Fact-checked by Grok 2 weeks ago

Springwatch

Springwatch is an annual television series dedicated to live coverage of British wildlife during the spring breeding season, featuring continuous camera feeds from nests and habitats alongside on-site expert narration from rotating locations across the . Debuting on 30 May 2005 with broadcasts from the Fishleigh Estate, an organic farm in , the program has maintained a format of evening episodes typically airing Monday through Thursday for three weeks each May or June, emphasizing unscripted natural events such as animal rearing and territorial behaviors. Long-standing presenters , who joined in 2009, and , present since 2011, lead the coverage, often joined by specialists like for regional explorations, fostering viewer engagement through real-time updates and conservation insights. The series has relocated annually to diverse sites, including RSPB reserves and properties, to highlight varying ecosystems from coastal wetlands to upland moors, while incorporating technological advancements in remote cameras to capture intimate wildlife moments without human interference. Reaching its 20th series in 2025 from the Longshaw Estate in the and additional Northern Irish venues, Springwatch continues to draw audiences by prioritizing empirical observation of seasonal changes over dramatized narratives, though it has occasionally faced critique for presenter-related public disputes external to the production.

Origins and Early Development

Forerunners and Inspirations

The earliest live broadcasts on emerged in the 1980s, building on foundational outside broadcasts from the that incorporated animal observations amid experimental programming. These efforts emphasized direct, unmediated views of , prioritizing empirical footage over scripted narratives to capture natural behaviors as they occurred. A key forerunner was BBC Birdwatch, an annual series of live programs aired from 1980 to 1988, which focused on real-time monitoring of avian activity without heavy editing or imposed storytelling. Jointly presented by Tony Soper and Roger Lovegrove, it established a template for extended, observational wildlife coverage that influenced Springwatch's emphasis on seasonal, site-specific evidence. Complementing this, the 1988 Reefwatch production transmitted the first live underwater feeds from the northern , using divers to relay unfiltered marine interactions to viewers, demonstrating feasibility of sustained remote camera deployment. This progression from intermittent live trials to more structured formats responded to technological advances in portable equipment and audience demand for verifiable, causal depictions of , contrasting with predominant pre-recorded documentaries like Wildlife on One (1977–2005) that relied on synthesis. Such innovations underscored a commitment to first-hand data over interpretive overlays, laying groundwork for Springwatch's live without the narrative biases common in later wildlife media.

Launch and Initial Series (2005)

Springwatch debuted on on 30 May 2005, with episodes airing live from Monday to Thursday at 8:00 pm over a three-week period ending in mid-June. The inaugural series was presented by ornithologist and broadcaster alongside and wildlife cameraman Simon King, who contributed field reports. Filming took place at the Fishleigh Estate, an organic farm in , selected for its diverse habitats including woodland, river, and pasture that supported observable spring wildlife activity such as nesting birds and emerging mammals. The production emphasized live monitoring through multiple remote cameras positioned at active nests and feeding sites, allowing observation of unpredictable behaviors like hatching and predation events, which pre-recorded documentaries could not replicate with equivalent immediacy. This approach stemmed from the BBC's intent to document phenological events—seasonal biological timings—via extended daily broadcasts, incorporating viewer-submitted data from a nationwide survey to correlate local observations with on-site footage. Initial episodes drew average audiences exceeding 3 million viewers nightly during the first two weeks, with surpassing that figure, reflecting in unscripted natural processes amid a of edited programming that often prioritized dramatic narratives over empirical progression. These figures represented a strategic response to stagnating viewership for traditional formats, leveraging live elements to foster direct engagement with rural and seasonal ecological dynamics.

Early Expansion to Seasonal Formats

Following the debut of Springwatch in May 2005, the BBC commissioned a one-off Autumnwatch special later that year to capitalize on audience interest in extended seasonal wildlife coverage. This special transitioned into a full Autumnwatch series starting October 2, 2006, shifting focus to autumn phenomena such as animal preparations for winter and migratory patterns. The 2006 series included remote monitoring from the in , capturing pupping and haul-out behaviors amid variable coastal conditions. The rationale for Autumnwatch stemmed from Springwatch's proven viewership, with the format's live camera feeds proving effective for real-time ecological documentation beyond spring breeding seasons. Production adapted to shorter days and unpredictable by relying on pre-filmed inserts alongside live broadcasts, ensuring continuity in tracking annual wildlife cycles like berry ripening and bird departures, as evidenced by viewer-submitted survey data integrated into episodes. Winterwatch followed as a further extension, with an initial one-hour special broadcast on February 22, 2012, from the , highlighting winter survival strategies amid frost and scarcity. This pilot addressed demand for off-season content by focusing on hardy species like and enduring low temperatures, using and motion-activated cameras to overcome limited natural light—challenges that required logistical shifts from spring's more favorable conditions. The special's success, measured by engagement metrics, led to annual Winterwatch series from , completing year-round observation without overemphasizing narrative embellishments.

Program Format and Production

Core Structure and Live Elements

Springwatch maintains a foundational format of four live episodes broadcast weekly from to Thursday on , each running 30 to 60 minutes, combining studio-based presentation with real-time feeds from remote cameras. This , established at the program's 2005 launch, prioritizes the depiction of unaltered natural events, such as predation and fledging, to reflect ecological realities without narrative embellishment. Core segments focus on progress updates for under via cameras, including nest developments and behavioral patterns, alongside on-site interpreting these events through direct empirical . Viewer-submitted questions are addressed live, fostering grounded in shared sightings rather than preconceived scripts. This approach underscores causal processes in wildlife dynamics, such as predator-prey , often displayed unselectively to convey authenticity over sanitized portrayals. In contrast to prior BBC nature series, which typically featured post-produced footage with retrospective narration, Springwatch's live format introduces inherent unpredictability, capturing spontaneous occurrences like animal deaths or territorial disputes as they happen. This emphasis, minimally altered since , distinguishes it by privileging observational fidelity to first-hand ecological causation over edited . Viewer reactions, including occasional objections to graphic content, affirm the program's commitment to unvarnished depiction.

Wildlife Cameras and Monitoring Techniques

Springwatch utilizes a network of fixed and remote-controlled cameras, including infrared-equipped and motion-activated cameras, to facilitate non-intrusive of behaviors and habitats. These devices, deployed across reserves since the program's 2005 launch, employ passive (PIR) sensors to detect heat and movement, triggering recordings of nocturnal or elusive such as barn owls in nest boxes and badgers at setts. Footage from these cameras generates empirical data logs on activities like foraging patterns and territorial disputes, contributing to insights on local population trends without human interference. Technological advancements have enhanced resolution and automation, transitioning from standard-definition to systems by the early 2010s, with compact HD MiniZoom cameras enabling detailed / capture in challenging environments. By 2020, integration of allowed automated monitoring of remote feeds, where algorithms detect and classify animal activity to trigger targeted recordings, reducing manual review and expanding coverage of unpredictable events. This evolution supports long-term datasets from nest and trail cameras, documenting outcomes such as chick hatching success and fledging attempts in species like pied flycatchers and tawny owls. Camera-derived observations underscore natural ecological processes, including high juvenile mortality—often driven by sibling competition, predation, and resource scarcity—as seen in unedited footage of events like nest or failed fledglings, providing raw data for assessing survival without interpretive bias. Such techniques prioritize verifiable behavioral over narrative framing, aligning with empirical tracking of attrition rates that typically exceed 70% for many fledglings in .

Filming Locations and Logistical Practices

Springwatch production has historically favored sites with dense biodiversity, such as RSPB reserves in its early years, including Minsmere in Suffolk for initial series. These locations were selected for their concentration of breeding birds and habitats conducive to live observation, though specific quantitative metrics like species richness indices were not publicly detailed in selection processes. By the 2010s, the format evolved to incorporate multiple sites across the UK, enabling broader ecological coverage from regions like Norfolk, Scotland, and Wales, often justified by surveys highlighting regional variations in seasonal wildlife activity. Annual rotations continue this practice, with the 2025 series basing primary operations at Longshaw Estate in the —a property encompassing , , and grasslands supporting diverse and —while incorporating feeds from Northern Ireland sites including , , and . Site choices prioritize areas with verifiable high wildlife activity during spring, such as breeding colonies, to maximize on-air ecological insights, though empirical data on comparative (e.g., bird counts exceeding 100 species at select reserves) informs but does not exclusively dictate selections. Logistical setups involve erecting temporary production villages with camera hides, control rooms, and power units, often powered by fuel cells or hybrid systems to reduce emissions, as implemented in recent series at sites like Arne. Crew protocols aim to minimize disruption through low-impact access paths and remote , yet verifiable disturbances have occurred, including widened tracks for access, blocked ditches, and plating over meadows at Longshaw in 2025, leading to local complaints of scarred terrain and impeded wildflower growth. These practices reflect a balance between broadcast needs and , with production emphasizing evidence-based mitigation like pre- and post-filming assessments, though independent verification of net impacts remains limited.

Presenting and Expert Team

Primary Presenters and Role Evolutions

The inaugural Springwatch series in 2005 featured as a primary presenter, whose background as an ornithologist informed detailed bird species identifications and behavioral observations drawn from decades of field experience. co-presented alongside and Simon King until 2009, contributing empirical insights into avian that aligned with the program's focus on live monitoring data. In 2009, , a graduate with prior BBC natural history presenting roles since 1985, replaced Oddie as a core studio presenter, emphasizing rigorous data interpretation from camera feeds and ecological trends. Packham's continuity through subsequent series has stabilized the team's scientific framing, with his ornithological expertise facilitating precise species documentation and causal analysis of wildlife behaviors observed in real-time. joined Packham that year, handling logistical on-site reporting and supplementary data from filming locations until his departure in 2018. Michaela Strachan transitioned into a primary presenting role around , succeeding Humble and providing commentary on and broader interactions informed by her extensive international work. Her contributions have focused on integrating viewer-submitted data with on-air interpretations, maintaining the program's emphasis on verifiable field observations over narrative embellishment. Following Hughes-Games' exit, emerged as a regular third presenter by the mid-2010s, leveraging his Welsh ornithological surveys to enhance regional tracking and live updates. These shifts reflect adaptations to sustain empirical depth amid production changes, with Packham's enduring role anchoring ornithological and analytical consistency across 16 years as of 2025.

