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Rip

Rip Van Winkle is the eponymous protagonist of Washington Irving's 1819 short story, a Dutch- villager in pre-Revolutionary colonial who embodies indolence and geniality amid domestic strife. While hiking in the to escape his shrewish wife, Rip encounters enigmatic figures playing ninepins, drinks their liquor, and falls into a profound sleep lasting twenty years, awakening to a radically altered reality: the colonies have become the independent , George III's portrait replaced by George Washington's, his wife deceased, and his son matured into adulthood. Adapted from , the narrative causally links Rip's protracted slumber to the transformative effects of political upheaval and time's inexorable passage, establishing it as a foundational literary that critiques while celebrating .

Etymology and Linguistic Origins

Historical Development of the Term

The verb rip, meaning to tear or pull apart forcibly, first appears in English during the period, with attestations dating to before 1400, as in Lanfranc's Science of Cirurgie, where it describes lacerating or separating or . Its roots trace to Proto-Germanic *rupjaną, denoting "to tear, pull, or strip off," shared with cognates in ryppa ("to tear, break"), Danish rive ("to tear"), and reppen or rippen ("to pull, jerk"), indicating a common Germanic origin focused on violent separation or plucking. By the late , rip had solidified in English usage for slashing or splitting materials like cloth or wood along the grain, evolving from earlier connotations of plundering or stripping in contexts, though direct Old English evidence is sparse and debated. The noun form, denoting a tear or , emerged shortly thereafter as a , appearing in texts by the early to describe the result of such action, such as a in or flesh. This core expanded modestly in the 17th and 18th centuries; for instance, by 1772, extended rip to "utter strong language" or "rave outrageously," reflecting intensified emotional or verbal outburst akin to tearing forth. In the 18th century, nautical applications developed, with rip applied to turbulent water or a "rip" of waves by 1765, likely analogizing the verb's violent motion to sea conditions, though this usage remained specialized until broader adoption in the 19th century. Slang senses proliferated in the 19th century, including "move with slashing force" (1798) and informal phrases like "let rip" for unrestrained action by the mid-1800s, drawing from the verb's dynamic imagery but without altering its primary etymological base. These developments occurred amid stable phonetic and morphological consistency, with no major shifts from external linguistic influences, underscoring rip's organic evolution within English from a utility-focused term to multifaceted colloquialism.

Primary Meanings as Verb and Noun

As a , "" primarily denotes the action of tearing or cutting something apart roughly or violently, often applied to materials like cloth, , or . This usage encompasses both transitive forms, where an object is ripped (e.g., "to rip a seam"), and intransitive forms, where something tears spontaneously (e.g., "the fabric ripped under strain"). The term implies a jagged or irregular separation, distinguishing it from cleaner cuts like those produced by . First attested in late , this core sense derives from actions involving forceful pulling or stripping, as in ripping apart or hides in historical contexts such as or butchery. Extended but related verbal usages include moving at high speed with a rushing sound, as in "the car ripped down the highway," evoking the sound or violence of tearing air; this sense emerged in the 19th century from onomatopoeic associations. Another common extension is informal criticism or verbal attack, as in "to rip into a policy," where the metaphor of tearing apart flaws conveys dismantling through harsh scrutiny; this figurative application gained traction in 20th-century American English, particularly in journalism and sports commentary. In technical contexts like computing, "rip" refers to extracting data from media (e.g., ripping audio from a CD), a usage popularized in the 1990s with digital tools but rooted in the idea of pulling content apart from its source format. As a noun, "" chiefly refers to the result of such tearing: a long, jagged tear or split in a , such as "a in the fabric." This denotes the physical itself, often irregular and requiring repair, and dates to the early as a of the . Informally, it can signify the act of , as in "the of the ," emphasizing the dynamic event over the static outcome. In nautical or hydraulic contexts, a "" describes turbulent from conflicting currents forming short, breaking , but this specialized sense stems from the verb's implication of violent disruption and is distinct from the primary material-tearing meaning. Usage data from corpora like the shows the tearing-related senses comprising over 80% of instances in general English texts as of 2020.

