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Bow

A bow is a consisting of an launching device formed by flexible limbs or connected by a taut , designed to store and release to propel long-shafted known as arrows. This represents one of humanity's earliest innovations in projectile weaponry, enabling precise and powerful delivery from a distance. The bow and arrow system originated during the , with the earliest direct evidence of its use dating to approximately 64,000 years ago at in , , where stone-tipped points exhibit impact fractures and residues consistent with high-velocity arrow propulsion via bow. Initially developed for hunting small to medium game in diverse environments, the bow quickly became integral to human survival strategies, spreading across and by around 50,000 years ago and later to the around 10,000 years ago. By around 54,000 years ago, it had reached , as evidenced by microlithic points from Grotte Mandrin in , likely aiding early modern humans in competition with Neanderthals for resources. Throughout history, the bow evolved into various forms and served as a cornerstone of in numerous cultures, from composite bows in the and around 2000–1500 BCE—crafted from layered wood, horn, and sinew for greater power—to the medieval , which revolutionized warfare with its range of up to 200 meters and high . It remained a dominant battlefield weapon through the and into the , employed by armies in , , and the for massed volleys and skirmishing, until gradually supplanted by firearms in the 16th and 17th centuries due to superior penetration and ease of training. Today, bows persist in recreational , competitive sports, and limited applications, underscoring their enduring legacy as a pinnacle of pre-industrial .

Weaponry

Archery bow

An is a flexible, arc-shaped device designed to propel by storing in its limbs through applied to a bowstring, which is released to transfer that energy kinetically to the . This mechanism relies on deformation of the bow's to achieve , distinguishing it from rigid weapons. The primary components of an archery bow include the limbs, which are the upper and lower flexible arms that bend to store and release energy during the draw and shot; the riser, serving as the rigid central handle that connects the limbs and provides mounting points for accessories; the , a durable cord that spans the limbs and attaches the ; the nocking point, a marked position on the where the 's nock is clipped for consistent ; and the , a small ledge or device on the riser that supports the during aiming and release to prevent contact with the bow. These elements work in concert to ensure stability, accuracy, and efficient energy transfer, with modern designs often incorporating adjustable features for customization. Archery bows are categorized into several types based on design and performance characteristics. The longbow features a simple, straight or D-shaped profile with limbs of equal length extending from a central grip, offering straightforward construction and traditional aesthetics but limited power storage compared to curved designs. The recurve bow has limbs that curve away from the archer at the tips when unstrung, allowing greater energy storage and arrow speed due to the reflexed shape, making it compact and suitable for various shooting environments. The compound bow employs a system of cams or pulleys at the limb tips connected by cables and strings, which provide a mechanical advantage known as let-off—reducing the holding weight at full draw by 65-80% to enable easier aiming without sacrificing stored energy. Materials for archery bows have evolved significantly to enhance durability, power, and lightness. Traditional constructions used wood such as or for the core, often laminated with animal on the belly and sinew on the back to create composite structures that resisted breaking under tension. Modern bows incorporate synthetic materials like for limb flexibility and , carbon fiber for high strength-to-weight ratios in risers and limbs, and aluminum or magnesium alloys for rigid, frames that support accessories and withstand repeated use. These advancements, particularly in compound bows patented in the , allow for greater efficiency and customization while maintaining the bow's fundamental elastic properties. The physics of an bow centers on the conversion of muscular effort into . Draw , measured in pounds of required to pull the string to full draw (typically 20-70 pounds), determines the stored, with higher weights yielding greater power at the expense of ease of use. Draw , the distance from the bow's rest to the archer's nocking point at full draw (usually 26-32 inches), influences both the applied and the total input, as longer draws allow more limb deflection. For modern compound bows, speeds typically from 250 to 350 feet per second, results from this release and varies inversely with ; it can be approximated by adjusting baseline speeds for draw and factors. The imparted to the , crucial for penetration and , is calculated as KE = \frac{1}{2} m v^2 where m is the arrow's mass (in slugs or adjusted grains) and v is its velocity in feet per second, typically yielding 40-80 foot-pounds for hunting setups to ensure ethical kills. In contemporary applications, archery bows are employed in target archery, where competitors shoot at fixed circular targets from standardized distances up to 70 meters using recurve or compound bows under World Archery rules emphasizing equipment consistency and scoring precision. Field archery simulates natural terrain by placing targets at varying distances (5-60 meters) and angles across a course, promoting adaptability with bows like recurves or compounds on yellow-and-black faces. Bowhunting utilizes these bows for ethical game harvest, subject to regulations that treat them akin to firearms in some jurisdictions, requiring safety checks like clear backstops, no dry-firing, proper storage in cases, and avoidance of alcohol; local laws often mandate minimum draw weights (e.g., 40 pounds) and broadhead specifications for humane kills.

