Fact-checked by Grok 2 weeks ago

Digital Reality

Digital Reality Software Kft. (formerly Amnesty Design) was a Hungarian video game developer and publisher based in Budapest, Hungary. Founded in 1991 as Amnesty Design, the company released its first title, Reunion, in 1994. It rebranded to Digital Reality in 1997 to coincide with the release of Imperium Galactica. The company specialized in strategy and simulation games, including the Imperium Galactica series (Imperium Galactica in 1997 and Imperium Galactica II: Alliances in 1999), Haegemonia: Legions of Iron (2002), and later action titles such as SkyDrift (2011) and Sine Mora (2012, developed in collaboration with Grasshopper Manufacture). In 2011, it established Digital Reality Publishing Kft. as a subsidiary to handle publishing, partnering with entities like Deep Silver for distribution. Digital Reality faced financial challenges in the early 2010s and silently shut down operations in 2013. In February 2016, Austrian publisher Nordic Games (later THQ Nordic) acquired several of its intellectual properties, including Black Knight Sword, Imperium Galactica, and Sine Mora. The company's work contributed to the development of the Hungarian video game industry during the 1990s and 2000s.

History

Founding and early development

Digital Reality originated in 1991 in , , when it was established as Amnesty Design by founder Tamás Kreiner and a small team of developers targeting the and platforms prevalent in the European market at the time. The studio's initial efforts centered on creating 2D simulations, leveraging the 's advanced capabilities for innovative gameplay experiences. This founding marked one of the earliest ventures into professional game development in post-communist , with the team navigating limited resources and emerging from a hobbyist scene into commercial production. The company's debut title, Reunion, released in 1994 and published by the UK-based Grandslam Video, represented a significant milestone as a space-based combining exploration, management, and elements. Available on both and , it introduced players to commanding a lost colony's quest to reclaim , earning recognition for its ambitious scope despite modest production values and helping establish Amnesty Design's foothold in European distribution channels. This release not only validated the studio's focus on genres but also set the stage for subsequent projects like the series. Early development at Amnesty Design was shaped by the broader industry shift away from the ecosystem, which faced steep decline in the early due to International's financial instability and bankruptcy in 1994, eroding developer support and market viability. Transitioning to PC platforms required adapting to evolving hardware standards, such as VGA graphics and audio, while competing with established Western studios amid Hungary's nascent tech infrastructure and economic recovery from . These challenges tested the small team's resilience, emphasizing resource-efficient design to bridge the gap between Amiga's multimedia strengths and PC's growing dominance.

Renaming and expansion in the 2000s

In 1997, ahead of the launch of its flagship title , the company formerly known as Amnesty Design rebranded to Digital Reality Software Kft. to reflect its evolving focus on advanced software. This renaming marked a pivotal shift toward international recognition in the strategy gaming sector, building on earlier projects like Reunion (1994). The release of in 1997, published by GT Interactive, introduced a groundbreaking experience blending , empire-building, , and across multiple playable races. The game's innovative mix of planetary management, fleet command, and ground invasions set a new standard for hybrid titles, earning praise for its ambitious scope and detailed . Building on this success, Digital Reality followed with Imperium Galactica II: Alliances in 1999, also published by GT Interactive, which expanded the series with enhanced multiplayer options, deeper research mechanics, and campaigns for three distinct alien factions. These titles solidified Digital Reality's reputation as a leader in s, with the sequel's refined AI and expansive galaxy map contributing to its critical acclaim and commercial viability. By the early 2000s, Digital Reality broadened its portfolio beyond pure titles, venturing into 3D with Haegemonia: Legions of Iron in 2002, developed using the studio's proprietary Walker Engine for seamless space and planetary transitions. Published internationally by partners including in North America, the game emphasized epic-scale fleet battles and economic simulation in a futuristic solar system setting, diverging from the series' ground-focused elements while retaining strategic depth. The 2003 stand-alone expansion, Haegemonia: The Solon Heritage, further innovated with 50 new technologies, improved AI, and multiplayer enhancements, published by Edition, allowing players to explore alliances and advanced hero units without requiring the base game. To support this growth, Digital Reality forged key partnerships with international publishers, enabling distribution of tactical strategy titles like Platoon (2002), a Vietnam War-themed real-time tactics game published by Monte Cristo that featured authentic unit modeling and mission-based campaigns. Similarly, Desert Rats vs. Afrika Korps (2004), another Monte Cristo collaboration, delivered intense World War II North African theater simulations with dynamic weather, vehicle damage systems, and playable campaigns for both Allied and Axis forces. These alliances with publishers such as Dreamcatcher Interactive and Monte Cristo facilitated broader market reach and genre diversification, leveraging Digital Reality's expertise in engine development for historically grounded gameplay. In , to bolster development capacity for next-generation console games, Digital Reality partnered with CDV Software Entertainment AG to establish the subsidiary studio Whiz Software Kft. in . This combined Digital Reality's genre proficiency with CDV's publishing network, aiming to produce high-fidelity titles exploiting advanced hardware features like enhanced graphics and multiplayer, with the first project slated for late 2007 release.

