduces a psychedelic slowdown with echoing effects on the guitars, before resolving into an outro that fades out amid sustained guitar . This track marks a departure from the band's earlier material through its incorporation of Josh Homme-influenced spaciousness and reduced frenetic energy, yielding a hazier, heavier sonic palette under his production guidance.

Lyrical content

"Crying Lightning" was written by the band members , Jamie Cook, Nick O'Malley, and , with by Turner. The portray a dysfunctional romance centered on a manipulative partner, depicted through vignettes that highlight deception and emotional manipulation. In the opening, the narrator observes the partner "practicing a magic trick" outside a cafe by the cracker factory, a scene symbolizing illusory charm and underlying deceit in their interactions. The narrative progresses through fragmented moments of tension, including intrusive "rude thoughts" as the partner talks and chews on sweets. This builds to reflections on mutual fear and unwanted attraction to the partner's strange and deranged pastimes, culminating in the where the partner is depicted "crying lightning," evoking the dramatic image of running like bolts down a tear-streaked face, capturing the emotional of the . The central of "crying lightning" evokes the dramatic visual of running like bolts down a tear-streaked face, capturing the emotional of the . Recurring themes include the push-pull of desire and repulsion, as the narrator admits hating that they want the despite the , and a surreal undercurrent blending everyday observations with emotional intensity. employs vivid, colloquial to ground the story in gritty realism, such as references to the "cracker factory" (possibly nodding to local industry) and the partner having "chewed on your last ," enhancing the song's raw, conversational tone. This track marks an evolution in Turner's songwriting, shifting from the observational, character-driven narratives of earlier albums like Whatever People Say I Am, That's What I'm Not to more introspective and personal explorations of darker psychological territory on .

Release and promotion

Release details

"Crying Lightning" served as the lead single from ' third studio album, , which was released on 24 August 2009 by . The track received its digital release on 6 July 2009 via and as a three-track EP. Physical formats followed on 17 August 2009, including a standard 7-inch (Domino RUG338) and a (Domino RUG338CD). A limited-edition 7-inch version was distributed exclusively through charity shops in the UK, priced at £2.99 with all proceeds benefiting the organization; each copy included a postcard with a code for a free download of the tracks. The single's B-sides consisted of a cover of and the Bad Seeds' "Red Right Hand" (duration: 4:19) and an original instrumental track, "I Haven’t Got My Strange," written by (duration: 1:29). Additional formats encompassed promotional copies such as advance and DVDs, alongside the standard digital single; however, no major remixes were produced or issued at the time of launch. The song made its radio debut on during 's show on 6 July 2009, coinciding with the digital rollout.

Marketing efforts

The marketing campaign for "Crying Lightning" emphasized its role as the lead single from ' , , launching with intensive radio exposure in the UK. The track premiered on 's show on 6, 2009, receiving heavy rotation alongside live sessions at in August 2009, where the band performed an exclusive version. Additional airplay on stations like XFM and in the helped build anticipation, while the band delivered high-profile live renditions, including on in September 2009, showcasing the song's raw energy to a broad television audience. Promotion tied closely to the rollout, with exclusive previews featured in music publications such as , which covered early live debuts and the single's production details ahead of its August 17 release. The physical formats innovatively linked to charity efforts: the 7-inch vinyl was sold exclusively through shops for £2.99, with proceeds benefiting the organization, and included "golden ticket" inserts in two copies, each providing a pair of passes to the , to generate buzz among fans. A 10-inch version with an extra B-side, "I Haven't Got My Strange," was available at independent record stores, both formats offering free digital downloads to bridge physical and online sales. Digital bundles via platforms like provided the EP with B-sides including a cover of Nick Cave's "," encouraging pre-album engagement. Internationally, the strategy leveraged the band's Humbug Tour, which spanned in late 2009 with "Crying Lightning" as a set staple, alongside targeted radio adds on stations like 101.9 RXP and 89.3 The Current, where acoustic sessions amplified the track's reach. Press efforts highlighted the band's evolution under producer , with discussing in interviews how the desert recording sessions fostered a darker, more introspective sound, describing the album's vibe as "considered and thought-out" with Homme helping to "crack the code." Post-release, the song anchored festival appearances through 2009-2010, including headlining slots at in August 2009, where live performances reinforced its moody, riff-driven appeal and sustained promotional momentum.