Historical development

The bow as a weapon originated in the era, with the earliest evidence of bow-and-arrow technology dating to approximately 64,000 years ago in , , at , where stone-tipped arrowheads indicate use by early modern humans. This innovation likely spread through human migrations, accompanying Homo sapiens as they dispersed from into around 60,000–50,000 years ago, enabling more efficient at a distance compared to spears. In ancient civilizations, self-bows—simple wooden bows carved from a single stave—emerged prominently in by around 3000 BCE, constructed from materials like or imported woods and used in hunting and warfare, as depicted in reliefs and evidenced by preserved artifacts. Concurrently, composite bows appeared in and among nomads by the late BCE, laminating wood with animal horn on the belly and sinew on the back for greater power and compactness, revolutionizing in the Near East and steppes. Key innovations included the Asiatic composite , optimized for horseback archery and adopted by the in the 4th–5th centuries CE and the from the 13th century, featuring pronounced curves for stored energy and ease of use by mounted warriors, which facilitated rapid conquests across . In medieval , the , a tall self-bow of wood typically 6 to 7 feet (1.8 to 2.1 m) in length, proved decisive in battles like in 1415, where English archers' massed volleys decimated French knights despite numerical inferiority. The bow's dominance in warfare waned in the 16th–17th centuries as firearms, such as muskets, offered superior range and penetrating power with less training required, leading to its phased replacement in European and Asian armies. A revival occurred in the as a , spearheaded by Horace Ford, an English archer who won consecutive national championships from 1849 to 1857 and authored influential texts promoting , transforming it into a gentlemanly pursuit. The bow held profound cultural significance, symbolizing divine prowess in through Apollo, the archer god whose silver bow inflicted plagues and protected oracles, as recounted in Homeric epics. In indigenous practices, Native American tribes like the and crafted self-bows from osage orange or for hunting and warfare, embedding them in rituals and as emblems of and . The evolution of bow types reflects technological progression: from Paleolithic self-bows of flexible wood, to Bronze Age recurved composites for enhanced draw weight, culminating in 20th-century compound bows with pulleys for mechanical advantage, though the latter ties briefly to modern material advancements in recreational archery.

Music

Instrument bow

The instrument bow is a taut, flexible rod equipped with rosined horsehair stretched between a stick and a frog, used to produce sound on stringed instruments by creating friction that causes the strings to vibrate. This friction-based mechanism allows for nuanced control over tone, volume, and articulation, distinguishing it from plucking or striking methods. The bow's development traces back to 11th-century , where early curved bows resembling hunting bows were used with the (or vielle), a medieval . By the , as the emerged, bow design evolved toward greater strength and elasticity to match the instruments' increased tension; French bowmaker François Tourte (1747–1835) perfected the modern form around 1780–1800, introducing a concave curve, standardized dimensions, and optimal balance for expressive playing. This design, still in use today, marked a shift from the transitional bows of the era. Key components include the stick, typically made from pernambuco wood (Caesalpinia echinata) for its resilience and elasticity, though the species is now and subject to strict export regulations as of 2025, with proposing a CITES Appendix I listing that could further limit availability; alternatives like brazilwood or carbon fiber are increasingly used. The hair, usually from Siberian horse tails for its strength and grip, is clamped at the frog (often or synthetic ) and the tip, then tensioned via a screw mechanism. , a applied to the hair, provides the essential stickiness for ; without it, the bow would glide silently over the strings. Bows vary by instrument: a standard violin bow measures about 70–75 cm in length and weighs approximately 60 g, enabling agile strokes, while a cello bow is slightly shorter (around 70–73 cm) but heavier (77–84 g) to accommodate the larger strings and lower tension. Modern innovations include carbon fiber bows, which offer durability, consistent weight, and resistance to humidity changes without sacrificing playability. Playing techniques rely on manipulating bow pressure, speed, and to shape ; for instance, increased pressure yields a fuller, louder , while faster bow speed produces brighter . Common strokes include détaché, a smooth but separate stroke for even notes; , slurring multiple notes in one continuous motion for fluidity; and , a controlled off the string for effect. Maintenance is crucial for optimal performance; the hair should be rehaired every 3–6 months for regular players to prevent stretching or dirt buildup, which diminishes grip. Rosin types include light (harder, for and viola, offering clarity) and dark (softer, for , providing warmth), applied sparingly to avoid excess dust on the instrument. The instrument bow evolved as a refined tool from the simpler musical bow, serving as a precursor in the development of bowed string playing.

