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Scream 4

Scream 4 is a slasher directed by and written by Kevin Williamson, serving as the fourth installment in the Scream franchise. The film stars as , who returns to her hometown of Woodsboro a decade after surviving previous killings, only to face a new wave of murders targeting her and a group of teenagers obsessed with and viral fame. It reunites original members including as and as Sheriff Dewey Riley, alongside newcomers such as , , and . Filmed primarily in from June to September 2010 on a $40 million budget, Scream 4 was released theatrically by through on April 15, 2011, eleven years after the release of . The movie grossed $97 million worldwide, achieving moderate commercial success despite mixed critical reception. Critics praised its self-aware meta-commentary on modern tropes and but criticized it for lacking the freshness of earlier entries, resulting in a 61% approval rating on from 190 reviews and a 6.2/10 score on . Scream 4 was Craven's final directorial effort before his death in and has since gained a for revitalizing the franchise after the poorly received .

Synopsis

Plot

Fifteen years after the original Woodsboro killings, returns to her hometown on the 15th anniversary to promote her Out of Darkness. Staying with her aunt Kate Roberts and cousin Jill Roberts, Sidney is unaware that a new killer has begun targeting the town, starting with high school friends Jenny Randall and Marnie Cooper. In the film's opening sequence, Jenny receives taunting phone calls from while watching horror movie rules on her computer; after hanging up on the caller, she is stabbed repeatedly and crushed to death by her garage door, while Marnie, locked in a closet, is impaled and thrown through a window to her death. These murders are filmed and intended for viral dissemination online, highlighting the killers' use of webcams and live-streaming for fame. As the killings escalate, evidence such as a bloody knife, Ghostface mask, and photos of the original victims is planted in Sidney's rental car, briefly making her a . Jill, a enthusiast and aspiring star, attends a "Stab-a-thon" screening of the in-universe Stab franchise movies with friends Robbie Mercer, who wears a for a live-feed project, and Trevor Sheldon, Jill's ex-boyfriend. During the event, popular student is viciously stabbed to death in her home across the street, her murder witnessed live via . Later that night, Sidney's Rebecca Walters is stabbed and thrown from a parking garage. Rebecca and Judy Hicks investigate, while returning Woodsboro Dewey Riley and his wife Weathers-Riley, now a true-crime author, become involved. , seeking material for her new book, sets up around town, inadvertently capturing clues. The attacks intensify over one chaotic night, with Robbie stabbed during the after-party at Kirby Reed's house, and deputies Hoss and killed in a squad car ambush. is murdered through the mail slot of her home by , who then attacks Jill, stabbing her non-fatally to establish her as a victim. is stabbed in the shoulder while pursuing the killer at the after-party but survives. , Dewey, and a wounded converge at the hospital, where Jill is recovering. Flashbacks reveal parallels to the original murders, including Sidney's past traumas. In a major twist, Jill and Walker—Robbie's film geek friend and a self-proclaimed expert on horror rules—are revealed as the killers, motivated by a desire for fame in the age of videos and TV. Jill, envious of Sidney's status, orchestrates the murders to frame and position herself as the new , planning to leak staged footage of her "heroic" killing of Charlie, whom she stabs to death in front of Sidney. After sustaining a non-fatal earlier, she betrays and shoots Trevor at the hospital. Jill attacks Sidney, Dewey, and in a brutal final at the hospital. Sidney fights back, using Gale's hidden cameras to expose Jill's deception live; she electrocutes Jill with a defibrillator and shoots her in the head, killing her. With the truth broadcast to the town, Sidney survives, closing the chapter on Woodsboro's latest nightmare.

