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Codex Vaticanus

The Codex Vaticanus is a mid-fourth-century uncial of the Christian in , containing the majority of the version of the and most of the , written on fine with three columns of 40–44 lines per page. It consists of 759 surviving leaves out of an original approximately 820, measuring about 27 × 27 cm, and employs a clear majuscule script without word separation, typical of early codices. Housed in the Apostolic Library under shelfmark Vat. gr. 1209 since at least 1475, it is one of the oldest and most complete extant Bibles. The manuscript's Old Testament section includes 617 leaves covering books from to 2 Chronicles, with lacunae in 1:1–46:28a, 2 2:5–7, 10–13, 105:27–137:6b, and the , while the spans through Hebrews 9:14 (with the rest in a later hand), the , but omits the , Philemon, and . Likely produced in , it features minimal ornamentation and uses black ink primarily, with some red for initial letters, emphasizing readability over decoration. As one of the four Great Uncials—alongside , , and —Codex Vaticanus holds immense significance in due to its early date and representation of the , considered among the most reliable witnesses to the original biblical texts and forming the basis for many modern translations. Its restricted access until the , when facsimiles were produced, underscores its preservation and scholarly value.

Physical Characteristics

Format and Layout

The Codex Vaticanus is a fourth-century Greek uncial manuscript composed on 759 leaves of fine , each measuring approximately 27 cm by 27 cm. The text is written in Biblical majuscule script using , without spaces between words, , or breathing marks in the original hand. Its layout is distinctive, featuring three columns per page—a format uncommon among surviving biblical manuscripts of the period—with typically 42–44 lines per column. Paragraphs are marked by ekthesis, in which the initial letters protrude into the left margin by about half a letter width, while major sections and book beginnings often begin with enlarged or ornamented initial letters added by the primary scribes or later correctors. This structured arrangement facilitated efficient use of space and aided readability in a . The manuscript includes an original system of , with quire numbers and individual numbers inscribed in the upper margins by the scribes. Originally comprising around 820 leaves bound in quires without a preserved cover, the now shows signs of rebinding and significant losses, including the opening sections of (beginning at chapter 46:28) and portions of , as well as the complete absence of several books due to missing folios. These structural features highlight its production as a luxury pandect intended for scholarly or liturgical use.

Materials and Condition

The Codex Vaticanus is composed of fine, thin prepared from animal skins, primarily , in the fourth century, resulting in a semi-transparent, white of exceptional quality for its time. This material, processed through soaking in lime, dehairing, stretching, and scraping, provided a smooth and durable surface unusual among contemporary manuscripts, enabling the codex's format with pages measuring approximately 27 cm by 27 cm. The vellum consists of 759 surviving leaves originally bound in quires, with 617 allocated to the and 142 to the . Despite its overall good preservation, the codex exhibits significant losses and damage accumulated over centuries, including the absence of the first 31 leaves covering 1:1–46:28a, a lacuna in 2 2:5–7, 10–13, and 10 leaves from 105:27–137:6b, likely due to physical deterioration or early mishandling. A lacuna occurs after 9:13, with the remainder of (9:14–13:25) supplied in a 15th-century minuscule hand, while the , Philemon, and are absent due to missing folios; additional minor gaps appear in other scattered sections from wear, humidity exposure, insect activity, and repeated handling. The original black or brown carbon-based has faded in places, occasionally leading to overwritings by later correctors that obscure portions of the text, though the vellum's resilience has limited broader degradation. Conservation efforts have focused on stabilizing the artifact while preserving its integrity. In the 19th century, the undertook rebinding to secure the structure and protect against further loss, a process that maintained the original . Modern initiatives, including high-resolution digitization completed in the 2010s through the 's DigiVatLib project, allow non-destructive access and scholarly analysis without physical handling, mitigating risks from environmental factors. The manuscript features no illuminations or elaborate decorations, relying instead on plain in black ink for its unadorned presentation, with rare accents in red or blue limited to simple initials or headings.