Later challenges and dissolution

In the late 2000s, Digital Reality sought to diversify its offerings amid growing saturation in the genre by venturing into and themes with War on Terror (2006) and War Front: Turning Point (2007). These titles, published by and CDV respectively, introduced tactical depth in contemporary and II-inspired settings to appeal to a broader audience, though the RTS market's intensifying competition from established franchises limited their commercial impact. By the early 2010s, escalating financial pressures prompted structural changes, including the 2011 spin-off of Digital Reality Publishing as a dedicated subsidiary focused on iOS titles and digital distribution for PC and console games. This initiative aimed to capitalize on the rising prominence of mobile platforms and online storefronts like Steam and Xbox Live Arcade, allowing the parent studio to streamline development while expanding revenue streams through third-party titles such as Dead Block (2011) and Liberty Wings (2010). However, the shift came amid broader industry turbulence, with Hungarian developers facing resource constraints compared to larger international competitors. The studio's last significant project was (2012), a horizontal co-developed with Japan's and published by Studios for Xbox 360. Praised for its innovative time-manipulation mechanics and multilingual narrative, the game marked a departure from Digital Reality's strategy roots and earned strong reviews, yet it failed to stem ongoing sales declines. Subsequent team reductions reflected mounting operational challenges, as the company grappled with shrinking budgets and project cancellations. Digital Reality ceased operations in 2013, effectively dissolving after over two decades in the industry. Contributing factors included Hungary's nascent game development ecosystem, which offered limited government funding and incentives during the , exacerbating competition from global powerhouses like EA and . Remaining assets, including unfinished projects, were either integrated into new ventures by former staff or sold off, signaling the end of the studio's independent era.

Games developed

Strategy and simulation titles

Digital Reality's strategy and simulation titles formed the backbone of its early portfolio, emphasizing innovative blends of (RTS) and (explore, expand, exploit, exterminate) mechanics in space and historical settings. These games often integrated , , and multi-front combat, distinguishing the studio's approach from purely turn-based or action-oriented contemporaries. Imperium Galactica, released in 1997, marked Digital Reality's debut in the , combining empire-building with RTS elements across space and planetary ground battles. Players command human forces in a crumbling , managing colonization, research, and fleet construction while engaging in tactical combat that shifts seamlessly between orbital and surface operations. The game's hybrid design was praised for introducing dynamics to a genre often dominated by turn-based systems, allowing for dynamic fleet maneuvers and ground assaults without pausing the overarching strategy layer. The 1999 sequel, Imperium Galactica II: Alliances, expanded these mechanics with deeper diplomacy systems and three playable factions—humans, the alien Kia, and the Sphynx—each offering unique campaigns, technologies, and alliances. Enhanced engine upgrades supported larger-scale battles, including improved pathfinding for fleets and more complex ground unit interactions, while introducing and trade negotiations to influence galactic politics. Critics lauded its immersive universe and strategic depth, awarding it a 9/10 from for its engaging mix of exploration and combat. The title achieved solid commercial success, selling 50,843 units in alone through October 2000, generating $2.02 million in revenue. Haegemonia: Legions of Iron (2002) shifted to a fully space strategy framework, focusing on resource management across solar systems amid a war between and Mars factions. Players oversee colony development, technology research from a tree of over 200 advancements, and fleet command in automated yet class-based combat (fighters, corvettes, cruisers, battleships), with a narrative drawing philosophical influences from human expansionism and interstellar conflict. The game's emphasis on broad empire simulation over micromanagement was highlighted in reviews, earning a Metacritic score of 75 and an 8.2/10 from IGN for its visually stunning battles and innovative scale. GameSpot noted its strong colony management but critiqued the simplified tactics, rating it 7.9/10. In 2004, Digital Reality ventured into World War II simulations with and , both emphasizing historical accuracy in real-time tactical gameplay. recreates North African campaigns, allowing command of up to 70 units in , , and missions across and Allied sides, with robust multiplayer for up to four players supporting cooperative or competitive modes. Its attention to period-specific vehicles and terrain effects garnered a score of 70, with awarding 7.2/10 for the strategic variety despite some AI inconsistencies. , released later that year, focuses on the invasion and European liberation through three campaigns and 12 missions, prioritizing troop preparation, objective-based tactics, and historical fidelity in unit behaviors. Multiplayer modes extend to skirmishes, but reviews criticized its linear design and demands, resulting in a score of 56, a 5.2/10 from , and 4.3/10 from . War Front: Turning Point (2007) concluded the studio's major strategy efforts with an alternate-history RTS set in a WWII where Hitler's early leads to advanced technologies like mechs and force fields. Players customize units through research trees and engage in asymmetric battles across theaters, with zeppelins and prototype vehicles adding unique tactical layers. While praised for its customization and narrative twist, the game faced criticism for balance issues in unit matchups and campaign pacing, earning a Metacritic score of 73 and 7.8/10 from . Overall, these titles received mixed-to-positive critical reception, with aggregates ranging from 56 to 75, reflecting Digital Reality's strengths in ambitious scope and genre fusion but occasional shortfalls in polish and depth. Sales data remains sparse beyond Imperium Galactica II, underscoring the studio's niche appeal in the competitive market.

