Fact-checked by Grok 2 weeks ago

Captain Nazi

Captain Nazi, whose real name is Albrecht Krieger, is a fictional in comic books, originally published by and later integrated into Comics continuity as an enhanced Nazi operative serving the Third Reich. Created by writer William Woolfolk and artist Mac Raboy, the debuted in Master Comics #21 (), during the height of World War II propaganda efforts in , where he was depicted as a superhuman agent genetically altered by his scientist father to embody Aryan ideals of strength and loyalty to Adolf Hitler. In his inaugural storyline, Captain Nazi demonstrates his powers—including superhuman strength, flight via metallic wings, and resilience—by assassinating a shipyard executive in the United States, an act that cripples young Freddy Freeman and sets the stage for his transformation into Captain Marvel Jr., establishing the villain as a recurring foe to the Marvel Family. This origin underscores the character's role in wartime narratives pitting American heroes against Axis threats, with Nazi employing ruthless tactics like civilian murders and sabotage to advance German war aims. Following Fawcett's cessation of comics publication in 1953 due to legal disputes with DC, Captain Nazi reemerged in DC's Shazam! series in the 1970s, portrayed in suspended animation until revived in modern eras, where he continues clashes with Shazam (formerly Captain Marvel) and allies, often highlighting themes of enduring ideological fanaticism through his prolonged survival and unyielding Nazi allegiance. His depiction has sparked debates on the ethics of glorifying or critiquing historical villains in fiction, though primary comic sources maintain a straightforward portrayal of him as an embodiment of totalitarian aggression without post-war redemption arcs in core narratives.

Creation and Publication History

Fawcett Comics Origins (1941–1953)

debuted in Master Comics #21, cover-dated , created by writer and artist as a Nazi super-soldier antagonist designed to counter American heroes like amid escalating World War II tensions following the U.S. entry into the conflict after Pearl Harbor. Sent by Adolf Hitler to sabotage the United States and eliminate its champions, the character embodied Axis propaganda's inverse, portraying unyielding Teutonic aggression in service of wartime narratives promoting Allied resolve. Empowered by an experimental formulated by his , Captain Nazi—real name Krieger—gained , flight , and , him to hurl massive objects, withstand heavy impacts, and engage in aerial . In his inaugural , he clashed with Bulletman and later , terrorizing civilians by derailing and attacking coastal defenses, underscoring the character's in Fawcett's as a to . These encounters highlighted the 's transformative effects, positioning Captain Nazi as a genetically optimized Aryan warrior archetype tailored for propaganda-driven storytelling. The character's extended across Fawcett titles, forming the for Captain Marvel Jr.'s in a multi-issue spanning Master Comics #21–22 and Whiz Comics #25, published in 1942. During a confrontation at sea, Captain Nazi murdered fisherman George Freeman and critically injured his grandson Freddy after the elder Freeman attempted aid, prompting Captain Marvel to share his powers with the dying boy, who transformed into the junior hero upon uttering "Captain Marvel." This sequence, scripted by Woolfolk, emphasized themes of heroism born from tragedy and Nazi brutality, with Captain Nazi's sabotage spree—including bombings and assassinations—serving as catalysts for intergenerational conflict within the Marvel Family. Fawcett's publications featuring Captain Nazi concluded by 1953, coinciding with the company's from due to a protracted filed by (later ) in 1941, alleging Captain Marvel's similarity to . The 1953 required Fawcett to pay $400,000 in and permanently cease producing the line, exacerbated by post-war shifts toward and genres amid declining sales. Captain Nazi's appearances, confined to Golden Age issues of Master Comics and Whiz Comics, thus ended with Fawcett's capitulation, limiting the to wartime-era tales without further in the publisher's output.

DC Comics Acquisition and Revivals (1970s–Present)

In 1972, DC Comics entered into a licensing agreement with Fawcett Publications to revive the Marvel Family characters, including antagonists such as Captain Nazi (Albrecht Krieger), under the Shazam! title. These properties were segregated onto the parallel Earth-S to avoid conflicting with DC's established continuity, limiting crossovers during the initial revival period. Captain Nazi featured in sporadic appearances within the 1970s–1980s Shazam! series, typically as a brute-force adversary exploiting wartime grudges against Captain Marvel Jr., without altering his core origin as a genetically enhanced Nazi super-soldier. The 1985–1986 Crisis on Infinite Earths miniseries reshaped DC's multiverse, folding Earth-S elements into the primary timeline while preserving select Fawcett lore as historical precedents, enabling broader integration of characters like Captain Nazi into post-Crisis narratives. DC fully acquired the Fawcett rights by 1991, facilitating unrestricted use. In the 1994 The Power of Shazam! four-issue miniseries by Jerry Ordway, Captain Nazi's defeat and implied death were revisited in the context of Freddy Freeman's transformation into Captain Marvel Jr., underscoring his role as an ideologically driven foe whose superhuman physiology derived from experimental enhancements ordered by Axis leaders. During the 2005–2006 Infinite Crisis event, Captain Nazi resurfaced among the ranks of the Secret Society of Super-Villains, ostensibly organized by Lex Luthor but orchestrated by Alexander Luthor Jr. of Earth-Three, participating in operations detailed in the Villains United miniseries, including the interrogation and torture of the Secret Six team. He sustained injuries, such as temporary blindness from confrontations, but persisted as a minor operative in the society's multiversal schemes. Subsequent sporadic roles, including a zombie incarnation as a Black Lantern during the 2009 Blackest Night crossover, reinforced his status as a resurable emblem of authoritarian extremism, often deployed for shock value against Shazam family heroes. Captain Nazi has not held prominent positions in publications from 2020 to 2025, with no verified major arcs or revivals, reflecting a of intermittent deployment as a narrative highlighting unyielding villainy rather than evolving motivations or redemptions. His portrayals consistently retain Nazi symbolism and as a deliberate counterpoint to the protagonists' moral framework, prioritizing historical antagonism over contemporary reinterpretations.

