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The Dripping Tap

The Dripping Tap is an environmentally conscious song by the Australian band , released on March 8, 2022, as the lead single from their twentieth studio album, . Clocking in at 18 minutes and 17 seconds, it holds the distinction of being the band's longest at the time of release, characterized by high-energy improvisational jams that highlight contributions from all seven members. The track originated during 2018 recording sessions for the album under the working title "Hat Jam," evolving through live performances on the band's and post-lockdown rehearsals in 2021 before its final form emerged from collaborative jamming sessions. The debuted live on March 5, 2022, at the "The Return of the Curse of Timeland" festival in , , where it showcased the band's signature versatility in extending jams during performances. Omnium Gatherum, released on April 22, 2022, via the band's own KGLW label, features the track as its opening and blends retrospective psychedelic elements with experimental sounds drawn from the group's first post-lockdown studio sessions. "The Dripping Tap" has since appeared in video games such as Paradiddle and , and a limited-edition titled Hat Jam—limited to 1,000 copies and featuring a collaboration with —was released to commemorate its origins.

Background

Origins

"The Dripping Tap" originated from a collaborative in 2018 between and the Australian rock band , held during the recording of the former's album at the rural Victorian home studio owned by TFS members and Fiona Kitschin. This impromptu session, fueled by post-recording drinks and the participants donning hats—earning it the name "Hat Jam"—yielded a sprawling, energetic exceeding 20 minutes, featuring key riffs and motifs that would later form the backbone of the track. The collaboration aligned with the bands' shared tour dates across later that year, including performances at Gizzfest and venues like The Gov in . Elements of the "Hat Jam" were subsequently adapted by Tropical Fuck Storm and King Gizzard & the Lizard Wizard for their collaborative 2022 EP Satanic Slumber Party, released on March 14 via Flightless Records and Joyful Noise Recordings, where the original recording was reimagined into a darker, more experimental sound collage across three parts. King Gizzard & the Lizard Wizard, meanwhile, revisited the material in subsequent years, incorporating it into demos and evolving it into the full song for their 2022 album Omnium Gatherum. The track's conceptual beginnings were inspired by environmental themes, particularly metaphors of wastage symbolizing broader climate crisis issues, as reflected in the recurring lyric "left the tap on." This tied directly to the eco-conscious ethos of , an album centered on ocean pollution, habitat loss, and , conceived during a band trip amid Australia's natural landscapes.

Development

The initial ideas for "The Dripping Tap" emerged from pre-pandemic demos, where experimented with riffs that were initially left unfinished, later appearing in Demos Vol. 3, 4, 5, 6. These sketches were set aside as the group focused on other projects, including their 2019 Fishing for Fishies, due to a perceived stylistic mismatch with the emerging track's psychedelic leanings. The keyboard intro was developed during live performances on the band's . During the 2020 lockdowns in , the song's development resumed through remote collaboration, with band members exchanging files to refine structures and improvisational elements. This file-sharing approach allowed the band to adapt to restrictions, building on the pre-existing riffs amid the constraints of limited in-person gatherings. Following the release of K.G. in 2020 and L.W. in 2021, the band decided to expand "The Dripping Tap" into an 18-minute epic, positioning it as the lead single for Omnium Gatherum to serve as a bold "statement" track marking their post-lockdown reunion. This choice reflected a desire to embrace extended jamming after their prolific output, transforming the piece into a centerpiece of acid-prog exploration. Internal discussions centered on balancing psychedelic with structured songwriting, as contrasted the track's pre-written core with fully spontaneous sessions that influenced its final form. recounted in 2022 how this tension shaped the song's evolution, emphasizing collaborative editing to retain the best improvisational moments without over-relying on rigid composition.