Guest Experts and Contributor Changes

Guest experts on Springwatch have included rotating specialists who provide specialized field data and ecological insights, complementing the primary presenters' broader hosting roles by focusing on verifiable observations such as species behaviors and habitat-specific dynamics. , a Welsh ornithologist and naturalist, has contributed since 2010, often roaming locations to report on regional , including bird migrations and upland in , drawing from his extensive fieldwork to supply data on population trends and predator-prey interactions. These inputs have enabled myth-debunking segments, such as clarifying natural balances in ecosystems over simplistic narratives, grounded in empirical monitoring rather than anecdote. Younger contributors like zoologist Megan McCubbin have joined since 2017, offering expertise in animal conservation and photography-based documentation, with roles evolving from occasional reports to more integrated segments on invertebrate behaviors and rewilding efforts, though her prominence fluctuated—full-time in 2022 before reducing in 2023 to align with production needs for diverse field coverage. Post-2020 adaptations, tied to expanded live streaming and location shifts amid pandemic constraints, introduced additional specialists like Gillian Burke for remote reporting in 2023 and, in 2025, ornithologist Sean Ronayne for avian identification data and naturalist Lira Valencia for urban wildlife observations, enhancing accuracy in species verification through targeted camera feeds and on-site metrics rather than broadening team demographics alone. These changes reflect content-driven priorities, such as increasing granularity in ecological data to counter viewer misconceptions, with no documented rise in identification errors attributable to newer voices.

Core and Extended Series

Springwatch Series Overview and Milestones

Springwatch, the BBC's flagship live series, debuted on May 30, 2005, capturing seasonal changes through remote cameras and on-site observation at nature reserves. Broadcast annually from late May to mid-June, typically commencing on the last in May and airing four nights weekly for three weeks on , the program has maintained a core focus on events such as nesting, migrations, and behavioral adaptations. By its sixth edition in 2010, production scaled to involve a crew of around 100 and over 50 hidden cameras across sites, solidifying its status as one of the BBC's largest domestic outside broadcasts. Significant adaptations marked the series' resilience, notably in amid restrictions, when presenters delivered from separate home locations and dispersed sites to minimize contact, incorporating pre-filmed sequences while preserving live camera feeds for viewer engagement. The 2025 series, marking the 20th anniversary, featured a evaluation in its finale assessing the accuracy of long-term wildlife predictions made since inception, drawing on empirical records of phenological shifts like earlier arrivals. While the format has remained stable—centered on live, unscripted nature documentation—the content has evolved to integrate more longitudinal data, including contributions tracking climate-influenced patterns such as breeding timings and responses, enhancing causal analysis of environmental pressures without altering the structure. This progression reflects a commitment to evidence-based , prioritizing verifiable trends over embellishment.

Autumnwatch Developments

Autumnwatch began as a one-off special in 2005, extending the Springwatch format to capture autumn wildlife transitions, including initial public surveys that recorded over 150,000 first sightings of key species such as and house martins. This pilot emphasized seasonal shifts like southward and early harvest , contrasting Springwatch's emphasis on and nesting by highlighting transient movements and resource gathering for overwintering. The special's success prompted its expansion into an annual series starting in 2006, with broadcasts typically spanning late October to early November to align with peak autumn phenomena. Filming locations were selected for their suitability in observing passage migrants and harvest-related behaviors, often in eastern regions like Norfolk in East Anglia, where coastal watchpoints facilitate tracking of inbound thrushes, finches, and pipits from Scandinavia. For instance, the 2021 and 2022 series utilized Wild Ken Hill estate in Norfolk, a rewilding site that provided visibility into foraging patterns amid traditional farmland transitions to more naturalistic habitats. These sites enabled live coverage of empirical data, such as British Trust for Ornithology (BTO) migration logs documenting east coast arrivals, differentiating Autumnwatch through quantifiable influxes rather than static nests. Distinct content included in-depth segments on fungal fruiting and , portraying autumn woodlands as ecosystems of and , with visuals of waxcaps and corals emerging post-rainfall to underscore foraging opportunities for mammals and . runs received targeted tracking, as in 2009 episodes detailing upstream leaps and 2011 coverage of Speyside spawning, where cameras captured spawning efforts and egg-laying energetics to illustrate anadromous migrations' role in riverine . Unlike Springwatch's focus on territorial establishment, Autumnwatch prioritized these dynamic, short-window events, such as harvest bounties fueling fat reserves for or further , evidenced by on-site observations of exploiting berry crops and acorn . A notable milestone occurred in 2018 with a week-long special from New Hampshire's , adapting the format to North American autumnal parallels like leaf fall and wildlife preparation, while maintaining ties through comparative migration analysis. By , the standalone series was discontinued to reallocate resources toward Springwatch and Winterwatch, but it revived in 2024 as integrated specials within , broadcast from Wytham Woods near to highlight activity and benefits of autumn immersion. This evolution reflected adaptations to broadcasting constraints while preserving the core emphasis on verifiable seasonal data over prolonged territorial monitoring.

Winterwatch and Specialized Editions

Winterwatch, the winter counterpart to Springwatch, debuted in January 2012, emphasizing the survival strategies of British wildlife amid harsh conditions such as prolonged darkness, food scarcity, and . Unlike the extended spring broadcasts, Winterwatch typically consists of four consecutive nightly episodes, a format necessitated by logistical challenges including reduced daylight hours and heightened risks to filming equipment in sub-zero temperatures. The series highlights nocturnal behaviors, providing viewers with footage of otherwise elusive activities like foraging under cover of night, which reveal the adaptive resilience of species facing metabolic stresses from cold snaps. The inaugural series was broadcast live from the , including Aigas Field Centre, where presenters documented mountain hares in snowy and reindeer herds enduring high-altitude blizzards. In 2013, subsequent episodes from the same region scaled the to track hares' adaptations and captured dramatic spectacles of wildlife confronting prolonged frost, underscoring the empirical toll of winter on . These broadcasts prioritize unvarnished depictions of mortality risks, such as predation intensified by limited mobility, over sanitized narratives, aligning with the seasonal realities of and territorial defenses observed in field data from remote cameras. Specialized editions extend the franchise to regional ecologies, such as those in during the , where Springwatch incorporated dedicated segments on habitats like upland rivers and coastal bays to spotlight localized conservation efforts. For instance, the series deployed 40 miles of fibre optic cabling across Welsh sites to relay live feeds of red kites, s, and , enabling real-time monitoring of breeding successes amid pressures documented in regional surveys. A companion program, Springwatch in Wales, compiled these observations to illustrate Wales-specific phenomena, including otter territorial behaviors and piscivorous bird foraging efficiencies, drawing on extended camera traps to quantify activity patterns in fragmented landscapes. The 2025 Winterwatch series, aired from 21 to 24 January, originated from RSPB Arne in Dorset, focusing on adaptations to variable winter precipitation and tidal influences, with live cameras capturing foraging amid fluctuating freezes. This edition navigated empirical challenges from inconsistent weather fronts, which can disrupt migration timings and amplify risks, as evidenced by on-site monitoring of and mammalian responses. Shorter durations persist due to the practical imperatives of winter logistics, including equipment icing and crew safety, contrasting with spring's milder conditions and allowing concentrated coverage of acute survival metrics without diluting focus on causal environmental stressors.

Content Evolution and Highlights

2005-2010: Format Establishment

The format of Springwatch solidified during its initial years through a combination of live daily broadcasts, on-site expert narration, and remote wildlife cameras that captured natural events, distinguishing it from pre-recorded documentaries. Debuting on 30 May 2005 from the Fishleigh Estate in , the series emphasized real-time observation of British spring wildlife, including nesting behaviors and seasonal migrations, which resonated with audiences seeking authentic ecological insights. The integration of multiple camera feeds, such as those nests, proved particularly effective in engaging viewers by revealing intimate details like hatching and feeding that traditional filming often missed. Viewership metrics underscored the appeal of this live-camera approach, with the 2005 series averaging over 3 million nightly viewers and peaking near 4 million, reflecting strong in unmediated wildlife spectacles. By 2006, audiences stabilized at around 3.9 million per episode, indicating format retention amid expanding coverage of events like barn owl nesting, which highlighted the cameras' role in documenting predator-prey dynamics and breeding success rates. These figures demonstrated empirical validation of the live model, as sustained numbers correlated with the unpredictability of natural occurrences rather than scripted narratives. Early production faced logistical hurdles inherent to live outdoor , including weather variability that disrupted camera functionality and activity; for instance, the warmer-than-average of 2007 altered migration patterns and reduced observable nesting events, necessitating adaptive camera placements and contingency feeds. Technical resolutions involved empirical redundancies, such as deploying backup solar-powered units and diversified site selections, which mitigated signal losses and ensured continuity without compromising the unedited ethos. By 2009, these refinements culminated in the launch of Springwatch Unsprung, a live companion segment fostering viewer interaction through Q&A and extended analysis, further embedding audience participation into the established structure.