Cast

The principal cast of Scream 4 includes returning actors , , and from the earlier films in the .
ActorCharacterDescription
Surviving from previous Woodsboro incidents
Gale Weathers-RileyJournalist and author
Dewey RileyWoodsboro County Sheriff
Jill RobertsSidney's cousin
Film-savvy high school friend
Charlie WalkerFilm club member
Supporting roles are filled by actors including:
  • Alison Brie as Rebecca Walters, Sidney's publicist.
  • Adam Brody as Deputy Hoss, a Woodsboro deputy.
  • Marielle Jaffe as Olivia Morris, a high school student.
Roger L. Jackson provides the voice for , the killer's modulated voice, reprising his role from prior installments.

Production

Development

In July 2008, announced plans to revive the Scream franchise with a fourth installment, aiming to capitalize on the series' legacy roughly a decade after the 2000 release of Scream 3. The announcement came amid broader distribution deals for the company, positioning the project under its label as a continuation of the horror meta-series. Development encountered legal hurdles in May 2010 when , producer of the original , filed a $3 million lawsuit against , alleging and exclusion from the project despite her first-opportunity rights to the franchise. The suit was settled in April 2011, after principal photography had wrapped. By March 2010, the project gained momentum with confirmed to return as director, having helmed the first three films, and a $40 million approved to support the endeavor. Williamson, the franchise's co-creator, was also confirmed to be involved that year, contributing to the . The film was conceived as a "" within the existing series, designed to satirize the early 2010s trend of horror remakes and sequels.

Writing

The screenplay for Scream 4 was penned by Kevin Williamson, who drew from his initial treatment for a franchise revival returning to Woodsboro. Williamson delivered the first draft on , 2010, under the working title Z, emphasizing an update to the series' iconic "rules" for surviving horror films to reflect the digital age, including the roles of , online videos, and the allure of viral fame. This draft incorporated satirical elements targeting the 2000s horror landscape, particularly the wave of remakes and legacy sequels like planned returns for franchises such as I Know What You Did Last Summer, by introducing Stab 6 as an in-universe reboot of the fictional parodying the originals. The script's structure, spanning around 110 pages, built tension through layered meta-commentary, with the opening sequence featuring kills that parody stunts and viral challenges to underscore the film's critique of and instant notoriety. Due to Williamson's scheduling commitments on , Ehren Kruger was enlisted for multiple rewrites to sharpen the narrative's twists and overall flow. Director Wes Craven provided additional uncredited revisions, focusing on pacing and the execution of kill scenes to amplify the script's self-aware horror dynamics while preserving Williamson's core thematic framework.

Casting

In September 2009, reports confirmed that , , and would return to their roles from the original Scream trilogy, with final agreements reached by March 2010 amid discussions on their involvement in the sequel's narrative shift to a new generation of characters. Casting for the younger ensemble began in early 2010, focusing on actors who could embody horror-savvy teens while aligning with the script's requirements for multifaceted roles, including potential killers. was selected for the lead role of Sidney's cousin Jill after declined the offer; casting director later noted Roberts' prior performance in the 2001 film demonstrated her ability to portray both vulnerable victims and cunning antagonists, a key duality needed for the character. joined as in May 2010, bringing established appeal from her role in the series to enhance the film's draw for contemporary audiences. was cast as Charlie Walker around the same time, leveraging his family's pedigree— including siblings and —to fit the meta-horror tone. Supporting roles added diversity, with , then known from the Family series , announced as the athletic in June 2010. The process presented challenges, particularly in securing young talent for the killer roles, as coproducer Carly Feingold described casting Jill as the most difficult due to the need for performers willing to risk typecasting in horror while delivering layered performances. Auditions incorporated classic Scream elements, such as recreating the original film's killer reveal scene, to test actors' grasp of the franchise's self-aware style. Cameos bolstered the film's opening sequence, with and confirmed in August 2010 to appear as victims in a Stab movie parody, adding star power from their respective series and . Principal casting concluded by late May 2010, allowing production to commence on June 28, though minor additions continued into August.