Musical bow instrument

The musical bow is a simple chordophone consisting of a flexible wooden stave, typically 1.5 to 3 meters long, with a single taut —often made of gut, wire, or plant fiber—stretched between its ends to produce when the string is plucked, struck, or tapped with a stick. This instrument relies on the vibration of the string, amplified by natural resonators like the player's or attached objects, and belongs to the broader of bar zithers. Its origins trace back to prehistoric times in , with depictions in southern African rock art dating back several thousand years, such as around 3,500–2,000 years ago, suggesting early ritual or social uses. Among the (Bushmen) people of the Central Kalahari in and , the instrument has been a longstanding traditional tool for melodic and rhythmic expression, often integrated into or contexts. Variants of the musical bow vary by region and resonator type, including the frame bow, which uses a or attached to the stave for enhanced volume and tonal richness, common in and Central traditions. The mouth bow employs the player's oral cavity as a variable , allowing modulation through mouth shape changes, as seen in southern and Amazonian practices. A notable example is the of , derived from roots via the transatlantic slave trade, featuring a wooden verga bow, arame string, and cabaça , central to rhythms. Playing techniques emphasize simplicity and versatility: the string is commonly struck with a thin stick (verga or dobrão) for percussive attacks, plucked with fingers for sustained tones, or frictionally bowed using a secondary resin-coated stick to excite vibrations. These methods enable the selection of notes from the series, where the player shortens the vibrating string length via pressure points or mouth positioning to access up to the eighth , creating melodic patterns from a single fundamental . In sub-Saharan African cultures, the musical bow serves profound ritual functions, symbolizing spiritual connections in ceremonies among groups like the (umakhweyane) and (uhadi), where it accompanies epic songs and trance-inducing performances. In folk traditions of the , the mouth bow functions as a portable accompaniment for ballads and dances, sharing acoustic principles with the jaw harp through oral but using a longer string for deeper tones. Modern world music adaptations revive the instrument in fusion genres, such as berimbau-driven capoeira ensembles and experimental tracks by artists blending African bows with electronic elements. Acoustically, the musical bow's sound arises from transverse waves on the taut , with the determined by the f = \frac{1}{2L} \sqrt{\frac{T}{\mu}}, where L is the , T is the , and \mu is the linear ; this base sets the , while harmonics emerge from fractional standing waves, modulated by the . The instrument's early design laid groundwork for the of more complex bowed instruments.