Abbreviations and Acronyms

Rest in Peace (R.I.P.)

R.I.P. is the abbreviation for the Latin phrase requiescat in pace, meaning "may he (or she) rest in peace," a subjunctive form expressing a wish for the deceased's eternal repose. This phrase functions as a prayer in Christian liturgical contexts, particularly Catholic Masses for the dead, such as the Requiem, invoking peace for the soul of the faithful departed. Its origins trace to early Christian practices in Rome, where it appeared in epitaphs and prayers, reflecting theological hopes rooted in biblical themes of rest after death, though not directly quoted from Scripture. Historically, R.I.P. inscriptions emerged on tombstones by the among , gaining ubiquity on Catholic graves in the as a for the full . The symbolized communal for the dead's peaceful transition to the , aligning with doctrines of and final judgment in Catholic teaching. Over time, it extended beyond to secular memorials, obituaries, and public condolences, retaining its core connotation of wishing undisturbed rest post-mortem despite cultural shifts away from religious exclusivity. In contemporary usage, "rest in peace" or R.I.P. appears in diverse settings, from gravestones to tributes, often stripped of explicit Christian intent yet evoking similar sentiments of finality and solace. Critics from evangelical perspectives argue its liturgical origins imply assumptions about the deceased's , advising caution in non-biblical applications, while its empirical persistence underscores cultural embedding in Western funeral rites.

Other Acronymic Uses

In computer networking, RIP refers to the , a distance-vector that enables routers to exchange information to maintain optimal paths within small to medium-sized networks. Originally implemented in the routed daemon for Unix systems, it was formalized in RFC 1058, published on June 1, 1988, by Charles Hedrick, which specifies its use of the hop count as a , with a maximum of 15 hops to prevent loops. The protocol broadcasts its full routing table every 30 seconds via port 520, making it simple but limited for larger topologies due to slow convergence and susceptibility to count-to-infinity problems. In digital printing and graphics, RIP denotes , a system component—either software or hardware—that rasterizes vector-based page descriptions, such as those in PDF or formats, into high-resolution bitmaps optimized for output devices like inkjet or printers. This process involves interpreting code, handling , screening, and to ensure accurate reproduction, particularly essential for wide-format and commercial where file complexity demands efficient halftoning and banding prevention. Developed alongside early in the 1980s, modern RIPs integrate with RIP-Once-RIP-Many workflows to streamline . Less commonly in , RIP stands for Resin-Impregnated Paper, a composite used in high-pressure laminates for surfaces like countertops, where paper is saturated with or resins and cured under heat and pressure for durability and moisture resistance; this application dates to the mid-20th century in the production of and similar products. In contexts, it can mean in Place, a tactical where one unit replaces another in a position while maintaining operational continuity, as outlined in U.S. Army field manuals.

Natural and Scientific Phenomena

Rip Currents: Formation and Characteristics

Rip currents are narrow, concentrated flows of water directed seaward from the shoreline, extending through the and sometimes beyond. They arise from the fundamental dynamics of nearshore circulation, where incoming continuously transport water toward the , leading to a temporary accumulation or "pile-up" of water along the shore. This excess volume must return offshore to maintain , channeling through paths of least resistance, such as gaps between sandbars, deeper bathymetric channels, or areas of reduced wave breaking intensity. The formation process is driven by spatial variations in wave energy and breaking patterns along the . In regions of more uniform wave breaking, longshore currents develop due to oblique wave approach, but where decreases—often due to offshore like sandbars—feeder currents converge toward these low-energy zones, accelerating into a focused "rip neck" of offshore flow. This hydrodynamic instability can be transient, persisting for minutes to hours, or persistent if tied to fixed ; empirical observations confirm that rip generation intensifies with increasing and angle, as measured in field studies where rips emerged under wave conditions of 1-2 meters height. Unlike vertical downdrafts, rips are horizontal surface phenomena, with flow speeds governed by wave-driven setup and frictional dissipation in the . Key characteristics include widths typically ranging from 5 to 30 meters, though they can exceed 50 meters in mega-rips during storms; depths align with the , often 1-3 meters but up to 10 meters in stronger setups. Flow velocities average 0.5-1 meter per second (1.6-3.3 feet per second), comparable to or exceeding the sustained speed of recreational swimmers (around 0.5 m/s), with measured peaks reaching 2.5 meters per second (8 feet per second) in high-energy conditions. Visually, rips may appear as calmer, discolored water (from or ) or choppy patches amid breaking , but they lack the hazardous undertow misconception, instead posing risk through rapid seaward rather than submersion. These features are prevalent on sandy beaches worldwide, with occurrence rates documented at 50-100% of surf days in monitored Australian and U.S. sites.

