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Endgame study

Endgame study, also known as a chess study, is a type of composed chess problem that presents a legal endgame position requiring a white or black player to demonstrate a win or draw through a sequence of optimal moves, emphasizing artistic merit, surprise, and strategic depth.^[1] These studies differ from tactical puzzles or practical endgame theory by focusing on invented positions that highlight complex maneuvers, often involving fewer pieces on the board to showcase precise calculation and ingenuity, rather than positions arising directly from over-the-board play.^[1] Key requirements include a legally reachable starting position, a sound solution that achieves the stipulation against any defense, and typically a unique main line, though minor deviations may be overlooked if they do not undermine the core idea.^[1] Artistic evaluation in study composition tournaments considers elements like originality, difficulty, economy of material, and stylistic elegance, positioning endgame studies as a blend of chess science and creative art.^[1] The tradition of endgame studies traces back to the 18th and 19th centuries, evolving from early analytical works on chess endings into a formalized genre by the late 1800s, with systematic collections emerging in the early 20th century that cataloged thousands of compositions.^[2] Notable composers have shaped the field, including Alexei Troitsky (1866–1942), widely regarded as the greatest endgame study creator with over 1,000 published works that advanced understanding of pawn promotions and king maneuvers.^[3] Other influential figures include Genrikh Kasparyan (1910–1995), known for his 2,545 studies emphasizing domination themes, and modern composers like Steffen Slumstrup Nielsen, the 2019–2021 World Champion in study composition whose works enhance calculation skills.^[3]^[4] Comprehensive databases, such as Harold van der Heijden's collection exceeding 93,000 studies as of 2020 (with a new edition exceeding 100,000 planned for December 2025), serve as vital resources for verification and study, supported by computer tablebases for positions up to seven pieces.^[1]^[5] Studying endgame compositions sharpens players' tactical vision, piece coordination, and long-term planning, providing insights applicable to all game phases by revealing how small advantages convert into decisive outcomes.^[6] Unlike rote memorization of theoretical endings, studies foster intuitive understanding of dynamic elements like zugzwang and opposition, benefiting players from intermediate to master levels by improving endgame precision and overall chess intuition.^[6] International organizations like ARVES promote the genre through journals, tours, and awards, ensuring its continued relevance in chess culture.^[1]

Definition and Fundamentals

Definition

An endgame study is a composed chess position designed as a puzzle, typically with White to move and tasked with achieving a win or draw through a unique sequence of moves, without a prescribed number of moves or captures unless specified.^[1] The purpose is to illustrate intricate endgame maneuvers in an idealized manner, often starting from sparse board configurations to highlight strategic depth and tactical precision.^[7] Endgame studies emphasize aesthetic and logical beauty, prioritizing elegance in construction and surprise in resolution, which distinguishes them as artistic expressions within chess composition. These positions usually involve a minimal number of pieces—frequently just kings and a handful of pawns or minor pieces—to focus on pure ideas without the clutter of a full game.^[7] The beauty arises from economical use of material and harmonious flow in the solution, evoking admiration for the composer's ingenuity.^[1] Basic rules require the initial position to be legally reachable through a series of prior legal moves, ensuring realism despite the composed nature; however, study-specific liberties allow retroactive analysis for verifying complex pawn structures that might otherwise appear impossible.^[1] The solution must be sound, meaning all variations lead to the stipulated outcome without errors, and it constitutes the only correct path, with any alternative tries elegantly refuted to maintain uniqueness.^[7] Central to endgame studies is the demonstration of key endgame concepts in their purest, most idealized forms, such as zugzwang—where a player is compelled to move and thereby weakens their position—and opposition, a king maneuver that controls critical squares to restrict the enemy king. These elements are showcased unencumbered by middlegame complications, allowing solvers to grasp fundamental principles like tempo control and positional dominance.^[8]

