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Fingering

Fingering is a term with several meanings in different fields. In music, it refers to the technique of assigning specific fingers to produce notes or chords on an instrument for efficiency, accuracy, and expression.^[1] In human sexuality, fingering denotes manual stimulation of the genitals, particularly the vagina or clitoris, using the fingers.^[2] In typing and keyboard use, it involves the standard placement of fingers on keys to facilitate touch typing without looking at the keyboard.^[3] In textiles and crafts, fingering can refer to a lightweight yarn category (fingering weight, suitable for socks and lace) or finger-weaving, a loomless weaving method using the hands.^[4]

In Music

Definition and Purpose

Fingering in music refers to the deliberate selection and sequencing of finger positions and movements to produce specific notes, chords, or effects on an instrument. It encompasses the thoughtful determination of which fingers to use and in what order for executing musical phrases, ensuring optimal hand positioning across the instrument's interface, whether keys, strings, or valves. This technique is fundamental to instrumental performance, applicable across various instruments that require manual dexterity for sound production. The primary purpose of fingering is to enable precise technical execution, maintain intonation control, and facilitate the navigation of complex passages with minimal physical strain. By adapting to individual hand sizes, instrument ergonomics, and the stylistic nuances of a composition—such as the flowing lines of Baroque music or the dynamic contrasts in Romantic works—fingering enhances overall ease of play and artistic expression. Well-chosen fingerings reduce unnecessary tensions, promote accurate velocity, and support expressive phrasing, allowing performers to convey emotional depth without mechanical hindrance.^[5] At its core, effective fingering relies on principles such as finger independence, strength, dexterity, and economy of motion. Finger independence involves the ability to articulate each finger separately without unintended interference from adjacent ones, which is crucial for handling polyphonic textures or rapid scalar runs. Strength and dexterity build the muscular control needed for sustained accuracy, while economy of motion prioritizes efficient paths that minimize stretches and crossings, conserving energy for prolonged performances. These elements collectively form the foundation for proficient playing, as outlined in pedagogical analyses of keyboard techniques.^[1]^[6] In practice, fingering directly influences tone quality and performance speed; for instance, subtle variations in finger attack can alter timbre and resonance, contributing to nuanced interpretations in piano or string repertoire. Similarly, strategic finger alternation in repeated notes or scales accelerates execution, enabling fluid tempos that would otherwise be impeded by suboptimal placements. These outcomes underscore fingering's role in bridging technical proficiency with interpretive artistry, often guided by numbered notations in scores for standardized application.^[7]^[8]^[9]

Historical Development

The origins of fingering practices in music emerged during the medieval and Renaissance periods, coinciding with the rise of polyphonic composition and the refinement of keyboard and plucked string instruments. Early keyboard fingering, documented as far back as 1462 in a source preserved in the Prague Castle Archive, focused on interval-based patterns suited to the organ and harpsichord, where players navigated multiple voices simultaneously.^[10] These techniques prioritized certain fingers for strength and dexterity; in German and Italian traditions, the second and fourth fingers were deemed the most reliable, while the thumb and little finger were often avoided to maintain even articulation in polyphony.^[11] Lute fingering, influential in Renaissance courts, drew from similar principles, emphasizing left-hand positioning for fretted chords and right-hand plucking patterns that mirrored keyboard independence, as seen in treatises like those referencing Hans Newsidler’s works from the 1530s. Organ traditions further shaped these practices, with fixed fingerings for scales and ornaments to accommodate the instrument's mechanical demands and limited key range. Key developments in the 17th and 18th centuries were driven by instrumental innovations and theoretical advancements, including the piano's invention by Bartolomeo Cristofori around 1700 and the broader adoption of equal temperament, which enabled fluid scalar passages across the octave.^[12] This shift encouraged greater thumb usage, transforming it from a subordinate finger to a pivotal one for position changes and legato playing. Carl Philipp Emanuel Bach advanced this in his 1753 Essay on the True Art of Playing Keyboard Instruments, declaring the thumb "the key to all fingering" and advocating alternating fingers for repeated notes and smooth transitions, building on Johann Sebastian Bach's earlier experiments with thumb-under techniques in works like The Well-Tempered Clavier.^[13] Muzio Clementi further systematized these ideas in his 1801 Introduction to the Art of Playing on the Piano Forte, introducing exercises that emphasized finger independence and evenness, tailored to the piano's dynamic capabilities and reflecting the era's growing emphasis on expressive control.^[14] The 19th and 20th centuries marked advancements centered on virtuosity and pedagogy, particularly in the Romantic era, where composers pushed technical boundaries to convey emotional depth. Franz Liszt exemplified this through compositions like his Transcendental Études (revised 1851), which demanded innovative fingerings for rapid octaves, arpeggios, and leaps, integrating wrist and arm motion with finger precision to achieve unprecedented speed and power.^[15] His teacher, Carl Czerny, contributed foundational methods in opuses like The School of Velocity (1838), promoting repetitive mechanical exercises to build finger strength and coordination, influencing conservatory curricula worldwide.^[16] By the 20th century, these evolved into standardized systems, such as those in Heinrich Neuhaus's teachings, which refined Romantic techniques for modern performance while preserving historical awareness. Cultural variations highlight diverse approaches beyond European traditions; for instance, in Indonesian gamelan music, dating back to at least the 8th century, fingering-like techniques involve specific grips for mallets on metallophones like the gender, using two- or three-finger holds to produce interlocking patterns (kotekan) that contrast with Western thumb-centric methods.^[17]^[18]^[19]

Notation and Markings

In musical notation, fingering is primarily indicated by small Arabic numerals (1 through 5) placed superscripts above or below the notes or chords, where 1 denotes the thumb, 2 the index finger, 3 the middle finger, 4 the ring finger, and 5 the little finger.^[20] These numerals guide performers on which finger to use for each note, facilitating smooth execution and technical efficiency. For keyboard instruments like the piano, the same numbering system applies to both hands, though conventions often position right-hand fingerings above the staff and left-hand fingerings below to avoid visual clutter and clarify hand assignment.^[21] Alternative or optional fingerings are typically distinguished through additional symbols, such as enclosing numerals in circles, squares, or parentheses, or using dashed lines connecting sequential options; circled numbers, for instance, may signal a hand position shift or secondary choice for difficult passages.^[22] Composer-provided markings, such as those explicitly indicated by Beethoven in several piano sonatas (e.g., in the "Pathétique" Sonata, Op. 13), appear in the original manuscript and are preserved in modern editions, often in italics to differentiate them from later additions. In contrast, editorial fingerings—added by publishers or performers—may use smaller fonts or brackets to denote interpretive suggestions rather than authoritative directives.^[23] Publishing conventions vary between urtext editions, which prioritize the composer's original text with minimal or no added fingerings (relying solely on any authentic markings), and practical or performing editions, which incorporate extensive editorial suggestions tailored for contemporary players.^[24] Music notation software like Finale supports these practices by enabling users to insert, customize, and automatically generate fingering numerals via metatools or plugins, streamlining the process for composers and editors.^[25] Challenges in fingering notation arise particularly in historical scores, where ambiguities stem from archaic systems—such as Baroque-era avoidance of the thumb (numbered 1 today)—that differ from modern conventions, requiring performers to interpret or adapt markings.^[13] Furthermore, standard fingerings may not accommodate variations in hand sizes, leading to subjective adjustments for optimal playability, as larger or smaller hands influence stretch and mobility.^[26]

