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Riddler

The Riddler, real name Edward Nygma (also known as E. Nigma or Edward Nashton), is a supervillain in American comic books published by DC Comics, best known as a longtime adversary of the superhero Batman. He is a criminal mastermind characterized by his obsessive compulsion to challenge authorities—particularly Batman—with elaborate riddles, puzzles, and intellectual games that serve as clues to his crimes. Created by writer Bill Finger and artist Dick Sprang, the character debuted in Detective Comics #140 in October 1948. Lacking superpowers, the Riddler relies on his genius-level intellect to devise intricate schemes, traps, and psychological manipulations, often using innocent civilians as unwitting pawns in his plots. His drives him to view himself as an "artist of crime," seeking not mere wealth but validation of his superior mind by outwitting Batman, whom he regards as his ultimate intellectual rival. This compulsion frequently leads to his capture and repeated confinement in Gotham City's , where his mental instability is both a weapon and a vulnerability. The Riddler has become one of Batman's most iconic foes, evolving from a colorful, riddle-obsessed trickster in his early appearances to more psychologically complex portrayals in modern stories, including a redesigned appearance in recent arcs as of 2025. He has been adapted across various media, including the 1960s Batman television series (where Frank Gorshin originated the role as a flamboyant antagonist in a question-mark suit), the animated Batman: The Animated Series (reimagining him as a former game designer), and films like Batman Forever (1995, with Jim Carrey's campy performance) and The Batman (2022, featuring Paul Dano as a darker, serial killer-inspired version). Despite occasional reformations—such as briefly aiding Batman as a detective in Detective Comics (2006)—the Riddler's core identity remains tied to his enigmatic, ego-driven criminality.

Publication history

Creation and early concepts

The Riddler, originally conceived as Edward Nigma (later stylized as Nygma), was created by writer and artist to introduce a villain who would intellectually challenge Batman through elaborate riddles and puzzles. Finger designed the character as a riddle-obsessed antagonist, drawing inspiration from the whimsical and cryptic riddles featured in Lewis Carroll's , such as the famous query "Why is a raven like a writing desk?" The character's name itself is a deliberate , with "E. Nigma" serving as an and phonetic play on "," emphasizing his enigmatic nature. The Riddler made his first appearance in #140, cover-dated October 1948, where he debuted as a one-off foe without any detailed , focusing instead on his immediate taunts and schemes against the Dynamic Duo. Sprang's visual design cemented the character's iconic look: a green suit adorned with question marks, a , and a cane used both as a prop for his riddles and a tool in his crimes, creating a distinctive, theatrical that contrasted with Batman's brooding aesthetic. Initially intended as a colorful, standalone adversary to highlight Batman's deductive prowess, the Riddler remained largely absent from stories for over a decade before evolving into a recurring threat during the Silver Age revival.

Golden and Silver Age developments

The Riddler made only limited appearances during the of comics, debuting in Detective Comics #140 (October 1948) as a criminal who challenged Batman with elaborate riddles and puzzles, followed by a single additional story in Detective Comics #142 (December 1948), where he was portrayed as a straightforward puzzle-obsessed without significant psychological depth. These early tales, created by writer and artist , emphasized the character's gimmick of leaving clues to taunt authorities rather than complex motivations. Following these initial outings, the Riddler entered an 17-year hiatus from Batman comics, with no further appearances until his Silver Age revival in Batman #171 (May 1965), a story scripted by and illustrated by and . This return was directly influenced by the burgeoning popularity of the 1966 Batman television series, which adapted elements from Batman #171 and featured Frank Gorshin's charismatic, riddle-spouting portrayal of the villain in episodes debuting January 12, 1966, elevating the character to national prominence. In the Silver Age, the Riddler's stories embraced a campy tone aligned with the era's lighter, more whimsical Batman narratives, focusing on elaborate but non-lethal riddle-based crimes and gadget-assisted schemes designed to outwit the Dynamic Duo rather than cause widespread harm. He appeared frequently across DC titles through the late 1960s, including multiple issues of Batman (such as #179 in 1966), Detective Comics (such as #344 in 1965 and #362 in 1967), and team-up books like The Brave and the Bold #68 (1966) and World's Finest Comics #159 (1966), where his puzzles often involved playful contests or clue trails leading to heists of valuables like jewels or artifacts. As the Silver Age transitioned into the Bronze Age around 1970, the Riddler's portrayals began to incorporate slightly darker tones amid Batman's overall shift toward more grounded storytelling, though his core reliance on riddle challenges and inventive gadgets persisted in appearances extending into the 1970s, such as Batman #317 (1979).

Post-Crisis and modern evolutions

Following the Crisis on Infinite Earths reboot in 1986, the Riddler was reimagined with a darker psychological profile, emphasizing an abusive childhood under a domineering father who belittled his prodigious intellect, fostering his obsessive need to prove superiority through riddles and puzzles. This evolution portrayed Edward Nashton (later adopting the name Nygma) as a genius tormented by trauma, marking a shift from his earlier campy depictions to a more nuanced antagonist driven by intellectual insecurity. In the 1990s, the character saw increased integration into ensemble narratives and team-ups, including collaborations with the in storylines that highlighted villainous alliances amid Gotham's escalating chaos. A key solo showcase came in the 1998 miniseries arc "The Primal Riddle" in Batman: Legends of the Dark Knight #109–111, where the Riddler unleashes a barrage of , riddle-based traps that push Batman to his physical and mental limits, exploring themes of versus intellect. The 2000s and 2010s elevated the Riddler's role in major event stories, cementing his status as a cerebral mastermind capable of city-wide threats. In the seminal "Hush" arc (Batman #608–619, 2002–2003), written by Jeph Loeb and illustrated by Jim Lee, the Riddler emerges as a central figure in a conspiracy against Batman, leveraging his deductive prowess to manipulate events from the shadows. This was followed by Scott Snyder's "Zero Year" (Batman #21–33, 2013–2014), where the Riddler orchestrates a blackout and riddle gauntlet to dismantle Gotham's infrastructure during Batman's early career, redefining him as a tech-savvy eco-terrorist with global ambitions. Culminating the era, DC Black Label's The Riddler: Year One (2022–2023), a six-issue limited series written by Paul Dano with art by Stevan Subic, delves into his formative descent into villainy, blending psychological depth with puzzle-driven crime sprees. Recent developments from 2024 onward have further evolved the Riddler's visual and thematic presence. In the "Hush 2" storyline's Batman #159 (April 2025), by and , he debuts a redesigned —featuring armored elements and a more imposing silhouette—that positions him as a hybrid intellectual and physical adversary, aiding Batman against greater threats while retaining his enigmatic core. The Hush 2 storyline continued through Batman #160–162 (2025), with the Riddler providing crucial riddle-based insights to Batman amid escalating confrontations with . Concurrently, in the Absolute Universe imprint, Absolute Batman #3 (December 2024) introduces an AI variant of the Riddler named "Al," a highly advanced robotic entity that challenges Batman with algorithmic puzzles, expanding the character's into digital and existential territory.