Distinction from Practical Endgames and Other Problems

Endgame studies differ fundamentally from practical endgames encountered in over-the-board play. While practical endgames arise organically from actual games and emphasize positional evaluation, probabilistic outcomes, and adherence to rules such as the 50-move draw, endgame studies are meticulously composed artificial positions designed to demonstrate specific strategic or tactical ideas in their purest form, often ignoring practical constraints like time pressure or the 50-move rule to highlight theoretical possibilities.^[9] These compositions prioritize aesthetic and instructional value over realism, featuring exotic setups—such as multi-piece configurations with blocked pawns—that rarely occur in real games, contrasting with the more fluid, decision-oriented nature of practical play.^[10] Unlike mate-in-n problems, which focus on short, forced tactical sequences leading to checkmate within a limited number of moves, endgame studies permit extended play over many moves and emphasize strategic depth, such as converting a minimal advantage into a win or achieving a draw against superior forces through intricate maneuvering.^[11] Mate-in-n puzzles test immediate pattern recognition and basic forcing lines, whereas studies explore longer-term planning, zugzwang, and opposition, often culminating in a win or draw after 10 or more moves, blending tactics with endgame principles.^[12] Endgame studies also stand apart from retrograde analysis problems and fairy chess variants. Retrograde problems require deducing prior moves to explain the current position, relying on backward analysis of game history, while studies operate under standard rules with forward-oriented play from a given setup, without retroactive justification.^[13] Similarly, fairy chess introduces non-standard pieces, boards, or rules, diverging from orthodox chess, whereas endgame studies adhere strictly to classical FIDE rules, though they may incorporate strategic illusions like decoys or quiet moves to create deceptive scenarios.^[13] In chess education, endgame studies play a unique role by fostering deep calculation, visualization, and pattern recognition skills that extend beyond the immediate demands of practical play. They train players to anticipate multi-move sequences and recognize subtle motifs, such as pawn breakthroughs or piece coordination, enhancing overall strategic intuition and the ability to handle complex positions creatively.^[14] Unlike routine endgame drills, studies encourage imaginative problem-solving, building a richer tactical vocabulary that indirectly improves performance in real games by sharpening foresight and precision.^[12]

Historical Development

Origins and Early Studies

The origins of endgame studies trace back to the medieval Arabic game of shatranj, with the earliest known compositions appearing in 9th-century manuscripts. Al-Adli ar-Rumi, a prominent player under the Abbasid Caliphate, documented the first mansubat—composed endgame positions intended to illustrate wins, losses, or draws—in his treatise Kitab ash-shatranj around 840 AD. These problems, often involving a small number of pieces, emphasized strategic maneuvers in simplified board positions, marking the initial formalization of chess composition beyond casual play.^[15]^[16] Subsequent Arab composers built upon this foundation, with al-Lajlaj (active in the early 10th century) contributing additional mansubat that quoted and expanded on al-Adli's work, further exploring tactical resolutions in shatranj endgames. These early studies were influenced by oriental chess variants, introducing core themes such as king opposition—a reciprocal positioning where kings confront each other to control key squares—which became essential for pawn promotion races and zugzwang scenarios. Al-Lajlaj's compositions, preserved through later compilations, highlighted the intellectual pursuit of perfect play in reduced material settings.^[15] As shatranj evolved into modern European chess during the late 15th century, endgame studies transitioned into printed treatises that adapted these ideas to the new rules, including enhanced queen and bishop mobility. Luis Ramírez de Lucena's Repetición de amores y arte de ajedrez (1497) featured over 100 positions, many focusing on basic win and draw outcomes in pawn and rook endings, serving as instructional tools rather than artistic puzzles. Similarly, Pedro Damiano's Questo libro e da imparare giocare a scachi (1512) included 130 problems, predominantly simple king and pawn maneuvers demonstrating promotion techniques and opposition without elaborate surprises. These early European examples retained the practical orientation of their shatranj predecessors, prioritizing didactic value over aesthetic complexity.^[17]^[18]