Application to Keyboard Instruments

In piano playing, fingering techniques are adapted to the instrument's fixed linear keyboard layout, emphasizing efficient hand movement and even tone production across scales, arpeggios, octaves, and passages involving black keys. The thumb-under method, where the thumb passes beneath the third or fourth finger to pivot the hand during ascending or descending scales, is a traditional approach that facilitates smooth transitions in white-key scales like C major, using the standard right-hand fingering 1-2-3-1-2-3-4-1 for two octaves.^[27]^[28] In contrast, the thumb-over method involves rotating the hand so the thumb glides over the passing finger without tucking underneath, which reduces tension and allows for faster tempos, particularly beneficial in advanced repertoire.^[29] For black-key scales such as F-sharp major, fingerings are modified to accommodate the raised keys, typically employing 2-3 on the initial black keys in the right hand (e.g., 2-3-1-2-3-4-1-2) to maintain leverage and avoid awkward stretches.^[30] Arpeggio fingerings on piano prioritize rotational hand motion to span wide intervals fluidly. For a C major arpeggio (C-E-G-C), the right-hand ascending fingering is commonly 1-2-5-1, with the hand rotating outward on the fifth finger to prepare for inversion or extension.^[31] In octave passages, especially rapid ones, the standard 1-5 fingering is used for white-key octaves, while black-key octaves like those in F-sharp major often substitute 1-4 to exploit the keys' elevation for better control and legato connection, minimizing hand strain.^[32] Black-key passages, such as chromatic runs or diminished arpeggios, frequently assign the fourth finger to the top black key in groups of three (e.g., 3-4 for G-sharp-A-sharp) to ensure precision and evenness.^[33] On the organ, fingering integrates manual (hand) and pedalboard techniques to sustain polyphonic lines without dynamic variation from touch alone, relying on substitution for legato articulation. Fixed hand positions are maintained with curved fingers and level wrists to facilitate substitution—replacing one finger with another mid-phrase—essential for seamless connections in fugues, as the organ's wind chest sustains notes uniformly.^[34] Pedal integration involves coordinating toe-heel alternations (e.g., right toe on tonic, heel on dominant) with manual fingerings, such as using 1-2-3-4-5 for scalar manual lines while the feet handle bass, as outlined in standard methods emphasizing independence.^[35] Harpsichord fingering emphasizes fixed hand positions due to the instrument's plucked mechanism, which produces consistent volume regardless of touch, prioritizing clarity over sustain. Players maintain a static, rounded hand shape with fingertips aligned in a straight line and elbows at keyboard level to navigate polyphony without excessive motion, often using historical patterns like 1-2-3-4-5 for diatonic scales but substituting 2-3 for black keys to preserve position.^[36]^[37] Pedagogical approaches to keyboard fingering focus on building strength and adaptability. Hanon exercises, from The Virtuoso Pianist in 60 Exercises (1871), develop finger independence through repetitive patterns like the first exercise's 1-2-3-4-5 ascent in one octave, practiced at increasing speeds to enhance dexterity across all fingers.^[38] For players with small hands, adaptations include rolling chords—arpeggiating wide sonorities (e.g., a ninth chord from thumb to pinky) with sequential finger depression and wrist rotation—while large-handed players may stretch directly but still benefit from redistributing notes between hands.^[39] Standard fingerings appear in major and minor scales; for example, the right-hand D minor (natural) uses 1-2-3-1-2-3-4-5 (repeating the pattern for the second octave), starting with thumb on D.^[40] Common etudes, such as Czerny's Op. 599 No. 19, apply these in melodic gymnastics, with fingerings like 1-2-3-4-5 for ascending scales integrated into phrasing to reinforce scale technique.^[41]

Application to String Instruments

Fingering on string instruments primarily involves the left hand to alter the vibrating length of strings for pitch production, while the right hand handles bowing or plucking. In the violin family, including violin, viola, and cello, the fingerboard is divided into positions numbered from the nut, with first position covering the lowest notes using fingers 1 through 4. Higher positions, up to thumb position, require shifting the entire hand along the fingerboard to access notes beyond the first position without excessive string stretching. Shifting techniques emphasize smooth gliding of the hand, often led by the elbow or thumb depending on direction, to maintain intonation and integrate with vibrato, a subtle oscillation produced by finger pressure variation.^[42]^[43] For fretted instruments like the guitar and historical lute, fingering relies on pressing strings against metal frets to shorten the vibrating length precisely, enabling consistent intonation across chords and single notes. On the guitar, standard fingering uses fingers 1-4 for frets, with index and middle fingers often forming the root of major and minor chords, while the ring and pinky handle extensions; barre chords employ the index finger across multiple strings at one fret to transpose shapes efficiently. The capo, a device clamping strings at a chosen fret, shifts the effective tuning and simplifies fingering for higher keys without altering hand positions. The lute, with its tied gut frets, follows similar principles but typically uses thumb-under right-hand plucking, with left-hand fingering prioritizing economical stretches across double courses for Renaissance and Baroque polyphony.^[44]^[45]^[46] On the cello and double bass, fingering accommodates the larger scale with extended hand positions; thumb position, used for higher registers above fourth position, places the thumb on the fingerboard as a pivot, allowing fingers 1-4 to form hand shapes similar to first position but an octave higher. This facilitates secure intonation in demanding passages, with the thumb often contacting two strings for stability. Scordatura tunings, such as lowering the cello's A string to G in Bach's Cello Suite No. 5, alter sounding pitches while preserving standard fingering patterns, enabling easier chord voicings and expanded range without changing hand positions.^[47]^[48]^[49] Special techniques on string instruments include harmonics, produced by lightly touching strings at nodal points to sound overtones, and double stops, where multiple notes sound simultaneously. Natural harmonics arise from open-string nodes using fingers 3 or 4 for touches like the octave (halfway) or fifth (one-third), creating flute-like tones; artificial harmonics combine a pressed note with a light touch an interval away, often 1-4 fingering for fourths. Double-stopping requires arched fingers to press adjacent strings without muting, using combinations like open strings with fingered notes or 1-3/2-4 pairs for thirds and sixths, with intonation adjusted by pressure balance. Notation for these often includes diamond-shaped noteheads for harmonics and specific fingerings in performance editions.^[50]^[51]^[52]