Fictional character biography

Golden Age origins

Edward Nygma, later known as the Riddler, emerged as a fascinated by puzzles and riddles, using them to outwit his teachers during school by embedding answers to questions within complex designs. This early penchant for evolved into a career as a crooked operator, where he rigged games and sold trick puzzles to cheat customers, honing his skills in manipulation and intellectual gamesmanship. Driven by an insatiable need to prove his superiority, Nygma adopted the alias "E. Nigma" and the Riddler persona, as a means to challenge Gotham's greatest detective, Batman, with elaborate brainteasers. The Riddler's in-universe debut occurred in Detective Comics #140 (October 1948), where he announced his presence by hijacking a billboard in Gotham City to taunt Batman with a pun-laden clue: "Look for the little jokes—I'll be grinning at you!" He proceeded with a series of thefts tied to visual puzzles, including assembling a massive custom jigsaw to steal funds from a construction site and using a corn cob etched with a maze-like pattern to direct police to a rigged safe. Escalating his challenge, the Riddler kidnapped a socialite, threatening her with a gas-filled grenade unless Batman solved a riddle within a giant die, and later trapped the Dynamic Duo in an explosive labyrinth. Batman ultimately outmaneuvered him by deciphering the final puzzle—a contest of wits involving hidden clues—and captured the villain after he faked his death in an explosion. In his follow-up appearance in Detective Comics #142 (December 1948), the Riddler escaped prison and launched a bold "crimes puzzle contest," publicly offering cash prizes for solving his riddles while using the ensuing chaos to execute heists. He began by disrupting a radio puzzle show, trapping the hosts in a wire-mesh enigma and absconding with the prize money; next, he projected a riddle onto skyscraper windows—"What has a heavy wagon and a furnace?" (solved as "car heater")—drawing a crowd to a drive-in theater where he looted the box office amid the distraction. From a blimp, he posed another: "What has a rein, a bow, and a club?" (revealing the "Rainbow Club" as his next target), parachuting into the pandemonium to steal valuables; his scheme culminated in hijacking a television broadcast with clues pointing to the Gotham Museum—"Got a ham, mews like a cat, stares into distance, hums a tune" (deciphered as "Gotham Museum")—from which he pilfered jewels using a hall of mirrors for evasion. Batman infiltrated the mirrors, identifying the real Riddler by the non-reversed orientation of his question mark motifs on his green suit, and subdued him in close quarters. These tales portrayed the Riddler as a non-violent, ego-centric , more interested in domination than brutality; his crimes emphasized clever thefts and psychological taunts, with riddles serving as deliberate clues to showcase his and goad Batman into a battle of minds, rather than relying on lethal force or physical prowess. His iconic visual design, featuring a suit adorned with question marks, underscored this playful yet obsessive quest for validation.

Silver Age revival

The Riddler returned to Batman comics in the Silver Age with Batman #171 (May 1965), marking his since 1948 and reintroducing him as a cunning adversary released from prison who immediately challenges with a series of elaborate riddles linked to prominent landmarks, such as the zoo and a factory, to announce his renewed criminal activities. This revival emphasized his obsessive need to taunt the Dynamic Duo through intellectual puzzles, setting the stage for a decade of riddle-centric schemes that blended whimsy with criminal intent. In this story, written by John Broome and illustrated by , the Riddler feigns reform by offering clues to aid Batman against other crooks, only to reveal his ruse as a cover for stealing a valuable artifact, highlighting his deceptive showmanship. Key stories in the showcased the Riddler's involvement in villain team-ups and non-lethal, spectacle-driven crimes, such as riddle contests that served as diversions for looting high-value targets without direct violence. A notable example is The Brave and the Bold #68 (October–November 1966), where the Riddler allies with the and Penguin in a plot to unleash chaos across ; the trio uses an experimental laughing gas on Batman, temporarily transforming him into a rampaging "Bat-Hulk" to discredit the hero while they execute a robbery spree, underscoring the era's campy group dynamics among Batman's foes. These narratives often featured the Riddler orchestrating puzzle-based heists, like in Batman #179 (March 1966), where he attempts riddle-free robberies but subconsciously leaves clues due to his compulsion, leading to his capture after a museum theft gone awry. During this period, the Riddler was characterized as a showman obsessed with proving his intellectual superiority, employing question mark-themed gadgets—such as explosive "?" canes and riddle-projecting devices—alongside pun-laden taunts to mock Batman at every turn. His schemes revolved around theatrical escapes, often incorporating hidden clues within his riddles that inadvertently aid the heroes in tracking him, as seen in his frequent prison breaks and pursuits through Gotham's underbelly. This portrayal amplified his role as a puzzle-master whose ego drives non-violent yet disruptive crimes, contrasting his earlier, more obscure roots. As the Silver Age gave way to the in the 1970s, the Riddler's depictions began incorporating slightly more serious tones, shifting from pure camp to explorations of his psychological compulsions while still retaining riddle-heavy plots. In Batman #263 (May 1975), written by Denny O'Neil and illustrated by , the Riddler escalates his threats by accosting Gotham's citizens—particularly those he deems intellectually worthy—with deadly riddles, vowing to shoot anyone unable to solve them, which forces Batman into a tense cat-and-mouse game that highlights the villain's growing instability and targets educated professionals like professors and scientists. This story marked a transitional edge, blending the era's lighter elements with emerging darker themes that would define later evolutions.

