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Gave Up

"Gave Up" is a song by the American industrial rock band Nine Inch Nails, written by frontman Trent Reznor and serving as the sixth and final original track on the band's 1992 EP Broken. Released on September 22, 1992, by Nothing, TVT, and Interscope Records, the EP—including "Gave Up"—was recorded secretly across multiple studios amid a legal dispute with Reznor's previous label, TVT, to maintain creative control and shift toward a more aggressive, guitar-driven sound following the band's debut album Pretty Hate Machine. The track runs for 4:08 minutes and features Reznor's raw vocals over intense instrumentation, including contributions from John Lennon's Mellotron for an otherworldly tone. Co-produced by longtime collaborator , "Gave Up" exemplifies the EP's raw aggression and helped Broken peak at No. 7 on the , earning a Grammy Award for the related "Wish" in the Best Metal Performance category. The song has become one of ' most enduring live staples, ranking as the fifth most-performed in the band's setlists according to from Setlist.fm. A notable for "Gave Up," directed by Jon Reiss, was shot in 1992 at —the former site of the Tate-LaBianca murders—with guest performer on guitar and vocals. The video's chaotic, performance-based style, filmed amid the house's infamous history, underscores the song's themes of frustration and surrender, contributing to its cult status among fans.

Background and recording

Development and inspiration

Trent Reznor wrote "Gave Up" in 1992 during the sessions for the Broken EP, a period marked by his deepening personal breakdown and mounting frustration with the music industry. Amid a contentious legal battle with his label , which had restricted his creative control and tour support following the success of ' debut album , Reznor channeled his anger and depression into the track. This conflict arose after the 1989 release of , when Reznor's rising fame clashed with label demands for more commercial material, leaving him feeling trapped and disillusioned. The song's aggressive tone drew directly from Reznor's experiences with post-fame and self-loathing, which intensified his of a "steady systematic decline" and battles with inner demons. Having achieved sudden notoriety, Reznor grappled with the of , describing the era as an "ugly time in my life" that fueled a raw, expression of . These personal struggles transformed "Gave Up" into a visceral outlet, reflecting his desire to create that repelled casual listeners and asserted artistic . Within the Broken EP's , "Gave Up" serves as the climactic track, embodying surrender to inner turmoil while advancing the overall of , rebellion, and self-destruction. Reznor positioned the EP as "phase three" of , a realization of the music industry's dehumanizing effects that he increasingly despised. This track encapsulates the project's themes by escalating from earlier songs' defiance to a point of total emotional collapse. A pivotal underscores this: Reznor deliberately crafted Broken as a violent, experimental departure from Pretty Hate Machine's more accessible sound, opting to "fester without " and produce an "ugly record" that prioritized unfiltered aggression over mainstream appeal—even envisioning an unreleased snuff-film-style for the EP's overall video project ("Broken Movie") to amplify its disturbing message without overshadowing the music.

Production process

"Gave Up" was co-produced by and during sessions in 1992, with recording conducted at multiple studios including the Village Recorder in Santa Monica, A&M Studios in , and Le Pig in Beverly Hills to maintain secrecy amid Reznor's legal disputes with his former label . The sessions took place from March to August 1992, with Reznor using pseudonyms for studio bookings to evade TVT interference. The track's aggressive sound was built around heavy guitar , achieved by sampling and extensively guitar riffs alongside and , reflecting Reznor's shift toward a denser, guitar-driven aesthetic. and provided fast-paced, real drumming contributions that anchored the song's propulsive rhythm. Atmospheric textures were incorporated using a MKIV once owned by , which supplied the ethereal opening tones and otherworldly elements throughout the track. To capture its edge, production techniques included applying effects to Reznor's screams for a robotic, distorted quality and layering percussion elements to sustain the song's unyielding intensity and energy. Reznor's perfectionist tendencies drove the creation of intricate, multi-layered arrangements, often incorporating multiple distinct melodies to achieve the desired sonic density.