Action and shooter games

Digital Reality expanded its portfolio beyond strategy games into -oriented titles during the early 2000s, incorporating mechanics, squad tactics, and to appeal to a broader of console and PC gamers. These ventures often featured collaborations with international studios, blending fast-paced gameplay with unique narrative or mechanical twists, such as time manipulation and surreal aesthetics. While drawing occasional hybrid elements from the company's strategy roots—like in scenarios—these games emphasized direct confrontation and reflex-based . Platoon, released in 2002, marked Digital Reality's initial foray into tactical shooters, presenting a third-person perspective on squad-based missions inspired by the Vietnam War film of the same name. Players command up to 30 soldiers, including engineers and commanders, through authentic terrain and weather-affected environments, incorporating stealth elements to avoid detection amid dense jungles and enemy patrols. The game focuses on real-time tactical decisions, such as vehicle deployment and line-of-sight management, across 14 campaign missions that recreate historical conflicts. Published by Monte Cristo Multimedia, it highlighted Digital Reality's ability to model detailed soldier and environmental interactions for immersive combat simulation. In the early , Digital Reality collaborated with Candygun Games on (2011), a third-person survival set in a humorous American apocalypse. Players control one of three survivors—each with unique abilities and upgradable weapons—who scavenge for parts to craft traps and blockades, fending off waves of in co-operative or single-player modes. The title innovates on survival mechanics by emphasizing environmental destruction, such as smashing furniture for resources, and includes offline split-screen support for up to four players across eight co-op levels. Its blend of crafting, humor through quirky character animations, and strategic defense elements received praise for accessibility on consoles like and Xbox 360. SkyDrift (2011), self-published by Digital Reality, introduced aerial combat racing with high-speed plane battles across diverse tracks, from urban skylines to volcanic landscapes. Gameplay centers on power-up collection for weapons and boosts, allowing players to ram opponents or unleash missiles in multiplayer races supporting up to 16 participants. The game features eight customizable with 32 skin variants, emphasizing technical flying skills and track mastery in a chaotic, adrenaline-fueled format reminiscent of arcade racers but with shooter-like dogfights. Released on PC, , and , it was noted for its polished visuals and replayability through packs adding new planes and arenas. Bang Bang Racing (2012), co-developed with Playbox and published under Digital Reality's label, offered top-down arcade racing with vehicular customization and aggressive multiplayer dynamics. Players select from a roster of modifiable cars, navigating short, destructible circuits where bumping rivals off-course is key to victory, alongside time trials and split-screen modes for up to four players. The game's focus on technical drifting, speed bursts, and chaotic collisions across nine tracks provided a fast-paced alternative to simulation racers, available on PC, , and Xbox 360. It underscored Digital Reality's shift toward accessible, console-friendly action titles with robust online support. Digital Reality partnered with for two side-scrolling shooters in 2012, starting with , a surreal featuring grotesque puppet-like visuals and intense boss battles. Players control the titular in a twisted narrative, wielding a and to progress through horizontally scrolling levels filled with bizarre enemies and environmental hazards. The co-development leveraged Grasshopper's stylistic flair—known from titles like No More Heroes—with Digital Reality's engine expertise, resulting in a 16-bit-inspired that supports high-definition resolutions on , , and PC. Its challenging difficulty and artistic innovation earned it cult appeal among enthusiasts. Sine Mora (2012), another co-development, refined the shooter genre with time-manipulation mechanics, allowing players to rewind time for retries or slow-motion dodges amid dense projectile patterns. Set in a world, the horizontally scrolling action spans multiple aircraft perspectives, with narrative voiced by as protagonist Ron Ronah, adding emotional depth to the revenge-driven story. Supporting platforms including , , and PC, it innovated by tying progression to a vengeance meter rather than traditional scoring, and included co-op modes for varied replayability. The title's orchestral score and multilingual support highlighted Digital Reality's growing emphasis on cross-platform accessibility and collaborative storytelling in action games.