Modern Evolution and Key Milestones

The modern evolution of endgame studies commenced in 1851 with the publication of Chess Studies, or Endings of Games by Josef Kling and Bernhard Horwitz, a seminal collection featuring over 200 positions that introduced complex strategic ideas and marked a shift from rudimentary game-derived endings to deliberately composed studies designed for aesthetic and intellectual depth.^[19] This work laid the foundation for endgame composition as a distinct branch of chess art, emphasizing intricate maneuvers beyond practical play.^[20] In the late 19th century, the field advanced toward greater artistry and rigor, with Alexei Troitsky pioneering systematic analysis of pawn endgames through his extensive compositions and theoretical explorations, such as those in his collections that dissected promotion races and opposition dynamics.^[21] Concurrently, Henri Rinck elevated standards by prioritizing soundness—ensuring studies were free from unintended solutions or errors—through his prolific output of over 1,600 compositions and his role as a judge in tourneys, influencing the expectation that studies must withstand scrutiny for purity and logic.^[22] These contributions transformed endgame studies from mere puzzles into refined artistic expressions, focusing on elegance and flawlessness. The 20th century brought institutional milestones, including the establishment of dedicated composition contests in prominent journals: in Russia, Shakhmaty v SSSR (starting 1924) featured regular endgame study tourneys that fostered innovation among Soviet composers, while in Germany, Die Schwalbe (founded 1930) organized similar events that promoted thematic depth and international exchange.^[23] International recognition solidified with the inception of FIDE Albums in 1914, which systematically anthologized the world's finest studies across three-year periods, awarding points toward master titles and standardizing criteria for excellence.^[24] These developments spurred a global community, with albums spanning from 1914 to the present encompassing thousands of vetted positions. From the 1990s onward, key advancements addressed longstanding challenges like "cooks"—flaws such as unanticipated dual solutions—through heightened scrutiny in judging and the advent of computer verification tools, which enabled exhaustive analysis to confirm soundness and retroactively identify errors in historical studies.^[25] This era integrated computational power with traditional composition, enhancing reliability while preserving the creative essence, as evidenced by databases like the Harold van der Heijden Database that catalog 93,839 studies as of 2020 with verified solutions.^[26]

Characteristics and Themes

Core Features of Endgame Studies

Endgame studies emphasize economy of material, typically employing 4 to 7 pieces—including both kings—to concentrate on a central idea while avoiding superfluous elements that dilute the composition's focus.^[1] This restraint ensures that every piece serves a multifaceted role, often contributing to multiple aspects of the solution, thereby heightening the study's efficiency and impact.^[22] A fundamental soundness criterion requires the initial position to be legally reachable under standard chess rules, or justified through retroanalysis if necessary, ensuring the study reflects plausible endgame scenarios.^[1] The solution must fulfill the stipulation—win or draw—against any legal defense by the opponent, featuring a unique mainline with only one correct move at each critical juncture and minimal, non-disruptive alternative tries that enhance rather than undermine the intent.^[27] This rigor, historically emphasized by composers like Henri Rinck to elevate the genre's credibility, prevents flaws that could invalidate the artistic merit.^[28] Aesthetic ideals in endgame studies prioritize a logical build-up that gradually reveals the underlying strategy, culminating in a surprising key move that resolves apparent paradoxes or threats in an elegant manner.^[1] Central to this is the "economy of means," where pieces and moves are optimized for dual or multiple purposes, creating a harmonious structure that maximizes thematic depth with minimal resources.^[22] Such qualities—originality, surprise, and stylistic coherence—not only delight solvers but also distinguish superior studies in compositional evaluations.^[29]