Nautical and structural

Ship's bow

The bow of a ship is the forward-most part of the , extending from the to the , and is primarily designed to part the water efficiently as the vessel moves forward. This region, often pointed or tapered, initiates contact with the surrounding water and influences the overall hydrodynamic performance of the craft. In , the bow's shape is critical for minimizing and ensuring , with its design varying based on the ship's intended speed, , and operational environment. Historically, ship's bows evolved from the clinker-built construction of Viking longships, which featured overlapping planks for flexibility and prows often adorned with dragon heads for both intimidation and symbolic protection during voyages. These designs emphasized shallow drafts and upward-curving stems to navigate shallow waters and coastal raids effectively. By the 19th century, the transition to clipper ships introduced more pronounced raked bows, such as the Aberdeen clipper bow, which curved sharply forward to enhance speed and slicing through waves, marking a shift toward sleeker, faster merchant vessels optimized for global trade routes. Modern bow designs incorporate specialized to optimize . A , a protruding near the , reduces by generating counteracting waves that interfere destructively with those from the , potentially lowering fuel consumption by up to 15% at typical speeds. Raked bows, slanted forward from the vertical, improve speed by allowing smoother water entry, while flared bows, which widen outward above the , enhance stability and reduce spray in rough seas. In hydrodynamics, these features leverage , where faster fluid flow over curved surfaces creates pressure differences that minimize drag along the . is further quantified using the , defined as Fr = \frac{V}{\sqrt{gL}}, where V is the ship's speed, g is , and L is the ; values around 0.25 to 0.4 indicate peak wave resistance that bow designs aim to mitigate. Contemporary vessels often include advanced bow features tailored to specific roles. Icebreakers employ reinforced, wedge-shaped bows with shallow rakes to ride up onto floes and fracture them under the ship's weight, enabling passage through polar regions. Naval ships may integrate domes within or alongside bulbous bows, housing acoustic arrays for detection while maintaining hydrodynamic efficiency, as these domes are positioned to minimize additional resistance. For , bow thrusters—propellers mounted transversely in tunnels within the bow—provide lateral maneuvering in confined waters, improving docking precision without relying solely on the main engines. Additionally, collision bulkheads, watertight barriers located at least 5% of the ship's length from the forward perpendicular as per SOLAS regulations, compartmentalize the forward compartment to prevent flooding from frontal impacts, preserving and crew .

Architectural bow

In and , an architectural bow refers to a curved , such as an arch or bend, used in buildings, bridges, or other constructions to distribute loads efficiently while providing aesthetic appeal. These elements, often inspired by natural curves, allow for spanning wide openings without intermediate supports, enhancing both functionality and visual harmony. Common examples include bow windows, which project outward in a curved , and bowstring trusses, which feature a parabolic upper mimicking the of a drawn bow. Historically, curved arches appeared prominently in engineering, where rounded stone arches formed the backbone of aqueducts like the , enabling water transport across valleys by efficiently transferring compressive forces downward. In medieval , bowed or ribbed vaults—composed of intersecting arched ribs—facilitated load distribution in cathedrals, allowing taller interiors and expansive naves by channeling weight to buttresses. By the , iron and enabled more refined applications, as seen in the Bow Bridge in New York City's , constructed between 1859 and 1862 with a graceful cast-iron arch spanning 60 feet (total length 87 feet) over the Lake. Bowstring trusses, patented in forms like Squire Whipple's 1841 design, gained popularity from 1900 to 1950 for industrial roofs, using timber or to achieve spans of 50 to 100 feet. Key types include the , where a tie replaces vertical members to form a tied arch configuration, and the , a semi-circular projection of multiple panels that extends living space outward. analysis of these curved beams accounts for non-uniform distribution, with inner fibers experiencing higher tensile es and outer fibers higher compared to straight beams; the Winkler-Bach adjusts the to σ = (M y)/(A e (r_n - y)), where σ is , M , y distance from , A cross-sectional area, e distance between centroidal and axes, and r_n . Materials typically include timber for early bowstring trusses, laminated for parabolic curves, or for modern durability against and flexural loads. Notable examples extend to contemporary uses, such as the curved shells of the , which employ segments forming sail-like roofs supported by bow-like arches for expansive, unsupported interiors. These designs offer advantages in , creating fluid lines that integrate with landscapes, and in structural efficiency, minimizing material use while maximizing clear spans for open interiors.

Knots and fastenings

Bowline knot

The knot is a fundamental that forms a fixed, secure at the end of a , designed to maintain its shape without slipping under load. This makes it ideal for applications requiring a reliable, non-tightening , such as securing lines to anchors or objects. Unlike running , the creates a stable eye that resists constriction, providing consistent performance in tension. To tie the bowline, begin by forming a small overhand in the standing part of the rope, approximately twice the size of the desired finished —this is the "." Pass the working end upward through the loop (the rabbit emerges from the ), wrap it around the standing part (around the tree), and then thread it back down through the original (returning to the ). Pull the standing part to tighten the knot, adjusting the size as needed while ensuring the working end lies parallel to the standing part. The bowline exhibits several key properties that contribute to its versatility: it remains easy to untie even after sustaining heavy loads, achieves a strength of 70-80% of the rope's original tensile strength, and does not jam or bind under strain. Historically, it has been employed in settings since at least the early for sails and preventing them from being "taken aback" by wind, as documented in nautical practices of the period. In modern , it is commonly used to form loops, though its simplicity demands careful inspection. Variations of the bowline expand its utility for specific scenarios. The Dutch bowline, also called the , modifies the standard form by passing the tail in the opposite direction around the standing end, offering improved resistance to certain directional pulls. The creates two parallel loops in the middle of a without requiring access to the ends, useful for rescue operations or creating multiple attachment points. For safety, the bowline is not recommended as a standalone for critical life-support systems in or without additional backups, such as a on the or a Yosemite finish, to prevent potential loosening under dynamic loads. Always leave an adequate —typically at least 18 inches for half-inch —and visually confirm the knot's structure before loading.

