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Jousting

Jousting is a medieval European combat sport in which two mounted knights, clad in armor, charge toward each other on horseback while wielding long wooden lances with blunted tips, aiming to unhorse the opponent, shatter the lance against their shield or body, or demonstrate superior skill without causing serious injury.^[1] The sport formed a key component of larger tournaments, serving as both military training and public spectacle from roughly the 11th to the 16th centuries.^[2] Emerging in 11th-century France as a form of staged warfare to hone knights' equestrian and combat abilities between actual battles, jousting quickly spread across Europe, evolving from chaotic melees—group skirmishes simulating war—into structured one-on-one tilts by the 12th century.^[3] Early events were often deadly, with sharp weapons and minimal rules leading to frequent fatalities, but regulations like the 1292 Statute of Arms in England, which required blunted lances and adherence to chivalric conduct, promoted safer, chivalric competition.^[1] Participants rode heavy warhorses bred for stability and power, donning specialized field armor reinforced on the right side to withstand lance impacts, while lances measured up to 14 feet and featured vamplates—metal discs to guard the hand.^[2] Beyond physical prowess, jousting embodied the ideals of chivalry, allowing knights to display courage, honor ladies by wearing their favors (such as scarves or ribbons), and vie for prizes like ransoms from defeated foes or royal patronage, thereby reinforcing social hierarchies among the nobility.^[4] Tournaments drew massive crowds, blending martial display with feasting and pageantry, as seen in grand events like the 1520 Field of the Cloth of Gold between England and France, though the sport's dangers persisted—King Henry II of France died from a splintered lance in 1559.^[5] By the late 16th century, the rise of gunpowder warfare and shifting cultural tastes led to jousting's decline as a serious pursuit, though it influenced modern equestrian sports and persists in ceremonial reenactments today.^[6]

Historical Development

Origins and Early Forms

Jousting originated in Europe during the 10th and 11th centuries as a form of melee-style combat training for knights, serving as mock battles to hone cavalry skills and prepare for warfare. These early practices evolved from the heavy cavalry traditions of the Roman Empire and Germanic tribes, where mounted warriors used lances in charges and skirmishes to simulate battlefield maneuvers. Rather than structured sport, these encounters emphasized group engagements across open terrain, allowing knights to practice tactics, horsemanship, and weapon handling in a controlled yet realistic setting.^[7] By the late 11th century, tournaments—known as behordes in early French contexts—had formalized into large-scale team melees involving dozens or hundreds of participants, often spanning miles of countryside, with the goal of capturing opponents for ransom to offset costs.^[7] In the 12th century, these unstructured group combats began transitioning toward one-on-one lance encounters, marking the emergence of jousting as a distinct element within tournaments.^[7] Regional variations emerged prominently: in France, the focus leaned toward displays of individual prowess through targeted lance charges, reflecting chivalric ideals of personal honor, while in England, group melees remained dominant, emphasizing collective strategy and endurance in broader battlefield simulations.^[8] These early forms laid the groundwork for later medieval refinements in rules and equipment, though they retained a raw, military-oriented character.^[7]

High and Late Middle Ages Evolution

During the High Middle Ages, particularly in the 12th and 13th centuries, jousting transitioned from rudimentary military exercises into formalized chivalric spectacles, emphasizing individual combat over large-scale melees. This evolution included the establishment of the lists, fenced enclosures with barriers that separated opponents and protected spectators, thereby reducing accidental collisions and enhancing safety while allowing for organized, viewer-oriented bouts. Regulations, such as England's 1292 Statute of Arms, introduced blunted lances and rules prohibiting strikes below the chest to promote safer competition.^[1] The introduction of such structures marked a shift toward jousting as a controlled performance, integral to noble gatherings across Europe.^[9]^[5] Literary influences played a pivotal role in this maturation, with works like those of Chrétien de Troyes elevating jousting to a symbol of courtly honor and prowess in his Arthurian romances, such as Erec et Enide and Yvain, the Knight of the Lion, where tournaments served as arenas for romantic and heroic quests. These narratives, drawing from oral traditions and contemporary practices, idealized jousting as a test of chivalric ideals, inspiring real-world adaptations that integrated themes of love, valor, and social display. By the late 14th century, the pas d'armes—a scripted challenge where a knight defended a symbolic passage against all comers—began to emerge as a sophisticated variant, blending combat with theatrical elements to captivate audiences.^[10] In the Late Middle Ages, from the 14th to 15th centuries, jousting reached its zenith in complexity and cultural embedding, with innovations in armor and regalia amplifying its pageantry. Elaborate crests atop great helms, often crafted from lightweight materials like boiled leather or feathers, and vibrant heraldic displays on shields and surcoats became standard, allowing knights to showcase lineage and allegiances while maintaining anonymity in full plate.^[11] Women increasingly participated in ceremonial roles as "queens of the tournament," selected to preside over events, distribute prizes, and embody the chivalric devotion to ladies.^[12] This integration reinforced jousting's ties to courtly society, transforming it into a diplomatic and social ritual. Prominent tournaments underscored this peak, such as the 1390 Smithfield jousts in London, commissioned by King Richard II to bolster royal prestige amid political tensions. Held over three days with international challengers, the event featured over 100 knights in a grand parade and combat rounds, complete with heraldic fanfare and royal oversight, drawing thousands and exemplifying the era's scale and splendor.^[13] Such gatherings not only honed martial skills but also served as platforms for alliance-building and cultural exchange among European nobility.^[14]