Mobile and experimental projects

Beyond completed releases, Digital Reality pursued ambitious experimental projects that ultimately went unfinished, including : Stargazer, a planned sequel to the studio's seminal strategy series announced in the early . The project aimed to deliver enhanced graphics and real-time planetary generation using the proprietary engine, demonstrated in a 2013 tech demo that showcased procedurally created worlds with dynamic terrains, atmospheres, and ecosystems for immersive space strategy gameplay. Intended to revive the franchise with modern visuals and deeper tactical integration, it was abandoned amid the company's broader financial difficulties and eventual 2013 shutdown, leaving no full release. Following the studio's closure, many titles were re-released digitally by , including on platforms like and , as of 2025.

Publishing and subsidiaries

Establishment of Digital Reality Publishing

was formed in as the dedicated publishing division of Digital Reality, a game developer, to focus on amid the growing prominence of online platforms. This entity handled sales and releases on key digital storefronts, including for PC titles, for games, and for content. By 2011, it had become operational as a distinct (Kft.) under law, enabling targeted management of digital releases like SkyDrift and . The establishment represented a strategic shift from traditional boxed to a model, allowing Digital Reality to retain greater control over distribution and revenue while minimizing dependence on external publishers such as and . This transition, initiated around following internal investments, emphasized digital sales to capitalize on emerging online markets and reduce intermediary costs. As part of Docler Holding since 2009, Digital Reality Publishing leveraged the parent company's resources for enhanced marketing of and PC titles, including ports and releases like the mobile version of . Operational priorities evolved to prioritize partnerships with independent studios, such as for co-developed projects, fostering creative collaborations in the digital space. The division also implemented standard practices to safeguard content across platforms, aligning with the era's focus on secure online distribution.

Key published titles and partnerships

Digital Reality Publishing self-published several titles in the early , focusing on multi-platform releases to reach broader audiences across consoles and PC. SkyDrift, released in 2011, was an aerial developed and published in-house for , , and Microsoft Windows, emphasizing adrenaline-fueled competitions with mechanics. Dead Block, launched the same year, was a published for , , and PC, where players barricade homes and craft weapons against undead hordes. Bang Bang Racing followed in 2012 as a top-down arcade racer co-developed with Playbox and self-published for , , Microsoft Windows, and , featuring 20 vehicles across nine global tracks with shortcut variations. A key aspect of Digital Reality's publishing strategy involved high-profile partnerships, particularly with Japanese developer , to blend Eastern creative styles with Western market appeal. In 2010, the two studios announced a co-development agreement to produce a series of digitally distributed games, starting with the in 2012 for , , and PC, which incorporated Grasshopper's signature narrative flair from director Goichi "Suda51" Suda to attract international audiences. This collaboration extended to Black Knight Sword, another 2012 side-scrolling action title co-developed for the same platforms, leveraging Suda51's eccentric storytelling and run-and-gun gameplay to target Western digital storefronts. These partnerships enabled Digital Reality to publish titles that combined Grasshopper's innovative design with European technical expertise, facilitating entry into competitive console markets. Digital Reality also ventured into mobile publishing with iOS titles distributed exclusively through the , incorporating in-app purchases for expanded content. Scarabeus: Pearls of the , released in 2010, was a puzzle game involving rotating cycles to collect colored balls in an ancient Egyptian theme, developed by Catmoon Games and published by Digital Reality with optional in-app upgrades. Liberty Wings, another 2010 set in , placed players as U.S. pilots destroying enemy forces, similarly published with in-app purchase options for additional levels and ships. Distribution strategies included innovative platform expansions, such as the 2013 Ouya console launch of , marking one of the early third-party titles for the Android-based system and broadening access to indie hardware markets. achieved critical acclaim, earning an aggregate score of 83, praised for its time-manipulation mechanics and visual artistry that set it apart in the genre. However, post-2011, Digital Reality faced intensifying competition in digital storefronts like and , where oversaturation led to delistings of titles including SkyDrift, , and Bang Bang Racing by 2016, complicating visibility and revenue sustainability.