Character Profile

Powers, Abilities, and Origin

Albrecht , the of Siegmund Krieger, was subjected from infancy to a regimen of experimental "" designed to cultivate the pinnacle of physical . In adulthood, he ingested a of concentrated vital prepared by his , which endowed him with capabilities modeled after those of American superheroes like Marvel but rooted in pseudoscientific ideology emphasizing racial superiority. This transformation occurred prior to his deployment as an agent of the Third Reich in 1941, as depicted in his first appearance in Comics #21 (December 1941). Captain Nazi possesses sufficient to contend with the , him to thousands of tons and demolish structures; invulnerability to conventional and physical ; flight achieved through of a "flying gas" in his original Fawcett depictions, later portrayed as inherent in DC continuities; senses for superior ; and allowing prolonged without . He is also a combatant, trained in hand-to-hand fighting and espionage tactics, reflecting his upbringing as the ultimate super-soldier. Unlike heroic counterparts whose powers derive from mystical or , Nazi's enhancements are tied to fanatical adherence to Nazi , permitting unhesitating deployment of lethal against non-combatants and eschewal of ethical restraints in pursuit of ideological . His includes a emblazoned with and symbols, signifying to the , with no reliance on advanced beyond the . Weaknesses encompass susceptibility to magical —evident in defeats by the magically empowered —and temporary depletion following severe injuries or captures, necessitating revivals in later narratives.

Physical Appearance and Symbolism

Captain Nazi's original depiction in Master Comics #21 () shows him in a militaristic uniform with red armbands displaying swastikas, an on the chest, and black boots, directly mimicking Nazi attire to evoke Reich's regalia. Post-transformation via a Nazi-engineered serum, he possesses a bald head, often accented by prominent facial veins or scars that distort his features into a grotesque parody of the Aryan superman ideal, standing approximately 6 feet tall with a heavily muscled build. These elements, including the scarred visage resulting from the unstable enhancement process, were crafted to portray him as physically imposing yet inherently malformed, highlighting the destructive consequences of totalitarian experimentation. The character's visual exaggerated traits—such as , piercing eyes, and rigid —to caricature the Nazi as and brutal, deliberately contrasting the vibrant, heroic forms of the like , whose clean-cut athleticism symbolized . This aesthetic served propagandistic purposes during , using the villain's and deformed to vilify the Nazi as of and physical , unburdened by later sensitivities around such iconography. Upon DC Comics' acquisition of Fawcett's characters in the , Nazi's underwent refinements but retained WWII-era symbols, including the and , in revivals such as Shazam! #34 () and later Power of Shazam #19 (). By the , updates like a shift to a SS-patterned in Freedom Fighters (–) preserved the unsoftened Nazi symbolism, ensuring the character's as a stark emblem of Axis aggression without dilution for modern narratives.

Fictional Biography

World War II Conflicts with the Marvel Family

Captain Nazi debuted in Master Comics #21 (), dispatched by to assassinate superheroes and pave the way for a Nazi of the . In this multi-issue crossover storyline, he clashed with , Bulletman, and other Fawcett heroes, employing against symbols of such as dams and the to incite and drown coastal populations. These initial plots emphasized his role as an unrepentant agent, empowered by experimental serums granting superhuman strength, agility, and endurance, yet repeatedly outmatched by the 's intervention. A defining occurred during a near Fawcett , where Captain Nazi, stunned mid-air by , crashed into a fishing . He murdered newsboy Freddy Freeman's grandfather for aiding him and hurled Freddy overboard, inflicting crippling injuries including a shattered leg and internal damage. Rescued and empowered by Captain Marvel sharing the wizard Shazam's magic—activated by uttering "Captain Marvel"—Freeman transformed into Captain Marvel Jr., debuting in Whiz Comics #25 (December 1941) and gaining his own series in Captain Marvel Jr. #1 (November 1942). This causal chain directly originated the second member of the Marvel Family, positioning Captain Nazi as the catalyst for expanded heroic opposition to Nazi threats. Throughout – , Captain Nazi featured in recurrent skirmishes against and the newly formed , attempting assassinations, base infiltrations, and propaganda disruptions, only to face decisive defeats. His portrayals highlighted Axis overreach and incompetence, with no narrative sympathy or redemption, aligning with Golden Age comics' unvarnished depiction of Nazi villainy amid contemporaneous events like . These encounters underscored the heroes' unyielding defense of democratic ideals against totalitarian .