2011-2020: Expansion and Adaptations

During the , Springwatch enhanced its production scale by integrating advanced digital tools and multiplatform delivery, beginning notably in 2016 when it introduced live streaming across the Springwatch website, , and mobile devices, allowing audiences to access real-time camera feeds beyond traditional broadcasts. This expansion complemented the core live TV format, enabling extended viewing of unscripted natural events and fostering greater public interaction with ongoing monitoring. The program's reliance on grew alongside broader platform usage trends, with on-demand episodes and supplementary content contributing significantly to total consumption; for instance, iPlayer requests for BBC programming surged during peak periods, reflecting sustained interest in nature series like Springwatch amid shifting viewing habits. Episodes emphasizing predation sequences, such as those depicting or hunting live prey, periodically sparked viewer complaints over perceived graphic intensity, though these aligned with the series' commitment to unaltered ecological realism. In 2020, amid restrictions, Springwatch pivoted to a remote production model, with presenters like and broadcasting from home setups while a minimal on-site crew managed cameras, coordinated via for multi-feed integration. This adaptation maintained daily live output focused on distributed observations, including backyard and supplementary site feeds, and received from segments of the who appreciated the streamlined format's emphasis on substantive content over studio interactions. Engagement metrics indicated resilience, as the series continued to draw consistent viewership despite logistical constraints, underscoring its adaptability in preserving core educational value.

2021-2025: Recent Innovations and Challenges

In 2021 and subsequent years, Springwatch incorporated hybrid production elements, leveraging cloud-based systems for analysis to facilitate safer, more flexible filming amid lingering constraints. The 2025 series, its 20th installment, shifted primary filming to the Trust's Longshaw Estate in the , encompassing over 1,600 acres of moorland, woodland, and grassland habitats, while expanding to locations including , , and for enhanced representation of underrepresented regional . This multi-site approach aimed to capture broader empirical data on species distribution and behaviors across the . Technological innovations advanced with deeper integration of , including AI-driven monitoring of live cameras to detect and record activity automatically, reducing manual oversight and enabling precise behavioral metrics such as bird counts. Presenter highlighted AI's role in quantifying ecological patterns, building on Research and Development prototypes tested during earlier seasons. Challenges emerged from viewer backlash against unedited depictions of predation, including 2025 episodes featuring attacks on songthrushes and other "brutal" interactions, which drew complaints for causing distress without prior warnings. Packham defended the approach, stating that concealing nature's harsh realities would undermine the program's educational value, amid reports of audiences reacting with tears or to such footage. Long-term observations across the series' two decades have documented trends aligning with on declines, such as reduced abundances in monitored populations attributable to and climate shifts, validating the program's emphasis on causal environmental factors over two decades.

Reception and Metrics

Critical Assessments

Springwatch has been commended for pioneering a reality-television in wildlife broadcasting, emphasizing live, unpredictable animal interactions captured via remote cameras to foster viewer immersion in natural processes. A analysis in positioned the series as "the ultimate reality TV show for our times," crediting its enduring appeal to a format that prioritizes unfiltered ecological events over scripted narratives, thereby building a dedicated audience through genuine observational authenticity. The program's reliance on presenter expertise, particularly Chris Packham's ornithological and behavioral knowledge, has bolstered claims of empirical rigor in depicting species-specific data and dynamics. Reviews highlight Packham's role in delivering evidence-based commentary on avian migration patterns and predator-prey mechanics, distinguishing Springwatch from less substantive nature programming. A 2013 assessment from noted Packham's authoritative presence as a counter to the era's preference for celebrity hosts lacking scientific depth, thereby elevating factual accuracy in live interpretations. Critiques, however, point to tendencies toward , where animal actions are framed with human-like emotional attributions, risking distortion of instinct-driven behaviors. Presenters themselves acknowledged internal debates on this in , with some resisting overly sentimental portrayals that could obscure wildlife's amoral . Such approaches have drawn broader for prioritizing drama over detached analysis, potentially amplifying viewer at the expense of understanding evolutionary imperatives. Assessors have faulted Springwatch for insufficient causal scrutiny of pressures, such as from infrastructure expansion, opting instead for descriptive vignettes of decline without linking to policy-driven land-use changes. A Guardian commentary argued the series excels in public engagement but evades direct confrontation with development's role in , limiting its analytical depth on root environmental drivers. This selective focus aligns with critiques from analysts wary of programs that evoke emotional responses to symptoms while sidestepping accountability in human expansion patterns.

Viewership Data and Public Engagement

Springwatch has consistently drawn audiences in the millions since its inception, with Broadcasters' Audience Research Board (BARB) overnight figures indicating a peak of 3.9 million viewers for its return on , capturing a % share of available audience during primetime slots. In the , individual episodes typically averaged 2 to 2.5 million viewers, as evidenced by specific 2010 broadcasts ranging from 2.36 to 2.50 million. These figures reflect the program's appeal during its format-establishment phase, though variability existed, with some episodes dipping below 2 million, such as a 2010s installment at 1.9 million. By the 2020s, linear TV viewership for Springwatch aligned with broader industry declines, averaging around 3 million in 2020 amid heightened interest during the lockdown, but trending downward to levels consistent with 2 million or less in subsequent years due to audience fragmentation toward on-demand streaming services like . This shift mirrors traditional TV viewing patterns, where overall consumption has fallen as viewers migrate to SVOD platforms, reducing reliance on scheduled broadcasts. BARB data underscores these trends without fully accounting for iPlayer streams, which BBC reports indicate extend reach but lack comparable historical metrics for direct comparison. Public engagement extends beyond linear metrics through interactive elements and digital platforms, with the program's official page accumulating 889,723 likes and active discussions as of 2025, facilitating real-time viewer feedback on observations. Instagram followers reached 498,000, supporting shares of live camera feeds and that amplify seasonal interest. A 2021 analysis of Facebook comments on Springwatch videos from the 2020 series revealed high engagement levels, with users expressing benefits from , though reactions varied by content type, including distress over predation events. Citizen science surveys tied to broadcasts, such as the 2019 Gardenwatch initiative launched during Springwatch, gathered data from thousands of UK gardens on wildlife habitats, yielding empirical insights into urban biodiversity and demonstrating causal viewer participation in conservation monitoring. For the 2025 20th anniversary series, BBC emphasized continued interactivity via live online wildlife streams and social campaigns, sustaining engagement despite linear dips, with Parrot Analytics reporting demand 5.6 times the UK TV average in recent periods. These metrics highlight resilient interest, tempered by off-peak lulls in traditional viewing that reflect broader causal factors like competing digital distractions rather than program-specific fatigue.

Awards and Industry Recognition

Springwatch has earned targeted recognition from the British Academy of Film and Television Arts (BAFTA) for innovations in live wildlife broadcasting, particularly amid technical challenges like remote production. The 2020 edition won the BAFTA Television Award for Live Event in 2021, praised for adapting to restrictions while delivering unscripted animal behaviors via fixed cameras and minimal crew intervention at locations such as RSPB Salthouse Marshes. This category pits nature specials against high-profile events like and elections, where empirical success is gauged by viewer and real-time execution rather than scripted narrative polish. The series received a BAFTA for Live in , highlighting sustained technical merit in multi-camera live feeds but falling short against competitors emphasizing broader spectacle. Earlier, in 2011, Springwatch was awarded a Special Award at the BAFTA Television Craft Awards for exemplary teamwork in integrating live , cams, and extensions, which enhanced empirical observation of behaviors like nesting patterns without human interference. Such honors underscore advancements in camera technology during the , enabling close-range footage that rivals studio-based factual series, though judging panels' emphasis on may favor programs aligning with prevailing environmental priorities over pure rigor. The programme's , composed by David Poore, earned a nomination from the Royal Television Society (RTS) in a craft category, recognizing its role in signaling seasonal cues without overpowering natural audio. However, Springwatch has secured no RTS Programme Awards in core factual or live categories, with recent craft nods (e.g., 2023 production design) yielding no victories amid stiff competition from news and drama formats. This pattern reflects the series' niche strengths in sustained live authenticity over dramatized edits typical of awarded factual peers.

Controversies and Criticisms

Graphic Content and Viewer Complaints

In the 2025 series of Springwatch, aired in June, the program faced significant viewer backlash for depicting unedited predation events, including a tawny owl named Spud rapidly killing and consuming songthrush chicks, which presenters described as a natural but efficient hunting process. Viewers reported emotional distress, with some claiming the footage left them "crying and throwing up," and demanded pre-episode warnings for such "savage" content. Similarly, scenes of short-eared owl chicks engaging in cannibalism—one pecking a sibling to death and consuming its remains—drew complaints for being "brutal" and unsuitable without caveats, prompting calls for the BBC to sanitize broadcasts. Presenter Chris Packham responded to the uproar by defending the inclusion of such footage, stating that "nature can be brutal" and that the show would not conceal predation to spare viewers' sensitivities, emphasizing the need to portray ecological realities accurately rather than idealized versions. This stance aligns with arguments for causal realism in wildlife programming, where omitting predation distorts viewers' understanding of population dynamics and survival mechanisms, though critics contended it unnecessarily inflicted distress on audiences, particularly families. Historically, similar complaints arose in prior series, such as the 2023 episode showing a being beaten to death with a stick by a defender of , which viewers labeled "cruel" and prompted demands to halt such depictions amid reports of tears and heartbreak. Earlier instances in the included backlash to predating in 2012, with viewers upset by the raw finality of natural killings, though exact volumes remain undocumented beyond anecdotal surges reported in media coverage. Proponents of unfiltered content, including Packham, maintain that these events underscore predation's role in balance, countering sanitization efforts that could mislead on causality, while detractors prioritize viewer welfare over comprehensive ecological education.