Composition

Musical elements

"The Dripping Tap" is an 18-minute composition structured around a verse-chorus framework that builds into extended improvisational , reflecting the band's penchant for live-like energy in studio recordings. The track opens with a keyboard-led intro featuring and elements, transitioning into repetitive guitar riffs that establish a hypnotic pulse before escalating into dynamic jam sections with influences. These jams incorporate drum patterns, creating a relentless forward momentum that varies in intensity from sparse rhythmic interplay to orchestral swells of layered instrumentation. Central to the song's sound is its use of drop D guitar tuning and melodies derived from the , which lend a , blues-inflected madness to the dual guitar leads played by and . These guitars, often layered with synthesizers from Walker and bassist Lucas Harwood, generate a "dripping" rhythmic motif through repetitive pull-offs and interlocking riffs that mimic a persistent, echoing pulse. Harwood's bass lines anchor the arrangement, driving the beat alongside Michael Cavanagh's steady drumming, while Kenny-Smith's wailing harmonica solos add a raw, improvisational edge during the extended sections. Stylistically, the track draws from krautrock pioneers, blending Neu!-style rhythms with Can-inspired to form its psychedelic framework, evolving from the band's earlier jam sessions dating back to 2018 collaborations. This fusion allows for fluid dynamic shifts, where the composition alternates between tightly structured choruses in and freer explorations in D Mixolydian, emphasizing conceptual over rigid progression. The result is a high-complexity melodic and harmonic tension that distinguishes it within the band's .

Lyrics and themes

"The Dripping Tap" employs the of a persistently leaking faucet as an for gradual and the inaction of those in power regarding . The song's lyrics portray the "drippin' tap" as an uncontrollable force symbolizing rising water levels, waste, and broader ecological crises, with lines such as "The drippin' tap won't be turned off by the suits in charge of the and our future's hangin' on by a thread" highlighting systemic and societal complacency. This underscores a against ignoring small, accumulating problems that lead to , reinforced by references to "drip, drip on the floor" and the risk of being "drowned." The narrative arc of the lyrics progresses from individual and collective oversight of a "familiar sound ignored" to an escalating global peril, culminating in an urgent that serves as a : "Heed that sound" amid cries of "Don't get drowned." This structure mirrors the slow build of environmental threats, shifting from personal denial—"compartmentalized thoughts in that back corner of the drawer"—to a broader of authority figures and divine indifference, emphasizing the threadbare state of humanity's future. The song was co-written by vocalist/keyboardist Ambrose Kenny-Smith and frontman , who also handled production. Their collaboration draws on the band's longstanding interest in ecological issues, integrating this track into a discography that frequently addresses urgency. This environmental messaging aligns with King Gizzard & the Lizard Wizard's activist , as evidenced by their 2022 win of the inaugural Environmental Music for the climate-focused track "If Not Now, Then When?," which they donated to conservation efforts. Thematically, "The Dripping Tap" continues motifs seen in earlier works like the 2017 album , where songs such as "" explicitly tackle .

Recording and production

Studio sessions

The primary recording sessions for "The Dripping Tap" were held in late 2021 at King Gizzard & the Lizard Wizard's studio in , , immediately following the easing of in the region. This gathering represented the first in-person collaboration for the full six-member band since preliminary sketches for the song originated during the late 2018 sessions for their album , which had been shelved at the time. Frontman highlighted the session's importance, stating it felt significant as "the first time all six Gizzards had gotten together after an extraordinarily long time in ," signaling the start of a more improvisational "jammy period" in their creative process. The band focused on refining the song's expansive 18-minute structure through collective jamming, a shift from the remote ideation that characterized earlier development amid restrictions. Basic tracks were captured during these late-2021 sessions, with overdubs added in early to finalize the recording ahead of the album's release. The track made its live debut on March 5, , at the "Return of the Curse of Timeland" event in Melbourne's Reunion Park, just days before its official single launch.

Technical aspects

The production of "The Dripping Tap" was handled entirely by , who served as the band's primary engineer and for the track, emphasizing an analog warmth achieved through and live recording techniques, complemented by digital enhancements to accommodate the song's extended 18-minute runtime. Key techniques included extensive multi-tracking for the guitar layers to build the song's evolving psychedelic from an initial , alongside reverb effects applied to percussion and ambient elements to evoke the sensation of water drips, and on the drums to maintain a steady rhythm throughout the track's progression. These methods drew from the band's improvisational approach, where hours of post-lockdown jamming were captured and edited to preserve the organic flow. Notable equipment featured guitars including a 1967 Flying Samurai tuned to drop D for the riff-driven guitar work, harmonicas providing wailing solos amid the modal shifts, and synthesizers contributing subtle electronic pulses and organ-like swells to the atmospheric backdrop. The were recorded with a focus on live kit punch, using close-miking to capture the room's natural reverb while applying tape saturation for cohesion. Mixing was finalized at Flightless Records studios in , where Mackenzie prioritized a wide to retain the jam-like energy, ensuring the track's transitions felt seamless and adaptable for live performances; mastering followed by Joseph Carra to balance the analog-derived warmth with digital clarity. This process reflected the band's DIY ethos, blending raw captures from initial 2018 sessions with refined to shape the final sound.