Post-War Activities and Resurrections

In Fawcett Comics stories concluding during World War II, Captain Nazi faced repeated defeats, including exposure to disintegration rays that left him presumed disintegrated or incapacitated, yet narratives often implied his survival through escapes or resilience tied to his enhanced physiology. DC Comics' revival of the character in Shazam! #34 (March-April 1978) depicted him emerging from voluntary suspended animation, a self-imposed stasis since 1945, to seize control of Chicago by erecting an energy dome over the city and proclaiming himself the embodiment of Aryan supremacy in Hitler's absence. This return involved clashes with Captain Marvel Jr., underscoring his unyielding commitment to Nazi ideology without any post-war moderation or redemption arc. The character's persistence intensified in the 1990s with The Power of Shazam! #5 (May 1995), where his brother, Dr. Wolf Krieger, reactivated him from a hidden cryogenic stasis chamber maintained in secrecy for decades, allying with neo-Nazi remnants to revive the Fourth Reich. Subsequent issues (#6–8) featured brutal confrontations with the modern Marvel Family, including Mary Marvel, whom he attempted to assassinate, reinforcing his fanaticism through acts of violence aimed at supremacist restoration rather than adaptation to contemporary geopolitics. By The Power of Shazam! #19 (1996), Captain Nazi engaged in a final showdown with Captain Marvel Jr. in New York, embodying undefeated ideological zeal amid ongoing defeats. In the 2000s, Captain Nazi integrated into broader villain coalitions, joining Lex Luthor's of Super-Villains to hunt and the during their attempts in Secret Six (2006 series). During one such , member Catman blinded him by plunging syringes into his eyes, yet he endured, later receiving cybernetic restorations that enabled continued operations, symbolizing resilient unbowed by physical or setbacks. Throughout these depictions, Captain Nazi exhibited no shift from his supremacist objectives, consistently pursuing Axis-inspired domination without concessions to Allied historical frameworks or reevaluation.

Integration into DC Universe Events

Captain Nazi was integrated into DC Universe-wide events through his recruitment into Lex Luthor's Secret Society of Super-Villains, formed in 2005 as a prelude to Infinite Crisis. In the Villains United miniseries, he aided the Society's operations by assisting in the interrogation and torture of captured Secret Six members, demonstrating his utility as a physically dominant enforcer in coordinated villainous schemes rather than isolated brawls. This role underscored his enduring grudge against Allied heroes from World War II, positioning him as a tactical asset leveraging historical animosities amid the multiversal threats central to Infinite Crisis, where the Society mobilized against the Justice League and other defenders. His involvement highlighted a strategic , as he conducted prolonged sessions to extract under Luthor's , emphasizing in alliances over ideological posturing. Blinded during the Secret Six's when Thomas Blake (Catman) plunged syringes into his eyes, Captain Nazi adapted with cybernetic enhancements, reinforcing his as a recurring in post-Crisis narratives. Subsequent cameos in broader DC events portrayed him leading neo-Nazi groups like the against the , illustrating the obsolescence of Axis-era villains yet their persistent threat through revival and adaptation in multiversal conflicts. These limited appearances maintained his archetype as a symbol of ideological fanaticism, integrated sparingly to amplify larger stakes without dominating proceedings.

Alternate Iterations

Multiverse Variants and Earth-S Continuity

In the Earth-S continuity, designated as the parallel universe housing Fawcett Comics characters prior to DC's multiversal restructuring, Captain Nazi originated as a World War II antagonist in Master Comics #21 (December 1941), empowered by Vita-Ray treatments and German experimental serums to embody Nazi ideals of racial superiority and conquest. He functioned primarily as a static foe to the Marvel Family, engaging in direct confrontations that highlighted Allied heroism against Axis aggression, with no significant evolution beyond wartime escapades until the continuity's preservation through DC's licensing of Fawcett properties in the 1970s. This framework endured until Crisis on Infinite Earths #1-12 (1985-1986), which eradicated Earth-S by merging its elements into a singular DC Universe, recontextualizing Fawcett heroes as having operated on the main Earth but entering a form of narrative limbo post-war. Post-Crisis integration relocated Captain Nazi to the unified (later termed New ), retaining his foundational traits as a Nazi derived from alchemical or scientific enhancement, though his was streamlined to fit the rebooted timeline where World War II events incorporated Shazam Family interventions without multiversal separation. Revivals emphasized continuity with the original, such as in Shazam! The New Beginning #1 (1987), where Nazi-themed threats echoed pre-Crisis dynamics, and later appearances portrayed successors—like a neo-Nazi operative inheriting the powers and ideology—as extensions rather than reinventions, underscoring the character's unchanging role as an unnuanced symbol of totalitarian villainy. These adaptations preserved the propagandistic essence, avoiding substantive alterations to his causal origins in Third Reich experimentation. Multiverse variants remain limited and peripheral, with no extensive "what-if" explorations diverging from the archetype; isolated cameos in Elseworlds-adjacent tales, such as alternate histories, minimally tweak backstories to maintain the core Nazi supersoldier motif without introducing novel powers or redemptions. The scarcity of variants reinforces the original Earth-S portrayal's purity as a vehicle for unambiguous anti-fascist messaging, unencumbered by later DC narrative complexities like moral ambiguity or alliances beyond Axis loyalty.