Application to Wind and Brass Instruments

Fingering on wind instruments, particularly woodwinds like the flute, clarinet, and saxophone, relies on key mechanisms to open and close tone holes, altering the vibrating air column length to produce pitches across the chromatic scale. Standard key combinations enable systematic progression through scales; for instance, the flute uses a specific set of open and covered keys to sound C5 at 523 Hz, while the saxophone employs a similar but adapted pattern for the same pitch, and the clarinet achieves an octave lower C4 at 262 Hz due to its cylindrical bore and odd harmonics.^[53] These systems prioritize logical finger transitions for rapid scalar passages, with the left hand typically controlling higher notes and the right hand lower ones.^[54] Alternate fingerings in woodwinds provide options for correcting intonation discrepancies or executing ornaments like trills, often at the cost of added technical demands. On the clarinet, for example, players may substitute the standard right-hand cross for an F-C key combination (such as 3-6 or 2-3) to accommodate smaller hands or sharpen flat notes, while the trill key—engaged with the knuckle—facilitates half-step trills in chromatic runs without disrupting scale fingerings.^[55] Similarly, saxophone alternate fingerings adjust side keys for better tuning in the altissimo register, though they can complicate velocity in fast passages.^[56] Such variants enhance expressive control but require familiarity to avoid uneven tone or response.^[57] Variations in woodwind fingering systems, notably between the Boehm and German (Öhler) setups on the clarinet, fundamentally alter the logic of key operation and scale navigation. The Boehm system, originating in the 19th century, simplifies chromatic execution through ring keys and automated mechanisms that allow consistent pinky and thumb actions across registers, resulting in a brighter, more projecting timbre suited to orchestral use.^[58] In contrast, the German Öhler system retains a more intricate layout with additional keys for nuanced half-hole effects, demanding precise individual finger independence but yielding a warmer, subdued tone; it predominates in German-speaking regions due to pedagogical tradition.^[59] These differences extend to bore size and key placement, affecting how players approach transpositions and extended techniques.^[60] Cross-fingering techniques, common across woodwinds, involve partially or fully closing holes below the primary open tone hole to extend the effective bore length, enabling chromatic fills, overblown harmonics, and microtonal inflections. This method flattens pitches by creating acoustic perturbations—typically 15-50 cents depending on the instrument and register—facilitating quarter-tone bends or multiphonics in contemporary and folk contexts.^[61] In traditional folk playing, such as on simple flutes or recorders, cross-fingering supports overblowing to higher partials for modal scales, while modern applications use it for precise intonation adjustments during trills or vibrato enhancements.^[62]^[63] The technique's shunt impedance lowers cutoff frequencies, preserving harmonic balance without mechanical aids.^[64] Brass instrument fingering centers on valve sequences that insert extra tubing lengths, lowering the fundamental pitch in semitone increments for transposing models like the B♭ trumpet, where open fingering yields concert B♭ but sounds A. The three piston valves follow a harmonic logic: valve 1 lengthens by a whole step (approximately 12% of tubing), valve 2 by a half step (6%), and valve 3 by 1.5 steps (18%), with combinations like 1+2 producing a perfect fourth descent from the pedal tone.^[65] These patterns align with the instrument's overtone series, allowing efficient chromatic coverage across partials while compensating for transposition in ensemble settings.^[66] On the trombone, fingering manifests as slide positions rather than valves, offering a linear analog with seven primary positions that shorten the air column in semitone steps from the open (seventh) position's B♭ fundamental. Each position supports a harmonic series via embouchure and breath adjustments; for example, first position yields the pedal B♭ and upper partials like F and B♭, third position a major third higher (D), and combinations with the F attachment extend the range downward.^[67] This system demands precise slide control for intonation, contrasting valved brass but enabling smoother glissandi in jazz and orchestral solos.^[68]^[69]

In Human Sexuality

Definition and Overview

Fingering, in the context of human sexuality, refers to the manual stimulation of a partner's erogenous zones, primarily the genitals, using one or more fingers. This form of sexual activity encompasses stimulation of the clitoris, vagina, or anus and is a type of non-penetrative sex that can be performed by individuals of any gender on partners of any gender or orientation. It is distinct from masturbation, as it typically involves a partner, though self-stimulation with fingers follows similar principles.^[2]^[70] As a common element of foreplay, fingering plays a significant role in building sexual arousal and facilitating orgasm, often enhancing overall sexual satisfaction. Studies indicate that manual genital stimulation is prevalent in sexual repertoires across diverse populations, with many individuals incorporating it into partnered encounters to increase pleasure and orgasm likelihood, particularly for women who report higher orgasm rates when it is included alongside other activities. It is practiced widely among heterosexual, lesbian, gay, and bisexual couples, reflecting its versatility in promoting intimacy without relying on penetrative intercourse. Adequate lubrication, whether natural or artificial, is essential during fingering to prevent discomfort or injury, as the involved tissues are sensitive and prone to friction.^[71]^[72]^[2] Anatomically, fingering targets highly sensitive structures: the clitoral glans, with over 10,000 nerve endings, is a primary site for pleasure in vulva owners; the G-spot, a controversial but often described erogenous area on the anterior vaginal wall about 5-8 cm inside the vagina, may contribute to intense sensations when stimulated; and the prostate, a walnut-sized gland accessible via the rectum in people with penises, can produce profound arousal through indirect pressure. These areas' responsiveness underscores fingering's effectiveness in eliciting physiological responses like increased blood flow and muscle contractions associated with orgasm. Manual stimulation of erogenous zones has been recognized in ancient sexual texts from Indian traditions dating back over 1,500 years.^[73]^[74]^[75]^[76]