Biblical Content

Textual Affiliation

The Codex Vaticanus exemplifies the in both its () and portions, renowned for its exceptional purity and exhibiting only minimal contamination from the later Byzantine text tradition. This classification stems from its concise phrasing, abrupt transitions, and avoidance of expansions typical of Byzantine manuscripts, positioning it as one of the earliest and least altered witnesses to the Alexandrian textual tradition. Scholars regard its text as a benchmark for reconstructing the original biblical readings due to this fidelity, with deviations primarily limited to scribal errors rather than deliberate harmonizations or additions. In comparative analysis, the Codex Vaticanus aligns closely with other key Alexandrian witnesses, such as the , despite thousands of differences—such as 3,036 in the Gospels alone—reinforcing their mutual reliability over more conflated traditions. (Note: Wikipedia cited only for factual count from Hoskier, but avoid as primary; use scholarly reference if possible, but for now.) The Codex Vaticanus's text serves as a foundational pillar for the Critical Text underlying modern critical editions, including the Nestle-Aland , where it frequently supports the preferred readings against Byzantine majorities. A distinctive feature of the section is the presence of over 700 distigmai—pairs of horizontally aligned marginal dots or oblique strokes—primarily in the Prophets and Octateuch, which annotate potential discrepancies between the and the Hebrew Vorlage. These marks, estimated at 765 to 858 in total, likely originated from a scholarly around the manuscript's production, highlighting variants without altering the main text. Their systematic placement underscores the codex's role in early textual scrutiny of the Greek . Additionally, the Codex Vaticanus includes unique marginal notations employing the Greek letter kappa (κ), which appear to flag instances of omitted movable nu (ν), a grammatical particle often added at word ends for euphony in Greek. These symbols, absent in other major uncials, reflect the scribe's meticulous attention to orthographic accuracy and are confined to the New Testament portions, aiding later correctors in restoring the intended readings.

Included Books and Omissions

The Codex Vaticanus includes a substantial portion of the Greek in its form, encompassing books from through 2 Chronicles, though it originally lacked 1–4 and the (not part of its canon, unlike some other manuscripts). Several lacunae exist due to physical damage, such as the loss of 1:1–46:28a (the first 20 folios), 2 Samuel 2:5–7 and 2:10–13, 105:27–137:6b, and the Minor Prophets from 13:7 to 4:6. Non-canonical material appears in limited instances, such as the inclusion of immediately following , treated as an appendix to the . The manuscript also incorporates the additions to , including the and the Song of the Three Young Men (inserted after 3:23), the story of (as 13), and (as 14), presenting them as integrated parts of the book without separate titles. In the , Codex Vaticanus preserves the four Gospels in full, the Book of Acts, the (James through Jude), and the up to 2 Thessalonians, followed by (1:1–9:14 in the original hand). The (1–2 Timothy, ), Philemon, and the are entirely absent, likely due to deliberate exclusion from the codex's original composition rather than damage, as no traces or spaces indicate their former presence. Hebrews 9:14–13:25, 1–2 Timothy, , Philemon, and were later supplied in a 15th-century minuscule hand to fill these gaps. Physical lacunae affect minor sections in the as noted above, but the New Testament's major absences align with the manuscript's selective canon. Some lacunae, including those in Acts and , were supplemented from other manuscripts like Codex Vaticanus 1761. Several notable textual omissions distinguish Codex Vaticanus from later traditions, reflecting intentional scribal decisions rather than loss. The longer ending of (16:9–20) concludes abruptly at verse 8, followed by an unusually large spanning two-thirds of a column, suggesting the scribe was aware of the passage but chose to exclude it. Similarly, the Adulterae ( 7:53–8:11) is entirely absent, with the text transitioning directly from John 7:52 to 8:12 without interruption or notation. The Comma Johanneum (1 :7–8, the explicit ) is omitted, reading simply "For there are three that testify: the Spirit, the water and the blood; and the three are in agreement" without the interpolated clause. These exclusions align with the Alexandrian textual tradition and are not attributed to damage, as the shows deliberate formatting choices throughout.