Filming

Principal photography for Scream 4 began on June 28, 2010, and wrapped on September 22, 2010, spanning approximately 50 shooting days. The production took place primarily in and , which served as stand-ins for the fictional town of Woodsboro, California. Location manager David Lubliner noted that Ann Arbor's architecture and suburban layout most closely resembled the intended setting, with additional scenes filmed in nearby Northville and Dearborn. Key sets were constructed to recreate familiar elements from the franchise, including Woodsboro High School and the Woodsboro Police Station. The police station was built as a full facade on an empty lot between 729 and 777 West Ann Arbor Trail in Plymouth, allowing for controlled interior and exterior shots. Practical effects were utilized for several action sequences, such as the parking garage trap involving Rebecca's death and the intense kitchen fight between Sidney and Ghostface, emphasizing physical stunts and props over digital enhancements. The production encountered logistical challenges from Michigan's summer heat, which complicated exterior filming and required adjustments to schedules for outdoor scenes. Director managed night shoots for suspenseful sequences, including extended evening work on the film's climactic party scene to capture authentic tension under low light. Peter shot the film on 35mm film using Panaflex Platinum cameras equipped with G-Series anamorphic primes, with employed extensively for dynamic chase sequences to maintain fluid, immersive movement. Reshoots for two sequences took place in January 2011.

Music

Soundtrack

The Scream 4 soundtrack album, titled Scream 4: Original Motion Picture Soundtrack, was released on April 12, 2011, by Lakeshore Records, three days prior to the film's theatrical debut. The compilation features 12 licensed songs incorporated into the movie, drawing from , and genres to evoke the era's teen while providing ironic contrast to the sequences. Key tracks include "Something to Die For" by , which accompanies the opening credits as protagonist returns to Woodsboro; "Bad Karma" by Ida Maria; and "" by The Novocaines. Additional selections, such as "Make My Body" by and "Yeah Yeah Yeah" by , underscore party scenes, highlighting the film's portrayal of youthful exuberance amid escalating tension. The full track listing is as follows:
No.TitleArtist(s)Length
1"Something to Die For"The Sounds3:42
2"Bad Karma"Ida Maria2:55
3"Cup of Coffee"The Novocaines1:30
4"Make My Body"The Chain Gang of 19743:37
5"Don't Mess with the Original"Marco Beltrami3:33
6"Yeah Yeah Yeah"The Sounds3:31
7"Run for Your Life"6 Day Riot2:32
8"Axel F"Raney Shockne3:01
9"On Fire"Locksley1:54
10"Devils"Say Hi2:20
11"Denial"Stereo Black3:43
12"Jill's America"Marco Beltrami3:26
The album was distributed digitally via platforms like as part of promotional efforts tied to the film's marketing campaign.

Score

The original score for Scream 4 was composed by , who returned to the franchise after providing the music for the first three installments. Beltrami's work emphasizes instrumental tension and atmospheric dread, utilizing a full conducted by Allan to evoke the slasher genre's classic suspense while introducing subtle modern twists. Orchestrated by Dana Niu, the score was crafted to heighten the film's elements without relying on vocal tracks. Central to the score is an updated rendition of the recurring "" theme, a motif originating from the series' earlier films, now infused with electronic elements to convey a contemporary edge amid the story's meta-commentary on . Tension cues accompanying key sequences blend lush strings with synthesizers, creating pulsating rhythms that build unease through procedural conventions rather than overt . This approach maintains the franchise's sonic identity, prioritizing eerie, minimalist builds over expansive thematic development. Clocking in at approximately 62 minutes on its primary release, the score reflects influences from electronic-infused compositions of the era, echoing the synthesized urgency found in remakes and procedural thrillers. It eschews the bombast of earlier Beltrami efforts in favor of restrained, filmic utility. The digital and album, titled Scream 4 (Music from the Motion Picture), was issued by on April 19, 2011, and was reissued on vinyl as part of a 4-LP of the franchise's original scores in 2022, garnering critical notice for its fidelity to the series but far less commercial buzz than the concurrent pop-oriented compilation.