Rip Currents: Safety, Myths, and Empirical Data

Rip currents account for over 100 drowning deaths annually in the United States, with lifeguards performing tens of thousands of rescues each year, making them the leading surf hazard at recreational beaches. Globally, they contribute to hundreds of fatalities and thousands of incidents, often exacerbated by underestimation of their strength, which can exceed 8 feet per second—faster than an Olympic swimmer. Empirical analyses of U.S. beach data from 1991 to 2021 indicate 2,747 unguarded drowning deaths linked to rip currents, compared to 559 at guarded beaches, underscoring the protective role of lifeguard presence and signage. Safety protocols emphasize prevention through visual identification: rip currents often manifest as narrow bands of choppy, discolored water or foam/debris flowing seaward, contrasting with surrounding breaking waves. Swimmers should avoid unpatrolled areas, heed beach flags (red indicating high hazard), and consult forecasts from agencies like NOAA, which correlate rip risk with and . If caught, evidence from hydrodynamic modeling and rescue records supports swimming parallel to the shore to exit the current's narrow feeder channel rather than fighting seaward flow, as direct opposition leads to fatigue and 90% of drownings occur from exhaustion. Alternative strategies, such as floating or until the current dissipates—typically within minutes due to its circulatory nature—have shown efficacy in simulations where parallel swimming proves energy-intensive for weaker swimmers. Signaling for help by waving arms increases success, with studies confirming that panic amplifies risk through and poor decision-making. Common myths persist despite , hindering awareness; only 44% of U.S. adults recognize rip currents as the primary drowning cause. One misconception is that rip currents "suck" victims underwater like an undertow; in reality, they transport swimmers horizontally at surface level, with submersion resulting from wave action or exhaustion, not downdraft. Another is that they carry people endlessly to ; most are confined to nearshore zones, recirculating within lines before weakening, as validated by observations and dye-tracing experiments. The erroneous advice to swim directly against the current fails empirically, as velocities often surpass human capability, whereas parallel escape aligns with current morphology. Forming human chains to rescue others compounds danger, pulling additional victims into the flow, per incident reviews. These fallacies, rooted in anecdotal reports rather than bathymetric and , underscore the need for over intuitive responses.

Geographical Locations

Rivers and Waterways

The Rip is a narrow approximately 3.5 kilometers wide, forming the primary entrance from into Bay in southern , , situated between Point Lonsdale and Point Nepean. This channel serves as the sole access route for shipping to the ports of and , with more than 4,000 commercial vessels navigating it annually. Its name derives from the hazardous rips and currents generated by the interaction of incoming and outgoing through the constricted passage, which can produce turbulent conditions and require careful timing for safe transit by mariners and recreational boaters. The waterway's dynamic hydrology stems from Bay's large tidal prism, where water volumes exceeding 1 billion cubic meters exchange daily, amplifying flow velocities within and adjacent Rip Bank, a shallow rocky feature extending from the heads. Navigation aids, including and traffic separation schemes, mitigate risks, yet incidents involving groundings or collisions underscore the area's challenges, prompting safety campaigns for fishers and vessels to avoid peak currents and large ship movements.