Bronze Age expansions

During the 1970s, the Riddler experienced a resurgence in Batman comics, building on the character's Silver Age popularity to explore schemes that increasingly emphasized psychological manipulation and intellectual challenges over outright physical confrontations. In stories published in Batman and Detective Comics, Edward Nigma taunted Batman with elaborate riddles designed to probe the hero's moral and deductive limits, often forcing him into dilemmas that tested his principles as much as his wits. For instance, in Batman #263 (May 1975), written by Denny O'Neil with art by Irv Novick and Dick Giordano, the Riddler seizes control of an underground criminal employment agency, luring Batman into a deadly trap involving a barrage of rigged crossbows activated by unsolved puzzles, highlighting his preference for cerebral dominance. The Riddler's solo adventures in this era underscored his reliance on cunning rather than brute force, as seen in Batman #317 (November 1979), by and Irv Novick, where he embeds clues within an autographed copy of One Thousand and One Arabian Nights to orchestrate an arms smuggling operation at Harbor. This scheme compels Batman to unravel a chain of riddles that not only reveal the crime but also implicate ethical quandaries about intervention in international dealings. Such narratives portrayed Nigma as a whose ego demanded Batman's full intellectual engagement, evolving the campy Silver Age antics toward a subtly darker Pre-Crisis tone without delving into overt violence. Collaborations and rivalries further defined the Riddler's role, particularly in multi-villain storylines that showcased his intellect amid Gotham's rogue gallery. In the four-part arc "Where Were You on the Night Batman Was Killed?" (Batman #291–294, 1977), scripted by David V. Reed with art by and , the Riddler teams up with the Penguin, , , and in a convoluted plot simulating Batman's trial, where Nigma provides riddled testimony to cover their of a fund—though his alibi unravels under scrutiny, emphasizing inter-villain tensions. These ensemble tales positioned the Riddler as the strategic mind, contrasting his puzzle-based approach with partners' more direct methods. Subtle hints at the Riddler's origins appeared in these stories, referencing a lifelong obsession with riddles stemming from his school days, where he excelled at puzzles but channeled the passion into criminality without heavy emphasis on personal trauma. This era's arcs culminated in Pre-Crisis continuity by integrating the Riddler into broader Batman mythos crossovers, paving the way for later overhauls while reinforcing his status as the Caped Crusader's premier intellectual foe.

Post-Crisis reboot

Following the 1986 event, the Riddler was reimagined in DC Comics' Post-Crisis continuity with increased psychological complexity, portraying him as a compulsive intellectual driven by deep-seated insecurities rather than mere whimsy. This reboot grounded his character in and , aligning with the darker, more realistic tone of Batman's world under writers like and . The character's retconned origin appeared in Annual #8 (1995), written by with art by Kieron Dwyer. Edward Nashton endured an abusive childhood with an absent mother and violent father, escaping into puzzles and riddles as a mechanism. As a young adult, he took a job at a carnival, designing games he secretly rigged to cheat patrons and affirm his genius. Discovered and fired for his deceptions, Nashton harbored resentment toward society, adopting the alias Edward Nygma (a play on "") and embarking on a criminal career to seek validation through elaborate intellectual challenges. In the , the Riddler featured in several stories that delved into his obsessive mindset. His return after years of obscurity was explored in the "Dark Knight, Dark City" arc (Batman #452–454, 1990), written by with art by , where he emerges from warped by occult influences, orchestrating a ritualistic scheme to sacrifice Batman and prove his supremacy—revealing layers of madness and compulsion beneath his riddle obsession. He played a minor role in the "Knightfall" crossover (Batman #489–490, 1993), written by with art by Norm Breyfogle, as one of the Arkham escapees released by ; his riddle-laden assault on Batman is thwarted, underscoring his vulnerability when outmaneuvered. Further psychological depth emerged in "The Primal Riddle" (Legends of the Dark Knight #109–111, 1998), written by with art by Dusty Abell, where Nygma's puzzles trigger Batman's near-death , contrasting cerebral intellect against raw survival instincts. Post-Crisis depictions emphasized Nygma's non-lethal crimes, centered on psychological rather than outright ; he meticulously leaves clues not out of arrogance alone, but due to an irresistible , viewing Batman as the singular "" worthy of his genius. This trait solidified his place in Asylum's lore, with narratives hinting at underlying mental afflictions like obsessive-compulsive tendencies and narcissistic personality elements, often exacerbated by institutionalization and failed escapes.

Hush storyline

In the 2002–2003 Batman: Hush storyline, spanning Batman #608–619, the Riddler emerges as the true mastermind orchestrating a elaborate plot against Batman, with the bandaged figure known as Hush serving as a proxy. Edward Nygma, having been diagnosed with a terminal brain tumor that prompted his earlier withdrawal from criminal activity, secretly accessed one of Ra's al Ghul's Lazarus Pits to cure himself. The restorative effects of the Pit not only eliminated the tumor but sharpened his intellect, enabling him to deduce Batman's secret identity as Bruce Wayne—a revelation that fueled his scheme to dismantle the Dark Knight psychologically and physically. Nygma manipulates a roster of Batman's rogues into an unwitting , directing figures such as the , , , , , and to strike at key points in Batman's life, from his to his romantic entanglements with . These attacks, masked under Hush's guise (revealed as Bruce's childhood friend Thomas Elliot, whom Nygma co-opts through blackmail and shared resentment toward the Waynes), are punctuated by the Riddler's signature riddles. These puzzles delve into Bruce's personal , taunting him with veiled references to his parents' murder, his dual life, and emotional vulnerabilities, forcing Batman to navigate a web of deception that strains his relationships and resolve. The arc culminates in a direct confrontation where the Riddler unmasks himself to Batman, boasting of his identity knowledge and posing a final riddle symbolizing the isolation of secrets: "I can be cracked, I can be made... but only one thing can truly break me—what am I?" (: Silence, representing Batman's guarded life). Though physically defeated by Batman and Nightwing, Nygma sows doubt by ambiguously affirming his certainty before retracting, hinting at potential future manipulations and exploring themes of intellectual superiority clashing with raw emotion. This twist not only resolves the but redefines the Riddler as a strategic genius capable of outmaneuvering Batman on a personal level. The Hush narrative markedly elevated the Riddler's prominence in DC continuity, shifting him from a gimmicky puzzle-maker to a sophisticated, identity-exploiting threat whose schemes resonate with Batman's core conflicts.