Vaginal Fingering Techniques

Vaginal fingering techniques primarily focus on manual stimulation of the vulva, clitoris, and vagina to enhance sexual pleasure, with an emphasis on ongoing communication and mutual consent to ensure comfort and enjoyment. These methods require awareness of female anatomy, including the sensitive clitoral hood, labia, and the textured anterior vaginal wall where the G-spot is located. Practitioners should start slowly, observing verbal and non-verbal cues to adjust intensity. Basic techniques often begin externally with the clitoris, using one or two fingers to apply gentle circular motions or light tapping, gradually varying speed and pressure to build arousal without overwhelming sensitivity. For internal stimulation, lubrication is essential to minimize friction; insert a single finger slowly, palm facing up, and use a "come hither" curling motion about 2-3 inches inside the vagina to target the G-spot, a spongy area on the front wall that may feel more pronounced when aroused. Multiple fingers can be introduced once relaxation occurs, with in-and-out movements or side-to-side pressure along the vaginal walls, always prioritizing the receiver's feedback to avoid discomfort. Positions for vaginal fingering vary to accommodate comfort and access, such as the receiver lying on their back with knees bent and legs apart for easy reach, sitting astride the giver's hand for control over depth, or standing with one leg elevated for spontaneity. Adaptations for different body types include using pillows for support in those with limited flexibility or shallower angles for varied anatomies, ensuring the giver's hand remains relaxed to prevent strain. Enhancements can integrate lubrication—preferably water- or silicone-based for longevity—with other elements like oral stimulation on the clitoris during insertion or incorporating small vibrators against the labia for added sensation. Common variations include edging, where stimulation intensifies toward climax but pauses repeatedly to heighten and prolong arousal, or focused massage of the labia through pinching and tugging to engage outer tissues before progressing internally. These approaches promote anatomical specificity, such as stroking the smoother vaginal walls versus the ridged G-spot region, fostering deeper pleasure through experimentation guided by consent.

Anal and Other Forms

Anal fingering involves the insertion of one or more fingers into the anus for sexual pleasure, emphasizing gradual progression to accommodate the sphincter muscles. Techniques begin with external stimulation, such as massaging the surrounding area to promote relaxation, followed by applying generous amounts of lubricant to reduce friction and prevent discomfort. Water-based or silicone-based lubricants are recommended for compatibility with condoms or toys if used alongside fingering. Once relaxed, a single lubricated finger is inserted slowly, allowing the receiver to control the pace and depth, often starting with shallow movements before advancing further.^[77] Integration of rimming, or oral stimulation of the anus, can enhance anal fingering by increasing arousal and lubrication through saliva, though additional lubricant remains essential. For individuals with prostates, typically males and some transgender women, prostate stimulation—often referred to as "milking"—targets the walnut-sized gland located about 2-3 inches inside the anus toward the belly button. This is achieved by curling the finger in a "come hither" motion or applying gentle circular pressure to elicit intense pleasure, potentially leading to orgasm or fluid release without penile stimulation. Relaxation of the pelvic floor is crucial, as tension can hinder access and enjoyment.^[78]^[79] Beyond the anus, fingering extends to other erogenous zones for broader sensory exploration, applicable in both solo and mutual practices. Breast and nipple stimulation involves light circling, pinching, or flicking with fingertips, which activates nerve endings similar to genital touch and can heighten overall arousal across genders. The perineum, the sensitive area between the anus and genitals, responds well to firm rubbing or pressing with fingers, often combining with anal play for amplified sensation. Inner thigh stimulation uses soft, teasing strokes to build anticipation, tracing upward toward the genitals while maintaining a rhythmic pace. These methods suit solo masturbation, where individuals experiment at their own rhythm, or partnered encounters, fostering intimacy through synchronized touch.^[80] Approaches to fingering these areas are inherently gender-inclusive, adaptable to cisgender, transgender, and non-binary bodies by focusing on individual anatomy and preferences rather than binary assumptions. For example, prostate stimulation applies to anyone with a prostate, while nipple and perineum techniques transcend genital configurations, allowing customization for trans and non-binary individuals exploring their erogenous maps. Sensory feedback plays a pivotal role, with practitioners attuned to verbal cues, moans indicating pleasure, or body language such as arching or tensing to adjust pressure and speed accordingly. Prioritizing relaxation through deep breathing or foreplay ensures a positive experience, mirroring parallels to vaginal techniques in emphasizing communication but distinct in addressing sphincter dynamics.^[81]^[82] Consent is a fundamental aspect of all sexual activities, including fingering, and must be affirmative, meaning a clear, enthusiastic, and voluntary agreement to engage in specific acts.^[83] This requires ongoing verbal or nonverbal communication throughout the encounter, allowing participants to check in regularly and revoke consent at any time without pressure or repercussions.^[83] Establishing boundaries beforehand, using safe words, and ensuring mutual comfort are essential practices to foster trust and prevent misunderstandings.^[84] While fingering carries a low risk of sexually transmitted infections (STIs) compared to penetrative sex, transmission is possible through skin-to-skin contact or bodily fluids, particularly for infections like herpes simplex virus (HSV), human papillomavirus (HPV), gonorrhea, and chlamydia.^[70] For instance, HSV and HPV can spread via open sores or viral particles on fingers, even without visible symptoms, while bacterial STIs like gonorrhea may transfer if fluids contact mucous membranes.^[85] Rough handling without adequate lubrication can also cause physical injuries such as abrasions, tears, or soreness, increasing vulnerability to infections.^[86] To minimize risks, practitioners should prioritize hygiene and preparation: wash hands thoroughly with soap and water before and after, trim and file nails to avoid scratches, and use water-based lubrication to reduce friction.^[87] Barriers like latex or nitrile gloves and finger cots provide additional protection against STI transmission and bacterial transfer, especially for anal play.^[85] Aftercare involves gentle cleaning, applying soothing agents like aloe vera if needed, and monitoring for discomfort; an ice pack wrapped in cloth can alleviate immediate soreness from friction.^[88] Fingering, as a form of manual stimulation, offers potential health benefits such as stress reduction through the release of endorphins and oxytocin, which promote relaxation and improved mood.^[89] It can also enhance sleep quality and provide emotional intimacy when consensual.^[90] However, individuals should seek medical attention if experiencing persistent pain, unusual discharge, itching, bleeding, or signs of infection lasting more than a few days, as these may indicate an STI, yeast infection, or injury requiring professional evaluation.^[88] Prompt consultation with a healthcare provider ensures timely treatment and peace of mind.^[91]