Composition

Musical structure and instrumentation

"Gave Up" is classified in the and genres, characterized by its aggressive and raw sound. The song operates at a of 144 beats per minute, contributing to its frantic pace. The track employs a dynamic structure that begins with subtle, whispered elements and rapidly escalates through verses and choruses into explosive pre-choruses and a climactic collapse, emphasizing tension and release. It opens with a brisk, looping pattern that sets a propulsive , building to pounding and chaotic intensity. This arrangement highlights the song's aggressive dynamics, starting with a driving guitar and progressing to abrasive breakdowns filled with layered and . Instrumentation centers on heavily distorted electric guitars performed by , which deliver the core riffs and amplify the track's harsh edge through multi-layered arrangements. Aggressive drum patterns, incorporating both programmed loops and acoustic elements played by , provide a relentless backbone, while electronic flourishes such as synth accents and feedback loops add textural depth and tension. Bass lines underscore the rhythmic drive, reinforcing the song's sense of mounting unease. A brief usage of John Lennon's appears in the arrangement, contributing to its atmospheric quality. Compared to ' earlier work on , "Gave Up" is more frantic and less melodic, shifting from influences toward amplified guitars, hotter beats, and a festering that discards prior cool detachment. This evolution on the Broken EP establishes a sonic template for the band's subsequent album, The Downward Spiral, by intensifying the framework with blistering builds and raw abrasion.

Lyrics and themes

The lyrics of "Gave Up" delve into core themes of , , and emotional , portraying a narrator overwhelmed by futile efforts and mounting despair. Lines such as "Nails for breakfast, tacks for snacks / More sugar / Piled up to the sky" evoke a chaotic accumulation of self-destructive habits and unresolved pain, symbolizing how personal failures and addictions build to an unbearable height, leading to . The repeated "I gave up," screamed with escalating intensity, underscores this , transforming quiet into raw agony as the acknowledges defeat after exhaustive attempts at change. Trent Reznor draws from his personal struggles with intense industry pressures during the Broken EP's creation, infusing the song with authentic vulnerability; references to "All the liquor / And the pills / And all the in-betweens" highlight as a numbing from and self-loathing. The "I've done everything / And I've been everywhere / You know I've had this nagging doubt" serves as a symbolic culmination of guilt and perceived failure, reflecting Reznor's frustration with his career trajectory amid a bitter legal dispute with , which fueled the EP's overall motif of explosive violence and rebellion. This ties into broader Broken themes, where emotional turmoil manifests as both internal torment and outward defiance. The repetitive, screamed choruses amplify the song's conveyance of agony and resignation, mirroring Reznor's cathartic release during a period of profound toward himself and the music industry. Compared to the more abstract, externally focused lyrics of ' pre-1992 work like , "Gave Up" marks an evolution toward explicit vulnerability, stripping away to confront raw emotional collapse directly.

Release

Commercial release

"Gave Up" was released on September 22, 1992, as the sixth track on ' Broken EP, distributed by , , and . The EP was made available in CD, cassette, and 12-inch vinyl formats, with no standalone single release for "Gave Up". Broken debuted and peaked at number 7 on the US chart in October 1992. The EP received platinum certification from the (RIAA) on December 18, 1992, for shipments of one million units, bolstered by aggressive tracks like "Gave Up". Initial pressings of the CD featured an unconventional packaging structure, with tracks 7 through 97 consisting of extended silence before the bonus tracks "Physical" and "Suck", contributing to the release's enigmatic and controversial presentation.

Promotion and music videos

The promotion of "Gave Up" was integrated into the broader campaign for ' 1992 EP Broken, which emphasized subversive tactics to build buzz and challenge industry norms. This included the of bootleg VHS copies of the accompanying The Broken Movie to select friends and insiders, each version embedded with unique visual dropouts to trace unauthorized leaks and encourage spread through networks. The campaign avoided traditional advertising, instead relying on cryptic credits and press materials laced with digs at label constraints, fostering a sense of rebellion that aligned with the EP's aggressive themes. The primary music video for "Gave Up," released in , was a raw performance clip directed by Jon Reiss. Filmed at in —the site of the 1969 Manson Family murders of and others—it captured the band delivering an intense live rendition amid the house's eerie, abandoned atmosphere. The video featured as a guest vocalist and guitarist, alongside members including on guitar, marking his final appearance in a band video before departing to form . An alternative video for "Gave Up" utilized footage from The Broken Movie, a 20-minute film-style short directed by and conceived as a promotional for the EP. This version synced the song's original audio to the film's graphic conclusion, depicting the protagonist's brutal and in a warehouse setting, serving as a narrative capstone to the EP's interconnected storyline of violence and despair. The Broken Movie itself was never officially released due to its extreme content but circulated covertly, amplifying the track's notoriety through word-of-mouth among fans. The performance video received rotation on , helping elevate Broken's visibility despite network concerns over its intense imagery and the band's provocative . This airplay contributed to the EP's commercial momentum, though broader censorship issues surrounded ' visuals at the time, with some segments of related content like "" facing bans.