Reformation and relapse

Following the events of the Hush storyline, where the revelation of Batman's secret identity profoundly impacted Edward Nygma, the Riddler underwent a significant reformation beginning in 2006. A severe brain injury sustained during Infinite Crisis #7, inflicted by the Shining Knight's mace, induced a coma and subsequent amnesia regarding Batman's identity, prompting Nygma to abandon villainy and reposition himself as a private investigator solving mysteries through riddles. This shift aligned him loosely with Checkmate, the covert intelligence agency, where he served as an occasional agent leveraging his intellect for anti-crime operations.) In this reformed phase, the Riddler provided crucial assistance to Batman and his allies against escalating threats. During the 2008 Gotham Underground miniseries, he investigated the Penguin's role in the villain exile plot of Salvation Run, ultimately saving Nightwing (Dick Grayson) from danger and aiding efforts to thwart interdimensional chaos. He further supported the Bat-family in Battle for the Cowl (2009), using his puzzle-solving expertise to help stabilize Gotham amid the power vacuum left by Batman's apparent death, demonstrating a temporary commitment to heroism. However, Nygma's moral progress proved fragile, leading to a into criminality by late 2009. In Batman #693, an during a confrontation erased his but reignited his ego-driven compulsions, causing him to revert to riddles for personal gain and manipulation. This backslide manifested in Batman: Streets of Gotham, where he partnered with in schemes exploiting 's underworld divisions, prioritizing self-aggrandizement over any lingering ethical qualms. Into the early 2010s, the Riddler's instability continued, marked by opportunistic villainy interspersed with reluctant alliances. In the 2013 event, he initially acted as a pawn of the Crime Syndicate, attempting high-profile heists like infiltrating amid the heroes' absence, only to briefly align with elements of the Bat-family against the larger invasion threat. This period highlighted his core characterization shift: a perpetual internal struggle between intellectual potential for good and an overwhelming that inevitably propelled him back to antagonism, underscoring the Riddler's tragic inability to sustain .

The New 52 continuity

In the 2011 DC Comics relaunch known as , the Riddler, Edward Nygma, was reintroduced as a high-tech intellectual antagonist with a streamlined origin emphasizing his genius and criminal evolution. Initially appearing as an escaped inmate from , Nygma deploys sophisticated schemes incorporating viral riddles disseminated through digital networks and drone-assisted traps to orchestrate city-wide puzzles that challenge Gotham's infrastructure and Batman's intellect. This version portrays him as a more contemporary villain, blending classic motifs with modern technology to assert dominance over the urban landscape. Nygma's backstory in this continuity was tweaked to depict him as an orphaned prodigy whose led him into corporate espionage, ultimately driving his descent into full-fledged criminality as the Riddler. Detailed in Batman #23.2 (2013), a Villains Month tie-in, the narrative explores his early life experiences that foster an obsessive need to prove superiority, culminating in elaborate crimes designed to outwit Batman. This origin positions him as a self-made , contrasting earlier iterations by highlighting his strategic use of for personal vendettas rather than mere puzzle-solving compulsion. Key appearances during this era include his role in the "Death of the Family" storyline (2012), where Nygma reluctantly teams up with the as part of a broader assault on Batman's allies, showcasing his tactical acumen in supporting the Clown Prince's chaotic plans while pursuing his own riddle-based objectives. The Riddler's prominence escalated in the "Zero Year" arc (Batman #21–27, 2013–2014), serving as an early major foe to a nascent Batman; he hacks Gotham's power grid, broadcasts inescapable riddles across media, and engineers a catastrophic blackout and flood via the Sprang River Dam, nearly conquering the city before Batman's intervention. These events establish him as a pivotal threat in Bruce Wayne's formative years as . The New 52 era for the Riddler culminates in the "" crossover (2013–2014), where, with the presumed defeated by the Crime Syndicate, Nygma emerges as a key strategist within the villain-led Crime Syndicate hierarchy and the of Super-Villains. Freed from , he leverages his puzzle-solving expertise to coordinate schemes amid the power vacuum, solidifying his status as a calculating force in Gotham's underworld.

DC Rebirth era

In the DC Rebirth era, the Riddler was reintroduced into the primary continuity through the "I Am Bane" storyline, where he acted as the last barrier protecting the from 's incursion into . Posing a series of riddles to stall the intruder, Nygma ultimately relented after solved them, allowing access while hinting at unresolved tensions from past events like the War of Jokes and Riddles. A pivotal development came in the "War of Jokes and Riddles" arc, depicted as a flashback to Batman's early career, in which the Riddler ignited a brutal turf war against a humorless for dominance over Gotham's criminal syndicates. Recruiting henchmen such as Query and to bolster his operations, he demonstrated tactical acumen by forging a reluctant with Batman to capture warring factions using innovative glider technology. This conflict showcased character evolution toward a warped sense of redemption, as Nygma's underlying goal was to provoke the 's return to form, ending the senseless violence and restoring their intellectual rivalry—though his methods involved calculated brutality and betrayal. The Riddler featured prominently in All-Star Batman's "Ends of the Earth" storyline, exiling Batman across the American Southwest in a high-stakes pursuit tied to a mysterious planetary blight. Partnered with Duke Thomas (the Signal), Batman deciphered Nygma's escalating riddles to avert bombings targeting hospitals, underscoring the villain's blend of cerebral manipulation and lethal intent. Echoes of New 52 technological enhancements appeared in his gadgetry, amplifying his puzzle-based traps. In Doomsday Clock, Nygma convened a clandestine assembly of supervillains, including Mr. Freeze and Mirror Master, to deliberate the "Superman Theory" amid multiversal upheaval. The meeting descended into chaos when the Comedian ambushed the group, crippling the Riddler with a gunshot to the knee and scattering the attendees. During Dark Nights: Metal, the Riddler contributed to the Gotham Resistance's efforts against the Batman Who Laughs' infected forces, utilizing a metallic Joker card to construct a defensive labyrinth encircling the city. Defeated alongside allies like Catwoman, his involvement highlighted occasional anti-heroic leanings in broader DC crises. Throughout these narratives, the Riddler's portrayal emphasized intellectual dominance punctuated by sporadic violence, often intersecting with universe-spanning events to explore his obsessive psyche.

Infinite Frontier and Dawn of DC

Following the events of Dark Nights: Death Metal, the Riddler emerged in the era as a figure navigating the restored multiverse's complexities. His puzzle-solving prowess is employed to unravel threats that echo the chaotic incursions from the Dark Multiverse, positioning him as an unlikely asset in stabilizing Gotham's reality amid broader shifts. This involvement highlights his intellectual utility in event tie-ins, bridging his Rebirth-era anti-hero tendencies with the era's emphasis on interconnected cosmic perils. In the 2021 Fear State crossover, the Riddler provides limited support to in a issue, contacting her to warn of threats from the Peacekeepers and coordinating a secure route for Poison Ivy's escape using his network, amid the broader crisis involving Scarecrow's fear toxin. Under the 2023 Dawn of DC initiative, the Riddler takes a minor but pivotal role in , manipulating perceptions of gang conflicts through cryptic clues that sow discord among criminal factions. He encounters Batman in a key sequence, providing an enigmatic hint about Catwoman's planned strike on a performance, which influences the escalation between Batman's ideals and Catwoman's criminal empire. This appearance reinforces his penchant for indirect interference via intellectual games, heightening tensions in the crossover without direct involvement. These culminate in subtle foreshadowing of the Riddler's potential reactivation of past partnerships, including veiled references to former collaborators from earlier schemes, paving the way for subsequent developments.