Release

Marketing

The marketing campaign for Scream 4 began with the debut of its at the 2010 Scream Awards on Spike TV, held on October 16, 2010, which featured returning cast members , , and introducing the footage to build anticipation for the franchise's return. An extended version of the teaser followed shortly after, emphasizing the film's meta-commentary on horror remakes and sequels. The full theatrical trailer was released online on , 2011, highlighting the tagline "New Decade. " to underscore the story's focus on evolving slasher tropes in the era. To generate viral buzz, launched interactive promotions on platforms, including a page for protagonist that shared fictional press clippings teasing the in-universe Stab , mimicking the movie's satirical take on exploitation. Complementing this, a promotional app called the Scre4m Voice Mask allowed users to record and distort their voices to sound like , encouraging shares on and for fan engagement. Additionally, a titled Scream 4 let players control in a Woodsboro , tying into the film's themes of technology-driven horror while driving pre-release interest. Promotional posters featured stark imagery of lurking behind the cast, with variants spotlighting individual actors like and to appeal to younger audiences, though some fan-created designs parodied remake trends more overtly than official ones. For international outreach, a aired in pairing with candy in a humorous pitch, while global teasers adapted the trailer's "new rules" motif for local markets. Merchandise efforts centered on iconic items like officially licensed masks and rubber knife sets from Fun World, sold through retailers to capitalize on Halloween timing, including variants inspired by the film's Stab parody films for collectors. The campaign culminated in high-profile events, such as the world premiere on April 11, 2011, at in , where cast members walked a to heighten media coverage.

Theatrical release

Scream 4 premiered on April 11, 2011, at in , . The film had a wide theatrical release in the United States on April 15, 2011, distributed by . The film received an R rating from the of America (MPAA) for strong bloody , language, and some teen drinking. Internationally, ratings varied; for example, it was classified as 15 by the (BBFC) in the for strong , gore, and language. In the United States, Scream 4 opened in 3,305 theaters across 4,400 screens. Its international rollout began on April 13, 2011, in approximately 20 countries including , , and , before expanding to over 40 markets worldwide. The film was exhibited exclusively in format, with no version produced. Its running time is 111 minutes.

Home media

Scream 4 was released on home media in the United States on October 4, 2011, by as distributor for . The primary formats included a single-disc DVD edition and a two-disc Blu-ray/DVD combo pack that also featured an expired digital copy code. The Blu-ray edition offered high-definition video and audio quality, with supplements including an audio commentary track featuring director alongside actors and , joined briefly by . Additional extras comprised approximately twenty deleted and extended scenes, a gag reel, a making-of , a promotional on the film's meta-elements, and trivia tracks highlighting references to prior franchise entries. Domestic home video sales for Scream 4 generated an estimated $10.3 million in , reflecting strong initial with over 108,000 DVD units and 48,000 Blu-ray units sold in the first week alone. By 2025, the film had become available for streaming on platforms such as Peacock, where it was prominently featured during the Halloween season starting September 2025, and Paramount+, offering subscribers access in various regions. It is also included in box sets, such as the Scream 4-Movie Collection DVD edition encompassing the first four films. Unlike the original trilogy, Scream 4 has not received a UHD as of late 2025 due to ongoing rights complications from its production.

Reception

Box office

Scream 4 was produced on a of $40 million. The film opened at No. 1 in the United States with $18.7 million in its first weekend across 3,305 theaters. This figure marked a decline from the 's previous installment, , which debuted with $34.7 million in 2000. Over its domestic run, Scream 4 grossed $38.2 million, while international markets contributed $59.1 million, for a worldwide total of $97.3 million. Despite topping the North American on debut, the film experienced a sharp drop-off, spending only two weeks in the top ten domestically. This performance fell short of expectations for a franchise revival, particularly amid a 2011 surge in remakes and sequels that had saturated the genre market. The underperformance was also influenced by the lingering effects of the 2008 economic recession, which continued to impact on entertainment into 2011, contributing to softer overall results for mid-budget films like Scream 4.