Settlements and Landmarks

Mount Říp, located in the of the , stands at 461 meters and serves as a significant cultural and historical landmark, regarded in national mythology as the site where the legendary forefather Čech first settled with the around the 6th century. The hill features a Romanesque rotunda dedicated to , originally constructed in the 10th century and rebuilt in the 17th century after destruction during the , with its architecture including compound windows and a portal that reflect medieval styles. Rising prominently above the surrounding flatlands, it attracts hikers via marked trails and offers panoramic views, symbolizing the origins of Czech statehood despite lacking archaeological evidence for the ancient settlement legend. The denotes the hazardous narrow channel connecting to Bay in , , characterized by turbulent flows reaching speeds of up to 10 knots due to the constriction between Point Lonsdale and Queenscliff, which amplifies currents and has historically caused numerous shipwrecks and drownings. Navigational aids, including lighthouses at both points established in the , mitigate risks for vessels entering Melbourne's port, the bay's primary access; the area's strong rips and eddies stem from the 65-kilometer-wide bay funneling into a 3.5-kilometer-wide passage. Annual events like the Rip Swim challenge endurance swimmers under controlled conditions, underscoring its notoriety while emphasizing safety protocols informed by hydrodynamic studies. Smaller localities named Rip exist as minor settlements or hamlets. In , Ríp functions as a rural farmstead and church site in the Skagafjörður municipality of the , deriving its name from terms for cliff or ridge, with historical records of registers dating to 1785. In Vanuatu's , Rip appears as a remote populated place approximately 62 kilometers from , situated amid tropical terrain with limited infrastructure details available in geographic databases. These obscure sites lack major urban development or documented landmarks beyond their nominal presence in national place-name inventories.

Notable People

Historical and Political Figures

Rip Van Dam (c. 1660–1749) served as the acting governor of the from 1731 to 1732, following the death of Governor John Montgomerie. A prominent Dutch-American in , Van Dam had accumulated significant wealth through trade and held various colonial offices, including treasurer and commissioner of customs, prior to his interim governorship. His tenure was marked by intense political conflict with British-appointed Governor William Cosby, who upon arrival in 1732 demanded half of Van Dam's gubernatorial salary—amounting to approximately £2,400—leading to a landmark legal dispute that tested colonial rights against royal authority. The case, Cosby v. Van Dam, was adjudicated in New York's , where Lewis ruled in Van Dam's favor, affirming that royal instructions did not override colonial charters or assemblies; this decision contributed to escalating tensions that influenced the later Zenger trial and broader Anglo-American constitutional debates. Van Dam's resistance exemplified early colonial pushback against imperial overreach, as he refused to yield the salary and leveraged his popularity among merchants and members to challenge Cosby's arbitrary governance. Born into a family of early settlers, Van Dam represented the entrenched mercantile elite wary of London-appointed officials undermining local ; his ouster by Cosby in 1732, via royal warrant, prompted Morris's removal and the formation of the opposition Popular Party, foreshadowing revolutionary sentiments. Historical accounts note Van Dam's role in fostering networks that supported figures like in defending press freedoms, underscoring his indirect influence on American legal precedents for individual rights against executive . William Alexander "Rip" Robertson (1920–1970), a United States Marine Corps veteran and Central Intelligence Agency paramilitary officer, played a key operational role in Cold War covert actions, notably commanding ground elements during the Bay of Pigs Invasion on April 17, 1961. Robertson, who enlisted in the Marines in 1938 and served in World War II, transitioned to CIA service by the early 1950s, specializing in unconventional warfare and anti-communist operations in Latin America. At Blue Beach during the invasion, he coordinated with Cuban exile Brigade 2506 forces aboard vessels like the Barbara J, directing assaults against Fidel Castro's militia despite lacking formal air support after U.S. President John F. Kennedy withheld promised strikes; Robertson's radio communications urgently requested reinforcements, as documented in declassified chronologies, highlighting the operation's tactical disarray that led to the brigade's defeat by April 19. Post-invasion, Robertson continued CIA assignments, including advising Nicaraguan President Anastasio Somoza and participating in operations from 1964 to 1966 alongside mercenaries like Mike Hoare, focusing on against Lumumbist rebels. His career reflected the agency's reliance on rugged, field-experienced operatives for deniable missions, though incidents like the erroneous bombing of a ship—mistaken for Soviet—drew internal scrutiny and briefly marginalized him. Robertson died in 1970 from complications related to and war injuries, emblematic of the personal toll on CIA paramilitaries amid politically fraught interventions that prioritized anti-communist objectives over strategic oversight. Declassified CIA Inspector General reports portray him as a "special breed" of operative, valued for but emblematic of the agency's operational clashing with policy constraints.