Production Impacts on Environments

In May 2025, during filming of Springwatch at the Trust's Longshaw Estate in the , local residents accused the production team of causing environmental damage, including vehicle tracks across sensitive , discarded waste, and disturbance to ground-nesting birds and other wildlife habitats. These claims highlighted perceived hypocrisy in a program dedicated to , with critics arguing that and crew activity on protected land contradicted the show's environmental messaging. The defended its practices, emphasizing mitigation measures such as powering the on-site production village with fuel cells for the fifth consecutive year, which produce only water as byproduct and eliminate fumes that could affect local air quality and wildlife. This approach, implemented since at least across all live broadcasts, aims to reduce carbon emissions from generators in ecologically sensitive areas like nature reserves. However, independent verification of specific disturbance levels at Longshaw remains limited, with no publicly available ecological audits quantifying or long-term effects as of October 2025. Broader production impacts include crew travel emissions, identified by the as the primary carbon source in Springwatch operations, calculated via BAFTA's tool, which tracks footprint across transport, accommodation, and equipment. Filming setups, involving cameras, hides, and cabling in wild areas, can temporarily disrupt animal behavior, such as altering foraging patterns or nest site usage, though the employs protocols like pre-scouting and minimal-invasion gear to limit these effects. On managed estates like properties, such access for filming may incidentally support habitat maintenance through funded conservation activities, potentially offsetting localized disruptions via enhanced monitoring and public awareness, though direct causal evidence linking production to net ecological gains is anecdotal rather than empirically robust.

Debates Over Nature Portrayal and Sensationalism

Critics have accused Springwatch of employing anthropomorphic narratives that attribute human-like emotions and intentions to wildlife, potentially misleading viewers on natural behaviors driven by instinct and survival rather than sentiment. For instance, presenters' commentary often frames animal actions in relatable, story-like terms, such as describing a fox's hunt as a "family drama," which some naturalists argue oversimplifies predator-prey dynamics and fosters unrealistic expectations of harmony in ecosystems. This approach, while engaging for audiences, has drawn rebuke from ecologists who contend it prioritizes entertainment over causal explanations rooted in resource competition and population control. Debates intensified around the program's portrayal of human-wildlife conflicts, particularly in its coverage of the cull implemented to curb bovine (bTB) transmission from badgers to . Springwatch episodes featuring badgers emphasized their "cuddly" appeal and highlighted emotional opposition to , often using footage of healthy, playful individuals while downplaying epidemiological data linking badger reservoirs to bTB persistence in herds. A 2014 review of BBC rural programming, including Springwatch, criticized this as giving undue weight to "cute" imagery at the expense of balanced reporting on farming's role in maintaining habitats that support both and . Pro-cull advocates, including farming groups, argued such framing ignored evidence from the Randomised (RBCT), which demonstrated that proactive culling reduced bTB incidence in by up to 23% in cull zones, though perturbation effects—badgers dispersing and spreading —complicated outcomes in adjacent areas. Presenter Chris Packham's public opposition, including tweets labeling cull participants as "thugs," further fueled accusations of bias, leading to BBC censure for breaching impartiality guidelines. Sensationalism critiques center on Springwatch's amplification of dramatic events, such as hyped predator attacks or threats, which sometimes outpace empirical verification. Episodes have teased "unprecedented" spectacles, like rare predation sequences, only for follow-up tracking to reveal less dire long-term ecological shifts than implied, prompting claims of prioritizing viewer retention over measured analysis of stable cycles. In badger-related segments, predictions of cull-induced "ecological collapse" contrasted with data showing no widespread crashes post-culling, as localized reductions stabilized without broader trophic disruptions. Detractors from rural advocacy groups maintain this binary of "cruel intervention" versus "benign wild" neglects farming's , where intensive paradoxically sustains diverse through hedgerows and set-asides, yet receives scant credit amid anti-agricultural undertones.

Conservation and Educational Dimensions

Campaigns, Surveys, and Initiatives

Springwatch has facilitated viewer-led surveys, including the 2019 Gardenwatch initiative, which encouraged participants to assess wildlife-friendly features in their gardens, such as bird feeders, long grass, and feeding sites, compiling data on 31 garden practices across the . The program promoted weekly quiz questions to guide on garden resources for , aiming to catalog and suburban habitats through submissions. In 2024, Springwatch featured the Martin Down Farmer Cluster in , where a baseline survey conducted in 2017 by the Game & Wildlife Conservation Trust recorded local plant , bird populations, and environmental conditions to support ongoing wildlife monitoring and habitat efforts. The series has incorporated long-term monitoring of behaviors, such as deploying remote cameras at ; one operator tracked a in for over ten years, capturing family interactions and patterns for broadcast. During the 2025 series, researchers analyzed droppings from an amber-listed bird species featured on the program, which has experienced a sharp since 2000, to gather data on and amid concerns. Similarly, ecologists monitored pied flycatcher nests, noting a 59% drop in breeding populations, through live camera feeds and fieldwork integrated into episodes.

Empirical Evidence of Conservation Influence

Surveys tied to Springwatch, such as the 2019 Gardenwatch initiative, garnered over 200,000 responses documenting observations, yielding datasets that informed RSPB assessments of urban biodiversity trends and potential enhancements. A 2018 Springwatch feature on a camera drove 45,000 visits to the associated My Naturewatch , demonstrating spikes in and data contribution for monitoring initiatives. These metrics indicate heightened awareness and voluntary participation in , yet they primarily reflect episodic engagement rather than sustained behavioral shifts. During the 2021 lockdown, analysis of interactions with Springwatch-related content revealed widespread positive responses, including expressions of intent to engage more with , correlating with self-reported improvements from virtual exposure. However, the study documented no measurable follow-through in pro-conservation actions, such as habitat management or , underscoring a gap between awareness and implementation. Episodes spotlighting targeted efforts, like the 2024 coverage of the GWCT-supported Martin Down Farmer Cluster, showcased empirical gains from habitat interventions, including baseline monitoring that tracked improvements in populations, , and post-implementation. Such airtime amplifies visibility for evidence-based practices, potentially bolstering public and funder support for scalable farm-level , though no direct causation from broadcast to alterations or funding surges has been quantified. Broader reviews affirm measures slow in 66% of assessed cases, but attribute outcomes to on-ground actions rather than media dissemination alone. No studies link Springwatch to reversal of species declines or macroeconomic policy reforms, with influence confined to incremental public data inputs and project promotion amid ongoing UK biodiversity erosion.

Critiques of Messaging and Policy Implications

Critics have argued that Springwatch's messaging often prioritizes alarmist narratives on species extinction and human-induced decline, exemplified by former executive producer Martin Hughes-Games' 2017 assertion that high-profile BBC series like Planet Earth II contribute to the "planet-wide extinction of wildlife" by failing to adequately depict anthropogenic threats, thereby fostering complacency rather than action. This rhetoric aligns with broader patterns in the program, where dramatic portrayals of environmental peril overshadow empirical assessments of localized conservation successes or the adaptive capacities of ecosystems under managed human influence. In terms of policy implications, Springwatch presenters have exhibited reluctance to support evidence-based interventions such as culls for controlling bovine (bTB) in , despite data indicating that repeated in high-risk areas reduces confirmed bTB incidents by approximately 19-50% within culled zones. , a lead presenter, described cull participants as "brutalist thugs, liars and frauds" in 2013 posts, prompting censure for breaching impartiality guidelines, while the program has generally framed such measures as inhumane without engaging counter-evidence from government trials showing localized TB declines post-cull. This stance reflects a preference for emotive anti-culling advocacy over causal analysis of disease transmission dynamics, potentially influencing public opposition to policies that balance with agricultural viability. The program's endorsement of rewilding initiatives, such as its 2021 coverage from Wild Ken Hill—a site emphasizing natural regeneration over intensive farming—has drawn scrutiny for downplaying the biodiversity benefits of traditional agricultural practices. Studies indicate that schemes promoting rewilding or organic farming can inadvertently accelerate habitat homogenization and species loss by favoring scrub encroachment over diverse grasslands maintained through grazing or mowing, whereas targeted farmer-led interventions, like those in the Martin Down cluster, have demonstrably boosted pollinator and bird populations via integrated land management. Such messaging tilts toward romanticized wilderness restoration, sidelining data on how productive farmland sustains higher densities of farmland specialists compared to abandoned or rewilded plots. Furthermore, Springwatch's recurrent emphasis on climate change as the paramount threat has been critiqued for amplifying gloom over nuance, with BBC wildlife programming broadly accused of alienating audiences through unrelenting crisis framing that neglects contributions from habitat fragmentation or policy-driven land use changes. This approach, informed by presenters' activism, risks policy distortions favoring de-growth or restrictive measures, rather than evidence prioritizing resilient, human-compatible ecosystems where managed agriculture mitigates flood risks and supports soil carbon sequestration more effectively than blanket rewilding in intensively farmed regions. The BBC's institutional leanings exacerbate this, as systemic biases in public broadcasting toward precautionary environmentalism often undervalue agricultural innovation's role in biodiversity maintenance, per analyses of media coverage patterns.

Legacy and Related Outputs

Interactive and Supplementary Programming

Springwatch Unsprung, a live programme, extends the main series by facilitating audience interaction through question-and-answer sessions and unscripted discussions on observations. Broadcast on immediately following the primary episodes, it features presenters such as addressing viewer-submitted queries, incorporating guest experts, and providing deeper analysis of seasonal events not fully covered in the edited broadcasts. Introduced in 2009, Unsprung emphasizes spontaneity and real-time engagement, differing from the main series' pre-produced segments by prioritizing live debate and audience-led content. Supplementary online features include continuous live wildlife camera streams from multiple UK sites, operational daily from approximately 10am to 10pm during the transmission period, enabling viewers to monitor unedited animal activity such as nesting birds or behaviors independently of scheduled highlights. These streams, often enhanced by multicamera views and AI-assisted event detection for recording triggers, offer additive value by revealing extended timelines and incidental occurrences absent from the 30- to 60-minute main episodes. Viewer participation extends to digital platforms, where submissions via , , and message boards inform on-air responses, contributing to reported high levels of sustained interest across the programme's run. This format's real-time elements, including live and unfiltered camera feeds, distinguish supplementary programming from the curated main content, fostering prolonged viewer involvement evidenced by consistent annual returns and integration of public input into broadcasts.