Release

Single release

"The Dripping Tap" was released as a single on March 8, 2022, through the band's independent label KGLW, serving as the for their twentieth studio , Omnium .<grok:render type="render_inline_citation"> 63 </grok:render> It was made available exclusively via and streaming platforms, with no standalone physical release at the time.<grok:render type="render_inline_citation"> 37 </grok:render> The track, clocking in at over 18 minutes, featured artwork by Galea depicting a surreal, fluid environmental scene that complemented its thematic content.<grok:render type="render_inline_citation"> 31 </grok:render> The single's announcement followed its live debut four days earlier, on March 5, 2022, during the band's performance at the "Return of the Curse of Timeland" festival at Burnley's Reunion Park in Melbourne, , where it was played in an extended jam format.<grok:render type="render_inline_citation"> 27 </grok:render> Prior teasers appeared on the band's , including cryptic posts on (now X) in August 2021 and February 2022, building without revealing details.<grok:render type="render_inline_citation"> 60 </grok:render> In press materials, the song was positioned as a " anthem," highlighting its on environmental neglect and aligning with King Gizzard & the Lizard Wizard's ongoing activism on issues, such as their support for initiatives and previous eco-themed releases.<grok:render type="render_inline_citation"> 30 </grok:render><grok:render type="render_inline_citation"> 2 </grok:render> Although initially digital-only, demo versions of "The Dripping Tap" later appeared on the band's 2022 compilation Demos Vol. 3 + Vol. 4, which was issued in physical formats including , providing fans with early iterations of the recorded during pre-album sessions.<grok:render type="render_inline_citation"> 55 </grok:render> A limited-edition pressing of the was also included in the 2022 Hat Jam split compilation with , limited to 1,000 "Lucky Rainbow" copies.<grok:render type="render_inline_citation"> 60 </grok:render>

Album inclusion

"The Dripping Tap" is the opening on Omnium Gatherum, the 20th studio album by , released on April 22, 2022, as a 16- that showcases the band's genre-spanning approach. Positioned as the album's lead song and occupying the entire first side of the edition, the 18-minute sets an eclectic, psychedelic tone through its krautrock-infused structure and improvisational energy, providing a stark contrast to the more succinct follow-up "Magenta Mountain" while foreshadowing the record's thematic and stylistic diversity. The song originated as a pre-pandemic soundcheck jam and was recorded in June 2021 at the band's headquarters during a six-hour session that emphasized live interplay, integrating seamlessly into the album's flow as a product of their post-lockdown reunion without notable changes from its earlier single version. Critics have frequently spotlighted "The Dripping Tap" in album reviews as a defining opener that embodies the band's core spirit, blending emotional depth with high-energy propulsion to bolster 's overall acclaim for its vibrant, multifaceted sound.

Reception

Critical reception

Upon its release, "The Dripping Tap" received widespread acclaim from music critics, who praised its ambitious length, environmental themes, and the band's post-lockdown creative resurgence. Abby Jones of Consequence described the track as a "renewed inspiration" that blended fuzzy with elements, highlighting its 18-minute runtime and potent eco-message about climate inaction. In Rolling Stone's year-end coverage of 2022's best music, the song was lauded as an excellent live staple that showcased King Gizzard & the Lizard Wizard's evolution toward jam-band territory, marking a high point in their prolific output. Specific elements of the track drew targeted praise and critique. appreciated the Krautrock influences in its extended structure, evoking Can and Neu!, but noted that the pacing in the longer sections occasionally felt uneven within the broader album context. The song earned notable accolades, with commending its exhilarating opener status on . Its environmental angle, addressing themes of ecological neglect through metaphors like the unfixable "dripping tap," was particularly lauded in activist-oriented outlets. Critics reached a broad that "The Dripping Tap" represented a post-pandemic creative peak for , averaging around 8/10 across major aggregators like , with its blend of ambition and thematic depth solidifying King Gizzard's reputation for innovative .