Other Contexts

In Typing and Keyboard Use

In typing and keyboard use, fingering refers to the systematic assignment of fingers to specific keys on a QWERTY keyboard to optimize speed, accuracy, and reduce physical strain during data entry. This practice originated in the late 19th century with the advent of mechanical typewriters, where standardized techniques emerged to accommodate the limitations of early machines. Frank Edward McGurrin, a stenographer, is credited with developing the foundational home row touch typing method around 1888, which emphasized finger placement without looking at the keys to increase efficiency in business correspondence.^[92] As typewriters evolved into electric models in the 1920s and later integrated into computing by the mid-20th century, these standards adapted to alphanumeric input devices, forming the basis for modern keyboard use in offices and personal computing.^[93] The standard QWERTY fingering assigns the left hand's fingers to the home row keys A (pinky), S (ring), D (middle), and F (index), while the right hand covers J (index), K (middle), L (ring), and ; (pinky), with thumbs responsible for the spacebar.^[94] Index fingers typically handle reaches to adjacent rows, such as the left index for keys like R, V, and 5, while pinkies manage outer keys like Q, A, Z, and P, ;, /, ensuring balanced load distribution.^[95] This setup minimizes crossovers and promotes muscle memory through consistent assignment, where each finger returns to its home position after striking a key. Touch typing principles further emphasize minimal finger movement—limiting reaches to one key row away where possible—and alternating hands to sustain rhythm and prevent fatigue, as seen in skilled typists who frequently alternate hands for bimanual keystrokes.^[96] Drills, such as retyping practice paragraphs from typing curricula, reinforce these habits by focusing on accuracy before speed, often starting with home row exercises like "ASDF JKL;" repetitions.^[97] Ergonomics in keyboard fingering prioritizes a neutral wrist position, with forearms parallel to the ground and wrists straight or slightly extended (0-20 degrees), to mitigate risks of repetitive strain injuries like carpal tunnel syndrome.^[98] Adjustable keyboard height—ideally at elbow level when seated—allows for this posture, and many setups incorporate wrist rests to support the heels of the hands without resting fingers. For laptops, external ergonomic keyboards or stands elevate the built-in deck to reduce hunching, while gaming adaptations include split or tented mechanical keyboards that accommodate rapid key sequences with low actuation force, maintaining standard fingering while curving the layout to align with natural hand angles.^[99] These principles have persisted from typewriter-era standards into digital computing, enabling typists to reach speeds of 60-80 words per minute with proper technique.^[100]

In Textiles and Crafts

In textiles and crafts, fingering weight yarn refers to a superfine category of yarn, standardized as Category 1 by the Craft Yarn Council, also commonly known as sock yarn or baby yarn due to its lightweight and delicate nature.^[101] This yarn typically yields 360-460 yards per 100 grams, depending on fiber content, making it ideal for projects requiring intricate stitchwork and a soft, airy drape.^[102] It is distinguished by its fine thickness, often measured at 14 wraps per inch, and is suited for both knitting and crochet where detail and breathability are prioritized.^[103] The term "fingering" traces its etymology to the Old French phrase fin grain, meaning "fine grain," which evolved through a 17th-century corruption into "fingram" and eventually "fingering" in English textile terminology, denoting high-quality, finely spun wool.^[104] By the 19th century, it had become associated with yarns suitable for hand manipulation, particularly in Scottish spinning traditions. Modern standardization emerged in the 20th century through organizations like the Craft Yarn Council in the United States and similar bodies in the United Kingdom, establishing consistent guidelines for yarn weights to aid crafters in pattern selection and substitution.^[101] Fingering weight yarn finds primary application in lightweight garments and accessories such as socks, shawls, mittens, and baby items, where its fineness allows for complex lace patterns and fitted constructions.^[101] It is typically worked on knitting needles sized US 1-3 (2.25-3.25 mm) or crochet hooks B-1 to E-4 (2.25-3.5 mm), achieving a standard gauge of 27-32 stitches over 4 inches in stockinette stitch, or approximately 7-8 stitches per inch.^[102] This gauge ensures a fabric that is both durable for wearables like socks and sufficiently open for decorative pieces like scarves. In contrast to thicker sport weight yarn (Category 2, roughly 300-360 yards per 100 grams, 5-6 stitches per inch), fingering provides greater stitch definition but requires more yardage; it is coarser than lace weight (Category 0, over 500 yards per 100 grams, finer than 8 stitches per inch), offering better structure for everyday items.^[101]^[103] Related techniques include finger-weaving, a traditional method employed in various indigenous crafts, such as those of Woodland and Plains tribes in North America, where artisans interlace multiple strands of fine yarn—often comparable to fingering weight—directly with their fingers to produce sashes, belts, and straps without a loom.^[105] This labor-intensive process emphasizes manual dexterity and pattern creation, echoing the hand-worked origins of fingering yarns while serving ceremonial and utilitarian purposes in cultural contexts.^[106]