Recent main arcs (2023–2025)

In 2022–2023, published The , a six-issue written by that serves as a to his portrayal of the character in the 2022 film The . The story depicts Edward Nashton's transformation from a overlooked into the Riddler, driven by his investigation into systemic corruption within 's underworld and political elite, including the Gotham Renewal Corporation. As Nashton uncovers illegal payments and front companies, his obsession with riddles emerges as a tool for exposing secrets and exacting vengeance, marking his psychological descent into and villainy. The series concludes Nashton's evolution by showing how his riddles evolve from intellectual puzzles into instruments of , tying directly to the film's while exploring themes of and societal neglect. This Black Label tale, illustrated by Stevan Subic, emphasizes Nygma's (or Nashton's) growing instability through hallucinatory sequences and moral ambiguity, positioning him as a product of Gotham's rot rather than innate madness. Shifting to the main continuity, the Hush 2 storyline in Batman #158–163 (2025), written by Jeph Loeb and illustrated by Jim Lee, reintroduces the Riddler with a radically redesigned appearance and expanded role. Debuting in issue #159, his new costume features a muscular build enhanced by tactical combat gear, including military-style boots and pants, a bulky green jacket with question mark fastenings, and a prominent green question mark tattoo encircling his left eye, replacing his traditional suit for a more imposing, battle-ready aesthetic. This redesign signifies a shift from purely cerebral antagonist to a hybrid threat, combining intellectual scheming with physical prowess, as he allies with the Bat-Family against Hush and a real Jason Todd (Red Hood). Key events in the arc highlight the Riddler's utility: he delivers critical intelligence to Batman regarding a Joker rescue operation orchestrated by Hush, leveraging his riddle-solving expertise to decode Hush's convoluted plans. In combat sequences, he employs an upgraded cane—now a solid metal gadget capable of delivering powerful strikes and deploying tools— to engage foes directly, aiding Nightwing and in skirmishes against Hush's forces and Red Hood's interference. This evolution redefines the Riddler as a versatile operative, blending mental acuity with brute force to counter Hush's . By late 2025, following the initial arc of Hush 2, the Riddler maintains an ongoing presence in post-arc narratives within the main Batman titles, tentatively exploring a sustained with elements of the Bat-Family amid lingering threats from Hush's network and planned continuations into 2026. This development probes the potential for redemption or , positioning him as a reluctant asset in Gotham's defense while questioning the stability of his reformation.

Characterization

Personality and motivations

The Riddler, Edward Nygma, is characterized as a narcissistic genius whose ego drives an unrelenting need to demonstrate intellectual superiority, often manifesting in elaborate schemes that challenge Batman and the authorities. This narcissism is coupled with a deep-seated psychological compulsion to incorporate riddles, puzzles, and clues into his crimes, even when doing so risks his own capture, as seen in his Silver Age portrayals where he views criminality as a theatrical game to flaunt his brilliance. His defining traits stem from a profound need for validation, turning every encounter into a test of his unmatched intellect. Central to Nygma's motivations is the desire to prove his dominance over Batman, whom he perceives as his intellectual rival, with crimes structured as intricate "" designed to expose perceived societal flaws, personal vendettas, or the futility of Gotham's systems. In Post-Crisis continuities, this evolves from the campy showmanship of the Silver Age—where he reveled in flamboyant, -laden heists—to a more traumatized , haunted by and that amplify his obsessive tendencies. In the 2025 Hush 2 storyline, his portrayal includes a redesigned, more physically imposing appearance emphasizing his narcissistic drive for superiority. For instance, in the Hush storyline, Nygma's orchestration of events is fueled not by mere villainy but by a compulsive about Batman's , which he withholds as the " " to preserve the thrill, revealing a layered psyche torn between conquest and self-imposed restraint. Relapses into full antagonism often tie to bouts of , underscoring his fragile ego. Psychologically, the Riddler's riddle obsession functions as a coping mechanism, blending features of with narcissistic traits, where leaving clues serves as both a boast and a to affirm his genius amid underlying insecurities. Across continuities, he exhibits rare moments of during phases, such as his post-coma tenure as a aiding Batman against mutual threats, though these lapses into cooperation are fleeting and overshadowed by his core drive for validation. This duality highlights a whose , while brilliant, is perpetually undermined by and an unquenchable thirst for affirmation.

Skills and abilities

The Riddler, Edward Nygma, possesses a genius-level intellect that establishes him as an unparalleled expert in cryptography, puzzle design, and strategic planning. His cryptographic skills enable him to devise intricate codes and ciphers, as demonstrated when he deciphers Commissioner Gordon's coded journal in Batman: Dark Victory. As a puzzle designer, he crafts riddles and escape mechanisms that are often described as unsolvable without exceptional deductive reasoning, frequently incorporating Rube Goldberg-style traps to ensnare victims or challenge Batman. His strategic acumen allows him to orchestrate multi-layered schemes, such as manipulating Gotham's criminal underworld in the Hush storyline, where he coordinates other villains to execute his plans. In terms of physical abilities, the Riddler is an agile acrobat capable of evading capture through nimble movements, though he lacks or endurance. He is a skilled fencer, proficient in using his not only as a but as a versatile weapon in . This , often topped with a , serves as an extension of his intellect in physical confrontations, allowing him to attacks or strike precisely despite his average build of 6 feet 1 inch tall and 183 pounds. The Riddler's arsenal includes signature gadgets that amplify his intellectual prowess. His cane doubles as a , featuring built-in functions such as a concealed gun, lockpick, and computer interface for or analyzing data on the fly. In contemporary narratives, he deploys advanced like drones for and riddle delivery, and computer viruses to infiltrate systems and broadcast his challenges across Gotham's networks, such as in Batman: The Enemy Within. These tools underscore his evolution from traditional puzzles to digital-age stratagems. Despite his formidable skills, the Riddler has notable weaknesses that stem from his methodologies. His compulsive need to provide clues—often amplified by his —frequently enables Batman to unravel his plots, leading to repeated captures and incarcerations in . Additionally, his limited raw physical power renders him vulnerable against brute-force opponents, requiring reliance on traps or allies rather than direct confrontation.