Decline and Post-Medieval Adaptations

The decline of jousting as a prominent martial and social practice began in the 16th century, driven primarily by technological and structural changes in warfare. The widespread adoption of firearms and muskets rendered traditional heavy cavalry charges, for which jousting served as training, increasingly obsolete on the battlefield.^[15] Concurrently, the military revolution in Renaissance Europe led to the formation of professional standing armies under centralized monarchies, diminishing the feudal role of independent knights and the need for their specialized combat skills.^[16] Additionally, the Protestant Reformation critiqued the excesses of chivalric culture, including the lavish tournaments associated with Catholic courts, marking a shift away from medieval values toward more austere religious and social norms in Protestant regions. Despite these factors, jousting retained a ceremonial role in royal courts through the 16th and 17th centuries, evolving into spectacles of pageantry rather than military preparation. In England, King Henry VIII participated in a notable joust on January 12, 1510, at Richmond Park, where he competed incognito alongside companions, highlighting the sport's continued appeal as entertainment for the elite shortly after his ascension.^[17] Similarly, in France, Louis XIV organized a grand carrousel in June 1662 at the Tuileries to celebrate the birth of his son, the Dauphin; this theatrical equestrian event featured jousting-like exercises among nobles dressed in exotic costumes, blending martial display with ballet and music for courtly diversion.^[18] By the 18th century, jousting transitioned into safer, less combative equestrian games across Europe and its colonies, preserving elements of the tradition in non-lethal forms. Ring-spear tilting, or running at the ring, emerged as a popular variant where riders speared small rings on a post at full gallop, emphasizing precision over contact; this practice was common in European royal courts and spread to colonial America, where it became a staple of social gatherings and fairs.^[19] Jousting's outright disappearance from major European events occurred gradually, with elements surviving longer in Iberian folk traditions, particularly in Spain through "justas" or ceremonial lance games integrated into regional festivals, and in Portugal via similar equestrian rituals tied to local heritage celebrations.^[20]

Equipment and Techniques

Armor, Weapons, and Horse Gear

Jousting equipment evolved significantly from the 11th to the 16th century, adapting to the sport's demands for protection against high-impact lance strikes while allowing mounted mobility. Early participants relied on chainmail hauberks, which provided flexible defense but limited resistance to piercing weapons, typically weighing 15-20 kg for the hauberk and basic leg/arm protections.^[21]^[22] By the 14th century, full plate harnesses became standard, offering articulated steel plates that covered the entire body for superior impact absorption, with total weights ranging from 20 to 40 kg depending on reinforcements.^[23] Specialized reinforcements addressed the unique hazards of jousting. Vamplates, circular or conical hand guards attached to lances, emerged in the 14th century to shield the knight's hand from glancing blows or splinters, often breaking away on impact in later designs.^[24] Grandguards, large curved plates bolting over the left shoulder, chest, and neck, were developed by the 16th century to deflect lances aimed at the rider's upper body, replacing earlier wooden shields in some German styles.^[25] These features made jousting armor asymmetrical, with heavier protection on the lance-facing side. The primary weapon was the lance, a wooden shaft up to 4 meters long by the 15th century, designed for couched use—tucked under the arm to transfer the horse's momentum into a powerful thrust.^[26] Made from soft ash or pine to splinter on contact rather than impale, these lances typically weighed 5-15 kg depending on type and featured a coronet tip in peacetime variants to minimize injury.^[27] If unhorsed, combatants might switch to swords for foot fighting, typically arming swords with 70-90 cm blades suited for close-quarters thrusting and cutting. Shields, often heater-shaped with a lance notch or rest, provided additional torso protection during the charge, though their use declined with plate armor's prevalence. Horse gear emphasized both protection and stability for the powerful destriers bred specifically for jousting—these heavy warhorses, standing 15-16 hands tall and weighing 500-700 kg, were selected for their strength and endurance in carrying armored riders at full gallop.^[28]^[29] Barding, or full-body coverings, evolved from fabric caparisons in the 12th century to steel chanfrons (head plates) and peytrals (chest guards) by the 14th, shielding vital areas from lance fragments.^[30] Cruppers, reinforced straps securing the saddle to the horse's tail, prevented shifting under the combined weight of rider and gear, ensuring control during impacts. Safety innovations focused on reducing collisions and fatalities. From the late 14th century, wooden or fabric barriers known as tilts were installed between opponents to prevent horses from veering into each other, transforming open-field charges into channeled runs of 100-200 meters.^[31] This adaptation, combined with splintering lances and reinforced armor, shifted jousting toward spectacle over lethal combat.