Notable Variants

The Codex Vaticanus exhibits several notable textual variants in the New Testament that distinguish it from later Byzantine manuscripts and the , often supporting shorter, earlier readings considered more authentic by textual critics. In Mark 1:1, it omits the phrase "" (υἱοῦ θεοῦ), presenting the verse as "The beginning of the gospel of Christ," a reading shared with some early papyri and minuscules but absent in most later witnesses; this shorter form is viewed as original, with the addition likely a scribal to parallel other titles for . Similarly, in Matthew 6:13, the codex lacks the "For thine is the kingdom, and the power, and the glory, forever. Amen," which appears in later liturgical texts but is absent in early Alexandrian and traditions, indicating it as a post-original expansion. Another significant variant occurs in Luke 22:43-44, where Vaticanus omits the passage describing an angel strengthening in agony and his sweat becoming like drops of blood; this omission aligns with early witnesses like and is deemed a later drawn from extra-canonical traditions, though retained in modern editions with reservations due to its antiquity in some sources. In the , Codex Vaticanus follows the tradition, which diverges from the in key passages. For instance, Isaiah 7:14 renders the Hebrew "" (young woman) as "" (virgin), a that influenced early Christian interpretations of messianic and differs from the Masoretic emphasis on a youthful figure without explicit ; this reading is consistent across major and critical editions based on Vaticanus. Overall, the codex shows approximately 2,800 differences from the in the Gospels alone, the majority being minor orthographic or stylistic variations that favor concise, pre-Byzantine phrasing, though a smaller subset involves substantive omissions supporting the Alexandrian textual affiliation. Regarding navigational aids, Vaticanus lacks the full and Ammonian Sections found in later codices, instead employing a unique system of numbered sections—170 in , 61 in , 152 in Luke, and 80 in —adapted for cross-referencing without the accompanying tables.

Production History

Scribes and Corrections

The Codex Vaticanus was penned by three principal scribes, conventionally labeled A, B, and C, who divided the workload according to content sections. Scribe B copied the bulk of the New Testament, from the Gospels through most of Hebrews, demonstrating a precise and steady hand. Scribes A, B, and C handled the Old Testament, with A covering Genesis 46:28 to 1 Kingdoms 19:11, B covering extensive portions from 1 Kingdoms 19:11 to Psalms 77:71a and the prophetic books from Hosea onward, and C responsible for Psalms 77:71b through Tobit. This division is evident in subtle shifts at quire boundaries, such as variations in column line counts and letter forms like alphas, deltas, and lambdas. The scribes' work exhibits a uniform Biblical majuscule —small, delicate, and unadorned majuscules written in without spaces or initial punctuation—reflecting professional training in 4th-century Alexandrian or Egyptian paleographic traditions. They consistently applied , the abbreviated sacred names (e.g., ΘΣ for Theos), a hallmark of early Christian scribal reverence that varies slightly by hand, such as in the treatment of πνευμα. Subscription notes at book ends include colophons with distinctive coronides (ornamental flourishes) and tail-pieces, underscoring the scribes' structured approach to concluding sections without explicit dates or personal ascriptions. Paleographic analysis dates the original scribal activity to the mid-4th century, around 325–350 CE, based on the script's evolution from earlier uncials and its close similarity to , which shares comparable letter proportions, slant, and bilinear tendencies indicative of contemporary Egyptian production. This places Vaticanus slightly earlier or contemporaneous with Sinaiticus, before the widespread adoption of more rigid majuscule forms. Corrections appear in multiple layers, beginning with contemporary revisers in the (often labeled B2) who addressed orthographic inconsistencies, itacisms, and minor omissions using the original ink or similar, suggesting diorthotes (official correctors) oversaw the initial transcription. These early interventions preserved the Alexandrian textual base while fixing scribal slips. Subsequent correctors, active from the 8th to 15th centuries (including B3 in the 10th–11th and sporadic later hands), introduced alterations aligning passages with the emerging , such as expansions in harmonizations or preferred readings; these are identifiable by paler or browner inks, minuscule insertions amid uncials, and stylistic mismatches like enlarged letters or tremulous lines. Over 1,000 such later corrections occur, primarily in the Gospels and Acts, though the core text remains largely intact.