Legacy

Intellectual property acquisitions

Following the dissolution of Digital Reality in September 2013, the studio's intellectual properties underwent a period of transition, with key assets sold to facilitate the winding down of operations. The closure process involved the liquidation of remaining assets to cover outstanding financial obligations, though specific details on legal proceedings or exact financial figures from the dissolution remain limited in public records, as the shutdown was described as relatively silent without major publicized bankruptcy filings. Assets such as game titles and associated rights were held by the parent entity, Docler Holding, before selective sales to external parties. In February 2016, Nordic Games—later rebranded as —acquired a portfolio of Digital Reality's IPs, including the series, with the explicit intent to explore remasters and modern releases to prevent the properties from fading into obscurity. This acquisition encompassed nine titles in total: Bang Bang Racing, Black Knight Sword, , , Liberty Wings, Scarabeus: Pearls of Nile, , SkyDrift, and Ubrain. True to the announcement, released updated versions of Imperium Galactica I and II on platforms like and in January 2017, featuring enhancements such as native Windows support for the sequel and emulation for the original to ensure compatibility with contemporary systems. The Sine Mora IP, originally co-developed with Grasshopper Manufacture in 2012, was included in the 2016 THQ Nordic acquisition from Digital Reality, though Grasshopper retains development credits in subsequent releases. THQ Nordic subsequently ported Sine Mora EX—an enhanced edition—to platforms including the Nintendo Switch in 2017, expanding its availability beyond the original Xbox 360 and PC versions. Other Digital Reality IPs, such as Platoon (2008) and War Front: Turning Point (2007), were not part of the 2016 sale and appear to have been dispersed among private holders or left dormant, with no documented revivals, remasters, or new projects as of 2025. Similarly, the Haegemonia: Legions of Iron IP (2002) has seen no major acquisitions or updates post-dissolution, remaining inactive despite its earlier expansion, Haegemonia: The Solon Heritage. These unacquired properties highlight the fragmented fate of Digital Reality's catalog, where only select titles received continued stewardship.

Influence on the Hungarian gaming industry

Digital Reality Software emerged as a pioneering force in the gaming industry during the and early 2000s, helping to position as a notable hub for development. Founded in 1991 as Design, the studio produced internationally acclaimed titles that showcased technical prowess and narrative depth, drawing global attention to Hungary's emerging talent pool amid the post-communist economic transition. This early success demonstrated the viability of local development for Western markets, fostering a competitive environment that encouraged innovation in a region previously limited by technological and distribution barriers. The studio's achievements served as a foundational influence on subsequent Hungarian developers, paving the way for prominent outfits like , , and . By achieving commercial viability with strategy-focused projects, Digital Reality highlighted Hungary's cost-effective yet skilled workforce, inspiring a wave of studios to pursue similar export-oriented models. and early employees from the company contributed to this , with many transitioning to roles in both local and international firms, thereby building a robust talent pipeline for the sector. Economically, Digital Reality bolstered Hungary's tech ecosystem, supporting broader digital innovation that underpins the industry's projected growth, including a live-streaming revenue of $43 million in 2025. In terms of genre innovation, Digital Reality left a mark through its hybrid approach in titles like (1997), which blended (RTS) mechanics with empire-building elements in a sci-fi setting. This experimental fusion—combining tactical combat, exploration, expansion, and —offered a fresh alternative to traditional turn-based games, influencing Eastern developers to explore similar genre crossovers for broader appeal. While the studio saw no major revivals of its properties by 2025, its contributions remain cited in regional industry histories as emblematic of Hungary's early strides in strategic gameplay design.