Publications, Media Tie-Ins, and Cultural Reach

Springwatch has generated a series of companion publications that extend the television content with in-depth profiles of featured and habitats. These books, often authored by presenters or wildlife experts, debuted alongside the program's early seasons; for instance, Springwatch and Autumnwatch, written by , , and Simon King, was published in 2007 by Collins to accompany the series. Subsequent titles, such as Springwatch British Wildlife by in 2012, provide year-round guides to British , drawing directly from on-air observations to catalog behaviors and distributions with photographic and illustrative support. These volumes emphasize empirical observations from the show's live locations, though their accessibility prioritizes broad appeal over exhaustive scientific referencing. Media tie-ins include longstanding co-productions with (), integrating academic expertise into supplementary materials since at least the early . This partnership, formalized through the OU's Faculty of , , and Maths, produces interactives, resources, and extended analyses that delve into ecological processes beyond the broadcast's constraints. For example, OU contributions have supported specialist content on metrics and environmental restoration, used in residential summer schools and digital platforms to foster structured learning. The program's theme music, composed by David Poore and featuring elements like violin for atmospheric effect, further ties into ambient extensions such as seasonal playlists curated by presenters, enhancing viewer immersion without formal standalone soundtracks. The cultural reach of these outputs manifests in educational permeation, with Springwatch engaging over 2 million viewers per series and contributing to initiatives training more than 3,500 advocates across age groups through tied outreach. This has into curricula, promoting nature observation in schools and public discourse on seasonal , yet commentators argue the popularized format in books and tie-ins risks oversimplifying causal dynamics like , favoring narrative engagement over granular data scrutiny. Such extensions thus amplify the show's empirical documentation while inviting for diluting complexity in pursuit of wider accessibility.