Rules, Training, and Combat Methods

Jousting matches typically consisted of multiple runs, known as courses, where knights charged at each other across a barrier or open field, aiming to strike the opponent's shield or body with a lance while minimizing risk to the horse. In late medieval Iberia, regulations specified four courses per match, with the victor determined by the knight who broke the greater number of lances or achieved the most effective shatters, often judged by the quality of splintering on the shield or armor. Unhorsing the opponent outright secured immediate victory, while ties after four courses required additional runs until a decision was reached. Fouls included dropping the lance before impact, striking the horse, or failing to hit the designated target area, such as veering too far from the barrier; such infractions could result in loss of the course or disqualification. These rules were enforced by a panel of four judges, two appointed by each side, who assessed breakage, accuracy, and conduct to ensure fairness.^[32] Points were awarded based on the force and placement of the strike, with higher value for clean breaks on the shield's center or helmet crest compared to glancing hits on the body or arms. Breaking the lance tip alone earned fewer points than a full shatter, emphasizing skill in delivering controlled, powerful impacts without endangering the mount. Heralds often assisted in judging by observing style, such as poised charging and precise aiming, and proclaiming outcomes to the crowd, contributing to the event's ceremonial nature. Variations existed between "jousts of war," using sharper or heavier lances for more aggressive combat, and "jousts of peace," employing blunted weapons and stricter barriers for safer, spectacle-focused bouts; the latter prioritized cresting—targeting the helmet— for bonus points due to its display of daring.^[2]^[33] Training for jousting demanded rigorous preparation to master horsemanship, weapon handling, and impact endurance, beginning in youth for aspiring knights. A key practice involved the quintain, a pivoting wooden dummy with a shield on one end and a swinging counterweight on the other; riders charged at full gallop to strike the shield squarely, then dodged the retaliating weight to build reflexes and balance. Horses underwent specialized conditioning in stables, including desensitization to noise and armor weight, progressive speed drills, and rein control exercises to maintain straight-line charges under stress. Knights also practiced lance work on foot or with lighter poles to refine grip and aim before mounting.^[4] In combat, the primary technique was couching the lance—tucking its butt end firmly under the right armpit against the breastplate or lance rest for stability, allowing the full momentum of horse and rider to drive the strike. Riders angled their shields slightly upward and outward to deflect incoming lances while exposing minimal surface, absorbing shocks through braced posture and stirrup leverage. If unhorsed, bouts often transitioned to foot combat, termed a mêlée, where knights engaged with secondary weapons like maces for blunt force against armor or daggers for close-quarters grappling and submission holds, continuing until yield or judge intervention. These methods evolved from battlefield tactics, prioritizing unhorsing over lethal injury to simulate warfare while adhering to tournament codes.^[26]^[34]