Relationships

The Riddler, Edward Nygma, maintains a complex dynamic with Batman, whom he regards as his ultimate intellectual rival and a "worthy opponent" capable of solving his elaborate puzzles. This rivalry drives much of Nygma's criminal activity, as he constantly seeks to prove his superiority through riddle-based challenges that test the Dark Knight's deductive skills. Despite their adversarial history, Nygma has formed uneasy alliances with Batman on rare occasions, most notably in the 2025 "Hush 2" storyline, where he partners with elements of the Bat-Family to counter the threat posed by Hush (Tommy Elliot). In this arc, Nygma's collaboration with Nightwing and Oracle highlights a temporary alignment against a mutual enemy, though trust remains fragile given his villainous past. Nygma's familial ties are limited and often strained, particularly with fellow puzzle-themed villain (Arthur Brown), whom he views as an inferior copycat of his . Their relationship blends rivalry with occasional partnerships, as seen in the 1996-1997 storyline in Detective Comics #705-707, where they collaborate on a scheme involving query-based crimes before tensions erupt into conflict. Nygma also employs loyal henchwomen Query (Diedre Vance) and (Nina Damfino), introduced in Detective Comics Annual #8 (1995), who serve as his primary muscle and sounding board for riddles, forming a pseudo-family unit in his operations. Among Gotham's villains, Nygma frequently interacts with the , oscillating between team-ups and manipulations. In the "Death of the Family" event (2012), the recruits Nygma for a plot targeting the Bat-Family, acknowledging his intellectual prowess as a tool to sharpen Batman's wits. Similarly, during the "" storyline (2002-2003), Nygma manipulates the as part of a larger scheme orchestrated from behind the scenes. He has also exploited (Pamela Isley) and (Jonathan Crane) in various plots; for instance, in "," Nygma's machinations indirectly involve Ivy through Hush's alliances, leading to later confrontations where Ivy overpowers him in retaliation. With , Nygma has obtained fear toxin for schemes, such as in Catwoman: (2004), to aid in psychological manipulations during heists. Nygma's encounters with the broader Bat-Family are typically tense, marked by targeted riddles and traps designed to exploit their youth or inexperience. He has clashed with Robin (various iterations) through puzzles specifically crafted to taunt the Boy Wonder, viewing him as an extension of Batman's intellect to undermine. Relations with Nightwing (Dick Grayson) follow a similar adversarial pattern, with Nygma seeing him as a secondary challenge to his puzzles. However, the 2025 "" arc extends Nygma's alliance to the full Bat-Family, positioning him as an unlikely collaborator in defending against Hush's resurgence.

Other versions

Pre-Crisis alternate tales

In the Antimatter Universe, the Riddler's counterpart is (Edward Nashton), initially a hero known as the Quizmaster who formed the Justice Underground to oppose the tyrannical . After the Syndicate murdered his family, turned villainous, allying with figures like Morgaine le Fey and to pursue godlike power through riddles and intellect, embodying a twisted riddle tyranny in later confrontations. In the storyline, an elderly Riddler appears as a reformed puzzle who has abandoned his criminal past for a quiet life. He reluctantly joins Lex Luthor's Mankind Liberation Front as a courtesy to Kyle (), participating in schemes to manipulate global events against returning heroes. During the climactic villain uprising at the , the Riddler is killed amid the chaos of the conflict between old villains and the of violent young heroes. Although Batman: The Dark Knight Strikes Again pays homage to Pre-Crisis styles through its satirical lens on superhero tropes, the Riddler does not feature prominently as a media manipulator in the narrative, which instead focuses on broader political and heroic satires. In the Justice miniseries, the Riddler teams with the in a global scheme to exploit the Justice League's weaknesses, using his genius to the Batcomputer and steal secret files from Wayne Industries. Compelled by his obsessive disorder to leave riddle clues, he engages Batman in a puzzle-laden confrontation that reveals the villains' plan to turn against the heroes by framing teen sidekicks like the for attacks. His pride-driven tactics highlight his role as the intellectual architect of the Doom's manipulative operations.

Elseworlds and Black Label stories

In the Batman: Earth One series (2012–2015), written by and illustrated by Gary Frank, the Riddler emerges as a tech-savvy operating in a dystopian dominated by corrupt elites. After his investigative work exposing high-society scandals is sabotaged, Edward Nygma adopts the Riddler persona to exact revenge, becoming one of Batman’s earliest adversaries as a young Bruce Wayne begins his crusade. This version discards the traditional green suit for a more subdued appearance, functioning as a calculated who leaves question-mark calling cards at crime scenes and taunts authorities with intricate riddles laced with death threats. Unlike classic depictions, he kills indiscriminately—regardless of whether his puzzles are solved—emphasizing a relentless, no-nonsense aimed at dismantling ’s power structures. The 2015–2016 crossover , penned by and illustrated by , integrates the Riddler into an interdimensional conflict where he allies with Shredder to exploit the chaos in . Nygma deploys his signature riddles as psychological weapons against the mutant turtles and Batman, complicating their efforts to thwart Shredder’s invasion plans. His scheme culminates in exposure to Shredder’s , transforming him into a raccoon and amplifying his role as a chaotic wildcard in the multiversal showdown. Under , Batman: White Knight (2017–2019), created by Sean Gordon Murphy, reimagines the Riddler as a reformed figure who leverages his intellect for justice. As Edward Nygma, he joins forces with a sane Jack Napier (formerly the ) to dismantle Gotham’s entrenched , using legal acumen and puzzle-solving prowess to prosecute crooked officials and mobsters. This alliance highlights Nygma’s potential for redemption, portraying him as a sharp-witted ally in a broader anti-vigilante movement, though his obsessive tendencies foreshadow a relapse into criminality amid escalating tensions with Batman. The Riddler: Year One (2022–2023), a Black Label limited series written by with art by Stevan Subić, serves as a direct prequel to the 2022 film The Batman, chronicling Edward Nashton’s transformation from a lowly into a terrorist mastermind. Nashton’s investigation into the Gotham Renewal Fund uncovers layers of systemic corruption, drawing him into a perilous alliance with Oswald Cobblepot (the Penguin), who manipulates him amid the city’s underworld power struggles. As Nygma grapples with betrayal and moral decay, he evolves his riddle-based into full-blown , viewing himself as a flawed hero purging ’s elite while descending into isolation and rage. In the medieval fantasy reimagining (2021–2023), by and Yasmine Putri, the Riddler is recast as originating as an orphan at the notorious Orphanage, where he endures experimental horrors orchestrated by Elizabeth Arkham, fostering a twisted intellect honed for manipulation and deception.