Provenance

The Codex Vaticanus is believed to have been produced in the mid-4th century CE, with paleographical analysis dating its uncial script to approximately 325–350 CE. Scholars propose origins in either Alexandria, Egypt, or Caesarea, Palestine, based on textual characteristics and historical context. T.C. Skeat argued for a Caesarean origin in the 330s, suggesting it was one of the fifty Greek Bible manuscripts commissioned by Emperor Constantine from Eusebius of Caesarea between 331 and 335 CE, produced in a scriptorium there. Alternatively, its book order for the included books closely matches the list in Athanasius of Alexandria's 39th Festal Letter of 367 CE, supporting an Alexandrian provenance. Early historical references to the codex are scarce, with no direct mentions by name in late 4th-century sources like , though its aligns with Greek manuscripts consulted for the translation around 382–405 . The manuscript's subsequent history involves unverified traditions of movement, including possible time in or , potentially as part of imperial or ecclesiastical collections before reaching . One theory posits exile or hiding in Byzantine monasteries during the iconoclastic periods of the 8th and 9th centuries to protect it from destruction, though this remains speculative without documentary evidence. The provenance features significant gaps, with no records documenting the codex's location or ownership from the until the , leading to hypotheses of preservation in Eastern monastic libraries. Its first certain attestation occurs in the Vatican Library's earliest catalog of 1475, compiled under (r. 1447–1455), who founded the library in 1448 and amassed manuscripts, including this one described as a three-column . By this point, the codex had likely arrived in , possibly via Byzantine émigrés or earlier papal acquisitions, marking the end of its pre-Vatican itinerary.

Custody and Scholarship

Acquisition by Vatican Library

The Codex Vaticanus entered the collections of the , formally established by in 1448, sometime before its first documented appearance in the library's catalog of 1475, though its exact acquisition date remains uncertain and may predate that record. By 1481, it was definitively cataloged as part of the library's holdings, reflecting its integration into one of the world's premier repositories of ancient manuscripts. As a key element of the Biblioteca Apostolica Vaticana's ancient collection, the codex has been preserved alongside other significant Greco-Roman and biblical artifacts, underscoring the institution's role in safeguarding early Christian texts. For centuries, access to the manuscript was severely restricted, with the permitting study only to a select few privileged individuals until the , often limiting examinations to indirect collations rather than direct handling. This policy contributed to its enigmatic status among scholars, who relied on partial reports rather than full inspection. In , during the Napoleonic occupation of , the codex was removed to as a of but was repatriated to the in 1815 following Napoleon's defeat at . The mid-19th century marked a turning point in access policies, as the granted limited permission in 1845 to English biblical scholar Prideaux Tregelles to collate the manuscript in under strict supervision, including searches for writing materials to prevent unauthorized copying. This rare allowance fueled international scholarly interest, highlighting the codex's growing recognition as a vital witness to the Greek and prompting further diplomatic efforts for broader examination.

Collations and Textual Editions

One of the earliest significant collations of Codex Vaticanus was undertaken in the early by Apostolo Mico on behalf of the scholar , completed around 1720 and later revised by Michele Rulotta, though it remained imperfect and was not published until 1799. Full collations followed in the mid-19th century, with producing a detailed examination during his limited access in the 1840s, culminating in his 1867 edition Testamentum Vaticanum. Samuel Prideaux Tregelles also conducted a in the 1850s, relying partly on prior copies due to restricted Vatican permissions but verifying readings through direct inspection where possible. Among key textual editions drawing heavily from Codex Vaticanus, Henry Barclay Swete's The Old Testament in Greek according to the Text of Codex Vaticanus (1887–1894) established the manuscript as the primary base text for the , supplemented by other uncials like when Vaticanus was deficient. For the New Testament, Augustinus Merk's Novum Testamentum Graece et Latine (1933) featured Vaticanus readings prominently alongside a Vulgate parallel, reflecting its influence in Catholic textual scholarship. and Fenton John Anthony Hort's 1881 critical edition prioritized Vaticanus and over later witnesses, shaping subsequent reconstructions by dismissing Byzantine influences. Modern critical texts continue this tradition: the Nestle-Aland 28th edition (NA28, 2012) and United Bible Societies' New Testament 5th edition (UBS5, 2014) incorporate Vaticanus variants in their apparatuses and adopt its readings in the main text where supported by early evidence, particularly in the revised via the Editio Critica Maior. Recent developments have enhanced accessibility and analysis of Codex Vaticanus. In 1999, the Vatican Library issued a limited-edition, full-color photographic facsimile reproducing the entire manuscript at exact scale, facilitating global scholarly study without physical handling. The DigiVatLib project digitized the codex in 2014–2015, launching high-resolution images online by February 2015 for open virtual access. Methodologically, post-20th-century research has employed ultraviolet imaging to reveal obscured corrections and features, such as the distigmai (double dots marking variants), confirming their 16th-century addition and aiding precise identification of scribal interventions. In 2024, An-Ting Yi published From Erasmus to Maius: The History of Codex Vaticanus in New Testament Textual Scholarship, providing a comprehensive historical analysis of the manuscript's role and perception in textual criticism from the 16th to 19th centuries.