Chivalry, Symbolism, and Courtly Events

Jousting embodied core tenets of medieval chivalry, functioning as a ritualized display of knightly virtues including bravery, loyalty, and honor, where combatants adhered to codes prioritizing skill and courtesy over outright violence. By the late Middle Ages, regulations such as the use of blunted lances and barriers (tilts) reduced lethality, transforming the event into a controlled spectacle that celebrated prowess without the intent to kill, as evidenced in contemporary chivalric treatises and tournament ordinances.^[5] Central to jousting's symbolism was its connection to courtly love, a chivalric ideal where knights competed to prove their devotion to an often unattainable lady, representing emotional and spiritual elevation rather than physical consummation. Ladies frequently awarded symbolic favors—such as scarves, ribbons, or sleeves—to their chosen knights before the event, which the combatants displayed on their lances or armor as badges of inspiration and motivation during the tilts. This ritual underscored jousting's role as mock warfare, channeling martial aggression into peacetime exercises that honed combat skills while fostering ideals of restraint and reconciliation among nobles.^[35] Jousting also facilitated social mobility within the knightly class, allowing ambitious squires and lesser nobles to gain renown, attract patronage, or even secure knighthood through standout performances, thereby elevating their status in feudal society. Chivalric orders exemplified this integration; for instance, the Order of the Garter, established by King Edward III in 1348 amid a surge of Arthurian-inspired tournaments at Windsor, enshrined jousting as a key expression of honorable conduct and brotherhood among elites.^[36]^[37] In courtly events, jousting served as lavish entertainment and political theater, often incorporated into royal weddings, coronations, and diplomatic gatherings to symbolize alliance and magnanimity. Such displays promoted peace by substituting combat with ceremonial rivalry; a notable example occurred during the 1390 truce in the Hundred Years' War, when French knights at Saint-Inglevert near Calais hosted English challengers in jousts that bridged enmity through shared chivalric display.^[38] Gender dynamics highlighted women's influential yet indirect roles, as noble ladies acted as spectators, judges of performances, and bestowers of prizes, thereby endorsing the chivalric narrative while upholding patriarchal norms. Conversely, class exclusions were strict: only knights and nobility could participate or ransom prizes, barring lower classes from the lists and reinforcing the feudal hierarchy by reserving the spectacle for the elite.^[39]

Notable Figures and Historical Tournaments

One of the most renowned medieval jousters was Ulrich von Liechtenstein, a 13th-century Styrian knight who documented his experiences in the autobiographical poem Frauendienst, detailing two extensive jousting tours described in the work, set during the early 13th century, during which he participated in numerous encounters while dressed in elaborate costumes to honor courtly love.^[40] King Edward III of England (r. 1327–1377) was a prominent patron and participant in jousting, hosting numerous tournaments to celebrate military victories and foster chivalric bonds, including events at Bury St Edmunds, Canterbury, Lichfield, Reading, and Windsor following his Crécy-Calais campaign in 1346–1347.^[41] In the 15th century, René of Anjou (1409–1480), King of Naples, Jerusalem, and Sicily, authored the Traictié de la forme et devis d'ung tournoy around 1460, a detailed treatise outlining the organization, rules, and symbolism of ideal tournaments, reflecting his personal passion for the sport as both practitioner and theorist.^[42] Among the most iconic historical tournaments was the 1344 Round Table event at Windsor, organized by King Edward III of England, which drew hundreds of knights in a grand emulation of Arthurian ideals, featuring elaborate pageantry and combats that underscored the era's chivalric aspirations.^[43] In Scotland, tournaments hosted early in the reign of James IV (r. 1488–1513) at Stirling marked significant displays of royal patronage for the sport, involving prominent nobles and symbolizing the stabilization of his reign through festive martial exhibitions.^[44] Jousting's dangers were tragically highlighted in 1559 during a tournament in Paris to celebrate the weddings of King Henry II of France's daughter and his eldest son's marriage, where the king was fatally lanced through the eye by Gabriel, Comte de Montgomery, succumbing to infection eleven days later on July 10.^[45] These figures and events left a lasting legacy on heraldry, where jousting provided a primary arena for knights to display and refine coats of arms, evolving heraldic conventions through visual competitions observed by chroniclers and artists.^[11] The sport profoundly influenced medieval literature, inspiring romances and epics that romanticized knightly deeds, as seen in the detailed accounts of tournaments in Jean Froissart's Chronicles (c. 1400), which preserved vivid records of jousts like those at Saint-Inglevert in 1390, blending historical reportage with chivalric narrative to shape cultural perceptions of honor and prowess.^[46]