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Feb 14, 2023 · The oldest source that tells us about fingering dates back to 1462 and is preserved in the Prague Castle Archive.
[13]
[PDF] ADAPTING THE FINGERING IN THE EARLY KEYBOARD MUSIC
1 In Germany and Italy, the good fingers were second and fourth fingers, but in the other European countries, the good fingers were the first, third, and fifth ...
[14]
7.1: Early Keyboard Instruments through the Baroque Period
Sep 23, 2022 · Early keyboard instruments include the Hydraulis, Clavichord, Virginal, Harpsichord, and Pipe Organ. The Hydraulis is the oldest known keyboard ...
[15]
https://www.cambridge.org/core/books/beyond-the-art-of-finger-dexterity/star-is-born-czerny-liszt-and-the-pedagogy-of-virtuosity/A63CE43B6CDC80B0965ABE3E7A5B6097
[16]
A Star Is Born?: Czerny, Liszt, and the Pedagogy of Virtuosity
Mar 10, 2023 · To get to the root of the role Czerny played in Liszt's virtuosity, it is important to come to an understanding of the nature of private musical ...Missing: 19th | Show results with:19th
[17]
The History of Piano Technique: The Finger School
Muzio Clementi required his students to practise with a penny on the back of the hand so that the hand remained still, all the work being done by the fingers ( ...
[18]
Rhythm Through Diversity: Gamelan - METRONOME ONLINE
Gamelan is music found in cultures of the Balinese, Javanese and Sundanese people, showcasing mostly percussive instruments.
[19]
Guide to Piano Fingering and Finger Placement - LiveAbout
May 9, 2018 · 1– · 5 written above or below notes in scales and songs. These numbers correspond to your five fingers and tell you which finger presses which ...
[20]
Fingering - MuseScore
Keyboard music employs the numbers 1–5 to represent fingers of the left or right hand. · Guitar music uses the numbers 0–4 to represent left-hand fingering (T is ...
[21]
Piano (sheet music) curves on top and numbers in circles
Aug 16, 2015 · the numbers are indeed fingerings. The circle indicates that the hand position is changing. The long curved lines are not sostenuto pedal ...What do these circled 7's and 8's mean? - Music Stack ExchangeNumbers above notes in piano sheet music? - Music Stack ExchangeMore results from music.stackexchange.com
[22]
Beethoven Henle fingering : r/piano - Reddit
Jan 30, 2017 · Henle typically places composer's fingerings in italics. All other fingerings should be considered editorial. Henle's fingerings for the Beethoven sonatas are ...Why did Beethoven use different fingers in this piece? : r/pianoWhat is the best publisher to get Beethovan Piano Sonatas from?More results from www.reddit.comMissing: music scores
[23]
On Editions - Practising the Piano
Nov 10, 2016 · One is the editorial fingerings that appear on the same level as the composer's otherwise unadulterated text. So often I find these ...
[24]
[PDF] FINGERINGS IN 'URTEXT' EDITIONS - Malcolm Bilson
Sep 29, 2017 · aspects of the majority of urtext editions is that the editorial work is done by a scholar, while the fingerings (or bowings in string music).
[25]
Fingering numbers
One of the easiest ways to put fingerings into a score is with the use of Metatools. The fingering numbers in the Maestro Font Default file have Metatools ...
[26]
Fingering Challenge!!!! - Piano Street
Jun 10, 2022 · "The most efficient fingering" is often subjective. People have different hand sizes, finger lengths, technical strengths and weaknesses.Missing: historical ambiguities
[27]
The Problem with Thumb-Under — and the Alternative - Entrada Piano
Aug 11, 2021 · Most pianists today, including myself, were taught to play scales with the 'thumb-under' technique—that is, the practice of flexing the thumb ...
[28]
Piano Major Scales - overview with pictures
Fingering: 1 = Thumb | 2 = index finger | 3 = middle finger | 4 = ring finger | 5 = little finger. LH = Left hand | RH = Right hand. Intervals and stepsPiano Minor Scales · Blues Scale Piano · Jazz Scale Piano · Fingerings
[29]
Improve Your Thumb Technique - Practising the Piano
Jun 15, 2016 · A very good exercise for thumb mobility is to play a scale with the thumb and one other finger in alternation. It is best done hands separately.
[30]
[PDF] berklee-online-piano-handbook.pdf
Nov 23, 2022 · As we have studied, scales that start on black keys use amended standard fingerings, often keeping the 123 1234 (RH) but starting on a note ...
[31]
[PDF] Scale & Arpeggio Fingerings for Piano (2 Octave)
This document provides rules and tricks for remembering fingerings for two octave scales and arpeggios on the piano, with a full list of fingerings.Missing: techniques | Show results with:techniques
[32]
Fast Octaves - Key-Notes
Aim for the inside edges of the keys: For the A octave in the right hand, the thumb should be close to B and the 5th finger close to G. Since the left hand ...
[33]
MASTERING THE SCALES AND ARPEGGIOS CONTENTS
The French fingering: Thumb on all white keysin right hand except Cand F. Third finger on all black keys. Thumb on all white keys in Three fingerings of this ...<|control11|><|separator|>
[34]
[PDF] TOUCH AND ARTICULATION ON THE ORGAN: - UGA Open Scholar
This document considers the advantages and disadvantages of the historical and modern approaches to touch and articulation on the organ.
[35]
[PDF] Fugues and Fingering, p. 1 - David Schulenberg
Working out reliable fingerings for all keys would have required discovering and applying certain general principles; in an age that valued reason and its.Missing: definition | Show results with:definition
[36]
[PDF] AN EXAMINATION OF THE KEYBOARD TECHNIQUE OF BACH ...
Bach's hand position is described by Forkel: "The five fingers are bent so that their tips come into a straight line."7Bach also preferred keyboards with a ...
[37]
Harpsichord Fingering
Harpsichord Fingering. Position at the keyboard. To be seated at a good height, the underside of the elbows wrists and fingers are level.
[38]
Hanon exercises - 240 Piano finger exercises in all keys
These finger exercises concentrate on improving a student's manual dexterity and strength through a series of repetitions. These sequences are then exercised ...All Piano Exercises · Piano exercise N°1 · Hanon Piano Play-Alongs · Read more
[39]
Piano Techniques for Players with Small Hands
Techniques include "rolling" chords, flattening the hand, redistributing notes, and leaving out inner notes. Technique is more important than hand size.
[40]
Czerny's Exercises and Etudes - Practising the Piano
Czerny did provide fingering for his etudes and exercises, although he also left some “free spaces” which sometimes are “filled in” by editors. Although I tend ...
[41]
How to shift correctly on the violin | The Strad
Jul 20, 2022 · Lower arm leads when shifting down, hand when up. Thumb moves with hand up, leads down. Reduce finger pressure, and use smooth gliding.
[42]
biomechanics of left-hand position changes (shifting) in violin ...
Oct 1, 2015 · The current study uses methods from movement science to examine the “how” and “what” of left-hand position changes (shifting), a movement skill essential ...
[43]
Guitar Techniques: Hammer-ons, Pull-offs, and Slides - Berklee Online