Commercial performance

"The Dripping Tap" achieved moderate commercial success upon its release as a single in March 2022, peaking at number 11 on both the Alternative Digital Song Sales and Rock Digital Song Sales charts. In , the track reached number 33 on the Digital Singles chart. The song's parent album, , contributed to its visibility, debuting at number 8 on the US Top Album Sales chart and number 18 on the 200. No physical formats, such as vinyl, were issued for "The Dripping Tap," with sales primarily driven by digital downloads and streaming platforms. By late 2025, "The Dripping Tap" had amassed over 8.8 million streams on , reflecting steady growth boosted by the album's release and fan-shared live recordings. Its enduring appeal is evident in live settings, where the track has been performed 78 times across 75 shows since 2022, maintaining rotation in the band's sets through 2024 and 2025. This live popularity has sustained streaming interest, particularly among niche playlists focused on psychedelic and environmental themes aligned with the song's lyrical content.

Personnel

Musicians

The studio recording of "The Dripping Tap" was performed by the core six members of King Gizzard & the Lizard Wizard, as listed in the single's official credits. Stu Mackenzie: vocals, guitar, bass, organ, piano, percussion; Ambrose Kenny-Smith: vocals, organ, percussion, Wurlitzer, harmonica; Joey Walker: guitar, vocals; Cook Craig: guitar, vocals; Lucas Harwood: bass; and Michael Cavanagh: drums. Specific roles in the track highlight Mackenzie's primary guitar riffs driving the structure, Kenny-Smith's prominent harmonica solos adding textural depth, and dual vocals from multiple members creating a layered effect in the choruses. No guest musicians or external contributors appear on the recording, with all elements delivered by the six core members. These credits are drawn directly from the official liner notes of the single and album Omnium Gatherum.

Production credits

"The Dripping Tap" was written by Ambrose Kenny-Smith and , who composed both the lyrics and music. The track was produced by . Engineering, recording, and mixing were all handled by at the band's studio in . Mastering was performed by Joseph Carra at Crystal Mastering in . The single was released under the band's imprint KGLW, operated through their independent label Flightless Records. It is published by KGLW Publishing.

Live performances

Debut and early shows

"The Dripping Tap" made its world premiere on March 5, 2022, during King Gizzard & the Lizard Wizard's headlining set at "The Return of the Curse of Timeland" festival in Reunion Park, Melbourne, Australia. The performance occurred as part of a three-hour concert that served as an early preview of material from the band's upcoming double album Omnium Gatherum, with the song introduced midway through the set and marking its first live rendition alongside debuts of other unreleased tracks like "Garden Goblin" and "Magenta Mountain". In the months following the debut, the band incorporated "The Dripping Tap" into their early touring schedule, including a series of dates in April and May as well as festival appearances such as Bonnaroo in June. These performances frequently positioned the as a set closer, extending to 18-20 minutes with improvisational jams that highlighted the track's progressive structure and built on its hypnotic . Fan-recorded footage from the Melbourne debut and subsequent US shows quickly circulated online, amplifying excitement for the single's official release just three days after the premiere and contributing to widespread anticipation for . The raw energy of these bootlegs captured the song's dynamic shifts from ambient grooves to intense climaxes, fostering a sense of communal discovery among listeners prior to the album's April launch.

Later tours and variations

Following its debut, "The Dripping Tap" became a staple in King Gizzard & the Lizard Wizard's live performances during their 2023 North American residency tour, particularly highlighted in the three-night run at Chicago's Salt Shed in June 2023, where versions extended beyond 19 minutes with improvisational elements like teases of other tracks. The song also featured prominently in the band's 2023 dates, including an extended 30-minute rendition at Remlinger Farms in , on June 17, noted for its intensive jamming structure. Throughout 2024, it remained a setlist regular during North American legs, such as the 17-minute version at White Oak Music Hall in , , on November 16, capturing the band's evolving approach with layered instrumentation. European tours in 2023 and 2024 similarly incorporated the track as a high-energy closer or mid-set highlight, often extending into improvisational jams that showcased the band's microtonal guitar work. In 2025, "The Dripping Tap" continued to evolve in festival and amphitheater settings, including a 23-minute performance at Lukiškių kalėjimas 2.0 in , , on May 31, blending into Tool's "" during an extended jam segment. The song appeared at U.S. venues like the Field of Vision festival in , on August 17, where improvisations pushed durations toward 25 minutes, emphasizing ambient builds and crowd interaction. These renditions highlighted the track's adaptability, with variations in and effects that differentiated each show. The band's official Bootleg Gizzard series has preserved several unique live iterations, such as the 2024 release featuring intensified rhythmic pulses and the 2025 version with its medley transitions, allowing fans to access these evolving performances. By this period, "The Dripping Tap" had solidified as a hallmark for , frequently rotating in setlists across non-album tours to maintain improvisational freshness and audience engagement.

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