Non-Canon and Derivative Versions

Captain Nazi has seen minimal in non-canon contexts, primarily to reprints of his original stories, such as those compiled in collections like Gwandanaland's anthologies featuring issues. These reprints preserve the character's debut in Master Comics #21 without alterations, focusing on wartime clashes with heroes like Bulletman, but do not introduce new narratives or reinterpretations. The of derivative works stems from the inherent sensitivities around depicting Nazi , which has deterred extensive or fan-driven expansions beyond archival republication. In fan communities, occasional unofficial adaptations exist, including custom action figures styled after Justice League Unlimited animation and digital redesigns of successors like Captain Nazi Jr., but these are isolated artistic exercises rather than structured stories. No published indie comics feature substantial reimaginings, such as portraying the character as an anti-hero, contrasting with DC's consistent depiction of him as an unrepentant villain aligned with Axis powers. Such restraint aligns with broader cultural avoidance of rehabilitating Nazi-themed figures, prioritizing historical condemnation over fictional redemption. The Captain Nazi archetype—a genetically enhanced Aryan super-soldier embodying Third Reich supremacy—has exerted indirect influence on subsequent Nazi villains in comics, including DC's Übermensch, introduced in Young All-Stars #12 (1988) as part of Axis Amerika. Übermensch, a Superman analog with enhanced strength, flight, and invulnerability derived from occult rituals rather than serum, shares thematic parallels in promoting racial superiority but lacks direct genealogical ties to Captain Nazi's serum-based origin or Marvel Family rivalries. This influence manifests in the recurrent trope of ideologically driven adversaries, yet remains archetypal rather than lineage-specific.

Media Appearances and Adaptations

Comic Crossovers and Team-Ups

Captain Nazi's initial comic crossover occurred in Master Comics #21 (December 1941), where he clashed with Captain Marvel and Bulletman in a joint effort by Fawcett Comics to depict an Axis threat against American heroes. This encounter, ordered by Adolf Hitler to eliminate key U.S. champions, highlighted Captain Nazi's role as a genetically enhanced Aryan supremacist targeting multiple heroes simultaneously. In DC Comics continuity, Captain Nazi featured in narratives, particularly leading the , a neo-Nazi aiming to establish a new regime in the United States. This group engaged the JSA in direct confrontations, with Captain Nazi directing assaults on patriotic American bloodlines as part of a broader subversive plot. These interactions occurred in WWII-era flashbacks and post-Crisis events, reinforcing his antagonism without alliances to heroic forces. Captain Nazi also participated in villainous coalitions, notably joining Lex Luthor's of Super-Villains, where he collaborated in operations including the of the . During this tenure, depicted in Villains United #2 (), he sustained injuries such as blindness from conflicts with society members and , yet persisted in group efforts against DC's heroic teams. These team-ups underscored his consistent portrayal as a collaborative in multicharacter , excluding any redemptive or heroic partnerships.

Live-Action, Animation, and Other Formats

Captain Nazi has received scant adaptation beyond comic books, with no portrayals in major live-action films or dedicated animated series arcs. In animation, the character is referenced indirectly in the Justice League Unlimited episode "Patriot Act," which aired on February 25, 2006, as part of the DC Animated Universe; here, General Wade Eiling injects himself with a "Captain Nazi" super-soldier serum derived from World War II-era Nazi experiments, granting enhanced strength and aggression in a flashback sequence depicting the serum's origins. This marks one of the few non-comic depictions, limited to a supporting plot device rather than a central antagonist role. No appearances occur in Shazam-focused animated productions, such as the 1970s Shazam! Saturday morning series or later direct-to-video films like Superman/Shazam!: The Return of Black Adam (2010). Live-action portrayals are similarly minimal, confined to a single episode of DC's in its second (), where André Eriksen portrayed the in a brief amid time-travel narratives involving historical villains. No , series, or streaming adaptations have featured Captain Nazi prominently, likely constrained by the 's explicit Nazi and superhuman enhancements, which pose challenges for standards and audience sensitivities in post-World War II media landscapes. The lacks presence in video , novels, or other formats; searches of DC-licensed yield no instances of in titles like Injustice or Mortal Kombat vs. DC Universe, nor in works such as tie-in novels from the Shazam or Justice Society lines. This absence underscores the selective of Golden Age antagonists, prioritizing less ideologically charged foes for broader commercial viability.