Entertainers and Athletes

Elmore Rual "Rip" Torn Jr. (February 6, 1931 – July 9, 2019) was an American actor recognized for his intense performances across film, television, and stage over six decades. Born in Temple, Texas, Torn earned an Academy Award nomination for Best Supporting Actor for his role in Cross Creek (1983) and appeared in notable films including Men in Black (1997) and The Man Who Fell to Earth (1976). His television work included Emmy-winning portrayals, such as Artie on The Larry Sanders Show. Charles Elmer "Rip" Taylor Jr. (January 13, 1931 – October 6, 2019) was an American comedian and actor famed for his extravagant style, frequent confetti tossing, and appearances on game shows like . Born in , Taylor served in the U.S. Army during the , entertaining troops in combat zones before breaking into nightclub comedy in the . He hosted [The 1.98 Beauty Show](/page/The_1.98_Beauty_Show) (1979–1980) and guested on programs including . Richard "Rip" Hamilton (born February 14, 1978) is a retired professional player who spent 14 NBA seasons primarily as a shooting guard, averaging 17.1 points, 3.1 rebounds, and 3.4 assists per game. A alumnus, Hamilton won the 1999 NCAA championship and was named tournament MVP before being drafted seventh overall by the in 1999. He secured an NBA title with the in 2004 and earned three selections (2006–2008). Truett Banks "Rip" Sewell (May 11, 1907 – September 3, 1989) was an American pitcher who played 13 seasons, mostly with the from 1938 to 1949, compiling a 143–97 record with a 3.48 over 2,166 innings. Known for inventing the "eephus" pitch—a high-arcing, slow lob—he famously used it against in the 1946 , though Williams homered off it. Sewell debuted with the Detroit Tigers in 1932 after brief stints at .

Arts, Entertainment, and Media

Fictional Characters

Rip Van Winkle is the protagonist of Washington Irving's 1819 "," depicted as a kind-hearted but indolent villager in a pre-Revolutionary settlement in the who assists neighbors but avoids farm work due to his domineering wife. After encountering mysterious figures and drinking their liquor, he sleeps for twenty years, awakening to a transformed post-Independence with his son grown and the local tavern replaced by a polling place. The character embodies themes of escapism and resistance to change, drawing from and Irving's observations of American society. Rip Kirby, created by artist and writer , debuted in a 1946 newspaper comic strip as Remington "Rip" Kirby, a veteran turned private detective known for his pipe-smoking, intellectual demeanor and adventures involving and crime-solving. The strip, which ran until 1999, emphasized realistic and aesthetics, with Raymond's detailed art influencing styles until his 1956 death, after which John Prentice continued the illustrations. Kirby's cases often featured international intrigue and personal relationships, including with his assistant and love interest, establishing him as a sophisticated alternative to detectives. Rip Hunter, introduced in DC Comics' Showcase #20 in 1959 by writer Jack Miller and artist Ruben Moreira, is a time-traveling adventurer from the 25th century who uses a Time Sphere to safeguard history from threats like time pirates and anomalies. As a guardian of the timestream, Hunter collaborates with historical figures and modern heroes, appearing in titles like Rip Hunter...Time Master and later integrated into the , including as Booster Gold's son in some continuities. His narratives explore paradoxes and ethical dilemmas of temporal intervention, with portrayals in the television series expanding his role as a flawed leader of misfit teams combating multiversal crises.