Modern Interpretations

Revival Movements and Performances

The Romantic revival of jousting in the 19th century was profoundly shaped by the literary works of Sir Walter Scott, whose novels such as Ivanhoe idealized medieval chivalry and inspired a wave of historical reenactments across Europe.^[47] This cultural enthusiasm culminated in elaborate Victorian tournaments, most notably the Eglinton Tournament of 1839 in Ayrshire, Scotland, organized by Archibald Montgomerie, 13th Earl of Eglinton. The event featured around 150 knights clad in meticulously crafted replica armor, engaging in jousting tilts, processions, and feasts over three days, though heavy rain disrupted proceedings and underscored the challenges of such spectacles.^[48]^[49] Despite its logistical setbacks, the tournament captured public imagination, costing the equivalent of approximately £2.5 million in modern terms and drawing international attention to medieval revivalism.^[48] In the 20th century, jousting evolved into popular performances at medieval-themed fairs and festivals in the United States and Europe, blending education, entertainment, and historical reenactment. The Maryland Renaissance Festival, established in 1977 in Crownsville, Maryland, exemplifies this trend, hosting multiple daily jousting exhibitions with mounted performers using safe equipment to simulate medieval combat for audiences.^[50] Similarly, films like the 1952 adaptation of Ivanhoe, directed by Richard Thorpe, featured vivid jousting sequences that heightened public fascination with chivalric pageantry and indirectly fueled interest in live recreations.^[51] These performances emphasized spectacle and narrative over historical accuracy, often incorporating theatrical elements to engage modern crowds at events like European Renaissance fairs. Dedicated organizations further institutionalized these revivals, promoting safe, community-driven interpretations of jousting as cultural heritage. The Society for Creative Anachronism (SCA), founded in 1966 in Berkeley, California, integrates equestrian activities including boffer-lance jousting into its medieval-inspired events, using padded weapons to ensure participant safety while fostering skills in historical arts and combat. In Europe, groups such as those affiliated with French historical societies revived quintain tilting—a precursor to full jousting—on horseback during 1980s May Day celebrations, adapting traditional practices for contemporary audiences with modified lances to prioritize safety. Theatrical adaptations proliferated in these settings, featuring horse-mounted shows with foam-tipped lances that prioritize dramatic flair, crowd interaction, and injury prevention over competitive outcomes.^[52]

Contemporary Competitions and Safety Standards

Contemporary jousting competitions are governed by organizations such as the International Jousting League (IJL), founded in 2004, which serves as the largest global body promoting the sport with numerous affiliates across multiple nations and standardizing competitive rules for safety and fairness.^[53] The International Jousting Association (IJA) also contributes to worldwide regulation, focusing on equipment specifications and event oversight in regions like the United States.^[54] Major events include the annual Kaltenberg Knight Tournament in Bavaria, Germany, recognized as the world's largest jousting festival since its inception in the 1970s, drawing international competitors for multi-weekend competitions.^[55] Other prominent gatherings, such as the World Jousting Championships, feature qualifiers from Europe, Russia, and Australia, culminating in high-stakes finals that emphasize athletic precision.^[56] Competitions typically employ a points-based scoring system where jousters earn points for controlled lance strikes, with higher values awarded for clean breaks on the opponent's shield or body—such as one point for an arm hit, two for the chest, and three for the shield—across multiple passes, often three per match.^[57] Events divide participants into professional and amateur categories to accommodate varying skill levels, with professionals competing in full-contact formats and amateurs in less intense variants.^[58] Venues like Leeds Castle in the United Kingdom host annual international tournaments, including trination contests involving teams from England, France, and Norway, while sites such as Kryal Castle in Australia serve as hubs for national championships.^[59] These formats prioritize horsemanship and technique over un seating, adapting medieval traditions to modern athletic standards. Recent events, such as the 2025 Australian Jousting Championship, highlight growing gender inclusivity, with equal numbers of male and female competitors.^[60] Safety protocols have evolved significantly, incorporating blunted steel lances equipped with coronels—multi-pronged tips designed to shatter on impact without penetrating armor—alongside 16-gauge or thicker steel helmets and full plate suits for riders.^[61] Additional protections include Kevlar-lined undergarments beneath armor to mitigate blunt trauma and chanfrons or full barding for horses to shield against debris and falls.^[62] Medical teams are mandatory at events, with protocols emphasizing immediate response to injuries like concussions or fractures, informed by historical incidents such as King Henry II's fatal 1559 eye wound, ensuring comprehensive post-joust evaluations.^[7] The sport enjoys growing popularity in Australia through events like the Australian Jousting Championship and mounted games circuits, and in the United States via the National Jousting Association's ring and contact tournaments.^[60]^[63] This global spread builds on 20th-century revival movements that transitioned jousting from performance to competitive sport.^[64]