References

  1. [1]
    What is Digital Reality? | Deloitte Switzerland
    Digital reality refers to the wide spectrum of technologies and affordances that include Augmented Reality, Virtual Reality and Mixed Reality that simulate ...
  2. [2]
    What is Digital Reality | IGI Global Scientific Publishing
    An umbrella term to cover a set of reality-creating technologies such as augmented reality, mixed reality, virtual reality, 360-degree video, ...
  3. [3]
    The concept of digital reality: meaning and significance
    Aug 6, 2025 · The article substantiates the thesis that digital reality is the result of digitalization of social practices, both individual and collective.
  4. [4]
    How “reality” has changed in our lifetime: the evolution of the Smart ...
    Sep 28, 2022 · Definition: Smart digital realties are real-time, 3D digital worlds that are data rich and autonomously intelligent – providing complete line-of ...
  5. [5]
    https://hackaday.com/2025/03/16/the-amiga-no-one-wanted/
  6. [6]
    https://www.mobygames.com/game/280/imperium-galactica/
  7. [7]
    Digital Reality Software Kft - MobyGames
    Digital Reality Software is a development studio based in Budapest, Hungary. It was originally founded as Amnesty Design in 1991 by Tamás Kreiner.
  8. [8]
    https://www.mobygames.com/game/7778/hegemonia-legions-of-iron/
  9. [9]
    Reunion (1994) (Video Game) - TV Tropes
    Merit's Galactic Reunion) is a 1994 cross-genre 4X Real-Time Strategy for DOS, created by Hungarian company Amnesty Design, (now Digital Reality, better known ...
  10. [10]
    A history of the Amiga, part 10: the downfall of Commodore - OSnews
    Jan 26, 2017 · Amiga 1200/4000 had that, but it was made it difficult for developers as there was no way to know what would be the natural upgrade, unlike ...
  11. [11]
    The Amiga No One Wanted - Hackaday
    Mar 16, 2025 · Commercial Amiga software written by “middle aged men” declined by 1990. No more biorythm software, astronomy software, software for PC ...
  12. [12]
    Imperium Galactica (1997) - MobyGames
    $$12.10Released: 1997 on DOS ; Credits: 23 people ; Releases by Date (by platform). 1997 (DOS); 2016 (Windows) ; Publishers. GT Interactive Software Corp. THQ Nordic GmbH.
  13. [13]
    Imperium Galactica II: Alliances (1999) - MobyGames
    Starting on an untouched planet you have to expand your empire throughout the whole universe. Colonise more planets, fight against other races, research new ...
  14. [14]
    Hegemonia: Legions of Iron (2002) - MobyGames
    Nov 19, 2002 · A space based 3D RTS, very similar to games like the Imperium Galactica series but without the ground battles.Missing: house | Show results with:house
  15. [15]
    Hegemonia: The Solon Heritage (2003) - MobyGames
    Nov 17, 2003 · Description official description. A stand alone expansion pack to last year's Haegemonia: Legions of Iron. The Solon Heritage (TSH) is a multiplayer only package which includes 50 new inventions, new skills and heroes, new spaceships and strategy options as well as an improved Artificial Intelligence.
  16. [16]
    Platoon (2002) - MobyGames
    Platoon is a mission-based tactical combat game taking place in the Vietnam Conflict. Terrain, vehicles and soldiers are all modeled and authentic.Missing: Dreamcatcher Interactive
  17. [17]
    Desert Rats vs. Afrika Korps (2004) - MobyGames
    Desert Rats vs. Afrika Korps is a real time strategy game, set during the North Africa Campaign of World War II. The player can take either the side of the ...<|separator|>
  18. [18]
    CDV and Digital Reality Collaborating on Next-Gen Console Titles
    Mar 6, 2006 · March 6, 2006 -- CDV Software Entertainment AG and developer Digital Reality ... The new company will operate under the name WHIZ Software Kft.
  19. [19]
    War on Terror (2006) - MobyGames
    Aug 25, 2009 · War on Terror is a real-time strategy game in a modern setting. In the game three factions are waging war against one another.
  20. [20]
    https://www.ign.com/games/sine-mora
  21. [21]
    War Front: Turning Point Reviews - Metacritic
    Rating 73% (29) Bonus points for finally taking World War 2 in a different direction, Digital Reality. Much of the basics are intact here and make for some worthy game time.<|control11|><|separator|>
  22. [22]
    War Front: Turning Point Review - IGN
    Rating 7.8/10 · Review by Dan AdamsFeb 27, 2007 · Digital Reality re-writes and then repeats history. · The story itself was obviously given some production love. · The campaign has its moments, ...
  23. [23]
    Digital Reality Publishing Kft. - MobyGames
    Digital Reality Publishing is the publishing division of the Hungarian company Digital Reality Kft. Credited on 7 Games from 2010 to 2012. Black Knight Sword ( ...Missing: founded | Show results with:founded
  24. [24]
    Sine Mora (2012) - MobyGames