Critical response

Upon its release, Scream 4 received mixed reviews from critics, who appreciated its and return to the franchise's roots but often found it formulaic and less innovative than earlier entries. On , the film holds a 61% approval rating based on 190 reviews, with the site's consensus noting that "the franchise is showing its age, but Scream 4 is undeniably an improvement over its predecessor, with just enough meta humor and clever kills." Similarly, assigns it a score of 52 out of 100, based on 32 critics, indicating mixed or average reviews, with 38% positive, 53% mixed, and 9% negative. awarded it 2 out of 4 stars, praising the characters' awareness of tropes but criticizing the film's dark and reliance on clichéd slasher elements. Variety's Peter Debruge described it as "overblown, overlong and overstuffed with genre ," arguing that the excessive meta-commentary diluted the tension and made the plot feel dated in its teen drama aspects. Other critics, such as those in , highlighted predictable twists and a lack of genuine scares, though they commended the film's playful nods to conventions. In the years following its release, Scream 4 has undergone a reappraisal, particularly for its prescient of and viral fame, which now resonates in the era of platforms like and . Reviewers have noted how the film's exploration of "Stab-a-thon" marathons and the with online notoriety anticipated the commodification of trauma in digital culture. A analysis in reflected on this shift, with the author admitting initial disappointment but later embracing the movie's forward-thinking commentary on remakes and upon rewatch. The 2022 release of the fifth Scream film prompted further reevaluations, with outlets like Flood Magazine tying Scream 4 to the franchise's revival, praising its role in bridging old and new generations through meta-elements that critiqued Hollywood's . These post-2020 perspectives often highlight the film's enduring relevance amid evolving media landscapes, though some still fault its weaker compared to the original trilogy. Audience reception has been more favorable overall, though divided among fans. On , it garners a 57% audience score from over 50,000 ratings, reflecting a mixed but engaged response. users rate it 7.0 out of 10 based on 532 submissions, deeming it generally favorable with 61% positive feedback, often citing strong kill scenes and humor as highlights. Fans frequently praise the returning original cast like and for anchoring the story, but opinions split on the new ensemble— and receive acclaim for their dynamic roles, while others in the younger group are seen as underdeveloped, leading to debates over whether the film successfully refreshed the series or diluted its legacy.

Accolades

Scream 4 received nominations and a few wins in fan-voted and genre-specific awards, reflecting its popularity among horror enthusiasts despite no recognition from major industry ceremonies like the or Golden Globes. At the 2011 Scream Awards, the film was nominated for Best Horror Movie but lost to Let Me In. earned a nomination for Best Horror Actress for reprising her role as , while and were nominated for Best Cameo for their appearances in the opening kill sequence. The film was nominated for Choice Movie: Horror at the 2011 Teen Choice Awards, where it competed against films including Let Me In, Paranormal Activity 2, Piranha 3D, and Saw 3D. In 2012, Scream 4 won Best Horror Movie at the Virgin Media Movie Awards, and the masked killer Ghostface placed third in the Best Villain category. Hayden Panettiere received a nomination for Best Supporting Actress at the 2011 Fright Meter Awards for her portrayal of Kirby Reed. The film's marketing efforts were honored with a win for Best Horror/Thriller TV Spot at the 2012 Golden Trailer Awards.
Award CeremonyCategoryRecipientResultYear
Scream AwardsBest Horror MovieScream 4Nominated2011
Scream AwardsBest Horror ActressNeve CampbellNominated2011
Scream AwardsBest CameoAnna PaquinNominated2011
Scream AwardsBest CameoKristen BellNominated2011
Teen Choice AwardsChoice Movie: HorrorScream 4Nominated2011
Virgin Media Movie AwardsBest Horror MovieScream 4Won2012
Virgin Media Movie AwardsBest VillainGhostface3rd Place2012
Fright Meter AwardsBest Supporting ActressHayden PanettiereNominated2011
Golden Trailer AwardsBest Horror/Thriller TV SpotScream 4 (trailer)Won2012