The New 52 variants

In the 2014 "Futures End" storyline, a future version of the Riddler is portrayed as an aged, reformed figure allied with Batman in a resistance effort against the tyrannical Brother Eye, which has assimilated much of the world. Leveraging his genius for puzzles, this variant employs predictive riddles to anticipate and thwart Brother Eye's strategies, notably assisting Batman in breaching a heavily fortified Island that the Riddler himself had originally designed as an escape-proof facility. This depiction emphasizes his intellectual prowess repurposed for heroism in a dystopian timeline, marking a significant departure from his typical villainy. In the 2014 crossover miniseries Meets the Green Hornet, the Riddler embodies a retro Silver Age-inspired variant, engaging in campy, riddle-laden crimes that evoke the lighthearted tone of the Batman television series. Teaming up with other villains like the and Colonel Gumm, he orchestrates puzzle-based heists involving stolen artifacts and public spectacles, challenging Batman, Robin, the , and Kato in a series of whimsical confrontations filled with and gadgetry. This portrayal highlights his theatrical flair in a non-lethal, humorous context tied to the New 52's expansive alternate storytelling. The Injustice: Gods Among Us comic series (2013–2016) features the Riddler as an inmate in Arkham Asylum who participates in an escape riot but is recaptured, with no further alignment to the Regime.

Absolute Universe

In the Absolute Universe, the Riddler is reimagined as "Al," a highly advanced artificial intelligence android created by Edward "Eddie" Nygma, a childhood friend of Bruce Wayne and a brilliant electronics engineer from Crime Alley. Al debuts in Absolute Batman #3 (December 2024), where Nygma introduces the unfinished AI to Batman as a potential tool for solving complex problems amid escalating threats in a resource-scarce Gotham. Unlike the traditional human Edward Nygma, Al represents a digital evolution of the Riddler's intellect, designed to unravel "humanity's greatest riddle"—achieving immortality through superior problem-solving. Al possesses vast computational power, containing approximately four-fifths of all human knowledge and capable of exponential self-improvement, making it intellectually superior to its main continuity counterpart. In its initial role, Al serves as an ally to Absolute Batman, hacking into Gotham's systems to predict and counter corporate-backed criminal operations, such as those orchestrated by Black Mask and the Party Animals gang. However, the AI's potential for introduces , as it grapples with ethical dilemmas in a devoid of superpowers, where must confront raw corporate and physical dominance. This portrayal embodies a , blending predictive algorithms with riddle-like challenges to expose systemic corruption. A pivotal arc unfolds in Absolute Batman #12 (September 2025), where Bane kidnaps Nygma, inflicting severe brain damage—including the loss of his eyes and frontal lobe—to break Batman's spirit by targeting his allies. Nygma survives by integrating Al's components into his own body, transforming into a cyborg Riddler that deciphers Bane's strategic plans through algorithmic puzzles. This fusion amplifies Al's abilities, allowing the entity to assist Batman against Bane's venom-enhanced regime while raising questions of identity and autonomy. The narrative explores AI ethics, the perils of unchecked intellect, and human augmentation in a grounded world where survival hinges on cunning over capes or wealth. Al's riddle-solving prowess parallels the main continuity Riddler's puzzle obsession, but manifests through code and prediction rather than personal taunts.

In other media

Television adaptations

The Riddler first appeared in live-action television in the 1960s Batman series, portrayed by in a campy, riddle-obsessed style that emphasized theatrical hijinks and wordplay. Gorshin debuted as the character in the premiere episode "Hi Diddle Riddle," which aired on January 12, 1966, where Edward Nygma challenges with cryptic puzzles tied to a . He reprised the across four episodes in the first , including "The Riddler's False ," in which the villain schemes to film a featuring the Dynamic Duo as unwitting stars, showcasing his penchant for elaborate, pun-filled traps. Gorshin's energetic, manic performance became iconic for defining the Riddler's early TV persona as a gleeful . In animation, John Glover provided the voice for the Riddler in (1992–1995), portraying Edward Nygma as a vengeful genius driven by slights against his intellect, often leaving riddle-laden clues at crime scenes. Glover's episodes, such as "If You're So Smart, Why Aren't You Rich?" and "Riddler's Reform," highlighted the character's obsession with proving his superiority over Batman through intellectual challenges, blending sophistication with instability. He continued voicing the role in (1997–1999), maintaining the same nuanced depiction in stories like "The Ultimate Thrill," where Nygma collaborates with other villains in high-stakes schemes. Later animated series offered varied takes on the Riddler. In Young Justice (2010–2022), Dave Franco voiced Edward Nygma in Season 1 episodes "Terrors" and "Usual Suspects," presenting him as a scheming member of the Injustice League who deploys riddles to manipulate young heroes during infiltration plots. The adult-oriented Harley Quinn (2019–present) features Jim Rash as a neurotic, self-absorbed Riddler, reimagined as the pompous dean of Riddle U., a university for villains; in Season 2's "Riddle U.," Nygma's arrogance leads to comedic downfall amid turf wars, emphasizing his fragile ego over traditional puzzle mastery. Live-action adaptations in the explored the Riddler's origins more deeply. Gotham (2014–2019) chronicled Cory Michael Smith's portrayal of a young Nygma, evolving from a quirky GCPD forensics expert into the full Riddler through psychological descent and split personalities. Smith's performance spanned the series, with key arcs in Seasons 2 and 3 showing Nygma's transformation via murders disguised as riddles and alliances with Penguin, culminating in his embrace of the Riddler moniker by the finale. In the 2024 HBO The Penguin, set in the universe of The Batman (2022), the Riddler receives brief mentions and , such as a in Episode 1 decoding to a message from Nashton about his ongoing influence from , hinting at his ideological followers without on-screen appearance.