    May 6, 2012 · Sine Mora (Latin for "without delay") is a 2.5D horizontally side-scrolling shooter. The ship's movement is limited to two axes, but the camera ...
  25. [25]
    Grasshopper teams with Digital Reality on Sine Mora ...
    No More Heroes developer Grasshopper Manufacture has announced a partnership with Digital Reality to co-develop a range of new games, beginning with ...
  26. [26]
    Sine Mora - IGN
    Rating 9/10 · Review by IGNSine Mora is an innovative shooter which mixes traditional side-scrolling gameplay with unique time manipulation mechanics.
  27. [27]
    No playing around – DW – 12/06/2010
    Dec 6, 2010 · Europe has a strong video game industry, one that's competitive on several levels, but developers in Europe aren't being treated as well as their counterparts ...
  28. [28]
    Imperium Galactica Review - PC - Cubed3
    Rating 6/10 · Review by Eric AceFeb 1, 2017 · Imperium Galactica does not hold up graphically today, and some of the movies and voice acting is laughable, but ignoring the game because of ...
  29. [29]
    Imperium Galactica II: Alliances - IGN
    Rating 9/10 · Review by IGN StaffMay 9, 2000 · Overall, Imperium Galactica II is a gem of a game that's fun, deep, and absolutely beautiful. It's not an original idea and it doesn't do any ...Missing: metacritic | Show results with:metacritic
  30. [30]
    Imperium Galactica II: Alliances - Wikipedia
    Imperium Galactica II: Alliances is a video game featuring aspects of real-time tactics, real-time strategy and 4X elements from the Hungarian-based studio ...
  31. [31]
    Hegemonia: Legions of Iron Reviews - Metacritic
    Rating 75% (15) One of the best space RTS in the world. The graphic very good, the gameplay and music fatastic. And the story is very good.
  32. [32]
    Hegemonia: Legions of Iron Review - IGN
    Rating 8.2/10 · Review by Dan AdamsDigital Reality decided to go with Homeworld style movement interface, which I like, but then made the movement lines so slim they're hard to ...Missing: house | Show results with:house
  33. [33]
    Hegemonia: Legions of Iron Review - GameSpot
    Rating 7.9/10 · Review by Sam ParkerDec 5, 2002 · Hegemonia's solid, innovative gameplay and technically impressive graphics may seem very appealing to space strategy fans, but it's too bad ...
  34. [34]
    Desert Rats vs. Afrika Korps Reviews - Metacritic
    Rating 70% (29) The game has a Metascore of 70 and a user score of 5.8, with mixed reviews. Some praise the graphics, but others note flawed mechanics and bugs.
  35. [35]
    Desert Rats vs. Afrika Korps - IGN
    Rating 7.2/10 · Review by IGNDesert Rats vs Afrika Korps is Real-Time Tactical game in full 3D with realistic graphics, real time shadows, localized damage effects, explosions, ...
  36. [36]
    D-Day Reviews - Metacritic
    Rating 56% (19) The gameplay in D-Day is tactical and challenging but remains fun throughout and this is a satisfying combination. RTS fans will pick it up easily but there ...
  37. [37]
    D-Day - IGN
    Rating 5.2/10 · Review by Mark BirnbaumDec 9, 2004 · The missions themselves are almost entirely linear, with strict mission objectives and little room for exploration or error. Coupled with the ...
  38. [38]
    D-Day Review - GameSpot
    Rating 4.3/10 · Review by Scott OsborneJan 18, 2005 · At best, D-Day offers up a tepid serving of cookie-cutter RTS gameplay. At worst, it makes you descend into micromanagement hell.Missing: 2004 | Show results with:2004
  39. [39]
    Platoon: The 1st Airborne Cavalry Division in Vietnam - IGN
    Rating 6/10 · Review by IGNIn the game you take on the role of a platoon commander, through a series of missions set in the Vietnam war.Missing: Software | Show results with:Software
  40. [40]
    Dead Block (2011) - MobyGames
    In Dead Block you play one of three survivors in a zombie apocalypse in the United States of the fifties. In the ten levels of the single player campaign ...
  41. [41]
    Dead Block - IGN
    Rating 3.5/10 · Review by IGNDigital Reality. Initial Release. Jul 6, 2011. Platforms. PlayStation 3 Xbox ... Candygun Games Licenses Epic Games' Unreal Engine 3. May 10, 2011. Candygun ...
  42. [42]
    SkyDrift (2011) - MobyGames
    Jun 10, 2012 · SkyDrift is a racing game with planes, and gameplay similar to Slipstream 5000. Players get to steer an aircraft through various locales ...
  43. [43]
    SkyDrift Review - IGN
    Rating 8/10 · Review by Stephanie LeeSep 9, 2011 · SkyDrift is a pleasant surprise and an impressive feat from Digital Reality. Something is just beautifully chaotic about the savagery of nailing other planes.
  44. [44]
    Bang Bang Racing (2011) - MobyGames
    Jun 10, 2012 · Bang Bang Racing is an arcade racing game with short circuits in the tradition of titles such as Super Off Road where pushing opponents out ...
  45. [45]
    Bang Bang Racing on Steam