Literature and Folklore

"Rip Van Winkle" is a authored by , first published in 1819 as part of his collection The Sketch Book of Geoffrey Crayon, Gent.. The narrative centers on , a good-natured but indolent Dutch-American villager residing in a village during the late colonial era. Dissatisfied with his domineering wife, Rip wanders into the mountains with his dog to escape chores, encounters a group of mysterious, archaic Dutch figures playing ninepins, and drinks their liquor, falling into a deep sleep that lasts 20 years, spanning the . Upon awakening, he returns to find his world transformed: his wife deceased, his son grown and bearing his name, the village under American governance with George III's portrait replaced by George Washington's, and his former idle companions replaced by quarrelsome patriots. The story is framed as a discovered by the fictional historian , lending it an air of oral authenticity, though Irving crafted it during his time in amid financial struggles, drawing inspiration from European motifs rather than authentic American oral traditions. It adapts elements from , such as the tale of Peter Klaus (or Frederick of the ), a who sleeps for decades after encountering spectral figures, a pattern Irving encountered in sources like the Volksmärchen der Deutschen by Johann Karl August Musäus. This motif of prolonged slumber symbolizing historical rupture—here, the shift from monarchical loyalty to republican independence—distinguishes Irving's version as an early American literary invention masquerading as legend, influencing perceptions of without direct ties to pre-existing or settler . In cultural memory, Rip Van Winkle has endured as a folkloric embodying themes of , , and disorientation amid societal change, frequently retold in oral and printed forms despite its literary origins. The character's name and predicament entered usage to describe anyone emerging unaware from prolonged , as evidenced in 19th-century periodicals and later adaptations, though claims of Rip as a "real personage" from Van Winkle family lore lack verifiable historical evidence and stem from Irving's embellishments. No other prominent figures named "Rip" feature significantly in traditional , with the term occasionally appearing as a in minor literary contexts but without comparable mythic .

Music and Albums

"R.I.P." is the debut studio album by the thrash metal band , released on June 1, 1987, by . The album features eight tracks, including "Reborn Through Hate" and "Nosferatu," and marks the band's initial foray into progressive thrash elements, recorded at Musiclab Studios in with producer Harris Johns. "R.I.P." is a by American musician , originally released in cassette format in 1984 by Records. It collects fourteen tracks from Hell's solo work and collaborations, such as "Love Comes in Spurts" and "Betrayal Takes Two," spanning his career with the Voidoids and earlier projects, later reissued on CD in 1990. "R.I.P. #1" is a 2016 mixtape album by American rapper of , consisting of 15 tracks featuring collaborations with artists like and Childish Gambino. Released via Infamous Records, it showcases Prodigy's lyrical style over gritty production, serving as a posthumous-style collection despite his death in 2017. Notable songs titled "Rip" or "R.I.P." include "The Rip" by English trip-hop band Portishead, released as the second single from their 2008 album Third on June 9. The track features ' vocals over minimalist guitar and electronic elements, exploring themes of emotional release. "R.I.P." is a 2012 single by British singer Rita Ora featuring Tinie Tempah, released on May 6 as the second single from Ora's debut album Ora. Produced by StarGate and Chase & Status, the dubstep-influenced pop track peaked at number one on the UK Singles Chart, sampling "Pon de Floor" by Major Lazer. "Rip This Joint" is a rock song by the Rolling Stones, appearing as the second track on their 1972 double album Exile on Main St. Written by Mick Jagger and Keith Richards, it opens with a high-energy riff and lyrics depicting a frantic cross-country drive, recorded primarily at Richards' Villa Nellcôte in France.

Film, Television, and Recent Productions

The Rip is an upcoming American action written and directed by , with the story developed alongside Michael McGrale. Scheduled for release on January 16, 2026, it follows a team of narcotics officers whose interpersonal trust erodes after discovering millions in cash at an abandoned . The cast includes and as lead detectives, alongside Teyana Taylor, , , , and . The title originates from jargon for seizing assets from criminals, reflecting the plot's central moral dilemma. is a 2000 Disney Channel Original Movie directed by , centering on 13-year-old Sydney Miller (), who visits to claim an inherited sugar plantation and learns to amid family discoveries. Co-starring Kimberly Williams and , the film emphasizes themes of heritage, independence, and adolescent growth, with surfing sequences filmed on location. It received a 69% approval rating on based on 42 reviews, praised for positive female role models. R.I.P.D. (2013) is a supernatural action comedy directed by , adapted from the series by . portrays Nick Walker, a deceased police officer recruited into the Department—an afterlife agency—partnered with veteran Roy Pulsifer () to apprehend "deados," souls masquerading as humans to avoid judgment. The film grossed $78 million worldwide against a $130–170 million budget and holds a 13% score from 102 critics, often compared to for its premise but criticized for execution. A , R.I.P.D. 2: Rise of the Damned (2022), shifts to a 19th-century setting with and Penelope Cruz, released directly to digital platforms. In television, R.I.P. (2015) is a short-form digital horror series produced by CryptTV, created by Lorraine Nicholson and Lena Greene. It features real participants, primarily young women, responding creatively to prompts about worst fears or death scenarios, blending documentary-style interviews with horror elements. The series comprises multiple episodes available on platforms like YouTube, targeting interactive scares for online audiences. A separate Belgian series, RIP (1992), aired as a low-profile drama with 19 episodes, starring Marc Lauwrys, but lacks significant international documentation or ratings beyond 6.1/10 on IMDb from limited user reviews.