Reception, Legacy, and Controversies

Historical Role in Anti-Nazi

Captain Nazi debuted in Master Comics #21, published in , mere weeks after the entered following the . Designed as a embodying , the served as a to heroes like Captain Marvel and Bulletman, facilitating narratives that depicted Axis powers as embodiments of evil ripe for defeat. These stories portrayed Captain Nazi engaging in sabotage, assassination, and overt displays of racial supremacy, mirroring real without mitigation to underscore the moral imperative of Allied resistance. The character's exploits paralleled wartime , with plots involving infiltration and disruption of , akin to actual attempts and campaigns that threatened coastal shipping. , through such unyielding villainy, contributed to a broader effort to demonize the , where superheroes routinely thwarted Nazi schemes in fantastical yet causally analogies to . This approach reinforced public resolve by linking fictional victories to the inevitability of real Allied , eschewing any for the antagonists. Empirically, these correlated with surging , as Fawcett's Captain Marvel Adventures reached circulations exceeding 1.3 million copies per bi-weekly by , reflecting heightened for morale-boosting amid the . like those featuring Captain Nazi reached audiences, including nearly half of U.S. servicemen, fostering against isolationist holdovers and promoting enlistment and purchases through heroic precedents of Nazi subjugation. This format's lay in its causal of evil's defeat through superior and , directly countering enemy without .

Critical Analysis and Modern Interpretations

In analyses of , characters like have been praised for embodying a bold, unyielding anti-fascist stance, directly channeling wartime anxieties into fictional confrontations that reinforced resolve against . This portrayal, debuting in Master Comics #21 in , positioned the villain as a of Nazi , enabling like to deliver unambiguous victories that mirrored desired real-world outcomes. Scholars highlight how such depictions effectively vilified Nazi ideology through caricature, exaggerating traits like arrogance and brutality to strip the enemy of humanity and legitimacy, thereby fostering public disdain and support for the war effort. Critics, however, contend that these portrayals oversimplified the Nazi regime's , neglecting underlying socioeconomic and ideological factors that enabled its in favor of a monolithic , potentially limiting deeper historical understanding. This approach, while reductive, is defended in historical contexts as a pragmatic for ; nuanced explorations risked diluting or confusing audiences amid existential threats, prioritizing causal clarity on fascism's destructive over balanced to mobilize resources like enlistment and drives. Empirical indicators of success include surging comic sales—reaching 14 million monthly copies by 1943—and widespread readership among servicemen, suggesting these narratives contributed to cultural cohesion without requiring empirical proof of direct behavioral causation. Contemporary interpretations emphasize Captain Nazi's role in illuminating how fiction served as a vehicle for wartime propaganda, offering insights into societal mechanisms for demonizing threats and the interplay between entertainment and policy. Modern scholarship values these stories for their archival utility in reconstructing public sentiment during World War II, demonstrating fiction's capacity to encode empirical realities of conflict—such as super-soldier experiments akin to those documented in Nazi records—while avoiding revisionist softening of the regime's inherent aggressions. Unlike later media trends, Golden Age iterations maintain a stark, ideology-focused condemnation, underscoring propaganda's effectiveness in aligning popular culture with strategic imperatives absent ideological sanitization.

Debates on Portrayal and Cultural Sensitivity

The explicit naming of the character as "Captain Nazi" has prompted occasional commentary on its potential insensitivity in media landscapes, where terms evoking historical atrocities are scrutinized for their on contemporary audiences, particularly those affected by intergenerational from . Critics, often aligned with cultural critiques, have suggested that such overt labels normalizing or trivializing Nazi through fictional , though these arguments typically to broader tropes rather than targeted campaigns against this specific figure. In contrast, proponents of retaining the moniker highlight its in 1941 wartime , designed as unambiguous to depict as an existential , predating widespread media depictions of the Holocaust's full and thereby serving an early in fostering to . Defenses of the portrayal emphasize first-principles to historical causation: the Nazis' self-identification as a of racial supremacy and necessitated equally fictional countermeasures to convey their inherent villainy without dilution, arguing that sanitizing names or could inadvertently soften perceptions of such ideologies' dangers. This view posits that unfiltered depictions, as in Captain Nazi's consistent defeats by like Captain Marvel Jr., reinforce clarity rather than endorsement, countering claims of by underscoring the character's as a foil embodying failed supremacy. DC Comics has maintained the name without alteration or censorship in reprints and new narratives, including appearances in Superman (vol. 3) Annual #3 (2015), affirming its utility as a stark emblem of unambiguous evil amid ongoing neo-fascist echoes. Such continuity avoids the revisionism seen in other media adaptations, prioritizing evidentiary historical context over subjective offense thresholds.