Analysis

Themes

Scream 4 explores several interconnected themes that critique contemporary society, particularly through the lens of genre conventions updated for the . Central to the film is the intersection of violence and , where personal tragedy becomes commodified for public spectacle. The narrative delves into how platforms amplify desires for notoriety, while also examining the cyclical nature of storytelling and evolving dynamics in survival scenarios. These motifs are woven into character motivations and dialogue, providing on fame, , and . The theme of fame and is prominently featured through the killers' motive of achieving viral stardom via and , satirizing the obsession with reality TV and online validation. Jill Roberts, Sidney Prescott's cousin, embodies this by orchestrating murders not for but to position herself as the "final girl" in a staged narrative, aiming to upload footage for instant . As Jill declares, "I don’t need friends. I need fans," highlighting the shift from genuine relationships to performative driven by digital metrics. This critiques how fosters narcissistic pursuits, where tragedy is a pathway to "," echoing Sidney's own unwilling as a . The film also addresses the exhaustion of remakes and sequels in the horror genre, using self-referential dialogue to debate the "rules" of a new decade while commenting on franchise fatigue. Characters like Dewey Riley and the teenage ensemble discuss how reboots prioritize over , with the in-universe Stab series mirroring real-world trends of tropes without deeper . This underscores the tension between homage and redundancy, as the killers draw inspiration from prior films to create their own "remake" of events, critiquing how sequels often erase historical context for superficial appeal. Gender and survival themes evolve the "final girl" trope, with Sidney serving as a mentor figure to the younger generation, subverting traditional roles through a female killer who weaponizes victimhood. Jill's ploy to become the "new generation’s model 2.0 " by self-inflicting wounds challenges the archetype's purity and resilience, portraying it as a tool for manipulation in a post-feminist landscape. This highlights aggressive among young women, where twists into exploitation, contrasting Sidney's authentic survival through and . The film thus questions gender norms in , emphasizing how female characters navigate violence in domestic and digital spaces. Youth culture is satirized through the portrayal of 2010s teens immersed in webcams, texting, and live-streaming, contrasting the original film's reliance on 1990s landlines and face-to-face interactions. Robbie Mercer's constant filming via a headset exemplifies distracted , as he is killed while adjusting his camera, underscoring technology's role in eroding and real connections. The killers' use of iPhones for coordination and recording further illustrates how digital tools enable isolation and spectacle, with noting, "We all live in now," to critique the performative nature of adolescent in an always-on era.

Style and meta-elements

Scream 4 amplifies the franchise's meta-humor by incorporating the in-universe Stab films as parodies of the Scream series, using them to layer commentary on horror conventions and sequel fatigue. In the opening sequence, two apparent murders are staged as scenes from Stab 6 and Stab 7, only to be revealed as fictional films being watched by the victims, subverting audience expectations by blurring the line between reality and cinematic mimicry. This self-referential device extends to the characters, who act as horror experts and recite survival rules, emphasizing the film's satirical take on genre tropes while maintaining underlying tension. Director Wes Craven described this approach as balancing "serious horror pictures that happen to have a satirical take on the genre," distinguishing it from outright spoofs. The film's visual style, helmed by Craven, relies on suspenseful set pieces that evoke isolation, such as alone-in-the-house encounters where emerges suddenly to heighten dread. Quick cuts and ironic timing merge with , creating a that undercuts scares with , as seen in the blend of fear and laughter during chases and reveals. Craven's direction avoids remaking prior entries, instead evolving the formula with modern elements like phone-based harassment, which ties into the meta-commentary on reboots without repeating the original's structure. Genre subversion is evident in the opening kills of two young women portrayed as savvy fans—Jenny Randall and Marnie Cooper—who discuss Stab films before their deaths, defying the expectation that knowledge of rules ensures survival. This breaks from tradition by eliminating presumed experts early, reinforcing that no one is safe regardless of genre awareness. Further subversion occurs through technological fake-outs, such as pressing the garage door activation button to close it on Jenny's back, crushing her as she attempts to escape, nodding to contemporary vulnerabilities while weaponizing everyday devices in slasher fashion. Digital effects remain minimal, with the production shot on 35mm film using to preserve a tactile, practical aesthetic akin to the series' roots, prioritizing physical stunts and props over enhancements.