Common Strategic and Tactical Themes

Endgame studies often revolve around strategic themes that underscore the precision required in late-game positions. Zugzwang stands as a cornerstone motif, compelling the player whose turn it is to make a move that inevitably weakens their position, such as losing a pawn or conceding key squares.^[22] This theme is particularly effective in minimalistic setups, where every available option exacerbates the disadvantage, forcing a win for the opponent or a draw through mutual zugzwang.^[22] Opposition complements zugzwang by focusing on king activity, where the kings align directly or diagonally to vie for control of critical squares, often in pawn endgames.^[22] The player who secures the opposition can dictate the pace, maneuvering their king to outflank the rival and impose zugzwang. Triangulation extends this concept through a king's triangular path—typically three moves to cover two squares effectively—allowing the player to waste a tempo and hand the initiative back to the opponent at a disadvantageous moment.^[22] This maneuver is vital in positions where direct opposition is unattainable due to pawn structures or board geometry. Tactical themes in endgame studies introduce dynamic disruptions to static advantages. Interference occurs when a piece is placed to block an opponent's line of communication or support, severing coordination between their forces and creating vulnerabilities.^[22] Deflection builds on this by luring an enemy piece away from a defensive post, often via a sacrificial lure, to unmask threats like pawn promotion or king exposure.^[22] Stalemate combinations exploit the draw by immobilization, engineering positions where the opponent, under pressure, has no legal moves, transforming apparent losses into equitable outcomes through precise piece placement.^[22] Advanced motifs elevate these basics into more intricate designs. Domination restricts an opponent's piece by controlling all its potential squares, effectively paralyzing it without capture and highlighting spatial economy.^[22] Systematic maneuvers involve orchestrated sequences of moves that repeat or evolve a pattern across the board, such as in pawn promotion races where both sides advance passed pawns amid obstacles, with the winner determined by tempo gains or losses through prior themes like triangulation.^[22] In the composition of endgame studies, these strategic and tactical themes must interlock seamlessly to form a coherent sequence, where an initial threat prompts a response that activates another motif, culminating in the intended outcome—be it mate, win, or draw—while refuting alternatives.^[22] This integration ensures the study's artistic merit, as isolated themes rarely suffice for the depth expected in competitive compositions.^[22]

Composition and Analysis

Principles of Composing Studies

Composing an endgame study begins with identifying a core idea or motif, such as zugzwang, stalemate, or a promotion theme, around which the position is constructed using the minimal number of pieces necessary to illustrate the concept clearly and economically.^[30] This approach ensures the study remains focused and aesthetically pleasing, often starting from a specific mechanism like a mating pattern or a game fragment and building outward to incorporate essential elements without unnecessary complexity.^[30] Key principles guiding composition emphasize soundness and artistic merit, requiring the position to have a unique solution where no shorter path to victory or draw exists, thereby upholding the study's intended outcome.^[7] Composers must rigorously avoid "cooks," which are unintended alternative solutions that refute the main line, through exhaustive manual or computational checking to confirm the position's integrity.^[30] Surprise is prioritized as a hallmark of quality, with the key move ideally defying initial expectations to deliver a paradoxical or elegant resolution, enhancing the study's intellectual impact.^[7] The creative workflow typically involves sketching the main line of play to establish the solution's path, followed by introducing counterplay from the opponent to heighten tension and test the idea's resilience.^[30] Refinements then address practical aspects, such as ensuring the position is reachable in a legal game by justifying pawn structures or piece histories, often through iterative adjustments to block dual solutions or unintended moves.^[7] Historically, composers have participated in contests to refine these skills, though the core process remains ideation-driven.^[31] Tools for composition have evolved from manual calculation on physical boards, relying on the composer's deep endgame knowledge, to the integration of chess engines for verification starting in the 1990s as computational power advanced.^[30] Modern software like Stockfish or online analyzers such as Lichess assists in detecting cooks, confirming uniqueness, and evaluating variations, making the process more accessible while preserving the creative essence; recent experiments with AI systems for generating compositions, as in a November 2025 Google DeepMind study evaluating AI-created chess puzzles, further expand these capabilities.^[7]^[32]