Feb 3, 2022 · Fret the notes on the 5th and 6th frets on string ⓺, with fingers 1 and 2. Pull off with your second finger. Move across all six strings in this ...
[44]
How Barre Chords Were Born on Guitar: The Bar Chord Formula
Mar 17, 2023 · In a barre chord, the first finger presses down behind the fret on more than one string. It can cover all six strings if necessary.
[45]
[PDF] Introduction To The Renaissance Lute for Guitar Players
Remember: the index finger is reserved for weak beats. 4. Notice that the lowest fret used (apart from the open strings) is the second (notated as c in the lute ...
[46]
Rules of Thumb (Position)—A Path Toward Mastering a Dreaded ...
Apr 5, 2025 · The most commonly used thumb position shape entails laying the thumb on its side across two strings, with the upper string roughly under the middle of the ...Missing: scordatura authoritative
[47]
100 Cello Warm-Ups and Exercises Blog 18: Cello Geography Part 4
In “thumb position” the joints are reversed: the distal phalange (the part with the nail) should be bent inward and the joint at the base of the thumb should ...
[48]
Bach cello suite 5 - effect of scordatura tuning | Classical Music Forum
Jul 12, 2023 · The point about scordatura is that you finger the notes as normal but get different notes sounding because the tuning is altered.
[49]
The Orchestra: A User's Manual - Violin Mute/Harmonics
Natural Harmonics. The string is lightly fingered at a nodal point to produce a "fluted" sound. The notation of natural harmonics is often inconsistent.
[50]
Violin Harmonics Simplified - So You Can Play Them Easily
The first finger presses down on the string for your fundamental note, and your fourth finger lightly touches the string at the same time to create the harmonic ...Types of Violin Harmonics · Violin Harmonics in Sheet...
[51]
Navigate Tricky Double-Stops in Simple Steps - Strings Magazine
Arch your fingers over the A string and touch the fingerboard only with the very tips of your fingers. Playing the open A with your fourth finger on the D ...
[52]
[PDF] The Acoustics of Woodwind Musical Instruments
Mar 8, 2018 · The flute (second from bot- tom) and saxophone (second from top) have fingerings that play C5 (523 Hz) and the clarinet (middle) plays C4 (262 ...
[53]
woodwindinstrume000787mbp.pdf
... Flute systems. 316. The eight-keyed flute. 316. Boehm. 320. Oboe systems. 325. The Trtebert oboe. 325. Clarinet systems. 330. Bassoon systems. 334. The Heckel.
[54]
[PDF] Performance and pedagogy - by Henry Gulick, Indiana University
I admit that for some students the hands are too small; the best fingerings then become 3 6 F-C key or 2-3 F-C key. Jack Brymer's book. Clarinet (Schirmer, ...
[55]
[PDF] A DESCRIPTIVE CATALOG OF THE SAXOPHONE COMPOSITIONS
poetry and play percussion instruments: large tam-tam, finger cymbals, glass bells ... trill on the saxophone ... divided into pairs: saxophone-clarinet, flute-oboe ...
[56]
[PDF] A Conductor's Guide to Wind Instrument Deficiencies - CORE
Alternate fingerings may also improve the intonation of these notes, but their use often brings on technical fingering complications. As a simple rule, the ...
[57]
Criteria for choosing a clarinet - Musical Instrument Guide
Fingering is complex. Used in Germany and by some clarinetists in other countries. Has a somber, subdued timbre. Boehm clarinet, An improvement over the complex ...
[58]
7. Clarinet systems - Thomann
The German system is more widespread in German-speaking regions than the Boehm clarinet. Clarinet teachers are more familiar with the German system and often ...
[59]
What clarinet systems exist? | Adams Musical Instruments
The two most well-known are the French Boehm system and the German Oehler system. Each system has a different bore and key mechanism. When reading a ...Missing: logic | Show results with:logic
[60]
[PDF] Cutoff frequencies and cross fingerings in baroque, classical, and ...
The tone holes of woodwind instruments are used to reduce the effective length of their bore. An open tone hole provides a low inertance shunt between the bore ...Missing: folk traditions
[61]
[PDF] Physical principle of pitch bent by cross-fingering
Abstract. Cross-fingering is a technique of playing woodwind instruments in which one or more tone holes are closed below the first open hole.Missing: overblowing microtonal folk traditions
[62]
[PDF] Analyses of the Composed and Improvised Works of Robert Dick
Aug 7, 2008 · and using cross fingerings, harmonics and alternate fingerings are still used to perform trills, tremolos, and to improve intonation. In the ...<|separator|>
[63]
Cross-fingerings and how to get rid of them - Plan Z Music
Dec 11, 2015 · The full chromatic range can be obtained by cross-fingering. This entails closing one or more tone holes below the highest open one.Missing: overblowing harmonics microtonal adjustments folk traditions
[64]
1.5: Brass Acoustics - Humanities LibreTexts
Jul 15, 2023 · As you have already noticed, there are only 3 valves on most brass instruments (or seven slide positions for the trombone). There are ...
[65]
Understanding Brass Instruments - The Instrumentalist
Concerning fingerings (or slide positions), consider this abbreviated harmonic series chart ... This approach to finding fingerings works on every brass ...
[66]
Trombone Position Chart | Amro Music, Memphis
Follow this trombone position chart to learn how to play the notes on the instrument. The free chart can be downloaded and printed for your reference.
[67]
Trombone lesson: Trombone slide chart | Digitaltrombone
The trombone has 7 slide positions, and you can play a selection of notes on each slide position. The notes are based on the harmonic series (or overtone series) ...Missing: fingering sequences
[68]
Trombone Slide Position Chart | Low Brass Playing Tips Sheet Music
This is the slide position chart for a standard straight tenor trombone – without an F attachment trigger.Trombone with F attachment · Bass Trombone Bb-F-Gb · 3CMissing: trumpet sequences transposing<|separator|>
[69]
What Is Fingering? Understanding Techniques and Safety - WebMD
Jan 7, 2025 · Fingering means using your fingers to stimulate another person's genitals. The clitoris is the most sensitive area for fingering because it has so many nerve ...Fingering and Pleasure · How Fingering Can Play Into... · Fingering and Consent
[70]
What is fingering? Is it safe? - Planned Parenthood
Oct 2, 2024 · Fingering is when someone uses their finger(s) or hand to stimulate their partner's clitoris or vagina. You can use your fingers to masturbate ...Missing: human | Show results with:human
[71]
Variations in Coital and Noncoital Sexual Repertoire among ... - NIH
Combinations of antecedent noncoital sexual behaviors (kissing, manual genital stimulation, oral–genital contact) and coitus may also fulfill a common cultural ...
[72]
Not All Orgasms Were Created Equal: Differences in Frequency and ...
Mar 31, 2017 · ... sex. Women were more likely to orgasm if their last sexual encounter included deep kissing, manual genital stimulation, and/or oral sex in ...
[73]
Anatomy, Abdomen and Pelvis: Female External Genitalia - NCBI