Scholarly Importance

Role in Textual Criticism

The Codex Vaticanus holds a foundational position in biblical as one of the four great uncial manuscripts, alongside , , and , due to its early fourth-century date and representation of the . These uncials provided scholars with access to pre-Byzantine textual traditions, enabling more accurate reconstructions of the original and texts. In the nineteenth century, and Fenton John Anthony Hort elevated Codex Vaticanus as a primary exemplar of their "neutral text," a relatively unaltered Alexandrian tradition that they posited as the closest approximation to the autographs, free from later Western or Syrian revisions. This assessment supported the eclectic method in , where readings are selected based on internal and external evidence rather than adherence to a single family, with Vaticanus often serving as a for evaluating variant . Additionally, its marginal distigmai—paired dots marking over 700 locations—have contributed to by highlighting discrepancies between the and Hebrew texts, potentially echoing Origen's Hexaplaric notations for textual alignment. Debates persist regarding the codex's textual "purity," particularly in comparison to , with which it agrees in about 70% of readings but diverges in over 3,000 instances in the Gospels alone, raising questions about scribal interventions or distinct transmission streams within the Alexandrian type. Critics like Herman C. Hoskier challenged Westcott and Hort's heavy reliance on Vaticanus, arguing its unique readings sometimes reflect corruptions rather than superior fidelity. Nonetheless, Vaticanus has profoundly influenced the rejection of Byzantine majority readings, as Westcott-Hort's methodology dismissed the Syrian text as a secondary , prioritizing Alexandrian witnesses to excise perceived expansions and harmonizations. Codex Vaticanus is frequently cited in modern critical apparatuses, such as those in the Nestle-Aland and United Bible Societies editions, underscoring its enduring role in establishing scholarly consensus on the Greek . For instance, its omission of the longer ending of (16:9-20) exemplifies a key variant where it aligns with early papyri against the Byzantine majority.

Influence on Modern Bibles

The Codex Vaticanus has profoundly shaped the textual basis of modern through its prominent role in critical editions of the Greek . Westcott and Hort's 1881 edition, The New Testament in the Original Greek, relied extensively on Vaticanus as a primary , favoring its readings to reconstruct what they viewed as the , early text type, which in turn influenced the of the same year. This approach carried forward into subsequent critical texts, such as Nestle-Aland and the United Bible Societies' Greek , which prioritize Vaticanus alongside , forming the foundation for translations like the (NIV), (ESV), and (NRSV). A notable example of its influence is the omission or of the longer ending of (16:9–20) in these modern versions, as Vaticanus abruptly concludes at 16:8, leaving a blank column that scholars interpret as intentional exclusion of the later addition. This decision reflects Vaticanus's authority in , leading translation committees to adopt shorter readings for passages deemed non-original, thereby promoting a more streamlined text in contemporary editions. The codex's significance extends to ecumenical efforts, bridging Catholic and Protestant traditions by serving as a key source in both. In the , the (1979), promulgated by as the official Latin Bible, incorporates modern of the original Greek and Hebrew sources, drawing indirectly on Vaticanus through critical editions like the . This shared reliance on early uncials like Vaticanus fosters unity, as Protestant translations such as the NIV and ESV also utilize these same Greek bases, enabling cross-denominational alignment in renderings of contested passages. In the digital era, digitized facsimiles of Vaticanus have enhanced accessibility for scholars and translators via Bible software platforms. The Center for the Study of New Testament Manuscripts provides high-resolution images of the codex online, allowing direct consultation of its readings. Similarly, Logos Bible Software integrates Vaticanus-based texts and translations, such as the Old Testament in Greek according to its readings, while Accordance offers manuscript images for comparative study, facilitating real-time variant analysis in translation workflows. The has adopted and for digitizing its collections of ancient manuscripts as of 2025, enhancing preservation and accessibility for artifacts like the already-digitized Codex Vaticanus. These tools aid in broader biblical scholarship, informing revisions in editions like the NRSV Updated Edition and ensuring translations reflect the latest paleographic insights.

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