Engineering and Refinement Techniques

In endgame studies, identifying and eliminating cooks—unintended solutions or refutations that undermine the intended main line—is a foundational refinement process achieved through systematic try-playing, where composers manually explore alternative moves to uncover duals or flaws. This involves evaluating all plausible white responses to ensure the key move remains unique, adhering to dual-free criteria that demand no alternative paths in thematic lines or main variations, though minor duals in ancillary analytical lines may be tolerated if they do not disrupt the core idea. Computer engines like Stockfish or Houdini assist by flagging suspicious evaluations, such as unexpectedly favorable black defenses (+0.5 to +1 pawn advantage), prompting further manual verification.^[33]^[34] Refinement proceeds iteratively by adjusting piece placement to enhance economy, minimizing material to focus solely on the strategic motif while eliminating redundancies that could introduce cooks. For instance, repositioning a pawn or knight might block an unintended promotion dual without altering the main line's elegance. Ensuring a logical key move follows, where the first white response appears counterintuitive yet strategically coherent, avoiding obvious checks or captures that trivialize the position. Difficulty is then balanced by calibrating the depth of variations—neither too straightforward for solvers nor excessively protracted—often through engine testing to confirm the solution's moderate challenge while preserving paradoxical elements.^[30]^[7] Advanced techniques include retrograde analysis to verify the legality of positions, working backward from the final setup to confirm no illegal pawn structures or impossible piece arrivals have occurred, thus preventing subtle invalidities. Thematic tries, or false paths, are incorporated as deliberate white alternatives that mimic the solution but fail due to precise black counters, heightening the main line's impact without compromising soundness. Engine-assisted testing with endgame tablebases, such as the seven-piece Lomonosov database, validates complex validations by exhaustively probing for hidden wins or draws in up to seven-piece scenarios, far surpassing manual limits.^[35]^[1]^[36] A persistent challenge lies in maintaining artistic merit—such as surprising maneuvers and aesthetic harmony—while achieving mechanical soundness, as over-correction for cooks can dilute the study's creativity. This tension is evident in FIDE album judging, where multiple evaluators scrutinize submissions, yet flawed studies occasionally appear due to overlooked busts or subjective assessments of minor duals, underscoring the need for rigorous, collaborative verification.^[37]

Special Moves and Devices

Castling in Studies

In endgame studies, castling serves as a dramatic tactical device that can abruptly enhance king safety or launch an attack, particularly in sparse positions where the king is typically inactive and exposed.^[2]^[38] This move often functions as the key solution, transforming a seemingly lost position into a draw or win by repositioning the king and rook in a single action, thereby introducing unexpected defensive or offensive possibilities.^[39] For castling to be legal in these compositions, the king and the relevant rook must remain on their original squares without having moved previously, with no pieces intervening between them, and the king not in check or passing through a checked square.^[2]^[38] Composers justify this setup through implied game history or retroactive analysis, assuming castling rights unless proven otherwise by the position's logic, which aligns with standard chess rules codified in the 19th century.^[2] Historically, castling appeared in endgame studies as early as the 19th century, with the first prominent example in Julius Mendheim's 1843 study published in Handbuch des Schachspiels, where it unpins knights to deliver mate.^[2] Its usage gained traction in the 20th century, exemplified by Alexey Selezniev's 1921 study in Tidskrift för Schack, which features castling as the key move to achieve a surprising win.^[2] The impact of castling in studies lies in its ability to subvert endgame expectations, where kings are usually centralized and rooks active, creating moments of aesthetic surprise and strategic depth that elevate the composition beyond routine tactics.^[2]^[39] This device evolved from an artistic rarity in early works to a sophisticated tool in modern Soviet-era studies, emphasizing logical play and complexity.^[38]