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James IV, born on 17 March 1473, was 15 when he was forced him to ride to the Battle of Sauchieburn where his father was killed.
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Henry II of France Dies of Tournament Wounds | History Today
Jul 7, 2009 · Henry II was fatally injured by the Count of Montgomery during a jousting tournament. He died on July 10th, 1559.
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The Chronicles of Froissart Froissart, Jean
There were some of the Frenchmen of Artois and Picardy that were as glad to joust in the water as on the dry land. The Frenchmen defended so well the passage at ...
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Victorian Legacies: Sir Walter Scott in Context - Romantic Textualities
Dec 16, 2014 · One of the most flagrant demonstrations of Scott's chivalric legacy was the Eglinton Tournament of 1839, an aristocratic reenactment of a ...Missing: 19th jousting<|control11|><|separator|>
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The lavish Scottish revival in jousting that drew people from around ...
Sep 2, 2019 · It cost around £2.5m in today's money to put on, and pitted aristocrat against aristocrat in a flamboyant show of medieval-style jousting that ...
[49]
The Eglinton Tournament Watercolours - Future Museum
They combine to form a record of the Eglinton Tournament of 1839, one of the most remarkable and influential manifestations of the Gothic Revival in 19th ...
[50]
Maryland Renaissance Festival - Inside Annapolis | Past Issues
to start the Maryland Renaissance Festival in 1977 in Symphony Woods, part of Rouse's new town of Columbia. Smith Sr's arrangement with The Rouse Company, a ...
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Medieval Movie Review: Ivanhoe - Medievalists.net
Jul 16, 2022 · The 1952's adaption of it is a deeply enjoyable, swashbuckling adventure which vividly renders the pageantry and gallantry of romance literature.
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https://nationaljousting.com/history/romantic.htm
[53]
International and National Jousting Organizations - The Jousting Life
The International Jousting Association (IJA)is a world wide body that aims to encourage the development of the sport of jousting.
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International Jousting Association - USA - Home
The International Jousting Association (IJA-USA) is the United states based part of a world wide governing body for the sport of jousting.Missing: IJL | Show results with:IJL
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the world's biggest jousting tournament in Bavaria - The Guardian
Jul 14, 2014 · Every July, a little corner of Bavaria in southern Germany turns its back on the hi-tech world and embraces the blood and thunder of medieval society.Missing: details | Show results with:details
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World Jousting Championship
The World Jousting Championship is the culmination of a circuit including the European, Russian and Australian Qualifiers. Brutal and spectacular, come and ...
[57]
How To JOUST - Game Rules
TRADITIONAL JOUSTING · +1 point for breaking the lance on opponent's arm · +2 points for breaking the lance on opponent's chest · +3 points for breaking the lance ...
[58]
The Modern World of a Medieval Sport - Medievalists.net
Oct 24, 2017 · Jousting organisation Destrier follow a scoring system based on Sir John Tiptoft's tournament rules, as laid out in 1466: Lance broken due ...
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The Queen's Joust - Leeds Castle
Join us at Leeds Castle for our medieval jousting event this May bank holiday for an exhilarating display of combat and action, elegant and unusual equestrian.Timetable · Meet The Jousting Teams · Book Your Visit TodayMissing: Fort | Show results with:Fort
[60]
Equipment Specs - International Jousting Association - USA
Jousting helmets must be made of 16ga or thicker steel in an authentic style from the same period as the jouster's armour.Missing: contemporary | Show results with:contemporary
[61]
Modern jousting is obviously dangerous for the riders, but ... - Quora
May 19, 2023 · By medieval standards it is a very safe version. They had a barrier between the two opponents, have modern armour made of high quality steel and ...How dangerous was medieval jousting in heavy armor? How often ...What made jousting tournaments so dangerous? - QuoraMore results from www.quora.com
[62]
Knights in shining armour gallop into battle at Australia's national ...
Sep 20, 2025 · Stick to the plan.” This year's 12 competitors represent dramatic demographic change. Six years ago, when Renae started, perhaps three or four ...Missing: federations | Show results with:federations
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National Jousting Association: The Sport of Kings
The National Jousting Association is a non-profit organization dedicated to the preservation and promotion of the equestrian sport of jousting.
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Jousting: 'Chivalrous' jousters keep damsels at bay | The Independent
Jun 29, 2008 · But with more than a thousand people now taking part in competitions worldwide, jousting has not seen such popularity since its heyday in the ...