Bow tie and ribbon bow

A bow tie and ribbon bow refer to symmetrical decorative forms created by folding and tying ribbon or fabric into loops and tails, often used for ornamental purposes in fashion, gifts, and accessories. Ribbon bows trace their origins to the 17th-century French royal court under Louis XIV, where they served as elegant accents on clothing and jewelry, symbolizing love and marriage. The bow tie, evolving from knotted neckerchiefs worn by Croatian mercenaries during the Thirty Years' War in the 1600s, gained popularity in the 1880s as a formal menswear alternative to the ascot, particularly with the rise of the tuxedo. Common types of bow ties include the , characterized by curved outer edges for a classic flared look; the batwing, featuring straight, slim ends for a modern ; and the diamond-point, with pointed tips adding a elegance. Ribbon bows extend to hair accessories, such as styles prevalent in uniforms for their durability and team-color customization. These bows are typically constructed from materials like for a smooth sheen, for a plush texture, or ribbon for stiffness that holds shape. Tying methods vary; for instance, a four-loop bow involves crossing the ribbon ends, forming equal loops on each side, and securing with a central to create balanced proportions. In cultural contexts, bow ties feature prominently in weddings as symbols of formality and sophistication, often worn by grooms and attendants in black-tie attire. Ribbon bows adorn holiday gift wrapping, a tradition rooted in 17th- and 18th-century European customs of tying ribbons to signify celebration and secrecy. They also serve as uniform accessories, like large bows in Soviet-era schoolgirl outfits to denote youth and conformity, or in modern cheerleading and school ensembles for aesthetic unity. Contemporary variants include pre-tied bow ties, which arrive fully knotted for convenience and attach via a band, and adjustable clip-on designs that use metal clips or for easy fitting without tying. Unlike functional knots such as the , these emphasize over security.

Places

The name "Bow" for various places in the derives from the word boga, meaning an arch, bend, or bow, often referring to a curved , bend, or arched feature in the landscape. Bow in is a in the East End, within the London Borough of Tower Hamlets, situated approximately 4.6 miles east of . Its origins trace to the medieval period, when the area was known as Stratford-at-Bow, named after a bow-shaped stone constructed over the River Lea in the early , a medieval stone bridge with seven sweeping arches, one of the earliest of its kind in after the period. This bridge replaced an earlier and wooden crossing at the Old Ford, facilitating trade and settlement growth in what was then a rural . The played a role in historical upheavals, including the . In modern times, Bow is closely connected to the neighboring Stratford area, benefiting from shared transport infrastructure such as the London Overground and proximity to the Queen Elizabeth Olympic Park, which has driven urban regeneration and in Tower Hamlets. Bow in Devon is a village located in Mid Devon, approximately eight miles west of and near the border with , set in undulating countryside close to . Its history is linked to early Saxon settlements in the region, with the village emerging as a street settlement along an ancient road between and , centered around an arched bridge that gave it its name from boga. Documented as a Saxon-era community, it features historic buildings dating from the late 16th to 19th centuries, reflecting continuous . The 2021 recorded a of 1,120 residents, underscoring its small-scale, agricultural character. Bow in Somerset is a small situated near in the Yeovil Without , part of the broader historically tied to the . Known locally as Yeovil Bow or Gallows Bow by the late , it was a modest rural settlement with ties to local and stone extraction. The area gained prominence in the due to nearby quarries yielding Yeovil Stone (Beacon Limestone), used in regional including churches and walls in , with operations dating back to times but intensifying during the era for building materials. Another notable Bow in the UK is found in , where Bowburn serves as an example of an industrial community developed in the early . Located about three miles southeast of City, Bowburn originated as a colliery village around the Bowburn Colliery, which began in 1906 and operated until 1967, contributing to the region's coal production peak in the early amid the Durham Coalfield's extensive heritage. This site exemplifies the industrial transformation of northern English landscapes, with over 170,000 miners employed county-wide by 1923. The 2021 census recorded a of 4,840. These UK places named Bow highlight contrasts between urban and rural settings: London's Bow represents a densely populated, multicultural East End hub with over 300,000 residents in Tower Hamlets and a service-based economy driven by regeneration, while the Devonian, Somerset, and Durham examples reflect historically agrarian or extractive communities with populations ranging from 1,120 to 4,840, emphasizing traditional rural economies amid declining industries like mining. Such naming patterns influenced colonial settlements in North America, where places like Bow, New Hampshire, adopted similar etymologies from English immigrants seeking familiar arched or bent geographical features.