Reception

Critical reviews

Upon its release in 1992, "Gave Up" received positive attention as part of the Broken EP, which critics praised for its raw intensity and Reznor's visceral vocal performance, establishing it as a standout release in ' early catalog. described Broken as a "concentrated blast of caustic, naked rage," where Reznor's delivery in tracks like "Gave Up" channeled unfiltered emotional turmoil, though noting its draining effect might limit broader appeal. While some early critics acknowledged the EP's abrasiveness as potentially overwhelming for mainstream listeners, this quality was viewed as a deliberate innovation in . Over time, this intensity transformed from a point of contention into a hallmark of the EP's power, with Reznor's screams and layered guitars drawing implicit parallels to punk's raw urgency. In retrospective analyses from the 2000s and beyond, "Gave Up" has been celebrated as a pivotal industrial anthem, its enduring aggression underscoring themes of that permeate ' oeuvre. Pitchfork's 2023 revisit praised the track's "brisk rhythm" and digitally lacerated vocals—incorporating even Reznor's dog's howls—as a collapse into profound self-loathing, cementing its status as a live staple for over three decades. , in a 2022 anniversary piece, lauded it as part of a "blazing uncompromising record," highlighting its catchy yet unyielding propulsion as a cathartic release that propelled the band toward darker explorations. These nods affirm "Gave Up" as an innovative rage track whose initial abrasiveness has aged into a defining influence on the genre.

Commercial performance

The Broken EP, featuring "Gave Up" as its closing track and lead promotional single, achieved significant commercial success upon release, debuting at number seven on the chart and selling over 1.1 million copies in the . It earned a certification from the (RIAA), reflecting shipments of one million units, with the song's aggressive sound and accompanying music video driving radio airplay and video rotation on , particularly on formats. As a pre-streaming era release, "Gave Up" did not chart independently on major singles lists, but its role in propelling the EP's performance elevated ' profile, securing them a main stage headline slot at 1994 alongside acts like and . The EP also performed strongly in international markets, reaching number 18 on the and contributing to ' growing presence in scenes across the US and . In the long term, "Gave Up" has amassed over 6 million streams on as of November 2025, underscoring its enduring popularity within ' discography, where it remains a staple on the Broken EP and select reissues without inclusion in official greatest hits collections.

Performances and versions

Live performances

"Gave Up" debuted live during ' on August 27, 1994, where it frequently served as an explosive set closer, channeling the song's aggressive energy to cap intense performances. The track became a staple in the band's sets throughout the , appearing in over 100 shows during the 1994–1996 and the 1999–2000 Fragility Tour, often emphasizing its raw drive with full-band arrangements that highlighted pounding drums and distorted guitars. A notable rendition occurred in 1995 during the filming of an abandoned live film project directed by Simon Maxwell, where frontman described "Gave Up" as his favorite song from the Broken EP, underscoring its personal significance amid the tour's chaotic energy. By the late 2000s, the song evolved in the Wave Goodbye Tour (2009), featuring extended improvisational jams that stretched its runtime and incorporated atmospheric builds, as seen in performances at venues like the Wiltern Theatre in . In the 2020s, "Gave Up" continued to anchor ' sets during the Peel It Back Tour, with performances in August 2025 at in on August 29, in on August 20, and in on August 15, enhanced by modern lighting effects and occasional guest appearances on adjacent segments. Adaptations over the years have included shortened intros in select sets to heighten immediacy and full-band renditions that amplify the drum-heavy breakdown, reflecting the band's shift from the visceral 1990s rawness to more polished 2020s versions integrating electronic elements. As of November 2025, "Gave Up" has been performed 739 times in Nine Inch Nails' concerts, establishing it as one of the band's most enduring live staples according to setlist data.