References

  1. [1]
    BBC Two - Springwatch
    Springwatch features live wildlife cameras and live wildlife viewing from 10am-10pm Monday to Thursday and 10am-6pm Friday to Sunday.Episodes - Available now · Springwatch is back! · Take a trip down Springwatch...
  2. [2]
    Springwatch 2025 - Everything you need to know - BBC
    May 19, 2025 · First Spring: Springwatch bursts onto BBC Two on 30 May 2005, broadcasting live from the Fishleigh Estate, an organic farm in Devon, presented ...
  3. [3]
    Springwatch 2025: All you need to know about the 20th series
    May 19, 2025 · When is Springwatch 2025 on TV? Springwatch starts on Monday 26 May and will run to Thursday 12 June (from Monday to Thursday each week) on BBC ...
  4. [4]
    Springwatch 2025: Everything you need to know about the TV series ...
    May 19, 2025 · Springwatch returns to our screens on Monday 26 May for a three-week run on BBC Two, airing most nights at 8pm until Thursday 12 June.
  5. [5]
    BBC Springwatch returns with three weeks of live programmes from ...
    May 19, 2025 · Springwatch returns to BBC Two and iPlayer from Monday 26 May with presenters Chris Packham and Michaela Strachan leading three weeks of wildlife wonder from a ...
  6. [6]
    Television, Animals, and History: The Early Years of the BBC
    Jun 26, 2024 · This paper begins rectifying this omission, through analysis of the BBC's early output and the purposes to which animals were put during this period.
  7. [7]
    Natural History - BBC
    BBC's natural history aims to inform, educate, and entertain, sharing passion for wildlife, and now includes climate change and habitat destruction.
  8. [8]
    Bio Timeline - Tony Soper
    1980 The first live Birdwatch programmes (precursor of the Chris Packham Springwatch string), jointly presented with Roger Lovegrove, annually 80-88. 1981 ...
  9. [9]
    Reefwatch - Broadcast - BBC Programme Index
    Live from the coral reefs of the Red Sea - the first of three programmes. The reef is a blaze of colour. Aboard the Suellyn Tony Soper monitors the progress ...Missing: Springwatch | Show results with:Springwatch
  10. [10]
    BBC Studios Natural History Unit - Wikipedia
    ... in a nightly wildlife soap opera. Among of the longest-running programmes has been Wildlife on One (1977–2005) which was broadcast in a regular evening slot.
  11. [11]
    BBC Two - Springwatch, 2005 - Episode guide
    Episode 1. 2/13 For three weeks Bill Oddie, Kate Humble & Simon King follow wildife at spring's climax. Related Content. Similar programmes. By genre: Factual ...<|separator|>
  12. [12]
    Devon - Springwatch - Behind the scenes at Springwatch - BBC
    Jun 16, 2005 · The 2005 series was transmitted live from the Fishleigh Estate, an organic farm in Devon. Now the cameras are set to return for 2006 with the ...
  13. [13]
    Why Springwatch is the ultimate reality TV show for our times
    May 23, 2020 · Back in 2005, Springwatch marked a turning point in the way we think about the natural world. Until then, most wildlife programmes were filmed ...
  14. [14]
    Press Office - Springwatch - BBC
    Jan 18, 2005 · Springwatch with Bill Oddie will be broadcast on BBC TWO in Spring 2005. Phenology is the study of the timing of natural, seasonal events, ...Missing: details viewership
  15. [15]
    Springwatch gives BBC2 a natural high | TV ratings | The Guardian
    Jun 10, 2005 · The show, broadcast from Mondays to Thursdays, has regularly attracted more than 3 million viewers during the first fortnight of its three-week ...Missing: episode | Show results with:episode
  16. [16]
    Wild at heart | Reality TV | The Guardian
    Jun 16, 2005 · Tonight more than three million people will tune in to the final episode of Springwatch, the surprise BBC hit that has outstripped Big ...Missing: debut | Show results with:debut
  17. [17]
    Press Office - BBC TWO Autumn 2006: Programmes A-C
    Jul 20, 2006 · Another first for Autumnwatch is a grey seal diary from the Outer Hebrides. Viewers can take part in the Autumnwatch survey, where they can log ...
  18. [18]
    Autumnwatch (TV Series 2006 - IMDb
    Rating 7.6/10 (114) Release date · October 2, 2006 (United Kingdom) ; Also known as. Autumnwatch with Bill Oddie ; Production company · BBC Bristol.
  19. [19]
    Springwatch (TV Series 2005– ) - IMDb
    Rating 8.1/10 (210) Springwatch: With Chris Packham, Michaela Strachan, Kate Humble, Martin Hughes-Games. A series that captures the most dramatic and intimate wildlife dramas ...
  20. [20]
    Winterwatch (TV Series 2012–2024) - IMDb
    Rating 7.9/10 (109) Winterwatch: With Chris Packham, Iolo Williams, Michaela Strachan, Megan McCubbin. Wildlife encounters the most challenging time of the year.Missing: pilot | Show results with:pilot
  21. [21]
    BBC Two - Winterwatch, Series 1, Episode 1
    Chris Packham, Michaela Strachan and Martin Hughes-Games present the best UK winter wildlife stories. There is dramatic action from a seal colony in Norfolk.Missing: pilot date
  22. [22]
    Got questions about wildlife? Springwatch wants to answer ☺️ As ...
    Jun 2, 2025 · Not sure what bird you're hearing in your garden, we're here to help! Drop your questions in the comments below and we'll answer some of them live on the show.Missing: segments expert analysis viewer
  23. [23]
    Golden - Viewers of the BBC's Springwatch program have indeed ...
    Jun 5, 2025 · Viewers of the BBC's Springwatch program have indeed expressed "fury" and demanded that bosses issue warnings before showing "grisly scenes" ...
  24. [24]
    BBC Two - Springwatch - Watch wildlife webcams around the country
    Dorset Wildlife Trust has a camera on: Barn owls. Cumbria Wildlife Trust has a camera set on: Badgers. Essex Wildlife Trust also has cameras featuring: Badgers ...
  25. [25]
    The best wildlife and trail cameras for your garden in 2025
    Feb 5, 2025 · Wildlife camera PIR sensors: Passive infrared (PIR) sensors are how wildlife cameras detect animals so they can begin recording. These sensors ...
  26. [26]
    How is Springwatch filmed? We go behind the scenes
    May 21, 2024 · The presenters join via Zoom from their respective locations – Iolo on Mull, Chris and Michaela in Norfolk, and Megan McCubbin in Northumberland ...
  27. [27]
    BBC springs for Q-Balls | News | Broadcast
    The HD MiniZoom is an ultra-compact camera incorporating a 1/3 inch 2 megapixel 16:9 CMOS sensor delivering 1080i/720p HD or 625/525 SD, both at 50 or 59.94 Hz ...
  28. [28]
    Using AI to Monitor Wildlife Cameras at Springwatch - BBC
    Jun 29, 2020 · We collaborated with the BBC Natural History Unit (NHU) to test the use of the systems we've developed to help monitor some of the remote wildlife cameras.
  29. [29]
    Using AI to monitor wildlife cameras at Springwatch - BBC
    Jun 29, 2020 · We used artificial intelligence to 'watch' the cameras and trigger video recordings when it spotted activity.
  30. [30]
    'Remarkable' owl seen on Springwatch for first time - BBC News
    Jun 3, 2025 · The BBC's Springwatch programme has captured an animal never seen before in the show's 20-year run while filming in Derbyshire.
  31. [31]
    The rise and fall of a Springwatch star - BBC
    Jun 24, 2014 · A study on Great and Coal Tits in Switzerland found that juvenile mortality rates were as high as 5- 10% per day in the four days after ...Missing: fledgling | Show results with:fledgling
  32. [32]
    Where is Springwatch filmed? A guide to the new series' filming ...
    May 19, 2025 · Springwatch filming locations · Longshaw Estate, Peak District · Belfast, Rathlin Island and Mount Stewart, Northern Ireland · Sheffield · Isle of ...<|control11|><|separator|>
  33. [33]
    BBC Springwatch 2025 at Longshaw | National Trust
    We are delighted to welcome the BBC Springwatch team to Longshaw in the Peak District in 2025 in the 20th anniversary year of this special series.
  34. [34]
    BBC Springwatch | GeoPura
    In this case study we focus on Springwatch. Two 250kW HPUs were used to power the production village, including cameras, lighting and sound equipment.<|separator|>
  35. [35]
    BBC 'damages countryside' to film Chris Packham's Springwatch
    May 29, 2025 · Residents say ditches have been blocked, tracks widened for vehicles and a meadow covered in steel plate just as wildflowers come into bloom.Missing: logistics setup
  36. [36]
    How Springwatch is keeping things green - BBC
    May 16, 2017 · The Springwatch team prides itself on its green thinking and advances in sustainable production says Vic Ribeck, our Production Manager.Missing: temporary | Show results with:temporary
  37. [37]
    Where are the previous presenters of Springwatch now? - Daily Mail
    May 27, 2024 · Bill Oddie, Kate Humble and Simon King were the original hosts of Springwatch, fronting the series when it aired in 2005.
  38. [38]
    Chris Packham to present Springwatch - The Guardian
    Mar 18, 2009 · Packham, a zoology graduate, began his career at the BBC in 1985 as a presenter of The Really Wild Show. He has worked in TV as a natural ...
  39. [39]
    Who is Chris Packham? Everything you need to know about the ...
    May 24, 2024 · Since then he is best-known for presenting BBC nature series Springwatch since 2009 when he replaced Bill Oddie. Who is Chris Packham? Chris ...
  40. [40]
    Springwatch's Martin Hughes-Games quits show - Radio Times
    Feb 21, 2018 · TV wildlife presenter Martin Hughes-Games has revealed he's quitting BBC2's popular Springwatch series. The news – announced by Hughes-Games ...Missing: 2017 | Show results with:2017
  41. [41]
    Who is Michaela Strachan? Everything you need to know about the ...
    Nov 18, 2024 · Michaela Strachan is a wildlife presenter appearing regularly as a co-host of Springwatch, and Winterwatch (collecting known as 'The Watches')Missing: primary | Show results with:primary
  42. [42]
    Iolo Williams | Wildlife TV Presenter | Welsh & English speaking
    Since 2010, Iolo has been part of the Springwatch, Autumnwatchand Winterwatchpresenting team and he has presented several series such as Wild Wales, Rugged ...Missing: contributions | Show results with:contributions
  43. [43]
    Who is Iolo Williams? Everything you need to know about the ...
    May 24, 2024 · Iolo Williams is a Welsh wildlife presenter, ornithologist and conservationist. He is well-known as one of the main presenters of BBC Two's Springwatch, ...
  44. [44]
    Springwatch, 2025, Episode 12 - BBC Two
    The Springwatch celebration of 20 years of British wildlife broadcasting continue with favourite moments from the series and audience contributions. Meanwhile, ...
  45. [45]
    Who is Megan McCubbin? Everything you need to know about the ...
    May 24, 2024 · Zoologist and naturalist Megan McCubbin is a wildlife broadcaster, author and television presenter, most famous for presenting Springwatch.
  46. [46]
    Who is Megan McCubbin? All you need to know about the wildlife ...
    May 22, 2024 · Megan McCubbin, a zoologist with a passion for wildlife conservation, brings her knowledge and infectious enthusiasm to Springwatch.
  47. [47]
    Springwatch 2023 - Everything you need to know about the ... - BBC
    May 21, 2023 · Springwatch Locations · Chris Packham and Michaela Strachan will be live from RSPB Arne in Dorset · Iolo Williams will be roaming Dorset · Gillian ...
  48. [48]
    Springwatch - Alchetron, The Free Social Encyclopedia
    Oct 4, 2024 · The full series, presented by Kate Humble, Chris Packham and Martin Hughes-Games, started on Monday 30 May 2011 at 8pm on BBC 2 from a new venue ...Missing: details | Show results with:details<|separator|>
  49. [49]
    BBC announces plans for a Springwatch like no other series
    Apr 25, 2020 · This Springwatch will be a series like no other. As the country experiences lockdown the natural world offers solace to so many.Missing: adaptations | Show results with:adaptations
  50. [50]
    Springwatch viewers say they PREFER the lockdown format of the ...
    May 27, 2020 · Springwatch launched a new lockdown format last night, with presenters beaming in live from their respective homes - and many viewers said the show was better ...
  51. [51]
    BBC Two - Springwatch - Episode guide
    1/12 Springwatch is back in two new locations for its 20th year. ... The Springwatch and Autumnwatch team look back at an amazing year of live broadcasting.Missing: first | Show results with:first