North America

In , several places bear the name "Bow," often deriving from the curved of or imported from naming conventions. These locations the and , reflecting colonial settlement patterns, natural geography, and indigenous influences. Bow is a town in , , chartered in 1727 as part of the colonial expansion in the region. The name originates from the bow-like curve of the near the settlement site, south of . With a population of approximately 8,229 as of the 2020 census, it serves as a suburban community with historical ties to and milling along the river. The town is notable for Garvin Falls Dam, a hydroelectric structure on the named after early Patrick Garvin, who arrived in the 1740s and established operations there; the dam, built in the , supports local power generation and recreation. Bow also hosts an annual fall festival celebrating its rural heritage, featuring local crafts, music, and community events. In the , Bow is an unincorporated community in , situated near Samish Bay and overlooking the coastal lowlands. Its history is rooted in early operations, with the area serving as a hub for timber extraction starting in the late , including mills and rail lines that transported logs to nearby ports; indigenous Noo-wha-ah villages predated European settlement, contributing to the region's cultural layers. The population remains small, under 500 residents as estimated in recent projections, maintaining a rural character amid surrounding farmlands and forests. The most prominent North American feature named Bow is the in , , a major waterway originating in the Canadian Rockies at Bow Lake and flowing 625 kilometers eastward through the province. Named from the Blackfoot (Peigan) term Makhabn, meaning "river where bow reeds grow," as the reeds along its banks were used by to craft bows, the river holds deep cultural significance, with Blackfoot connections to the surrounding Bow Valley as a traditional territory for hunting and trade. It plays a vital role in Calgary's economy, providing water for over 1.6 million residents in the Bow Basin, supporting irrigation, industry, and hydropower that underpins urban growth. The , a parallel to the between and Lake Louise, draws tourists for its views of wildlife, mountains, and river ecosystems, boosting regional . However, the river poses environmental challenges, including flood risks exacerbated by glacial melt and heavy rains, as evidenced by major inundations in that prompted extensive hazard mapping and mitigation efforts along 72 kilometers of its course. Other minor places include , an unincorporated community in County tied to local river features. Overall, North American "Bow" names frequently reference hydrological curves, echoing etymological patterns from British sources where the term denotes arches or bends in landscapes. Indigenous ties, such as the Blackfoot's historical use of the valley, underscore pre-colonial amid modern flood vulnerabilities.