Music video

Production

The music video for "Crying Lightning" was directed by , a filmmaker known for his prior collaborations with on the video in 2007 and the band's live DVD in 2008. Filming occurred in July 2009, capturing the band performing on a small boat amid rough seas to evoke a sense of isolation and turmoil. Produced by Diarmid Scrimshaw under , the project involved director of photography Danny Cohen and editor Owen Oppenheimer, with colour grading by Simon Bourne. The core concept centered on practical effects to depict giant versions of the band members—led by frontman —emerging from the water, blending live-action shots with locals and crew on the vessel. Post-production at incorporated to enhance the sea-rising sequences, creating a richly colored, dreamlike atmosphere that aligned with the song's eerie tone. The band members appeared as themselves, with Turner positioned centrally during performances, supported by extras portraying boat crew and additional locals to populate the surreal nautical scenes. Production faced logistical hurdles, including issues with weather-dependent outdoor shots on the water, which required adjustments to Ayoade's evolving script emphasizing absurdity and detachment. The video premiered on Channel 4's The Album Chart Show on 24 July 2009, marking the lead single's visual debut from the album Humbug. Behind-the-scenes footage, produced by Quark Films, was later released on the Arctic Monkeys' official YouTube channel, offering glimpses into the shoot's creative process.

Content and themes

The music video for "Crying Lightning" is structured in two distinct parts, beginning with the performing the song aboard a cramped, adrift amidst escalating from rough, stormy waters and approaching thunderclouds. This footage is intercut with surreal sequences in which frontman emerges from the sea as a colossal, mythical figure, kneeling dramatically as the tiny navigates perilously between his legs, followed by the other band members rising similarly as luminous giants. Surreal elements dominate the visuals, including the turbulent, storm-lashed that heightens the sense of , and VFX depictions of striking the boat during an instrumental break, as well as glowing effects on the giant band members. These motifs transform the band into ethereal "sea gods" wielding instruments amid the chaos, blending performance with fantastical peril. The video's themes revolve around and release, paralleling the song's depiction of a tumultuous . The boat serves as a for a sinking romance, confined and battered by external forces, while Turner's from the depths and the band's collective emergence as empowered giants signify rebirth and transcendence beyond relational strife. This narrative arc underscores a shift from vulnerability to mythic dominance, reflecting broader motifs of personal turmoil yielding to liberation. Directed by , the video adopts a minimalist style devoid of , relying instead on the band's expressive facial reactions to the rocking boat and environmental mayhem to convey unease and intensity, while juxtaposing their authentic onstage chemistry against the contrived narrative of maritime danger. Filmed primarily at sea for authenticity, these choices amplify the raw, unscripted feel. The video's eccentric, dreamlike quality enhanced the single's allure.

Reception

Critical response

Upon its release as the lead single from ' third album , "Crying Lightning" received generally positive reviews from music critics, who praised its shift toward a darker, more mature sound influenced by producer . Pitchfork's track review highlighted how the song successfully transforms the band's previous " pop" into a slower, heavier style, marking an evolution from their indie punk roots. The album review, rated 7.8 out of 10, described the single as one of the record's "loudest, most aggressive tracks," underscoring its role in the band's sonic progression. DIY Magazine awarded the single 4 out of 5 stars, calling it a brooding standout that demonstrates the band's full potential under Homme's , with growling and eerie vocals evoking the recording environment and adding a sense of sexy menace through its thundering chorus. Similarly, placed Humbug at number 12 on its list of the 50 best albums of 2009. The Guardian's album review, rated 4 out of 5 stars, described "Crying Lightning" as moody and magnetic, appreciating its blend of and atmospheric that infuses gritty with a quivering . However, some critics offered mixed assessments; , in its 3-out-of-5-star album review, viewed the track as innovative for the band's growth despite being less immediate than prior hits, praising its spooky, swaggering dark sexy groove while noting the album's overall maturity comes at the expense of some accessibility.