Underpromotion, En Passant, and Other Devices

Underpromotion in endgame studies involves deliberately promoting a pawn to a rook, bishop, or knight rather than a queen, typically to circumvent stalemate, zugzwang, or other drawing mechanisms that a queen promotion might trigger. This tactic exploits the unique movement properties of underpromoted pieces—for instance, a knight's ability to control specific squares without immediate capture or a rook's linear control to force concessions. The device enhances the study's artistic merit by introducing unexpected solutions, demanding precise calculation from solvers. The earliest known underpromotion studies date to 1836, composed by Italian patriot Ignazio Calvi and published in the journal Le Palamède, marking a milestone in compositional creativity.^[40] Composers have since developed underpromotion into sophisticated themes, such as the allumwandlung (AUW), where a single pawn successively promotes to all four possible pieces (queen, rook, bishop, knight) within one solution phase. Pioneered in studies by Sigurd Clausén in 1927 and perfected by Harold Lommer in 1933, AUW exemplifies economical construction and thematic richness, often requiring minimal material to achieve maximum effect. Underpromotion remains a cornerstone of modern studies, as evidenced by recent advancements like Gady Costeff's 2024 solution to the long-unsolved Babson task, which integrates multiple underpromotions with retrograde analysis. Design considerations prioritize avoiding cooks (unintended solutions) while ensuring the underpromoted piece directly contributes to the win or draw stipulation.^[40] En passant captures feature in endgame studies to facilitate immediate pawn removals in contrived setups with pawns on adjacent files and advanced ranks, often creating passed pawns or unblocking lines for decisive maneuvers. Unlike practical play, where en passant arises naturally from initial double-steps, studies demand retroactive justification: the position must imply that the captured pawn has just advanced two squares, adhering to orthodox chess rules. This convention, codified by the World Federation for Chess Composition (WFCC), prevents illegal claims and adds a layer of analytical depth, as solvers must verify the move's temporal legality. Early integrations, such as those explored by composers in the early 20th century, highlight en passant's role in pawn-heavy endings to surprise and outmaneuver the opponent.^[2] Other devices encompassing pawn dynamics include promotion batteries, where a pawn's promotion simultaneously activates a latent attack from aligned pieces, such as a discovered check along a file or diagonal. Pawn breakthroughs, meanwhile, involve sacrificial pawn exchanges or advances that dismantle blocking structures, allowing a key pawn to race forward unimpeded—commonly in symmetrical or opposed pawn chains. Rare captures, like those revealing discovered checks upon pawn movement, further amplify tactical tension in endings with sparse material. These elements require meticulous pawn placement for legal execution, ensuring the device aligns with the study's phase and avoids premature resolution, thereby preserving the intended elegance and surprise.^[41]

Notable Examples

Early and Foundational Examples

One of the pioneering works in endgame study composition was the 1851 book Chess Studies or Endings of Games by Josef Kling and Bernhard Horwitz, which presented over 200 positions focused on endgame strategy, including basic king and pawn versus king configurations. A representative example from their collection (puzzle 77) illustrates a win for white through king and pawn opposition, involving white pawns on g3 and h4 against black's counterplay, where the white king maneuvers via triangulation (e.g., Kf4-e4-f3-f4) to gain diagonal opposition and support pawn promotion. This early study demonstrates the complexity of tempo control even in minimal material setups, laying foundational principles for later developments in endgame theory.^[42] Alexei Troitsky, active from the late 19th century, advanced pawn endgame studies with systematic explorations of breakthroughs and promotion races, publishing his first studies in the 1890s. His work emphasized precise pawn coordination to overcome blocked structures, as seen in positions where white achieves victory by forcing multiple pawn advances leading to promotion against black's counterplay. Troitsky's approach introduced rigorous analysis of pawn interactions, such as creating passed pawns through sacrificial exchanges, which became a breakthrough in composing sound, idea-driven positions. These studies highlighted the potential for complex variations in pawn endings, influencing subsequent composers by prioritizing verifiable winning lines over artificial setups.^[9] Henri Rinck contributed to foundational draw studies in the early 1900s, emphasizing minimalism in knight endings where stalemate motifs secure equality against superior forces. Rinck's positions, often involving just a few pieces, underscored the defensive power of knight limitations, promoting economical compositions that avoided unnecessary elements.^[43] These early examples collectively established core endgame themes by focusing on precise king activity and piece coordination. The opposition and tempo maneuvers in Kling and Horwitz's pawn positions provided the basis for advanced techniques like triangulation, where the king makes a triangular path to lose a move and gain optimal positioning—seen implicitly in their opposition wins and explicitly developed in later analyses of similar setups. Troitsky's breakthroughs extended this to multi-pawn scenarios, showing how calculated sacrifices enable promotion paths, while Rinck's draws illustrated stalemate as a counter to winning material advantages, all contributing to the evolution of endgame study as a blend of strategy and artistry.^[20]