References

  1. [1]
    Captain Nazi - Multiversal Omnipedia
    Oct 19, 2024 · Captain Nazi was created by William Woolfolk and Mac Raboy where he made his first appearance in Master Comics v1 #21 (December, 1941) by ...
  2. [2]
    Captain Nazi (Albrecht Krieger) (Pre-Crisis) - DCU Guide
    First Appearance: Master Comics #21 (December 1941) [Fawcett] Creators: Bill Woolfolk? and Mac Raboy. Contents. 1 PERSONAL DATA; 2 HISTORY; 3 CHRONOLOGY; 4 ...
  3. [3]
    Captain Nazi - Fawcett comics - Captain Marvel enemy - 1940s
    Captain Nazi is one of the traditional enemies of Captain Marvel (Billy Batson). He appeared in 1941, which also explains the goofy name.<|separator|>
  4. [4]
    Who's Captain Nazi? - Siskoid's Blog of Geekery
    Oct 23, 2021 · The facts: Created by William Woolfolk and Mac Raboy in Master Comics #21 (1941), Captain Nazi first tangled with Captain Marvel and ...Missing: origin | Show results with:origin
  5. [5]
    Villains: Captain Nazi (Part 1) – Master Comics #21, December 1941
    Oct 26, 2012 · In Captain Nazi's first story we see the villain confronted by several Fawcett heroes, the full tale takes three issues to tell, and it crosses between ...
  6. [6]
    Captain Nazi | Villains Wiki | Fandom
    Captain Nazi appeared only sporadically in DC Comics' 1970s/1980s ... Nazi's first appearance in a new DC Comics story was in Shazam! #34 (March ...Biography · Fawcett Comics · DC Comics · DC Animated Universe
  7. [7]
    Albrecht Krieger (New Earth) | DC Database | Fandom
    Captain Nazi first appeared in Earth-S continuity in Fawcett Publications' Master Comics #21 by William Woolfolk and Mac Raboy. A new version was briefly ...History · Modern Era · Powers and Abilities · Powers
  8. [8]
    Captain Nazi | Key Collector Comics
    Early Years​​ Captain Nazi first appeared in the early 1940s, during a period when comic books were heavily influenced by the ongoing war. He was often depicted ...
  9. [9]
    Master Comics 21 (Fawcett) - Comic Book Plus
    Rating 10/10 (3) Nov 26, 2010 · Hitler introduces a new foe for the super heroes in America: Captain Nazi, who is sent to the United States specifically to destroy it's ...
  10. [10]
    Master Comics #21 CBCS 1.0 1941 17-2C06FE4-012 | eBay
    The Coming of Captain Nazi, script by Bill Woolfolk, art by Mac Raboy; Hitler introduces a new foe for the super heroes in America: Captain Nazi, who is ...
  11. [11]
    MASTER COMICS #21 - CGC FA/GD: 1.5 - ComicConnect
    This scarce Fawcett was printed in 1941 and features a dynamic Mac Raboy cover with Captain Marvel and Bulletman fighting Captain Nazi. It has the first ...Missing: debut | Show results with:debut<|separator|>
  12. [12]
    How Much Is Master Comics #21 Worth? Browse Comic Prices
    Publisher: Fawcett, 1941. About Master Comics #21. Part one of the Captain Marvel Jr. origin trilogy. Captain Marvel and Bulletman vs. Captain Nazi. Mac Raboy ...Missing: debut | Show results with:debut
  13. [13]
    Frederick Freeman (Earth-S) - DC Database - Fandom
    Origin. Early in the Second World War, the Third Reich unleashed a superhuman agent named Captain Nazi to clash with the American super champion Captain ...
  14. [14]
    Captain Marvel Junior - Cosmic Teams!
    When the elder Freeman tried to help Captain Nazi into their small boat, Nazi murdered him with a single blow. Freddie attacked Nazi with an oar, which was ...
  15. [15]
    'Captain Marvel' and 'Shazam!' Share a Complicated Past
    Apr 5, 2019 · Fawcett settled with National, agreeing to pay $400,000 in damages and permanently cease publication of the character. The final Captain Marvel ...
  16. [16]
    The Lawsuit You Might Not Know About Captain Marvel and Shazam
    May 13, 2020 · DC was able to settle out of court, and Fawcett agreed to stop publishing comic books in 1953 and to sell the rights of some of their characters ...
  17. [17]
    The Legal Battle Over Captain Marvel's Trademark And Copyright by
    The legal battle involved Fawcett, DC, and Marvel over Captain Marvel's name. DC sued Fawcett, then Marvel trademarked the name, forcing DC to use "Shazam!".
  18. [18]
    The History of Shazam: From Fawcett Comics to the Big Screen %
    was far from extinct. In 1972, DC entered into an agreement with Fawcett Comics to license the Marvel Family of characters, and the ...
  19. [19]
    The Fawcett Legacy at DC Comics - Cosmic Teams!
    Fawcett Comics, named after its building, created Captain Marvel (originally Captain Thunder). DC acquired the rights in 1972, using "Shazam!" and placing  ...
  20. [20]