Transportation and Military

Ships and Vessels

The Cross Rip Lightship station, operational from 1828 in , , marked the perilous Cross Rip Shoal, a site prone to strong tidal rips. Multiple s served this duty, with early assignments including vessels designated "H" from 1828 to 1864. In 1866, one such lightship lost its moorings during a storm, drifting powerless for six weeks across until rescued mid-ocean by a passing steamer. The LV-6, built in 1855 of oak construction and 80 feet in length, met a tragic end in February 1918 when ice severed its chain, carrying it away to founder with the loss of all six crew members. This incident highlighted the vulnerabilities of lightships to environmental hazards in exposed positions. Vessels bearing the name include a Hudson River steamer constructed in New York in 1845 for the Schuylers of , measuring 640 tons burthen with a 54-inch diameter engine, and operating daily routes between New York and until its eventual decommissioning. A separate of the same name transported immigrants from , , to , , arriving on December 22, 1853. Contemporary examples feature the Rip Van Winkle II, a 300-passenger motor providing narrated sightseeing cruises from , since at least , passing lighthouses and historic estates. Lesser-known modern craft include the U.S.-flagged tug Capt. Rip (17 meters , 6 meters ) and the Canadian-flagged Let R Rip (17 meters , 8 meters ).

Other Vehicles or Codes

In U.S. , RIP denotes in Place, a tactical enabling operation whereby a committed unit or element is replaced by another in a specific , ensuring seamless transition of responsibilities. This process frequently incorporates Transfer of Authority (TOA), involving the handover of , logistical support, and intelligence to maintain operational continuity during rotations, as exemplified in joint Army-Air Force exercises in 2015. Military parachute systems employ a rip cord—a pull-activated that deploys the canopy—as a standardized component for personnel jumps. The U.S. Department of Defense specifies the rip cord under Military Standard MS70112B, designed for integration with personnel parachutes like the T-10 or tandem systems, featuring durable construction such as nylon-wrapped cables to withstand ejection forces up to 26 March 1973 specifications. The RIP Special represents a custom-built, four-wheeled by , blending pre-World War II aesthetics with modern components, including a Sigma 1.5-liter inline-four engine producing approximately 100 horsepower, , and exposed wheels for a raw driving experience debuted at the 2019 . Limited to a single example, it prioritizes lightweight handling over safety features, achieving top speeds around 80 on period-inspired .

Animals and Biology

Notable Animals

Rip, a mixed-breed found as a stray in , in 1940 by Air Raid Precautions warden David John Cheston, served as one of the first official dogs for the Service during . Between 1940 and 1941, Rip located over 100 victims buried under rubble from German air raids, alerting handlers to their positions despite the dangers of collapsing structures and ongoing bombings. For his bravery, he received the , often called the "animals' ," on July 20, 1945, from the ; the medal citation praised his role in saving lives amid wartime devastation. Rip continued service until his death from natural causes in 1946 at age approximately 6 years. Ol' Rip, a (Phrynosoma cornutum), gained fame through a local legend in , tied to the county courthouse cornerstone laid on January 1, 1890. According to the story, the lizard was placed alive inside the sealed cornerstone as a time capsule gimmick, allegedly surviving 31 years without food or air until the building's demolition in 1922, when it was found alive and released to public view. The animal, dubbed Ol' Rip, was housed in a glass cage in the new courthouse, toured regionally, and died on January 19, 1929, reportedly from a contracted during travel. Biologists note the improbability of such prolonged entombment, as horned lizards typically live 5–7 years in the wild and require regular sustenance, suggesting the lizard may have entered the hollow brick post-sealing or the tale was embellished for publicity; preserved specimens are displayed at the Eastland County Museum, fueling ongoing skepticism about the survival claim.