Iconic Modern Studies

Richard Réti's 1921 endgame study exemplifies king triangulation as a drawing resource in a seemingly lost pawn endgame, where White's king maneuvers to prevent Black's pawn promotion despite being outside the pawn's square. The position features White's king on e3 with pawns on g2 and h2, against Black's king on f7 with pawns on g6 and h5; White to move and draw. The solution involves king maneuvers to maintain opposition, such as 1. Kg3 Kf6 2. Kf4 Ke6 3. Ke4 Kd6 4. Kd4, allowing White to control key squares and secure the draw. This study highlights the advanced artistry of king path optimization in modern compositions.^[44] Genrikh Kasparyan's 1962 study, published in Magyar Sakkélet, demonstrates a multi-phase draw through zugzwang and interference, characteristic of the Armenian school of composition that emphasizes intricate piece coordination. White, to move and draw, employs a rook sacrifice and bishop maneuvers to disrupt Black's pawn advance and bishop activity: 1. Ra1 a2 2. Ke6 Ba3 3. Bf4 Bb2 4. Be5 a3 5. Kd5 Bg6 6. Bd4 Bf7+ 7. Ke4 Bc4 8. Rg1, reaching zugzwang where Black's pieces are interfered with, leading to stalemate or pawn loss. Kasparyan's work underscores the evolution of endgame studies toward layered tactical depths, influencing subsequent composers in the Soviet era.^[45] Leopold Mitrofanov's 1967 study, awarded first prize in the Rustaveli Memorial Tournament, initially intended a win for White but contained a cook discovered in 1970, which was corrected by altering the promotion to underpromotion to a bishop, transforming it into a flawless win. The original line involved 1. b6+ Ka8 2. Re1! Nxe1 3. g7 h1Q 4. g8Q+ Bb8 5. a7 Nc6+ 6. dxc6 Qxh5+ 7. Qg5!! Qxg5+ 8. Ka6, but the cook allowed Black a draw via 2...Nc4+ 3. Kb5 Nxb6 4. g7 Ka7. The fix incorporates underpromotion at move 4 to g8B instead of queen, blocking Black's defenses and ensuring White's pawn promotion after deflection of the black queen, demonstrating the iterative refinement process in study composition. This correction elevated the study to iconic status for its deflection theme and rare underpromotion device.^[46]^[45] In the late 20th century, Vasily Smyslov contributed elegant studies, emphasizing precise coordination in rook and minor piece endgames. These works reflect the growing complexity and engine-testing nature of modern endgame studies. A notable engine-challenged example is Frédéric Lazard's 1946 study, where White draws with bishop and knight versus queen and multiple pawns via 1. Ne4+ Kh4 2. Nf6 Qe1+ 3. Kg2 Qd2+ 4. Kh1 Qe1+ 5. Kg2, cycling checks to force perpetual while pawns are blockaded; modern engines like Stockfish initially mis-evaluated it as a loss for White until deeper analysis in the 2010s confirmed the draw, illustrating how computational limits once obscured human ingenuity in complex positions.^[47]