Manufacturing and materials

Bow porcelain

The Bow porcelain factory, established in 1744 in the Stratford-le-Bow district of East London by Irish artist Thomas Frye and Welsh clothier Edward Heylyn, was among the earliest English enterprises to produce soft-paste porcelain on a commercial scale. The 1744 patent specified a formula using 'unaker' (Cherokee) clay imported from America, though production later shifted to local materials including bone ash. Initially backed by investors including the Peers family, the factory—known as "New Canton"—aimed to rival imported Chinese ceramics by manufacturing affordable wares for middle-class consumers. Production began around 1748, following a 1744 patent for soapstone-based porcelain, though the works quickly shifted to a more practical formula. The factory reached its peak in the 1750s, employing up to 300 workers, before closing in 1776 amid financial strains and intensifying competition from rivals like Worcester, whose more durable porcelains captured greater market share. Bow's production relied on soft-paste porcelain made with a pioneering bone ash formula developed by Frye around 1749, incorporating up to 45% calcined mixed with silica, ball clay, and to achieve greater strength, whiteness, and translucency compared to earlier frit-based pastes used at . Pieces were molded from this chalky, porous body, then glazed and fired at lower temperatures than true , allowing for intricate shapes but making them susceptible to hot —a limitation that contributed to economic challenges. Decorations involved underglaze for bold Chinese-inspired motifs, followed by overglaze enamels in styles, applied by hand by specialized painters. Identification often relies on marks such as the red-painted "" (a stylized and resembling a snowman figure, used circa 1750–1760) or incised "A" symbols on early wares. Key products included ornamental figures, such as the modeled "blind fiddler" depicting a street musician with a , and pastoral groups like shepherd and shepherdess pairs, often standing on bases with floral accents. Tablewares featured practical items like plates, tureens, and inkwells with designs—pagodas, rivers, and golfers—many inscribed "Made at New Canton" to evoke exotic origins. These items prioritized volume over luxury, producing thousands of modest pieces for domestic use. The factory's innovations, particularly Frye's bone ash integration, laid foundational techniques for later English bone china, influencing subsequent manufacturers and establishing soft-paste as a viable alternative to costly imports. Its legacy endures in collections and among collectors, where rare intact figures or marked tablewares command high values at ; for instance, exceptional pieces have sold for over £40,000 in recent sales, reflecting their and scarcity due to high breakage rates during production. Archaeological excavations at the original site along Stratford —notably in —uncovered kilns, wasters, and molds, providing tangible evidence of the factory's operations and paste compositions.

Other crafted bows

Hair bows and accessories trace their origins to the , where small ribbon bows were commonly used by both girls and boys to secure ringlets and keep hair out of the face during daily activities. By the late , these evolved into more elaborate adornments for hair and dresses, reflecting the period's emphasis on ornate . In contemporary fashion, hair bows are crafted from synthetic materials such as and ribbons, offering durability and a wide color palette for versatile styling. These accessories remain prominent in subcultures like , a style originating in the with roots in 1980s brands, that incorporates Victorian-inspired elements, including oversized bows on headwear to evoke doll-like modesty and cuteness. Industrial applications of crafted bows include bow saws, which feature a metal shaped like a bow to tension a coarse, wide blade for efficient in . This , rooted in early modern European traditions with mentions from the late , allows for precise cuts in timber and remains a staple for due to its lightweight construction and versatility in rough or curved work. Complementing this, the represents one of humanity's earliest rotary tools, with evidence of its use in dating to the New Kingdom (ca. 1550–1077 BCE), where a bowstring rotated a against a workpiece for holes in stone and wood. The tool's simple mechanism—a bowed , cord, , and —enabled prehistoric and ancient cultures to bore precise perforations for beads, tools, and fire-starting, demonstrating early ingenuity in . Decorative crafts often incorporate wreath bows, fashioned from wired ribbons to add festive accents to seasonal door hangings and garlands, a practice that builds on centuries-old traditions of ribbon embellishment for holidays and ceremonies. Similarly, replicas of archery bows serve as artistic pieces, hand-carved or assembled from wood and composites to mimic historical designs, displayed in galleries or homes as sculptural homages to ancient weaponry and craftsmanship. Modern manufacturing processes for crafted bows emphasize efficiency and customization, such as injection molding for bows, where molten is injected into molds to produce lightweight, durable play versions at scale. This technique allows for intricate shapes and vibrant colors, bridging design prototyping with high-volume output for consumer markets. For bespoke items, enables the creation of custom bows using high-performance polymers or metals, facilitating rapid iteration in shapes for both functional tools and decorative replicas. In the 20th and 21st centuries, developments in bow crafting have prioritized , exemplified by eco-friendly bows produced in , where the renewable grass is laminated and shaped into resilient archery limbs that reduce environmental impact compared to traditional woods. of such bows has surged in countries like and , leveraging advanced lamination techniques and abundant bamboo resources to meet global demand for both sporting and decorative items. A notable example is Olympic archery bow manufacturing, where recurve bows adhere to standards using laminated carbon fiber and foam cores for limbs, ensuring draw weights up to 50 pounds and overall lengths of 66-72 inches for optimal performance in competition. These bows must comply with rules limiting arrow shaft diameters to 9.3 mm and prohibiting excessive modifications, promoting fairness in elite events.