Biological or Zoological References

In , RIP commonly refers to RNA , a technique used to investigate interactions between proteins and RNA molecules . This method involves crosslinking cells or tissues, lysing them, and immunoprecipitating RNA-binding proteins with specific antibodies, followed by RNA isolation and analysis via techniques such as qRT-PCR or sequencing to identify associated transcripts. Developed as an extension of , RIP enables the study of RNA-protein complexes in their native cellular context, revealing regulatory mechanisms in processes like mRNA localization, , and . Variations include RIP-ChIP for high-throughput sequencing of protein-bound RNAs. Another biological usage of RIP denotes ribosome-inactivating proteins, a class of toxins primarily produced by , , and fungi that catalytically depurinate a specific residue in the sarcin/ loop of the 28S rRNA, halting protein synthesis by arresting elongation factor binding. Type 1 RIPs, such as pokeweed antiviral protein, consist of a single chain and exhibit , while Type 2 RIPs, like from communis, feature an A-B toxin structure where the B chain facilitates cell entry. These proteins contribute to plant defense against herbivores and pathogens but pose risks in and contexts due to their potency, with LD50 values as low as 1-10 μg/kg in mammals for certain Type 2 variants. In fungal genetics, RIP stands for repeat-induced point mutation, a premeiotic genome defense mechanism that detects and mutates duplicated DNA sequences, particularly transposons, by introducing C-to-T transitions, thereby reducing their activity and preventing proliferation. First identified in Neurospora crassa during the 1980s, RIP occurs genome-wide during ascospore formation, affecting sequences longer than ~400 bp with >80% identity, and can lead to A-to-T transversions in subsequent generations via RIP-defective mutations. This process incurs an evolutionary cost by mutating host genes with repeats but enhances fungal adaptability against selfish genetic elements. Tools like the RIPper software quantify RIP-induced mutations across fungal genomes, aiding comparative genomics. In ecological contexts relevant to , RIP refers to Relative Impact Potential, a metric assessing the ecological effects of invasive predators by multiplying their () by encounter rate proxies like prey density, providing a standardized measure of impact across and habitats. Applied to vertebrates such as and rats on islands, RIP values highlight high-impact invaders, informing priorities; for instance, exhibit RIP scores orders of magnitude higher than native predators in some systems. This approach integrates empirical feeding data with environmental variables, though it assumes steady-state conditions and may underestimate complex behaviors like prey switching.

References

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    The Project Gutenberg eBook of Rip Van Winkle, by Washington Irving
    Rip Van Winkle, however, was one of those happy mortals, of foolish, well-oiled dispositions, who take the world easy, eat white bread or brown, whichever can ...
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    Rip Van Winkle - Story of the Week
    Jun 22, 2019 · "Rip Van Winkle" is a story by Washington Irving, based on a German folk tale, set in the Catskills, and is considered a significant short ...<|separator|>
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    rip, v.¹ meanings, etymology and more | Oxford English Dictionary
    The earliest known use of the verb rip is in the Middle English period (1150—1500). OED's earliest evidence for rip is from before 1400, in Lanfranc's Science ...
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    Rip - Etymology, Origin & Meaning
    Rip originates from a Proto-Germanic root meaning "to tear," linked to Germanic and Scandinavian terms; it means to tear apart, rough water, or a worthless ...
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    RIP Definition & Meaning - Merriam-Webster
    1. a : to tear or split apart or open b : to saw or split (wood) with the grain 2. to slash or slit with or as if with a sharp blade 3. to hit sharplyRip-roaring · Rip-off · Rip apart · Let it rip
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