References

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What is an Endgame study? - www.arves.org
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a Portuguese chess player who lived from 1480 to 1544. A native of Odemira, he was a pharmacist by profession.Missing: 16th | Show results with:16th
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Jan 31, 2012 · Josef Kling (March 19, 1811 – December 1, 1876) was a German chess master and chesscomposer. In 1851 he wrote Chess Studies with Bernhard ...Missing: modern Practical<|control11|><|separator|>
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This is a study of all of Alexey Troitsky's endgame studies. If you don't know who he is, T.Alexey(1866-1942) was one of the best endgame composers in history.
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Theme (introduced by the famous French chess composer Henri Rinck) where a black piece has wide freedom and is still captured. ... Soundness. Together with ...
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Sep 20, 2013 · I distinctly recall that many moves in older books have been cooked. All responsibly produced chess books now have been checked by computer.Instructive chess positions (and famous games/studies containing ...Is three knights versus knight really winning? - Chess Stack ExchangeMore results from chess.stackexchange.comMissing: 1990s | Show results with:1990s
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[28]
[PDF] Section D –Endgame studies
In other words, the two parts of the study - introduction and climax - melt together into a harmonic whole. The final stalemate is known from a (cooked) study ...
[29]
Composing endgame studies - Chess.com
May 14, 2019 · Here is a short introduction to the composition of endgame studies. Any study is related to at least one specific motif, for example mate, promotion, stalemate ...
[30]
https://www.chess.com/blog/jhellsten/composing-endgame-studies
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Many cooks spoil the study - ChessBase
Apr 24, 2021 · Awani Kumar (India) celebrates the 150th birthday of the French master with an article about Rinck's research into knight tours, presenting also ...
[32]
[PDF] A MINOR DUAL IS NOT A BIG DEAL - Arves.org
(Minor) dual: White is able to meet the stipulation in an alternative way, but this doesn't fully spoil the study. 'It is a flaw and the degree of seriousness ...
[33]
[PDF] Retrograde Analysis - Mayhematics
TABLE OF CONTENTS. I. ILLEGAL POSITIONS. 1. Retrograde Stalemate. 2. Excessive Pawn Captures. 3. Illegally Situated Pieces. Nos. 1-2. No. 3. Ncs. 4-5. Nos. 6-9.
[34]
Engines and endgame tablebases - ChessBase
Tablebases are databases with perfect answers for a set number of pieces. Engines use them to improve their endgame analysis.
[35]
[PDF] Endgame studies : an exercise in frustration?
a fair number of endgame studies. ... Otb players like studies which can be understood without obscure analysis, have few pieces, a single main variation and a.
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Study of the Month - A short history of endgame study castling II
Jun 25, 2022 · Continuing where we left off in April, we dive again into endgame studies which involve castling. With many pioneering studies out of the way, ...
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Study of the Month - A short history of endgame study castling III
Mar 28, 2023 · 1979 was a very interesting year for castling in endgame studies. The magazine Shakhmaty v SSSR held a thematic tourney and the Joachim Reiners ...
[38]
Underpromotion Milestones - ChessBase
Oct 25, 2024 · The very first underpromotion studies were published by Ignazio Calvi, an Italian patriot of the 19th century. He published his study in the ...
[39]
Practical underpromotion - De website van Tim Krabbé
Underpromotion in chess is promoting to Rook or Bishop, sometimes to remind the opponent to resign, or when the new piece is captured anyway.
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Horwitz and Kling 1851 - Chess Forums
Apr 20, 2020 · To get the diagonal opposition white has to make a triangle with his king. He can go either Kf4-e4-f3-f4 or Kf4-f3-e4-f4 or Kf4-g3-f3-f4.Endgame studyRook & pawn endgamesMore results from www.chess.com
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Henri Rinck Chess Endgame Study Database Selection | PDF - Scribd
Rating 5.0 (2) The document contains chess endgame studies with positions, moves, and results. 2. The studies examine various endgame scenarios and techniques for achieving ...
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[PDF] The Chess Endgame Studies of Richard Réti : Introduction - JSB
“The author very subtly deceives the solver by the prepared battery position [composers' jargon for a position allowing a discovered check], of which the ...
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Endgame studies - NiNa.Az
Not all studies are as simple as the above Réti example. This study (first diagram) is by Genrikh Kasparyan (first published in Magyar Sakkélet, 1962).
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A genius' bad luck. - De website van Tim Krabbé
One of the most beautiful endgame studies ever composed is Mitrofanov's famous 'Rustaveli-study' of 1967, better known as 'the study with Qg5'.Missing: underpromotion | Show results with:underpromotion
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composer Frederic Lazard - Chess Forums
Aug 12, 2019 · Like GMs, SF is trained to win games, not to solve awkward artificial positions and it does very poorly on this one! It is a brilliant study ...Missing: 1946 engine challenge<|control11|><|separator|>