Legacy

Cultural impact

Scream 4 has been credited with bridging the genre's remake boom to the self-aware slashers of the by satirizing reboot culture and updating meta-commentary on slasher tropes. The film's emphasis on unexpected twists, technological integration in killings, and critique of franchise fatigue influenced subsequent self-aware films. Despite its initial underperformance, it helped pave the way for a resurgence in clever, audience-savvy films. In pop culture, the mask solidified its status as an enduring icon, symbolizing modern slasher beyond the film's release, with widespread use in costumes, merchandise, and nods that transcend the franchise. Iconic lines like ' declaration of "new decade, new rules" have permeated fan discussions and online memes, emphasizing evolving genre expectations and becoming shorthand for meta- reinvention. Scream 4's 2011 commentary on virality and fame-seeking killers presciently anticipated 2020s phenomena, such as horror challenges and the boom in content where notoriety drives . Characters filming murders for online views critiqued emerging digital , a theme that resonates in today's influencer-driven culture. Academically, the film is analyzed in works on , such as the dissertation A Telltale : American and (2020), which positions Scream 4 as a turning point where self-referentiality reached saturation, shifting the genre toward hybrid satire and influencing post-2010s horror evolution. Fan communities, particularly online forums, experienced growth following the 2022 franchise revival, with renewed appreciation for Scream 4's forward-thinking elements.

Franchise connections

Following the release of Scream 4 in April 2011, which grossed $97 million worldwide against a $40 million budget but underperformed relative to expectations and previous entries, plans for a fifth installment were abandoned by . The film's modest results, compounded by the recent death of director in 2015, led to the shelving of the project, leaving screenwriter Kevin Williamson's outlined concepts for Scream 5—including a storyline featuring the return of Scream 4 Jill Roberts ()—unused. The franchise was revived in 2022 with Scream (directed by Matt Bettinelli-Olpin and Tyler Gillett), serving as a direct sequel to the original four films while somewhat disregarding Scream 4's conclusive ending that positioned (Neve Campbell) in a more stable life. Returning cast members as , as , and as Dewey Riley anchor the revival, with the narrative nodding to Scream 4's meta "rules" for surviving sequels and remakes through character Mindy Meeks-Martin ()'s exposition on franchise tropes. The new killers' motive of seeking viral fame via murders echoes Jill Roberts' obsession with becoming a celebrity survivor in Scream 4, reinforcing the series' commentary on sensationalism. Scream VI (2023), also directed by Bettinelli-Olpin and Gillett, builds on Scream 4's subtle hints at urban expansion beyond Woodsboro, such as the modernized setting of its opening Stab 6 sequence, by fully relocating the story to where survivors Carpenter (Melissa Barrera) and Tara Carpenter () attend college. The film includes meta-references to Scream 4's Stab-a-thon screening event, where characters obsessively rewatch the in-universe films, through depictions of Stab memorabilia in Ghostface's shrine and discussions of franchise lore among the core four survivors. As of November 2025, Scream 7 has been officially announced by and , with completed and a theatrical release scheduled for February 27, 2026, directed by Kevin Williamson in his feature directorial debut for the series. reprises her role as in the trailer, alongside and new cast members including and , with early indications of callbacks to earlier entries like Scream 4's themes of fame and meta-horror potentially integrated into the plot. In celebration of the franchise's legacy, Paramount+ hosted a streaming marathon of all prior Scream films, including Scream 4, throughout October 2025 to build anticipation for the sequel.

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