    Albrecht Krieger as Captain Nazi (Earth-0) - League of Comic Geeks
    Captain Nazi. Creators. William Woolfolk · Mac Raboy. Information. First Appearance (Pre-Crisis, Earth-S). Master Comics #21. Nov 1941.Missing: Charles Fine<|separator|>
  21. [21]
    Captain Nazi - DC Comics - Captain Marvel enemy - 1970s - Profile
    Powers and Abilities. In terms of brawn, Captain Nazi doesn't seem to have changed much from the 1940s version. That is, he has enormous superhuman strength ...Missing: origin | Show results with:origin
  22. [22]
    Captain Nazi (Character) - Comic Vine
    Sep 17, 2023 · According to the episode, during World War II, Nazi scientists created the serum to create a super-soldier called "Captain Nazi", but the ...
  23. [23]
    Anti-Nazi Cartoons: How US Comic Books Supported the War
    Captain Nazi was genetically altered into a superhuman by his scientist father in order to fight for the Nazi cause. His strength and stamina provided him with ...Missing: design | Show results with:design
  24. [24]
    Captain Nazi - DC Comics | JSA enemy - Profile part 2 - Writeups.org
    2nd half of a full character profile for the modern version of Captain Marvel's enemy Captain Nazi. Pictures, powers, biography, quotes, etc.History (part 4) · Dc Heroes Rpg · Dc Adventures RpgMissing: appearances 2020-2025
  25. [25]
    Captain Nazi: Bio, Origin & History - Comic Basics
    Mar 19, 2019 · Captain Nazi is the creation of William Woolfork and Mac Raboy. He first appeared in Master Comics #21 back in 1941.
  26. [26]
    Captain Marvel Jr. (Fawcett, 1942 series) #1 - GCD :: Issue
    While they are fishing, Freddy's grandfather rescues the nefarious Captain Nazi, who promptly kills the grandfather and severely injures Freddy Freeman.
  27. [27]
    An Epic Golden Age Battle in Master Comics #21, at Auction
    Feb 21, 2022 · In late 1941, with the U.S.'s entry into WW2 imminent, Fawcett launched one of the most memorable crossover sagas of the Golden Age.
  28. [28]
    https://www.comiclink.com/itemdetail.asp?id=1369548
  29. [29]
    https://www.marvelfamily.com/comics/search/issueinfo.aspx?title=Shazam&issue=34
  30. [30]
    Power of Shazam! 5 - DCU Guide
    May 31, 2025 · Captain Nazi (Albrecht Krieger; first post-Crisis appearance; last in flashback in issue #8): Doctor Wolf Krieger (first appearance; the ...
  31. [31]
    THE NEW BEGINNING 30TH ANNIVERSARY DELUXE EDITION | DC
    Plus, Billy Batson witnesses the creation of Captain Nazi! Collects SHAZAM!: THE NEW BEGINNING #1-4 plus stories from ACTION COMICS WEEKLY #623-626! FIND A ...
  32. [32]
    The Power of Shazam! #19 | DC Comics Issue
    Synopsis. Captain Marvel Jr. has his final confrontation with Captain Nazi in New York...leading to the electrifying return of Chain Lightning!<|separator|>
  33. [33]
    Captain Nazi - DC Comics - Captain Marvel | JSA enemy - Profile
    In a 2010 appearance, Captain Nazi spots Wildcat (Ted Grant) hiding in shadows. ... These were a small group of skilled villains assembled by the real Lex Luthor ...
  34. [34]
    https://www.villains.fandom.com/wiki/Captain_Nazi
  35. [35]
    Captain Nazi - Profiles guide - DC Comics - Disambiguation
    Captain Nazi is a 1940s enemy of Captain Marvel (Billy Batson). But both these characters have been through reboots, which can be confusing to non-experts.
  36. [36]
    Gwandanaland: Public Domain Reprint Collections - Page 6 - Tapatalk
    First appearance of Captain Nazi (15pgs). WHIZ COMICS, 25, First appearance of Captain Marvel Jr. (16pgs). MASTER COMICS, 22, Captain Nazi/Captain Marvel Jr.
  37. [37]
    Ubermensch - Axis Amerika - Nazi - DC Comics - Character notes
    He resembles some other wartime Nazi comic-book villains. See our Captain Nazi disambiguation page for more 'bout that. Warped echoes. Young All-Stars was ...
  38. [38]
    An Epic Golden Age Crossover Battle in Master Comics #21, at ...
    May 15, 2024 · Captain Nazi then takes on Captain Marvel directly and again is forced to retreat before the battle reaches a conclusion. Master Comics was ...
  39. [39]
    Early Team Ups in Comic Books, Justice Society of America and All ...
    Feb 6, 2024 · 22 wherein Captain Marvel Jr. and Bulletman defeat Captain Nazi. You then have Daredevil No. 1 ( Daredevil Battles Hitler / July 1941 ) ...The crossover we wanted but never got . | FacebookI didn't make this but I thought it was cool | FacebookMore results from www.facebook.com
  40. [40]
    Fourth Reich (New Earth) | DC Database - Fandom
    ... Nazi organization dreaming of bringing about a new Nazi rule in the United States. Led by Captain Nazi, they are opposed by the Justice Society of America.