Remixes and covers

The primary official remix of "Gave Up" is the version produced by Coil in collaboration with Danny Hyde, featured on Nine Inch Nails' 1992 remix EP Fixed. This rendition transforms the original's aggressive industrial rock energy into a slower, more atmospheric piece, characterized by droning ambient synths, layered and distorted vocals, and ethereal, mechanical effects that evoke a sense of mechanical decay and introspection. The remix runs for 5:25 and opens with echoing, quietly mechanical elements reminiscent of the track "Pinion," before Trent Reznor's treated vocals emerge amid a deliberate, slowed beat. This Coil/Hyde mix was later reissued on the 2014 compilation Recoiled, a collection of Coil's unreleased and outtake remixes for Nine Inch Nails, where it appears as "Gave Up (Open My Eyes). " The 1992 music video for "Gave Up", directed by Jon Reiss and featuring guest performer Marilyn Manson, filmed at 10050 Cielo Drive, is included in the 1997 video compilation Closure. A live version from the Fragility Tour is included on the 2001 album And All That Could Have Been. Notable covers of "Gave Up" are scarce, reflecting the song's niche within industrial rock, though a few indie and tribute renditions emerged in the early 2000s and beyond. In 2001, the electronic project Stun Gun included a cover on the tribute album Re-Covered In Nails 2.001: A Tribute to Nine Inch Nails, reinterpreting the track with dance-oriented synths and a more upbeat tempo while preserving the core lyrical themes of frustration and breakdown. Similarly, in 2017, the chiptune artist 8 Bit Arcade released an 8-bit emulation cover, converting the song into retro video game-style sounds with pixelated drums and synthesized melodies, highlighting its adaptability to electronic subgenres. These tributes, along with occasional fan-performed versions influenced by artists like Marilyn Manson—who collaborated on the original video but did not release a standalone cover—underscore the track's enduring appeal in underground and alternative circles, though no major commercial covers have been produced.

Cultural impact

Usage in media

"Gave Up" served as the for the concluding segment of the Broken (1992), a narrative work directed by based on an idea by that ties together the tracks from the Broken EP in a disturbing, film-inspired storyline involving and . This placement integrated the song directly into the film's climactic violence, amplifying its themes of rage and destruction. A of the track, known as the "Film Mix," appears in the 1993 British crime thriller , playing during a scene to underscore the film's gritty, urban atmosphere. This version, produced specifically for the soundtrack, marked one of the song's early sync usages in feature films. During the production of David Lynch's Lost Highway (1997), "Gave Up" was repeatedly played on set for the sequence to evoke a sense of tension and unease, a choice made by Lynch himself to influence the actors' performances and the overall mood. Although not included in the final cut of the film, this application highlighted the song's utility in creating industrial, psychological intensity. These media placements contributed to "Gave Up"'s reputation beyond music, particularly through its association with horror-tinged visuals in the Broken film, with its "Gave Up" music video segment filmed at 10050 Cielo Drive, the site of the Manson Family murders, further embedding the song in dark, cinematic aesthetics.

Legacy and influence

"Gave Up," as the closing track on Nine Inch Nails' 1992 EP Broken, marked a crucial turning point in the band's evolution, shifting from the synth-driven pop elements of their debut Pretty Hate Machine toward the denser, darker industrial rock of The Downward Spiral (1994). This aggressive, layered sound—built on fuzz guitars, synthesizers, and Trent Reznor's anguished vocals—encapsulated Broken's themes of frustration and self-destruction, influencing Reznor's subsequent maximalist production style in later works like the instrumental Ghosts I-IV (2008). The song exemplified the 1990s resurgence of , blending electronic experimentation with aggression to create a blueprint for the genre's mainstream evolution. By prioritizing caustic guitars and processed screams over earlier keyboard-heavy arrangements, Gave Up helped push toward harsher, more accessible fusions that influenced subsequent acts in electronica-metal hybrids. As a symbol of angst, Gave Up captured the era's pervasive themes of defeat and revulsion through its propulsive energy and cynical lyrics, offering a release that resonated with listeners grappling with personal and societal turmoil. While the track itself earned no specific awards, it contributed to Broken's success, including the Grammy win for Best Metal Performance awarded to fellow EP track "Wish" in 1993, underscoring the project's lasting impact. Its enduring popularity as a fan favorite is evident in its ranking as the fifth most-played song live, and in 2025 retrospectives like the band's Peel It Back Tour, which highlights classics from their catalog.

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