  52. [52]
    BBC Blogs - Springwatch - Citizen Science: What's it all about?
    Aug 25, 2015 · Much of our knowledge about how species and habitats are responding to climate change, for example, involves using these records. Cherry Blossom ...
  53. [53]
    Press Office - Autumnwatch survey - BBC
    Jun 29, 2005 · The public recorded more than 150,000 first sightings of six key species, making the survey the biggest of its kind in the world, and creating ...
  54. [54]
    BBC makes major decision on Autumnwatch after sparking fury over ...
    Oct 18, 2023 · At the time the BBC said the decision had been made off the back of 'challenging financial times' and 'difficult decisions' left it needing to ' ...
  55. [55]
    Nature UK: Migration round-up, autumn 2010 - BBC
    Nov 25, 2010 · Huge arrival of robins, thrushes, redstarts, pied and spotted flycatchers, meadow pipits and finches were seen at east coast watchpoints. The ...
  56. [56]
    https://www.bbc.co.uk/blogs/natureuk/2011/10/autumn-bird-migration-news-ful.shtml
  57. [57]
    Nature UK: Autumn bird migration news: Full of eastern promise - BBC
    Oct 12, 2011 · Each week Paul and Nick from the BTO are updating us on all the comings and goings of autumn's bird migration. We'd love to hear what you've been seeing too.Missing: 2010 passage
  58. [58]
    Autumnwatch Blog: Why I enjoy watching rather than picking fungi
    Nov 12, 2009 · We're no longer updating this blog. For news on Autumnwatch, Springwatch and much more, please read the BBC Nature UK blog.Missing: focus migration
  59. [59]
    BBC Two - Autumnwatch, 2009, Episode 6, Salmon leaping
    Nov 10, 2009 · For salmon to lay eggs takes an awful lot of effort. Release date: 10 November 2009. Duration: 2 minutes. This clip is from ...
  60. [60]
    Autumnwatch, Live 2011, Episode 8, Speyside salmon spawning
    Nov 29, 2011 · Speyside salmon spawning ... Atlantic slamon return to the rivers of their birth to spawn. Release date: 29 November 2011. Duration: 2 minutes ...
  61. [61]
    Autumnwatch 2022 - Meet the presenters and find out what to expect ...
    Oct 20, 2022 · The series returns to BBC Two from Tuesday October 25 at 8pm with nature notes from our four wildlife presenters based in two locations.Missing: milestones | Show results with:milestones
  62. [62]
    Autumnwatch heads for leafy New England - BBC
    Aug 28, 2018 · Autumnwatch is moving across the Atlantic this year with a week of special reporting from New England.Missing: 2005 milestones
  63. [63]
    BBC cancels Autumnwatch as it directs funds to Spring ... - The Herald
    Feb 2, 2023 · The BBC has said that Autumnwatch would not take place in 2023 and beyond. ... Autumnwatch, which became a full series in 2006. Winterwatch ...
  64. [64]
    Autumnwatch is back for three seasonal specials on The One Show
    Oct 14, 2024 · Autumnwatch will be returning to screens on The One Show on Tuesday 29, Wednesday 30 and a with a special Halloween edition on Thursday 31 October 2024.
  65. [65]
    Winterwatch 2025: Where is it filmed and who are the presenters?
    Jan 21, 2025 · When is Winterwatch 2025 on? Winterwatch will air on BBC Two and Player at 8pm. It will begin on Tuesday 21st January across four nights.
  66. [66]
    Winterwatch 2023 - Meet the presenters and find out more about this ...
    Jan 3, 2023 · We follow him in this adventure gaining a privileged insight into animal activity at night in areas that would otherwise remain inaccessible to ...
  67. [67]
    BBC Two - Winterwatch, Series 1, Episode 2
    Chris Packham and Michaela Strachan broadcast live from the Scottish Highlands. Martin Hughes-Games scales the snowy Cairngorms to track down the mountain hare.
  68. [68]
    BBC Winterwatch shows beauty of the Highlands - BBC News
    The Winterwatch team show the wildlife of the Highlands in live coverage from Aigas Field Centre.
  69. [69]
    Springwatch to take a close look at Wales' rich wildlife
    Mar 22, 2013 · The BBC said fibre optic cables stretching 40 miles are to be used to film red kites, otters and herons live for three weeks, for the wildlife broadcasting ...
  70. [70]
    Springwatch in Wales - BBC One
    Iolo Williams looks at nature in Wales through the best stories from Springwatch, exploring different habitats with puffins and dolphins, osprey and otters.Missing: specialized editions
  71. [71]
    BBC Springwatch - North Wales Wildlife Trust
    BBC Springwatch is coming to North Wales with live programmes from North Wales Wildlife Trust's Gwaith Powdwr and Cemlyn Nature Reserves.Missing: specialized editions
  72. [72]
    Winterwatch 2025 - BBC
    Jan 7, 2025 · We'll be returning to your many screens this January for a week of winter wildlife. Join us on BBC iPlayer, on BBC Two and across our social media channels.
  73. [73]
    Where is Winterwatch 2025 filmed? BBC Two locations
    Jan 21, 2025 · Walthamstow Winter Wonderland. Unsurprisingly, this was filmed at Walthamstow in the wetlands. It is located in east London near the River Lea.Missing: Autumnwatch | Show results with:Autumnwatch<|separator|>
  74. [74]
    Winterwatch - Media Centre - BBC
    Winterwatch returns to the show's Autumnwatch home at RSPB Arne in Dorset, across four days, from Monday 23 to Thursday 26 January. RSPB Arne is situated on ...
  75. [75]
    Springwatch blossoms on BBC2 | TV ratings | The Guardian
    Jun 2, 2006 · BBC2's UK wildlife extravaganza had 3.9 million viewers and a 19% audience share between 8pm and 9pm, according to unofficial overnights. Across ...
  76. [76]
    [PDF] BBC Springwatch 2007
    May 25, 2007 · Spring 2007 was considerably warmer than the last two Springwatch years. Central England temperature (CET) is representative of temperatures ...
  77. [77]
    Springwatch: Unsprung (TV Series 2009– ) - IMDb
    Release date · 2009 (United Kingdom) · Country of origin. United Kingdom · Official site. Official site · Language. English · Production company · BBC Bristol · See ...
  78. [78]
    Springwatch 2016 - Media Centre - BBC
    May 10, 2016 · Springwatch returns for its 2016 three-week run with the promise of a double daily celebration of British wildlife.Missing: history | Show results with:history
  79. [79]
    [PDF] Media Nations 2020 - UK report | Ofcom
    Aug 5, 2020 · Two drama titles helped BBC iPlayer set records in consecutive months for monthly programme requests, with 564 million in April 2020 followed by.
  80. [80]
    Cloud watching: moving Springwatch remote wildlife cameras ... - BBC
    Mar 17, 2021 · The cloud-based system built by the analysis team worked like this: A simplified diagram of the system before the cloud-fit integration.
  81. [81]
    Cloud watching: moving Springwatch remote wildlife cameras into ...
    Mar 17, 2021 · A successful migration of the automated analysis of wildlife cameras onto our cloud-based media platform.Cloud Watching: Moving... · Andrew Gibb · Trial By Wildlife
  82. [82]
    Chris Packham says AI will be "an integral part" of Springwatch's return
    Jan 29, 2025 · Whether it be through using the technology to count birds or measure behaviour, there is certainly a lot set in stone for Springwatch this year.
  83. [83]
    Will AI dream up the hit TV shows of the future? - BBC
    May 8, 2024 · "The BBC's Springwatch and Winterwatch use a bespoke AI system that monitors live camera feeds, and has been trained to recognise, record ...
  84. [84]
    Springwatch slapped with complaints as angry viewers slam ...
    Jun 11, 2025 · BBC Two's Springwatch came under fire after distressing scenes aired in a recent episode, with viewers branding it "savage"
  85. [85]
    Springwatch's Chris Packham responds to complaints over 'brutal ...
    Jun 12, 2025 · Springwatch star Chris Packham has addressed recent complaints from BBC Two viewers after the wildlife programme showed distressing scenes.
  86. [86]
    Springwatch viewers left 'crying and throwing up' by 'never before ...
    Jun 11, 2025 · Springwatch viewers were left 'crying and throwing up' by 'never before recorded' scenes of brutality that 'none of the BBC crew could work out'.Missing: rates | Show results with:rates
  87. [87]
    Chris Packham on Instagram: "Nature can be brutal, we won't hide ...
    Jun 13, 2025 · 4944 likes, 247 comments - chrisgpackham2 on June 13, 2025: "Nature can be brutal, we won't hide that from our viewers on #springwatch.<|separator|>
  88. [88]
    Wildlife lovers' favourite, Springwatch, is back for its 20th season
    May 23, 2025 · Springwatch begins on 26th May at 8pm on BBC Two, with new episodes shown Mondays – Thursdays across the next three weeks. You can also catch up ...Missing: annual | Show results with:annual
  89. [89]
    Springwatch in review - UCL Blogs - University College London
    Jun 21, 2013 · Bill Oddie and Kate Humble launched the series from the Fishleigh Estate in Devon in 2005 but Springwatch over it's nine outings has grown ...
  90. [90]
    Springwatch: 'We send each other rude texts' - The Guardian
    May 17, 2011 · Its wildlife antics make Springwatch as addictive as a soap opera. But viewers are just as fascinated by the chemistry between the presenters.<|separator|>
  91. [91]
    Springwatch gives succour to our souls, but should it do more?
    May 26, 2021 · The BBC nature programme is good at engaging with the public but it fails to address the threat of human development.Missing: seasonal | Show results with:seasonal
  92. [92]
    TV ratings: Springwatch return watched by 3.9m - The Guardian
    May 26, 2009 · The series, featuring a new lineup with presenter Chris Packham joining regulars Kate Humble and Simon King, averaged 16% of the available ...Missing: 2005-2010 | Show results with:2005-2010
  93. [93]
    UK TV Ratings from BARB - Page 10 - Television - BuzzJack Music ...
    UK TV Ratings from BARB. Share. https://www ... Springwatch || 2.50 [Mon], 2.43 [Tue], 2.36 [Thu] ... 2010 - http://s15.postimg.org/ayrgbh497/2010.jpg.
  94. [94]
    The Ratings Thread (Part 60) - Page 87 — Digital Spy
    20:00-21:00 - Springwatch: 1.9m (9.2%) ... Between 1982 and 1990 it seems that BARB only ... I've included the match averages for the 2010 tournament as it gives a ...<|separator|>
  95. [95]
    UK traditional TV viewing sees record decline, Ofcom report says
    Aug 3, 2023 · Viewership drops due to streaming, advertisers spend less on big brand adverts, with less income quality of shows drops, more adverts for ...
  96. [96]
    BBC Springwatch - Facebook
    BBC Springwatch. 889723 likes · 563 talking about this. The official page for BBC Springwatch & Winterwatch.
  97. [97]
    BBC Springwatch (@bbcspringwatch) · Bristol - Instagram
    498K Followers, 1116 Following, 4449 Posts - BBC Springwatch (@bbcspringwatch) on Instagram: "Springwatch brings you the very best of British wildlife ...Missing: engagement 2020s
  98. [98]
    #Springwatch #WildMorningswithChris: Engaging With Nature via ...
    Oct 13, 2021 · The highest number of comments in the livestream videos was for Episode 51 (posted on 15 May, 2020), which received 4,950 comments, while ...<|control11|><|separator|>
  99. [99]
    BBC Blogs - Springwatch - Gardenwatch survey results
    Oct 22, 2019 · Gardenwatch, the UK's biggest-ever garden audit, was launched on BBC Springwatch in May 2019, and asked for information on garden features and ...
  100. [100]
    United Kingdom entertainment analytics for Springwatch
    Support casting decisions with empirical market data for the United Kingdom. ... Decrease production risks by combining content genome insights with demand data.Missing: costs | Show results with:costs
  101. [101]
    BBC's Springwatch wins BAFTA for live event
    BBC's Springwatch 2020 received the BAFTA (British Academy of Film and Television Arts) award for Live Event in the June 2021 award ceremony.
  102. [102]
    Springwatch (TV Series 2005– ) - Awards - IMDb
    BAFTA Awards · Springwatch (2005). 2022 Nominee BAFTA TV Award. Live Event. For the Production Team · Springwatch (2005). 2021 Winner BAFTA TV Award. Live Event.Missing: recognition | Show results with:recognition
  103. [103]
    Television Craft Awards Winners Announced - Bafta
    May 8, 2011 · This year's Special Award was presented to BBC's Springwatch in recognition of its outstanding creative and technical teamwork both behind the ...<|control11|><|separator|>
  104. [104]