Legacy and fan impact

"Crying Lightning" has endured as a fan favorite within the , consistently ranking highly in both critic-curated lists and fan-voted polls. For example, music retailer Rough Trade highlighted it as the standout track from in their album rankings, praising its brooding energy. Similarly, included it among the band's essential songs in their comprehensive ordering of the group's catalog. By November 2025, the track had surpassed 262 million streams on , underscoring its lasting appeal. The has been a live staple for since its debut performance on January 13, 2009, in , , with 755 documented plays across tours through November 2025. It appeared in key festival sets, such as 2013—where the band delivered a high-energy rendition during their Pyramid Stage headline—and 2023, often featuring extended improvisational jams that allowed for dynamic guitar interplay and audience engagement, highlighting its versatility in concert settings. In media retrospectives, "Crying Lightning" is frequently cited as emblematic of ' mid-career pivot toward a heavier, more sound on , co-produced by Queens of the Stone Age's . This shift, evident in the track's gnarled riffs and atmospheric tension, propelled the band from UK darlings to figures, influencing perceptions of their evolution. The song has inspired covers by independent musicians, including acoustic and piano renditions shared across platforms, reflecting its resonance in the indie community. The rock-driven elements of "Crying Lightning," such as its driving and lyrical introspection, foreshadowed the polished, riff-heavy aesthetic of the band's 2013 AM, bridging their experimental phase with broader commercial success. Turner's thematic motifs of turbulent relationships in the song recur in his solo endeavors, like the narrative depth in his soundtrack contributions. From a 2025 vantage, "Crying Lightning" continues as a setlist mainstay on tours, maintaining its role in showcasing the band's catalog depth. It has experienced renewed interest among audiences via platforms.

Commercial performance

Chart performance

"Crying Lightning" debuted on the at number 12 on 18 July 2009, driven solely by downloads ahead of its physical release. The spent 10 weeks on the chart, peaking at number 12. It also topped the UK Indie Singles Chart for one week. Internationally, the song achieved moderate success across various markets. The following table summarizes its peak positions on select national charts:
CountryPeak PositionSource
France (SNEP)23Les Charts
Japan (Billboard Japan Hot 100)44Billboard Japan
Austria (Ö3 Austria Top 40)70Austriancharts.at
Switzerland (Swiss Hitparade Airplay)86Swisscharts.com
The physical single release on 17 August 2009 led to a resurgence, boosting its performance on charts as physical sales contributed to renewed entries and climbs in regions like , , and . Compared to the band's prior single "," which peaked at number 5 on the , "Crying Lightning" underperformed on the main singles chart but found stronger traction in indie and rock-oriented formats, including alternative radio airplay. In the United States, the song did not enter the but peaked at number 13 on the chart.

Certifications

In the United Kingdom, "Crying Lightning" achieved Platinum certification from the (BPI) in 2013, recognizing 600,000 units sold. The single received Gold certification from the (RIAA) on September 18, 2025, for 500,000 units in the United States. In Canada, awarded Gold certification on February 12, 2025, for 40,000 units. As of November 2025, no certifications have been issued in other major markets such as or . Total global units, including streaming equivalents, are estimated to exceed 1 million, bolstered by over 261 million streams alone. These awards highlight the track's sustained success through post-2010 streaming expansion, with the recent U.S. and Canadian recognitions linked to increased plays during ' 2023-2025 world tours.

Personnel and credits

Band members

The core lineup of Arctic Monkeys performed on the recording of "Crying Lightning," consisting of Alex Turner on lead vocals and rhythm guitar, who also provided the lyrics as the principal songwriter; Jamie Cook on and backing vocals; Nick O'Malley on and backing vocals; and Matt Helders on drums, percussion, and backing vocals. O'Malley had joined as the band's permanent bassist in 2006 following the departure of original member , solidifying the quartet ahead of sessions for the third album . This lineup remained unchanged from the previous album (2007), with all members based in , during the recording in 2008.

Additional contributors

The production of "Crying Lightning" involved several key external contributors who shaped its sound on the album . served as the primary producer for the track, drawing from his experience with Queens of the Stone Age to infuse a darker, more atmospheric tone. John Ashton, known for his work with the Psychedelic Furs, contributed keyboards and backing vocals to the main track, enhancing its psychedelic edge with subtle organ layers and vocal harmonies. James Ford acted as co-producer across the album, providing overall creative oversight, including guidance on the track's integration within Humbug's sonic palette, though Homme handled the direct production for "Crying Lightning" itself. Engineering duties were led by , who recorded the core elements at , with additional engineering by Claudius Mittendorfer; the track was mixed by at and mastered by at Masterdisk. For the single's B-sides, ""—a of the and the Bad Seeds song—was arranged and performed by under Homme's production. "I Haven't Got My Strange," an original composition, was written by , with music credited to the , produced by , and engineered by .

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