Other uses

Gesture of respect

A bow as a gesture of respect involves inclining the head or upper body forward, with the depth of the incline varying by and , such as a shallow 15-degree nod for casual greetings or a deeper 45-degree bend for formal . This non-verbal act serves primarily to convey reverence, , or without physical contact. The practice traces its roots to ancient rituals in , where bowing emerged over 3,000 years ago as a means of expressing and , as evidenced in Confucian texts from the 6th century BCE that describe salutes to superiors. It spread to in the 7th century CE, evolving into the formalized ojigi system, which includes graded bows like keirei (a 30- to 45-degree formal bow for in ceremonies) and saikeirei (a profound 45-degree or deeper bow for utmost deference or apology). Globally, bowing manifests in diverse forms: in 17th-century courts, it became a stylized male gesture of obeisance, often accompanied by removal to signal during audiences with . In , the combines pressed palms at chest or forehead level with a slight head bow, symbolizing recognition of the divine in others as a greeting or farewell rooted in Hindu and yogic traditions. Among , ruku during salah entails a forward bow from the standing position, with hands on knees and back parallel to the ground, representing submission to as prescribed in Islamic texts. Bowing fulfills key social functions, including signaling —where subordinates incline more deeply than superiors—and expressing , as a deeper bow conveys in interpersonal conflicts. In theater, performers execute curtain-call bows to acknowledge appreciation, fostering a bond of gratitude and vulnerability at the performance's close. In modern contexts, bowing persists in diplomatic protocols, such as subtle head inclines during international summits to bridge cultural norms without handshakes. It remains integral to martial arts etiquette, like dojo bows in or , where practitioners incline toward instructors or partners to affirm mutual before and after training. guides worldwide emphasize its role in professional settings, advising graduated depths to navigate social hierarchies appropriately. Psychologically, bowing functions as non-verbal communication that signals submission or esteem, activating schemas of and enhancing perceptions of the bow-er's attractiveness and trustworthiness in interactions.

Rainbow and optics

A is a meteorological manifesting as a multicolored arc in the sky, resulting from the , internal , and of through suspended droplets in the atmosphere. This optical effect produces a spectrum of colors due to the varying refractive indices of for different wavelengths of light, with the arc centered on the —the direction opposite —and spanning an angular radius of approximately 42° from this point. The physics of rainbow formation begins with entering a spherical raindrop, where it undergoes , bending toward the normal due to the drop's higher , followed by off the inner surface and a second upon exiting, which disperses the light into its spectral components. arises because shorter wavelengths, like (deviated by about 42°), refract more than longer ones, such as (deviated by about 40°), resulting in the characteristic order of colors from on the outer edge to on the inner. The primary forms from one internal , while a secondary , fainter and higher in the sky, arises from two reflections and displays reversed colors; between them lies Alexander's dark band, a of suppressed light intensity where rays are not redirected toward the observer. Historically, rainbows held mythological significance, such as in lore where they were regarded as a pathway formed by the goddess to connect earth and the divine realm. Scientific understanding advanced with the 11th-century work of , who described the rainbow as an image produced by and within raindrops, akin to a mirror, in his Maqala fi al-Hala wa Qaws Quzah. This laid groundwork for later developments, including Isaac Newton's 1666 experiments with prisms, which demonstrated that white light decomposes into a of colors through , providing a foundational explanation for the rainbow's coloration. Various types of rainbows occur depending on conditions: fogbows are pale, nearly white arcs formed by in tiny fog or cloud droplets smaller than raindrops, lacking distinct colors due to minimal ; moonbows, or lunar rainbows, are faint nighttime versions produced by refracting in raindrops, often appearing white to the eye despite spectral composition; and supernumerary rainbows consist of closely spaced, pastel fringes inside the primary bow, arising from in uniform droplets. For optimal observation, rainbows appear when the sun is behind the viewer at a low altitude, with the primary visible at about 42° elevation from the horizon under clear post-rain skies; double rainbows, when present, feature the secondary at around 51° with colors inverted, requiring sufficient droplet size and illumination for visibility. Related atmospheric optical phenomena include halos, iridescent rings or caused by through ice crystals in high clouds, and glories, concentric colored rings surrounding an observer's shadow on clouds or , resulting from backscattering in droplets. Rainbows occur more frequently in tropical regions, where abundant rainfall and alignment enhance formation opportunities compared to drier or higher-latitude climates.

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