  41. [41]
    List of Secret Society of Super Villains members - Wikipedia
    Alexander Luthor Jr.'s Society. Organized by Alexander Luthor Jr. in the guise of Lex Luthor, the Society formed over rumors of the JLA mindwiping Dr. Light.
  42. [42]
    Justice Society: World War II and 5 Other Times DC Heroes Fought ...
    Feb 8, 2022 · Iconic moments include Captain America punching Hitler in the face ... The Justice Society Takes Down The Nazi's With The Help Of An Alternate ...
  43. [43]
    s03e07 - Patriot Act - Justice League Unlimited Transcript - TvT
    May 8, 2023 · s03e07 - Patriot Act Transcript. Original air date: 25-Feb-2006. General Wade Eiling from Cadmus steals the "Captain Nazi" super-soldier serum ...Missing: appearance | Show results with:appearance<|separator|>
  44. [44]
    Captain Nazi, who first appeared in Master Comics #21, faced off ...
    Sep 13, 2018 · The World War II Nazi agent character first appeared in the pages of Marvel comics in 1941. ... This is the first DC issue where Captain ...
  45. [45]
    Captain Nazi (DC Comics Character) | LOGO Comics Wiki | Fandom
    His character was designed to be a propaganda tool, reflecting the era's anti-Nazi sentiment. With superhuman strength, speed, and invulnerability, Captain Nazi ...Missing: intent | Show results with:intent
  46. [46]
    The Greatest World War II Propaganda Covers - CBR
    May 28, 2018 · ... Nazis and Japanese. Over at Fawcett, they introduced a new super villain named Captain Nazi. Anyhow, I figure I'll spotlight 20 of my ...
  47. [47]
    War and Superheroes: How the Writer's War Board Used Comics to ...
    Nov 3, 2015 · First, they offered a covert means of spreading propaganda to an enormous audience. Nearly half of all servicemen identified as regular comic ...
  48. [48]
    The Marvelous Captain Fawcett - Spike Magazine
    Oct 12, 2011 · By 1944, it was selling bi-weekly at 1.3 million copies per issue. Whiz Comics continued to be an anthology book featuring Captain Marvel and ...
  49. [49]
    Series :: Captain Marvel Adventures - GCD - Grand Comics Database
    Information on Fawcett Comics' annual sales of Captain Marvel Adventures ... CIRCULATION DATA 1941 - 2,631,934 1942 - 6,447,715 1943 - 11,834,535 1944 ...
  50. [50]
    Comic Books in WWII: When American Comics Went to War
    Nov 26, 2024 · Comics became the vessel to sell Americans on the idea of war and to build morale. Many storylines and characters did not rely on extraordinary ...
  51. [51]
    Punching Nazis: How WWII Superheroes Were Used as Propaganda
    Oct 12, 2023 · The Greatest Nazi-Smasher: Captain America. What Superman started, Captain America perfected, becoming the patriotic and antifascist ...
  52. [52]
    Take That, Adolf! How Comic Books Mocked the Nazis - VICE
    Jun 6, 2017 · Thanks, Mark. @joe_bish. More from VICE: Exploring the 'Nazi Village' of Jamel · I Found Love, Togetherness and Milk-Chugging Nazis at Shia ...
  53. [53]
    (PDF) Comics in Action: A Reflection of the Dominant Narrative in ...
    Jan 6, 2019 · In this paper, I argue that the propagandized use of comic books during World War II promoted views among Americans which contributed to ...
  54. [54]
    The Political Influence of Comics in America During WWII
    Aug 14, 2018 · Did you know that comic books were used as propaganda during World War II ... Comics have been a showcase for national views, slang, morals ...
  55. [55]
    [PDF] Invincible: Legacy and Propaganda in Superhero Comics
    Dec 18, 2014 · Comic book superheroes stories soon became a form of governmental war propaganda and began to provide a clean cut image suitable for young (and ...
  56. [56]
    10 DC Villains That Would Never Be Made Today - CBR
    Dec 21, 2019 · Captain Nazi was a Fawcett Comics villain who would fight Captain Marvel (now better known as Shazam after a lawsuit DC lost to Marvel Comics).
  57. [57]
    the representation of nazi villainy in american comics - Academia.edu
    ... Nazi villains. The largest mainstream comic book companies, Marvel and DC, still showcase the wickedness of the Nazi Party through the thin veil of the ...
  58. [58]
    Are Nazi supervillains still relevant in modern superhero comics?
    Apr 8, 2025 · You could use him in a Golden Age campaign, or in a time-travel plot, or as a modern-era Neo-Nazi. ... DC Comics Who's Who Super-Villain groups.Don't get the issue with Germans Nazi history morphing into ...It would be cool they did a comic were spiderman noir ... - FacebookMore results from www.facebook.com