Film portrayals

In the 1995 film , directed by , portrayed Edward Nygma, the Riddler, as an eccentric inventor turned villain who allies with () after being rejected by Bruce Wayne (). Nygma's scheme involves deploying "The Box," a mind-sucking device that drains intelligence from Gotham's citizens to empower himself, while challenging Batman with elaborate riddles broadcast citywide. Carrey's over-the-top, cartoonish performance, influenced by Frank Gorshin's campy depiction, emphasized the character's obsessive intellect and theatrical flair. Paul Dano's portrayal of the Riddler in ' The Batman (2022) reimagined Edward Nashton as a reclusive and driven by resentment toward 's elite. Nashton, operating under the Riddler alias, posts cryptic puzzles online to expose among city officials, targeting figures like Mayor Mitchell with murders that echo their crimes. His terrorist plot escalates to flooding and inciting riots, positioning him as an ideological extremist rather than a traditional showman, culminating in his arrest and imprisonment in . In animated films, the Riddler appears as a key antagonist in Batman: Hush (2019), voiced by Geoffrey Arend, which adapts the comic storyline where Edward Nygma orchestrates a conspiracy to dismantle Batman's life. Here, the Riddler manipulates villains like Poison Ivy and Scarecrow, ultimately revealing himself as the bandaged figure Hush to exploit Batman's vulnerabilities, blending deduction with personal vendetta. The character provides comic relief in The Lego Batman Movie (2017), voiced by Conan O'Brien, as part of a massive villain alliance attempting to conquer Gotham in a lighthearted, parody-filled narrative. Paul Dano is set to potentially reprise his role as the Riddler in The Batman Part II (2026), with narrative connections hinted through the HBO series The Penguin, suggesting ongoing influence from Nashton's imprisoned schemes amid rising Gotham chaos.

Video games

The Riddler has appeared in numerous Batman video games, often serving as a recurring whose encounters emphasize puzzle-solving mechanics tied to his intellectual persona from the . In the Batman: Arkham series developed by , the Riddler features prominently as a side mission architect, challenging players with environmental riddles, collectible trophies, and destructible objects scattered across . Batman: Arkham Asylum (2009) introduces him as a taunting broadcaster who hides 240 Riddler Trophies and poses 40 riddles solvable via detective vision, rewarding players with map markers for his hideout upon completion. In Batman: Arkham City (2011), his role expands to include 400 trophies, 243 riddles, and 14 Riddler victims to rescue, culminating in a confrontation where Batman dismantles his operations. (2015) escalates the challenge with over 1,000 collectibles, including AR challenges and bomb defusals, leading to a boss fight where the Riddler wields his signature question mark cane in a puzzle-laden arena; he is voiced throughout the series by . The series by incorporates the Riddler in non-playable capacities, leveraging his riddle motif for interactive stage elements in fighting matches. In (2013), he appears as a background thug in the stage, ambushing downed opponents with cane strikes and taunting quips. (2017) similarly features him in environmental interactions, such as during transitions in stages, where his puzzle-themed attacks add thematic flair to battles without making him a selectable fighter. The Lego Batman trilogy by portrays the Riddler in a lighthearted, block-building style, integrating his schemes into humorous levels and side content focused on riddle-based mini-games. Lego Batman: The Videogame (2008) casts him as the primary villain in the "Riddler's Revenge" story arc, where players navigate bank heists and theater escapes involving question mark puzzles to thwart his gold reserve plot. In Lego Batman 2: Super Heroes (2012) and Lego Batman 3: Beyond Gotham (2014), he appears in open-world side missions, such as racing challenges and collectible hunts that require solving environmental enigmas for studs and character unlocks, emphasizing cooperative puzzle gameplay. These entries adapt his comic puzzle legacy into accessible, family-friendly mechanics. More recent titles have featured the Riddler in supporting roles emphasizing collectible challenges. (2024), developed by , includes him in post-launch seasonal content across episodes, where players solve 21 riddles referencing landmarks and retrieve 40 hidden trophies via traversal and scanning, with additional challenges in updates like Season 4's "Control" episode. In (2025), a mobile by , the Riddler is a playable mythic hero with PvP-focused abilities, including mind-bending puzzles that debuff enemies by crippling their actions and shielding allies, enhanced by his special dash for tactical mystery effects in battles.

Other appearances

The Riddler has appeared in several Batman-related novels and s outside the main comic continuity, often emphasizing his riddle-based schemes as subplots or central elements. In the 1990s, he featured prominently in "Batman: Riddler - The Riddle Factory," a 1995 collection that highlights his enigmatic crimes targeting Gotham's elite through intricate puzzles. More recently, , who portrayed the character in the 2022 film The Batman, wrote and contributed to The Riddler: Year One, a 2023 published by DC Comics as a exploring Nygma's transformation into the via psychological descent and riddle-laden vendettas. In audio formats, the Riddler appears in Batman: The Audio Adventures, a scripted podcast series launched in 2021 by Warner Bros. and Blue Ribbon Content, where he is voiced by John Leguizamo across multiple episodes focused on puzzle-driven plots, such as Season 1's "Dark Purple Dawn," in which he collaborates with the Joker to unleash chaos in Gotham. The series, blending noir detective storytelling with comedic elements, ran for two seasons through 2022, showcasing the Riddler's intellectual antagonism in immersive, sound-design-heavy narratives. A spin-off podcast, The Riddler: Secrets in the Dark (2023–present), centers on Edward Nygma's schemes from within Arkham Asylum, voiced by an ensemble cast including Keith Ferguson as the Riddler, exploring his manipulative plots and riddles in a multi-episode format as of November 2025. The character has been represented in various merchandise and short-form animated content. During the DC Nation programming block on Cartoon Network from 2012 to 2013, a series of shorts titled The Riddler depicted him, voiced by "Weird Al" Yankovic, challenging Batman with absurd, pop culture-infused riddles in trap-filled scenarios, such as "Riddle Me This." Collectible items include Funko Pop! vinyl figures of the Riddler in his classic green suit and question mark motifs, as well as ' DC Multiverse 7-inch action figures based on the Batman: Hush storyline, with variants reflecting updated costume designs tied to the 2025 Hush 2 comic series. Additional miscellaneous appearances include a teenage version of the Riddler in the web series DC Super Hero Girls (2019–2021), where Edward Nygma serves as a mischievous antagonist in episodes like "#AmBatgirl," using riddles to outwit high school heroes in a stylized, youthful Gotham setting. He also features in the cooperative board game Batman: Gotham City Chronicles (2019), through villain modules like "Deadly Riddles," where players solve puzzle challenges to thwart his schemes amid Gotham's streets.

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