    Springwatch: Special Award Recipient in 2011 - Bafta
    May 8, 2011 · Springwatch, the BBC's hit nature programme, has won a special BAFTA at the 2011 Television Craft Awards.Missing: nominations list
  105. [105]
    Springwatch flooded with complaints as 'distressing' scene leaves ...
    Jun 9, 2025 · BBC's wildlife series Springwatch faced backlash this week after the show aired "savage" and "distressing" footage of a tawny owl and songthrushes.
  106. [106]
    BBC Springwatch faces backlash over 'brutal' scenes that 'made kids ...
    Jun 10, 2025 · Viewers of BBC Two's Springwatch have once again expressed their displeasure, this time over distressing scenes that left many feeling unsettled.
  107. [107]
    Springwatch viewers furiously slam show as they demand bosses ...
    SPRINGWATCH viewers have slammed the show and demanded bosses warn them before grisly scenes. Chris Packham and Michaela Strachan updated fans on a ...Missing: formats | Show results with:formats
  108. [108]
    BBC Springwatch sparks fan outrage for airing brutal 'cannibalism ...
    Jun 4, 2025 · Footage from the nest cameras captured the harrowing moment the larger chick began pecking at its weaker sibling, which remained alive as it was ...
  109. [109]
    Chris Packham hits back after Springwatch viewers complain over ...
    Chris Packham hits back after Springwatch viewers complain over 'graphic' footage. Viewers were upset after the BBC show aired footage from 2023.
  110. [110]
    Nature can be brutal, we won't hide that from our viewers ... - Facebook
    Jun 13, 2025 · Why We Show Animal Predation On Springwatch · Nature can be brutal, we won't hide that from our viewers on #Springwatch. Eat your sausage butty ...Missing: content complaints scenes
  111. [111]
    Guest blog – Viewers May Find Scenes in This Nature Programme ...
    Sep 20, 2024 · If Springwatch needs to include tactful warnings prior to showing examples of predation, so be it, but I do hope that they and other tv ...
  112. [112]
    BBC Springwatch hit with complaints over animal cruelty video
    Jun 9, 2023 · Several viewers reacted with surprise and anger after and episode showed a bird of prey being cruelly beaten. Article continues below.
  113. [113]
    BBC Springwatch slapped with complaints as viewers demand 'he ...
    Jun 8, 2023 · Fans of the show said they were "broken" and in "tears". The viewers spoke out after a bird was "battered to death with a stick" in horrific ...
  114. [114]
    Nature UK: Kingfisher mink predation last night - BBC
    Jun 6, 2012 · Lately Springwatch has been talking about cat predation, and they have been encouraging people to keep there cats indoors through the night.
  115. [115]
    Viewers of the BBC's Springwatch program have indeed expressed ...
    Jun 5, 2025 · Viewers of the BBC's Springwatch program have indeed expressed fury and demanded that bosses issue warnings before showing grisly scenes of animal deaths.
  116. [116]
    'Hypocritical' BBC is accused of damaging the countryside to film ...
    May 30, 2025 · The BBC has been accused of wreaking environmental damage on a National Trust estate in order to film Springwatch.
  117. [117]
    Fury as BBC accused of damaging National Trust countryside to film ...
    May 30, 2025 · The broadcaster has been accused of damaging precious wildlife during the filming of one of its biggest wildlife shows.
  118. [118]
    No fumes for the BBC Springwatch production village because for ...
    Jun 3, 2025 · Millions of tons on ground destroyed to get the rare earth minerals needed to produce batteries and many many other components.Missing: structures | Show results with:structures
  119. [119]
    BBC Studios Natural History Unit once again makes TV history with ...
    Jul 8, 2021 · Springwatch once again demonstrated the potential for all large-scale television productions to switch to reliable, clean and off-grid energy ...Missing: critique | Show results with:critique
  120. [120]
    Case studies: sustainable productions - BBC
    Apart from saving carbon, the production reports that, in their experience, fumes on-site have decreased, improving the working environment for everyone.
  121. [121]
    Countryfile turns to 'hard core' issues after claims it is squeamish on ...
    Oct 27, 2015 · Criticism included coverage of the trial badger cull which mostly used images of healthy badgers while one expert cited in the report, Country ...
  122. [122]
    An extensive re-evaluation of evidence and analyses of ... - Journals
    Aug 21, 2024 · The study re-evaluated the RBCT to estimate the effectiveness of proactive badger culling on reducing TB in cattle, finding substantial ...
  123. [123]
    Celebrity protesters distorting the BBC's coverage of rural affairs
    Jun 26, 2014 · But there were also complaints that the BBC's rural coverage gave undue prominence to “cute” pictures of animals, particularly in the badger ...
  124. [124]
    A restatement of the natural science evidence base relevant to the ...
    Badger culling was used routinely in the past [2], and its effectiveness was the subject of a major experiment, the Randomised Badger Culling Trial (RBCT), ...Missing: efficacy | Show results with:efficacy
  125. [125]
    BBC's Chris Packham censured over angry bagder cull tweets
    Nov 9, 2013 · Naturalist Chris Packham has been censured by the BBC for describing those carrying out the badger cull as “brutalist thugs, liars and frauds,” in a tweet.
  126. [126]
    Rebuttal of claims on TB cull effectiveness - Defra in the media
    Mar 18, 2022 · In today's blog, we look at a misleading report that claims badger culling is not effective in controlling TB.
  127. [127]
    Countryside Alliance urges BBC to sack Chris Packham in ...
    Sep 7, 2015 · Wildlife presenter accused of pursuing 'obsessive crusades' and corporation of printing 'blatant political propaganda'
  128. [128]
    BBC Two's Springwatch to launch its biggest ever citizen science ...
    May 20, 2019 · Presenters Chris Packham, Michaela Strachan, Iolo Williams and Gillian Burke invite viewers to join in the series' biggest ever citizen ...
  129. [129]
    BBC Springwatch 2019, Gardenwatch Survey Results On ...
    Oct 29, 2019 · The report covers 31 different wildlife-friendly garden features and practices, from feeding Badgers to leaving long grass to grow.
  130. [130]
    BBC Springwatch to enlist viewers for major data-gathering survey ...
    May 20, 2019 · BBC Springwatch is to enlist an army of nature-loving viewers to catalogue British gardens, as presenters set a weekly quiz question to ...
  131. [131]
    BBC Springwatch highlights how the hard work of the Martin Down ...
    Jun 5, 2024 · BBC Springwatch highlights how the hard work of the Martin Down Farmer Cluster and the GWCT is making a difference for wildlife, soil and water.
  132. [132]
    Wildlife camera operator Richard Hopkins has been ... - Facebook
    May 26, 2025 · ... badger sett for over ten years but it's not always easy. Watch the full film over on @BBCiPlayer #Springwatch #Springwatch20.Missing: barn owls data
  133. [133]
    Droppings of Springwatch bird being analysed - BBC
    Jun 7, 2025 · The bird is on the amber list of conservation concern after a sharp decline in its numbers since the turn of the millennium, so researchers ...
  134. [134]
    Ecologists track rare bird for BBC Springwatch
    Jun 4, 2025 · The study also uses microclimate sensors and movement-tracking tags to examine how flycatchers interact with their environment and even compete ...Missing: disturbances habitat scarring
  135. [135]
    https://www.ox.ac.uk/news/2024-04-26-landmark-study-definitively-shows-conservation-actions-are-effective-halting-and
  136. [136]
    Landmark study definitively shows that conservation actions are ...
    Apr 26, 2024 · The new study found that conservation actions improved the state of biodiversity or slowed its decline in most cases (66%) compared with no ...
  137. [137]
    Conservation slowing biodiversity loss, scientists say - BBC
    Apr 25, 2024 · "This study provides the strongest evidence to date that not only does conservation improve the state of biodiversity and slow its decline ...
  138. [138]
    Planet Earth II 'a disaster for world's wildlife' says rival nature producer
    Jan 1, 2017 · Martin Hughes-Games, a presenter of BBC's Springwatch, says David Attenborough series ignores damage humans are doing.
  139. [139]
    Planet Earth II contributes to "planet-wide extinction of wildlife" says ...
    Jan 2, 2017 · Springwatch presenter Martin Hughes-Games launched a direct attack on Planet Earth II, which reached more than 12 million viewers when it aired ...
  140. [140]
    Absence of effects of widespread badger culling on tuberculosis in ...
    Jul 15, 2024 · The effect of proactively culling badgers was reported to decrease subsequent 'confirmed' herd incidents of bTB in cattle by approximately 19%.
  141. [141]
    Analysis of the impact of badger culling on bovine tuberculosis in ...
    Mar 18, 2022 · The analyses do not provide any evidence for the efficacy of badger culling as a bTB control intervention. In the four 'county unit' OTF-W ...
  142. [142]
    BBC Springwatch at Wild Ken Hill 'amazing for rewilding'
    Jun 14, 2021 · The BBC programme helps a farm share methods which "might hold the key to UK's nature recovery".Missing: bias biodiversity
  143. [143]
    Green farming policies may be speeding up biodiversity loss
    Jul 6, 2023 · Farming to help preserve nature, such as rewilding and organic schemes, may be worsening the biodiversity crisis, according to leading academics ...
  144. [144]
    BBC wildlife shows' gloomy take on climate crisis turns off viewers ...
    Jan 9, 2024 · The BBC's wildlife programmes have turned off viewers with their gloomy take on climate change, one of its presenters has admitted.
  145. [145]
    Chris Packham is an environmental extremist - The Telegraph
    May 16, 2025 · Chris Packham is no saint. He's an environmental extremist to us country folk. The Springwatch host saw no issue being likened to St Francis of Assisi.
  146. [146]
    Springwatch Unsprung - BBC Two
    The Springwatch team answer audience questions and give in-depth analysis of the season's wildlife.Missing: introduction 2008
  147. [147]
    Springwatch live cameras - BBC
    May 27, 2019 · Springwatch live cameras. Watch all the action 15 hours a day. Live cameras every day from 7am to 10pm BST.Missing: interactive features
  148. [148]
    Springwatch Unsprung - Media Centre - BBC
    May 23, 2017 · Entertainment meets wildlife when Springwatch Unsprung returns at 6.30pm on BBC Two for two weeks - from 5 June to 16 June at the new ...
  149. [149]
    Springwatch Unsprung - BBC Two - Lindsey Chapman
    Springwatch Unsprung is a live, audience-centred TV show celebrating the very best of UK wildlife. Interacting with the huge audience response across social ...
  150. [150]
    Accompanies the BBC 2 TV series By Bill Oddie, Kat | eBay UK
    Title: Springwatch and Autumnwatch: Accompanies the BBC 2 TV series ; Author: Bill Oddie, Kate Humble, Simon King ; Publisher: Collins ; Published On: 2007-04-02 ...
  151. [151]
    Springwatch British Wildlife: Accompanies the BBC 2 TV series
    Jul 19, 2012 · The book guides you through Britain's rich and diverse natural heritage, allowing you to enjoy the nation's wildlife at its finest – learning ...
  152. [152]
    Springwatch - The Open University | An OU/BBC co-production
    In a spring like no other, Springwatch brings you inspiring stories from the natural world. Explore further with The Open University.
  153. [153]
    An OU/BBC co-production - Springwatch 2025 - The Open University
    In a spring like no other, Springwatch brings you inspiring stories from the natural world. Explore further with The Open University.
  154. [154]
    Best TV Theme Tune! Springwatch | Autumnwatch | David Poore
    Oct 16, 2024 · Main title sequence from the BBC series Springwatch. Composed by David Poore. Featuring Stuart Gordon on violin, who very sadly passed away ...Missing: soundtracks OST
  155. [155]
    [PDF] Impact case study (REF3) Page 1 Institution - REF 2021
    Over 2 million viewers were engaged through BBC SpringWatch, and over 3,500 new biodiversity champions, from diverse backgrounds aged 6 to 83, were trained via ...Missing: critique | Show results with:critique