    Rating 4.5 (344) · 14-day returnsJun 8, 2012 · About This Game. Bang Bang Racing is a distinct arcade game focusing not only on the speed but also on the technical driving skills.
  46. [46]
    Black Knight Sword (2012) - MobyGames
    Jul 15, 2017 · Developers. Grasshopper Manufacture Inc. ; Collected By: 12 players ; Genre: Action ; Perspective: Side view ; Visual: 2D scrolling<|separator|>
  47. [47]
    Black Knight Sword - IGN
    Rating 6.9/10 · Review by IGNGrasshopper Manufacture. Publishers. Digital Reality, Reverb Publishing. Initial Release. Dec 11, 2012. Platforms. PC Xbox 360 PlayStation 3. Genres. Adventure ...
  48. [48]
    Sine Mora review | GamesRadar+
    Rating 3.5 Mar 21, 2012 · Sine Mora is a good game, though not necessarily a standard bearer for shoot em ups. It's got a unique art style, tinges of Grasshopper's profane quirkiness.
  49. [49]
    Get Lost in the Mysterious Puzzles of Ancient Egypt with Scarabeus
    Aug 2, 2010 · Scarabeus: Pearls of Nile leads players through more than 40 levels of mystic themed logic puzzles, weaving their way through vibrant, hand-painted art.
  50. [50]
    Scarabeus: Pearls Of Nile | GamesIndustry.biz
    Scarabeus: Pearls of Nile is based on the award-winning game released for PDA in 2006, and is a colourful and creative puzzle title. Players must learn to ...
  51. [51]
    Liberty Wings (2010) - MobyGames
    Liberty Wings is a shooter set during World War II where the player controls a plane. The game mixes three distinctly different game styles.
  52. [52]
    Liberty Wings - IGN
    In Liberty Wings, the player assumes the role of an Air Officer in the US Navy during World War II tasked with destroying the elements of a German Atom Bomb ...Missing: iOS | Show results with:iOS
  53. [53]
    Liberty Wings Review | 148 Apps
    Jan 13, 2011 · Liberty Wings is a lot of game, but the whole is just average. Average because each part of it has been done better by another title.Missing: iOS | Show results with:iOS
  54. [54]
    Liberty Wings iPhone Game Review - Appbite.com
    Fight off the Nazi in this action-packed arcade style WWII fighting game, with Liberty Wings. Read our full review on Appbite.com!Missing: iOS | Show results with:iOS<|separator|>
  55. [55]
    Digital Reality Gives Us A Glimpse Of Its Imperium Galactica Game ...
    Feb 13, 2013 · Digital Reality has just released a technological demo – called Imperium Galactica: Stargazer – exhibiting its new Stargazer engine capable of generating ...
  56. [56]
    Interview with Digital Reality on New “Imperium Galactica”
    Mar 29, 2013 · Digital Reality is a Hungarian publisher and game development company, responsible for the space 4X strategy series Imperium Galactica and ...Missing: Software | Show results with:Software<|control11|><|separator|>
  57. [57]
    Sine Mora – 2012 Developer Interview - shmuplations.com
    Jan 9, 2022 · Sine Mora features a time-based gameplay system, a horizontal STG format, and a story about fighting against time, with a focus on extending ...
  58. [58]
    SkyDrift on Steam
    Get closer than ever before to the world of adrenaline pumping sky-racing where flyboys can test and master their flying and combat skills.
  59. [59]
    Digital Reality's SkyDrift Gets Release Date - IGN
    Aug 30, 2011 · Budapest, Hungary ... Originally founded under the name Amnesty Design in 1991, Digital Reality has 20 years of experience in game development.
  60. [60]
    [PDF] C-N° 560 / 3 mars 2014
    Mar 3, 2014 · société Digital Reality Publishing Kft., une société à responsabilité limitée, établie en vertu du droit hongrois, ayant son siège social au ...
  61. [61]
    https://www.mcvuk.com/development-news/interview-digital-reality/
  62. [62]
    Imperium Galactica Stargazer Incoming!! - Space Game Junkie
    Feb 13, 2013 · Originally founded under the name of Amnesty Design in 1991, and with 20 years experience in game development, Digital Reality is now full- ...
  63. [63]
    Sine Mora : Digital Reality Publishing Ltd - Internet Archive
    Sep 21, 2019 · Sine Mora. by: Digital Reality Publishing Ltd. Publication date: 2013-08 ... After conquering PC, XBLA, PS3, iOS and Android, the cult ...
  64. [64]
    https://www.videogameseurope.eu/wp-content/uploads/2012/03/annual_report2011_web.pdf
  65. [65]
    How Hungary is emerging as a hub for game development
    Jun 2, 2025 · From Pixels to Powerhouses. The Hungarian game development industry started as far back as the early 1980s and was chiefly fueled by ...
  66. [66]
    Imperium Galactica - Home of the Underdogs
    Imperium Galactica is a unique and commendable effort from Digital Reality that tries to blend 4X strategy genre with a real sci-fi story and ...
  67. [67]
    4X In Space: A Troubled Legacy, A Bright Future - DualShockers
    May 21, 2012 · There would be other series in the sub-genre, such as Imperium Galactica that would experiment with real time strategy and other features, but ...