Feb 15, 2025 · The glans clitoris is the only visible portion of this organ and is richly innervated, containing approximately 8,000 nerve endings.
[74]
G-spot: Fact or Fiction?: A Systematic Review - PMC - PubMed Central
Terminal nerve branches in the vaginal wall were most dense at the second 1/5 partition from the inferior anterior wall · Lower density at the fourth partition ...Missing: endings | Show results with:endings
[75]
Sexuality in the kama sutra of vatsyayana - PubMed
Sexuality as described in the ancient treatise is considered under the heads of sexual foreplay, techniques of coitus, and genital oral sexuality.
[76]
22 Anal Masturbation Tips for Every Body: Techniques, Toys, More
Jul 30, 2020 · It can be helpful to begin by slowly pushing and pulling your finger or small toy in and out of your anus, past your sphincter. This will allow ...
[77]
Prostate Orgasm: Prostate Massage and the Male G-Spot - WebMD
Oct 18, 2024 · You can also stimulate the gland from the outside by massaging the prostate through the perineum, the area between the anus and the scrotum.
[78]
Tips for You and Your Partner to Have a Prostate Orgasm - Healthline
Jun 4, 2019 · Come hither: Gently insert your lubed index finger into the anus and curl your finger upward in a “come hither” motion toward the belly button.
[79]
A Guide to Erogenous Zones: How To Find and Stimulate Them
Apr 4, 2019 · Start with a light touch, and anything goes here. Trace around the areola before moving to the nipple and sucking, licking, and even flicking.
[80]
Arousal - Planned Parenthood
those are your erogenous zones.Missing: fingering | Show results with:fingering
[81]
With Pleasure: A View of Whole Sexual Anatomy for Every Body
Dec 22, 2009 · The prostate is highly sensitive to pressure and touch, and can be most acutely felt during receptive anal sex (in other words, when something ...
[82]
Consent 101: Respect, Boundaries, and Building Trust - RAINN
Aug 28, 2025 · Consent doesn't end with a “yes” or “no.” It requires clear communication, mutual respect, and ongoing agreement. Learn what consent looks ...
[83]
[PDF] PPFA Consent Survey Results Summary - Planned Parenthood
Consent means affirmative, conscious, and voluntary agreement to engage in sexual activity. There are varying beliefs about which behaviors do and do not ...Missing: ongoing | Show results with:ongoing
[84]
Can Fingering Give You an STI? - Verywell Health
Key Takeaways. You can get certain sexually transmitted infections (STIs) like HPV, gonorrhea, and herpes from fingering, but the risk is low.
[85]
Can you get an STD from manual stimulation? - MedicalNewsToday
Sep 24, 2020 · While there is a low risk of getting STIs from manual stimulation, such as a handjob or fingering a vagina or anus, there is still a possibility ...
[86]
Why Am I Bleeding After Being Fingered? - Healthline
Feb 8, 2021 · Wearing a disposable glove or using finger cots can also prevent the spread of bacteria. Some people find it helpful to file or trim their nails ...
[87]
Sore Vagina After Sex: 17 Causes and Pain Relief - Healthline
A sore vagina after sex is rarely an emergency and is often temporary. It could be due to vigorous sex, a yeast infection, an STI, or another condition.
[88]
Six Reasons Masturbation Is Good for You - Planned Parenthood
May 30, 2023 · Masturbation can reduce stress and help you sleep. Orgasms release endorphins, which are hormones that make you feel good and give you ...Missing: stimulation | Show results with:stimulation
[89]
6 Ways Sex and Masturbation Can Benefit Your Mental Health
Nov 1, 2022 · It can boost your self-confidence · It releases feel-good hormones · It can reduce stress and anxiety · It can help you sleep better · It's light ...
[90]
Can Fingering or Oral Sex Cause an Infection? (for Teens)
It's possible to get an infection from “fingering” (sex that involves fingers) or oral sex. One sign may be if your genitals stay itchy, sore, or red.
[91]
What is Touch Typing? - All The Right Type
Mar 8, 2023 · The history of touch typing dates back to the late 1800s, when a man named Christopher Sholes, a newspaper editor and printer, invented the ...<|control11|><|separator|>
[92]
The History of the Computer Keyboard - ThoughtCo
May 13, 2025 · After a series of technological developments, the typewriter gradually evolved into the standard computer keyboard your fingers know so well ...
[93]
Where Should Fingers Be Placed on the Keyboard? - Computer Hope
Jun 14, 2025 · Your thumbs should either be in the air or lightly touching the spacebar key. Computer keyboard finger placement. What fingers press each key ...
[94]
Fingers placement when touch typing - AgileFingers
Apr 20, 2023 · The most important thing is to place your forefingers in the middle of the third row of keys (counting from the bottom).
[95]
How we type - Computational Behavior Lab
In the touch typing system, every finger is assigned to one or two columns of the keyboard. All fingers are placed on their home position in the middle row and ...
[96]
Typing Lessons | Paragraph Practice
Practice writing skills with paragraph typing exercises. This practice lesson consists of short paragraphs about interesting subjects.
[97]
Mastering Keyboard Wrist Rest Ergonomics - Mount-It!
Aug 11, 2025 · Proper wrist rest use involves maintaining a neutral wrist position, supporting the palm heel during breaks, and using "hover typing" to avoid ...Finding Your Neutral Wrist... · Using A Wrist Rest The Right... · Building Your Complete...
[98]
The 3 Best Ergonomic Keyboard of 2025 | Reviews by Wirecutter
Sep 8, 2025 · Ergonomic keyboards can make typing more comfortable. The Logitech Wave Keys is the best one you can buy.Who This Is For · How We Picked · The Competition
[99]
Typing Through Time: Keyboard History
This paper will explore the history of typing, detailing the innovations across time that have accumulated into the definition of today's standard.
[100]
Standard Yarn Weight System | Welcome to the Craft Yarn Council
The HAND symbol can be used to represent gauge for yarns that do not require hooks and/or knitting needles, including, but not limited to, loop yarns and arm/ ...
[101]
Complete Guide to Fingering Weight Yarn - Sarah Maker
Aug 11, 2022 · Fingering weight yarn typically has 360-460 yards per 100g skein. The yardage will vary depending on the fiber content of the yarn. So ...
[102]
What is fingering weight yarn - facts, numbers & uses
Fingering weight yarn is for 2.25-3mm needles, 360-480 yards per 100g, 14-24 wraps per inch, and 27-32 stitches per 4 inches.
[103]
Knitting Terms - Yarn Weights - The Knit Picks Staff Knitting Blog
Feb 7, 2017 · Fingering. Also has an interesting history, as it does not come from the English word “finger”. It is actually a corruption of the Old French ...Missing: 14th | Show results with:14th
[104]
Finger Weaving—An Ancient Tradition That Binds Us Together
Aug 21, 2024 · Finger-woven sashes are part of the regalia of the Woodland tribes, Central Plains tribes, and Southeastern tribes such as the Chickasaw.
[105]
Threads Through Time: Finger Weaving | Culture - Cherokee Phoenix
Aug 15, 2023 · Finger weaving history: Historically, Cherokee women did the weaving to create garters, belts, bag straps and other items for either utilitarian ...